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Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest

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Mr. Vampire III
(Ling Wan
Sin Sang,
靈幻先生)

Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m
***1/2
Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.

Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest

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Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest

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Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest

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Animation Features Live Action Movies

Boonie Bears
Guardian Code
(Xiong Chu Mo
Ban Wo Xiong Xin,
熊出没·伴我“熊芯”)

Directors – Lin Yongchang, Shao Heqi – 2023 – China – Cert. PG – 99m

****1/2

Abandoned by their mother as children, bear siblings Bramble and Briar uncover a conspiracy involving roboticists and robots – in a dubbed format for family audiences – out in cinemas on Friday, May 26th following its premiere at the Prince Charles Cinema around midday on Saturday, May 13th

Bear cubs Bramble (voiced in the English language version by Siobhan Lumsden) and Briar (voice: Nichalia Schwartz) enjoy and idyllic life in the Pine Tree Mountain forest in the care of their loving, lullaby-singing mother Barbara (voice: Kally Khourshid). Barbara shows them her amber pendant containing a moon and a star shape, one for each of her two cubs who have those shapes in light patches of fur on their chests. (Bramble is the one with the yellowish fur and Briar the one with reddish fur.)

One day, Briar sees her walk away through the burning ruins of a house as if she never knew him. The brothers never see her again, growing up on their own and looking out for one another.

Years later, the adult Bramble (voice: Joseph S. Lambert) and Briar (voice: Patrick Freeman), disguised as robots using makeshift fridge and washing machine costumes that would give the robot performer of Brian And Charles (Jim Archer, 2022) a run for his money, are being driven by their best friend the human Vick (voice: Paul ‘Maxx’ Rinehart) along with roboticist Dr.… Read the rest

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Master Gardener

Director – Paul Schrader – 2022 – US – Cert. 15 – 107m

****

Order and chaos. A man works bringing horticultural order to his employer’s garden estate, but the disorder of his past threatens to catch up with him and wreak havoc upon it

Or. A man engaged in sexual relations with his female employer becomes involved with her grandniece, to whom his employer may one day leave her inheritance

Or. A man orders his employer’s garden estate until she ejects him for sleeping with her grandniece, leaving the pair to survive in the tough world beyond – out in UK cinemas on Friday, May 26th

This appears to be a double-edged sword. On the one hand, it concerns a man (the central character, the eponymous master gardener) imposing order, but he is a man coming from chaos and at some point that chaos may undo what he has achieved there. On the other, it concerns two women – one his monied, controlling, matriarchal employer, the other her grandniece, from the wrong side of the tracks, who the employer wants to learn the business. The man is initially the lover of the first and, later, becomes the lover of the second, for which the first fires him.… Read the rest

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Sisu
(Sisu)

Director – Jalmari Helander – 2022 – Finland – Cert. 15 – 91m

****

A gold miner taking time out from WW2 must get past a Nazi unit in the Lapland wilderness in order to deposit his gold at the bank – entertaining but violent gorefest is out in UK cinemas on Friday, May 26th

1944. Lapland. A man (Jorma Tommila from director Helander’s Big Game, 2014; Rare Exports: A Christmas Tale, 2010) has withdrawn from the war to search for gold in the wilderness. The retreating German army, meanwhile, is pursuing a ‘scorched earth’ policy, destroying everything in its path. The man digs. He finds a rich seam of gold. He fills his saddlebags. Now all he has to do is get them to the nearest bank in the nearest town.

He sets off with his horse and his dog. Between him and his destination is a Nazi unit with a ruthless, sadistic commander (Aksel Hennie from The Middle Man, Bent Hamer, 2021, The Martian, Ridley Scott, 2015; Pioneer, Erik Skjoldbjærg, 2013; Headhunters, Morten Tyldum, 2011), a tank and two lorries carrying German infantry and Finnish women prisoners respectively.

All this takes place in a world where everyone, Finns and Germans, speak English.… Read the rest

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Hypnotic

Director – Robert Rodriguez – 2023 – US – Cert.15 – 93m

**

A police detective stumbles upon a conspiracy involving people with mind-bending powers – out in UK cinemas on Friday, May 26th

An underlying insistent rhythm opens Hypnotic, the clicking of a pen in a hand. It belongs to the therapist of Danny Rourke (Ben Affleck) and disturbs his recurring memory. He’s in the park watching his seven-year-old daughter. For a moment, his attention wanders. Then he realises she’s gone. Before that, he saw a man, who he is sure must have kidnapped her. The therapist wants to know, does he feel fit enough for active duty?

Then he’s in the squad car with police partner Nicks (JD Pardo), responding to a tip off about an imminent armed robbery of a safe deposit box in a bank. From the CC TV van at the site, he spots two armed security van guys before panning over to the suspicious man (William Fichtner) speaking to a woman on a park bench. She rises and, suddenly convinced there’s a heatwave, starts peeling off layers of clothing as she walks. He says something to the two van guys. After Rourke has talked his way into the bank vault and discovered a Polaroid of his vanished daughter bearing the name Dellrayne inside the safe deposit box, the suspicious man says something to a bank teller, who admits him and the two van guys to the vault.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

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Are You
There God?
It’s Me,
Margaret.

All stills: Dana Hawley / courtesy of Lionsgate UK

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out in UK cinemas on Friday, May 19th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Documentary Features Live Action Movies

The Other Fellow

Director – Matthew Bauer – 2022 – UK – Cert. 15 – 80m

**1/2

The name’s Bond. James Bond. This is a look at real life people who share the name of Ian Fleming’s popular spy character – out in UK cinemas and on demand from Friday, May 19th

What’s in a name? When Ian Fleming was looking to name the secret agent he’d written a novel about, he wanted a dull, ordinary name that wouldn’t stand out. On his shelf in Goldeneye, the Jamaican retreat where he wrote the books, was Birds Of The West Indies by James Bond. It was perfect. He stole the name for his character. When the wife of the real James Bond later got in touch by letter, Fleming was concerned they were going to sue. Fleming appears in a film clip from that time, which must be used here two or three times. The author’s wife and the bird book author James Bond himself are here played by actors Tacey Adams and Gregory Itzin.

That’s just one of the stories about identity in this brilliantly conceived documentary about people named James Bond. There’s a Bond family who have been passing the name James down for generations and weren’t going to stop because of Ian Fleming’s character.… Read the rest

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Fast X

Director – Louis Leterrier – 2023 – US – Cert. 12a – 141m

*1/2

In this latest entry in the Fast & Furious franchise, the son of a crime lord killed ten years ago sets out to exact his revenge on daredevil driver Dom Toretto and his family and associates – out in UK cinemas on Friday, May 12th

The tenth installment in the Fast & Furious franchise turns out to be the first part of a two-parter, with Fast X Part 2 now in preproduction. So don’t be surprised when this ends on a cliffhanger (actually a couple of cliffhangers).

Ten years ago, in Rio de Janeiro, crime lord Hernan Reyes was pursuing along a lengthy bridge two cars which had physically ripped the vault containing all his monetary wealth out of the middle of his headquarters building before dragging it behind them, during which Dom Toretto (Vin Diesel) turned back to swing the vault on its chain to crush the crime lord to death in his car Hernan’s son Dante (Jason Momoa) survived the incident, and has sworn to inflict suffering and death upon Dom and his family. This is the move (or at least the first of two) in which he gets to work that out.… Read the rest

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A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest

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Plan 75

Director – Chie Hayakawa – 2022 – Japan – Cert. 15 – 113m

**1/2

Dystopian drama Plan 75 posits a plan whereby Japanese people can voluntarily have themselves terminated after age 75 and examines some of the resultant social fallout – out in UK cinemas and on Curzon Home Cinema from Friday, May 12th

Sedate classical piano music is playing on the soundtrack. The image – out of focus, could be looking down a corridor. After a long wait, a man in a T-shirt and jeans walks, in focus, into picture foreground. There appears to be blood on his arm and he is carrying a shotgun. Ahead of him, as it now comes into focus, the corridor floor is sparsely scattered with objects: a cup and a bowl, an old person’s walking stick with four legs, something else which we can’t quite make out. He washes at the sink. Another corridor – a fallen walking stick, a pair of slippers, an abandoned bathrobe or perhaps a towel, a collapsed, half-folded wheelchair, wheel still spinning. T-shirt and jeans with shotgun descends the stairs. After a contentious voice over, T-shirt and jeans waits a long while, then points the barrel of the shotgun at his head and uses his feet to pull the trigger.… Read the rest

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Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – out in UK cinemas on Friday, May 12th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest

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Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

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Born To Fly
(Chang Kong
Zhi Wang,
长空之王,
lit.
King Of The Sky)

Director – Liu Xiaoshi – 2023 – China – Cert. 12a – 128m

***1/2

Genuinely thrilling action movie about Chinese test pilots owes much to US movies Top Gun and The Right Stuff, even as it attempts to justify current expansionist Chinese views – out in UK and Irish cinemas on Friday, May 5th

From above the clouds. Two stealth jets. Down towards the sea surface and an oil platform flying a Chinese flag. Coffee in a cup vibrating Jurassic Park (Steven Spielberg, 1993) style to indicate the imminent approach of the monster. Sonic boom. Aircraft fly past. Oil rig windows blow out. Faces are cut to ribbons. In one cockpit, the pilot radios his colleague and, presumably, anyone else listening (in US English): “we can come and go anywhere we want.”

Then, a Chinese plane after them. In their sights. But, before the American can shoot it down, the Chinese loops the loop, transforming from target to shooter. Vowing, like that villainous Hollywood icon The Terminator (James Cameron, 1984) to be back, the US pilots leave Chinese airspace.

The Chinese aircraft, meanwhile, clearly inferior to its US counterparts, suffers flameout requiring its ace pilot to make a forced landing during which its drogue parachute fails to open.… Read the rest

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Lakelands

Director – Robert Higgins, Patrick McGivney – 2022 – Ireland – Cert. – 100m

****

The health of an amateur player of Irish football suffers after he gets badly beaten up one night, forcing him to withdraw from playing – out in UK cinemas on Friday, May 5th

Football. Violence. This is a film that soft-soaps neither, yet it has no interest whatever in any justice / revenge plot resolution, opting instead for a very different approach.

It’s actually quite a gentle, downplayed affair focusing on the after effects of violence on a person’s life. It’s a rare foray into the landscape of masculine sensibilities, in a far more thoughtful and considered way than is usual in the cinema. For a start, it’s framed by farming, with protagonist Cian (Éanna Hardwicke) working on his dad’s farm caring for livestock, mucking out cowsheds, driving in fence posts and so forth, a slow, seasonal pace of life. And then his involvement in football (in this case, Irish football, which isn’t something this reviewer has seen much of on the screen, or, indeed, anywhere) is presented as a driving passion in marked contrast to the farming; you get the impression of a full, worthwhile existence, punctuated by nights out drinking with fellow players in the local town’s pubs and clubs.… Read the rest

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The Blue Caftan
(Le Bleu Du Caftan)

Director – Maryam Touzani – 2022 – Morocco – Cert. 12a – 122m

****

A love triangle between a gay dressmaker, his wife and the man’s new apprentice, a movie which deserves to be cherished for a wide variety of reasons – out in UK cinemas and on BFI Player (rental) from Friday, May 5th

Halim and Mina (Saleh Bakri and Lubna Azabal) run a traditional clothing store in the street of one of the oldest medinas in Morocco. He inherited the store from his father, a maleem or master craftsman, and laments the fact that, with the rise of modern technology, the old skilled craftsman is dying out as people can buy the same products, made instead by machines, for lower cost. He gets very excited when his new apprentice Youssef (Ayoub Missioui) turns out to possess a rare aptitude and enthusiasm to learn those skills.

At the same time, Halim has a secret: in a conservative Muslim country where homosexual acts constitute a punishable offence, he is a gay man. He loves his wife dearly and would do anything for her, but his preference is for those of his own gender. She has learned to live with the fact.… Read the rest

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Return To Seoul
(Retour À Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – out in UK cinemas on Friday, May 5th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too pretty well, but no Korean. (In South Korea, English appears to function as the go to language for communicating with foreigners.) She feels French. The film takes place in South Korea and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Animation Features Movies

Blind Willow,
Sleeping Woman
(Saules Aveugles,
Femme Endormie)

Director – Pierre Földes – 2022 – France, Canada, Luxembourg, The Netherlands – Cert. 15 – 100m

*****

Three characters experience the aftermath of the 2011 Tokyo earthquake in a story based on six Haruki Murakami short stories – animated feature is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th

This is an animated feature based on six Haruki Murakami short stories which comes not, as you might expect, from Japan, but rather from one of the few other countries that can reasonably be said to have an animation industry: France. Writer-director Pierre Földes, whose father Peter is an award-winning animator, further confounds expectations by making a film of six Murakami short stories… [Read the full review at All The Anime…]

Blind Willow, Sleeping Woman is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th.

It was out in cinemas in the UK on Friday, March 31st.

Trailer:

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Lakelands

A time for reflection

Lakelands

Directed by Robert Higgins, Patrick McGivney

Certificate 15, 100 minutes

Released 05 May

We plan our lives, or not, and they proceed, and everything’s hunky dory. Or sometimes things come out of nowhere and throw us for six. And then, no matter how seemingly impossible, we have to deal with those things. As part of the whole deal of being human.

A small, Irish town. Cian (Éanna Hardwicke) is a young man in his early twenties who works on his dad’s farm. He also plays Irish football, which like many team sports demands a level of dedication, and often goes out with mates to pubs and clubs. One night, at a club, he gets into an argument with a stranger over a girl. It’s not really anything of significance; boys, as they say, will be boys.

What happens next is a whole other deal, though… [Read the rest at Reform magazine.]

Read my alternative, less religious review on this site.

Trailer:

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The Dead
And The Deadly
(Ren Xia Ren,
人嚇人)

Director – Wu Ma – 1982 – Hong Kong – Cert. 12 – 99m

*****

A couple planning an inheritance swindle convince their victim to play along then kill him, after which he comes back as a ghost to take revenge – classic and seminal HK kung fu comedy is out on UK Blu-ray in a 2K restoration.

Made three years ahead of Mr. Vampire (Ricky Lau, 1985), this puts all the elements of that film in place, apart from the vampires. Actually, they’re not so much vampires as hopping ghosts (jiangshi). There’s no hopping in The Dead And The Deadly, but there are ghosts.

Chu (Sammo Hung) becomes suspicious when best friend Ma Lucho (Wu Ma) dies, suspecting Mrs. Ma (Leung Mei Hei) and her priest companion (Chung Fat) of poisoning him. As becomes clear from an early scene in a brothel, Ma is not gifted with women, so Chu is surprised that his surviving wife is pregnant. What he hasn’t realised is that Ma is actually in on the scam and is only pretending to be dead.

But that changes about an hour in when Ma’s two co-conspirators kill him for real to get his money, as Mrs.… Read the rest

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Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

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Leaving To Remain

Director – Mira Erdevički – 2022 – UK – Cert. 12a – 88m

**1/2

Three Roma people who have settled in the UK after leaving the Czech and Slovak Republics must navigate life both after Brexit and during the pandemic lockdown – out in UK cinemas on Friday, April 28th

Something film does extremely well is to show people’s lives or wider social attitudes at a given point in time. This documentary was planned to explore a very specific subject matter, but when events changed, the film changed with them to take account of developments. Erdevički originally intended to study the effect on Roma people immigrating to the UK, but as she was doing so, first, the UK’s vote in favour of Brexit resulted in extra bureaucratic obstacles for these people to navigate should they wish to stay in the UK and, second, trying to deal with all that as well as facing all the challenges everybody else was facing under pandemic lockdown. During the pandemic, she had her three subjects film themselves.

Ondrej

Erdevički has chosen her three Roma subjects well: they are all go-getters. The type of people who get things done. All three have come to the UK because they or their families wanted to better their lives and make a positive contribution.… Read the rest

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Documentary Features Live Action Movies

The Creeping Garden

Directors – Jasper Sharp, Tim Grabham – 2014 – UK – Cert. E – 81m

***1/2

You wouldn’t make a documentary about slime mould unless you found it fascinating. These two filmmakers clearly do so and their enthusiasm is likely to win you over – available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Plasmodial slime mould. I have to confess that before this film came along, I’d never even heard of it. The Creeping Garden gives me the impression that I am not alone in this, since within the confines of biology, few researchers have paid much attention to the phenomenon. However, those few who have done so and are featured here – plus an artist – are clearly smitten.

To the naked eye, plasmodial slime mould is similar to fungus. There is one huge difference between the two: slime mould moves. Purposefully. Not that you’d notice in passing because it moves very, very slowly…

[read the full review at DMovies.org]

The Creeping Garden is available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Review originally published on DMovies.org on 07.03.2017.

Trailer:

Categories
Animation Features Movies

Junk Head

All images: ©2021 MAGNET/YAMIKEN

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

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Features Live Action Movies

How To
Blow Up
A Pipeline

Collaborators – Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber – 2022 – US – Cert. 15 – 103m

****

An eco-terrorism thriller based on the manifesto by Andreas Malm – out in cinemas in the UK on Friday, April 21st.

Credited as a film by its four main collaborators (its three writer-producers and its editor) rather than (as is the usual industry practice) merely its director Goldhaber (Cam, 2018), this is based on climate change activism apologist Andreas Malm’s non-fiction treatise which argues for the destruction of property e.g. fossil fuel industry infrastructure as part of the fight against the fossil fuel industry which is causing climate change. What the book doesn’t do is tell the reader the techniques and specifics that would enable them to actually blow up a pipeline.

Likewise, this movie doesn’t provide the viewer with the knowledge and technical wherewithal that would enable them to blow up pipelines after watching it. Like Malm, it offers moral justification(s) for the act. It shows a committed group of young people who have between them carried out extensive research into everything necessary for their planned act and reached a point of moral choice where they feel they have no other option than to carry out such an action.… Read the rest

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Features Live Action Movies

Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest

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Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest

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Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Vermeer
The Greatest Exhibition

)

Director – David Bickerstaff – 2023 – UK – Cert. PG – 90m

****

A tour around the Rijksmuseum’s current, sold out Closer to Johannes Vermeer exhibition, with comments from museum staff members and an art critic – out in cinemas both in the UK and around the world from Tuesday, April 18th

The latest instalment in producer Phil Grabsky’s excellent Exhibition On Screen series about art might be seen as something of a blockbuster: its subject is at once a famous artist and the current unprecedented, likely never to be repeated, comprehensive exhibition of that artist’s work. This allows the film to navigate the painter’s entire career in a chronological journey both through his images and, in a secondary, incidental journey, through the gallery itself. The latter journey is just there, visible but never described. Visitors tends to go to an art gallery to see its contents, or as in this case, a particular exhibition, not the gallery itself.

The blockbuster is the current exhibition at the Rijksmuseum in Amsterdam, entitled Closer To Johannes Vermeer, which runs from Friday, February 10th to Sunday, June 4th 2023 and is completely sold out. Vermeer (1632-1675) lived in the Dutch town of Delft, and in his active years as an artist painted only two or three pictures a year.… Read the rest

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Features Live Action Movies

How To
Blow Up
A Pipeline

Combatting spiritual wickedness

How to Blow Up a Pipeline
Film by
Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber
Certificate 15, 103 minutes
Released 21 April

A radical film whose four makers eschew the widespread film industry notion of the film director as sole author, film production being a collaborative process. It follows a group of young eco-terrorists pursuing their eponymous goal. That title is taken from Andreas Malm’s book, which argues that the fossil fuel industry’s ‘business as usual’ approach to global warming dictates that the only effective way to fight climate change is via property destruction and sabotage.

If this sounds a long way from any concept of non-violent Christian protest, bear in mind the biblical mandate of good stewardship over God’s creation. Here lies a challenging tension. At the present time, these ideas appear to be in conflict and different believers may come to very different conclusions. The apostle Paul tells us, ‘If it is possible … live at peace with everyone.’ But has the fossil fuel industry made it impossible?… [Read the rest at Reform magazine]

This review originally appeared in Reform magazine.

Read my longer, alternative review on this site.

Trailer:

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto: Coda

Director – Stephen Nomura Schible – 2017 – Japan – Cert. PG – 100m

*****

Review originally published on All The Anime ahead of UK release on Friday, June 29th 2018; published here following Sakamoto’s death on Tuesday, 28th March 2023 – screening on MUBI as of Thursday, April 13th

Portrait of the artist at age 66. A new documentary Ryuichi Sakamoto: Coda finds musician Ryuichi Sakamoto working on a new album following a third degree throat cancer diagnosis and time off work for treatment. At the same time, it presents a select chronological appraisal of his career from Yellow Magic Orchestra and Merry Christmas Mr Lawrence up to the present day.

Like Sakamoto himself, Coda starts and ends with the piano. But not just any piano. Sakamoto had heard of one that survived the 2011 Fukushima tsunami and wanted to find out for himself what it sounded like. He is shown a tidemark on a curtain “up to which the piano floated” and another tidemark on the piano itself indicating its journey. He’s impressed with its sound…

[Read the rest at All The Anime…]

Trailer:

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R.I.P. Ryuichi Sakamoto

Written a few days after his death on Tuesday, 28th March 2023.

I’m actually quite shocked by this news. There’s a story here… It’s been a long time since I interviewed film people: these days it’s mostly reviews and a few features. Ryuichi Sakamoto was the very last person I interviewed face-to-face, in 1999 around the time of his BTTB and Cinemage albums. (I have since been privileged to write a piece about him again on the film Ryuichi Sakamoto: Coda, 2017).

Before the interview took place, there was one huge problem: his interview schedule was full. “But don’t worry”, said the publicist looking after him, “if you can get yourself over to the BBC Studios in Maida Vale for 4pm, Jools Holland is due to interview him – and Jools Holland is always an hour or so late. So if you’re prepared to do that, you’ve got him for an hour or so.”

On this occasion, I knew I had the interview placed in Manga Max magazine (sadly, long since gone) via its then editor Jonathan Clements, so I went for it. Sure enough, Jools Holland wasn’t on time and I had a fascinating interview with Ryuichi Sakamoto for about an hour covering various aspects of his career up to that point in time, including his film soundtrack work and, among other things, the multimedia opera Life he’d recently been working on.… Read the rest

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Features Live Action Movies

Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

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Krzysztof Kieślowski
talks about
Three Colours: Red

Transcript of interview from 1994 when Kieślowski was promoting Three Colours: Red. At the time, the other two films in the trilogy had by then been screened to press.

You intend to make no more films after Red. So what do you plan to do now?

“I want to live.”

What about artistic – or other – work of any sort?

“No, I can’t say.”

When we spoke about Blue, you told me how in many ways you found literature more interesting than film making. We discussed Blind Chance in terms of the conditional imperfect tense. Red seems similar out of the whole body of his work – closer to Blind Chance than anything else.

“Yes, maybe, in a certain general way of thinking, in construction.”

Not in the sense of three parallel “what if?”s, but more – if one comes at Red from a literary perspective – as a conditional tense.

“No, I don’t think it’s conditional. In fact I think it would be quite difficult to find a literary explanation there. That sort of thing I think has been tried out and discovered by the cinema rather than literature. Of course, it has been used in literature, but it’s a very much more suited to film than it is to fiction.… Read the rest

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Animation Features Movies

Suzume
(Suzume
No Tojimari,
すずめの戸締まり,
lit. Suzume’s
Locking Up)

Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m

***1/2

Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes – anime feature is out in UK and Irish cinemas on Friday, April 14th

Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.

At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.… Read the rest

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Cairo Conspiracy,
(original title:
Boy From Heaven,
Walad Min Al Janna,
صبي من الجنة)

Director – Tarik Saleh – 2022 – Sweden, France, Finland – Cert. 12a – 126m

***

A naive, young, Egyptian student at a top Islamic university is recruited as a spy for the secret police – out in UK cinemas on Friday, April 14th

Adam (Tawfeek Barhom), a bookworm born and raised in rural Egypt where he works as a fisherman like his father before him, visits the local mosque where his trusted Imam gives him a letter informing him he’s been accepted into Cairo’s prestigious Al-Azhar University, the top seat of Sunni Muslim learning and thought. He’s worried his widowed father won’t let him go, but his father fatally accepts it as the Will of Allah. In his university dorm, Adam finds his bed taken by fellow student Raed (Ahmed Laissaoui) and winds up in the bunk below. (The university is for men only: no women. At least, we see none here.)

Unexpectedly, the Grand Imam, the head of the university, dies and a successor must be chosen. At the security forces building, the General (Mohammad Bakri) listens to the analysis by Colonel Ibrahim (Fares Fares) of the possible candidates, throwing all files on the floor except one – the one with whom the President’s views align, the candidate who must win.… Read the rest

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Renfield

Director – Chris McKay – 2023 – US – Cert. 15 – 93m

**

Guided by American self-help industry ideas of escaping toxic relationships with narcissists, Dracula‘s servant Renfield wants out of his relationship with his master – out in UK cinemas on Friday, April 14th

Renfield (Nicholas Hoult) has had enough of working for his boss, Count Dracula (Nic Cage) who gives him the ability to manifest great power from eating insects in exchange for his tending to Dracula’s every need, the main item on which list is a supply of fresh, virtuous humans on who to feast. As here portrayed, Renfield is an honourable Englishman who has changed the rules: he goes out and brings back a never ending supply of one sort or another of less than virtuous people for the Count. Unfortunately, this doesn’t really fit the bill.

Enter pampered gangster boy Tedward Lobo (Ben Schwartz) who, whilst trying to find the people who double-crossed him in a drugs deal, stumbles on the Prince of Darkness and, impressed, resolves to introduce the vampire to his ruthless crime boss mother Bellafrancesca Lobo (casting coup Shohreh Aghdashloo) to help him in his newly-formed goal of world domination.

Meanwhile, traffic cop Rebecca (Awkwafina), the only cop not on the take in the corrupt local precinct, otherwise bought to a man by the Lobos, is determined to get the evidence to put the crime family behind bars.… Read the rest

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Pirates

Director – Reggie Yates – 2021 – UK – Cert. – 80m

**1/2

Party like it’s 1999! Three 18-year-old, childhood friends from London attempt to see in the new millennium in style – on BFI Player as a Subscription Exclusive from Thursday, April 13th

They’re called pirates because in this year, 1999, they’ve made it onto the air in London pirate radio, DJ-ing and MC-ing from their flat as the ICC, the Ice Cold Crew. Well, two of them, Two Tonne (Jordan Peters) and Kidda (Redda Elazouar), have. Third member Cappo (Elliot Edusah), just back from university, never really felt he contributed much to the ICC even though he was their manager, so he’s been rehearsing his one-line speech to tell the guys he’s leaving the crew.

However, when he drops in on Two Tonne at the latter’s glue factory job, before he can say his piece, his friend spots Sophie (Kassius Nelson), the girl with whom Two Tonne is smitten and with whom he’d like to be at midnight, and the conversation goes in a whole other direction. The lads concoct a plan to get into the best party of the night, the Y2K, but to do that, they need to get tickets at this last minute.… Read the rest

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Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Ride On
(Longma Jingshen,
龙马精神)

Director – Larry Yang – 2023 – China – Cert. PG – 126m

****

Ageing stuntman Jackie Chan must fight to retain ownership of the horse he has befriended and trained since rescuing it at birth – out in UK, Irish, Chinese and US cinemas on Friday, April 7th

Why does one go to see a Jackie Chan movie? The usual reasons are the incredible stunts coupled with the likeable, knockabout comedy which is his trademark. Perhaps the star’s winsome personality also plays a part. His best films over the years have probably contained a mixture of all three. While these elements, notably Jackie’s personality, are all present to some degree here, they aren’t really its strengths – which are (1) the depiction of a career, reviewed by a person who is old, past their prime, and forced to confront the fact and (2) the relationship of a man with a horse which he has known from the time of its birth.

The day Ride On was released in both the UK and China was also Jackie Chan’s 69th birthday. While I don’t doubt he keeps himself in good condition, he is clearly no longer the young man he once was.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Animation Features Live Action Movies

Monty Python’s
Life Of Brian

Director – Terry Jones – 1979 – UK – Cert. 12a – 93m

****

An absurdist comedy about of Brian, Jesus Christ’s next-door neighbour, who falls in with left-wing activists, develops a religious following and ends up crucified – back out in UK cinemas in Glorious Standard Definition on Friday, April 7th

Like The Last Temptation Of Christ (Martin Scorsese, 1988), a Biblical epic made by a New Yorker who tries to bring first century Palestine to life on the screen by filling it with actors who speak as if they’re on the streets he knows, so too Monty Python’s Life Of Brian, made by the Monty Python team, nurtured first by Oxbridge student drama society culture then by British radio and television, attempts a comic equivalent of the Christian Gospel narrative by filling it with characters possessing such quintessentially English names as Brian and Reg and sporting English accents. For the Pythons and their audience, this strategy works because of its familiarity from Britain’s hugely popular Monty Python’s Flying Circus television show, made for the BBC. It’s what everyone attending the film in the UK expected.

The Monty Python team (Terry Jones, Terry Gilliam, John Cleese, Graham Chapman, Eric Idle & Michael Palin) all wrote the film between them and take on multiple acting roles, with Jones also directing, animator Gilliam also taking on production design, and Chapman, who had studied medicine, also taking on the role of set medic.… Read the rest

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Animation Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

The Hungarian animated epic Son Of The White Mare (1981) is one of the great, largely unknown treasures of animation, if not of cinema. Its late director Marcell Jankovics (1941-2021) made a number of shorts and commercials before his two features at the Pannoia Film Studio. Eureka!’s Blu-ray contains both features, as well as some of his most significant shorts. While Son Of The White Mare remains his indisputable masterpiece, the other films on the disc go a long way to explaining how he got there. [Read the full article at All The Anime]

See my longer review on this site

and my shorter review for Reform magazine.

Son Of The White Mare is out on Eureka! Video Blu-ray.

Trailer:

Festivals

2021

Annecy

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Features Live Action Movies

Air

Director – Ben Affleck – 2023 – US – Cert. 15 – 112m

***1/2

In 1984, a Nike executive lifts the company out of its financial rut by building a line of running shoes around an unknown basketball player named Michael Jordan – out in UK cinemas on Wednesday, April 5th

A curious combination of sports movie and corporate drama, this retells the story of how, in 1984, the failing Nike corporation managed to successfully reinvent itself by signing a sponsorship deal with the then-unknown basketball player Michael Jordan and building a product line of running shoes around him. Jordan would go on to become a huge cultural icon in the US and Nike a hugely profitable multinational, due in no small part to its Air Jordan running shoes, which the player endorsed.

This is a Warner Bros. movie and that Studio already has a long-standing connection with Michael Jordan through Space Jam (Joe Pytka, 1996), the live action / animation composite feature that combined basketball with Looney Tunes characters and spawned a sequel in 2021. Air isn’t a Michael Jordan film as such: as a character, he barely appears, but there’s a sense that he’s at the centre of the events portrayed as everything here revolves around him.… Read the rest

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Animation Features Live Action Movies

The Mad Fox
aka
Love, Thy Name
Be Sorrow
(Koiya Koi
Nasuna Koi,
恋や恋なすな恋)

Director – Tomu Uchida – 1962 – Japan – Cert. PG – 109m

*****

On MUBI from Tuesday, April 4th; also Amazon Prime (rental) and Arrow Channel

The second Tomu Uchida film to receive a Blu-ray release after the black and white Bloody Spear At Mount Fuji (1955) is the colour The Mad Fox a.k.a. Love, Thy Name Be Sorrow (1962). This extraordinary and arresting Heian period (794-1185) fantasy drama involves an astrologer, his adopted daughter, her wicked stepmother, the two women’s lovers, the daughter’s identical twin sister and a family of shape-shifting fox spirits. Contrasting heavily with the earlier samurai road movie using Mount Fuji as an excuse to block a road for a picnic, The Mad Fox again invokes the iconic volcano in a far more active role as it threatens to erupt, presaging a time of great chaos. The film, meanwhile, makes judicious use of Toei’s animation wing, lending out staff to provide integrated effects.

The opening five minutes set the tone, via a lengthy voice-over detailing the plot’s setup to a calm, tranquil music score, while a scroll is unrolled and the camera pans steadily along its portrayed landscape.

I review The Mad Fox for All The Anime.… Read the rest

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Animation Features Live Action Movies

Avatar:
The Way Of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is out on digital on Tuesday, March 11th

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

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EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

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Babylon

Director – Damien Chazelle – 2022 – US – Cert. 18 – 188m

***1/2

The rise and fall of stars and other talents navigating the excessive lifestyle and work ethic of the silent era US movie business – out on Digital on Tuesday, March 21st and on 4K Ultra HD™, Blu-ray™ & DVD on Monday, April 3rd, following its release in UK cinemas on Friday, January 20th 2023

Having established himself as a top A-list Hollywood director with the likes of Whiplash (2014) and La La Land (2016), Chazelle delivers a cast of thousands epic about Hollywood in the silent era and beyond, a project that’s apparently been gestating in his head for some 15 years. With its name referencing a city that grew to great heights and considerable excess before crumbling into dust, Babylon starts with Manny Torres (Mexican actor Diego Calva in his first US role) and compatriots attempting to deliver an elephant to a Hollywood party at a desert mansion in the middle of nowhere. The tone for the whole is set – or perhaps set free from audience preconception about what is to follow – when one of Calva’s compadres, walking behind the trailer containing the creature pushing it up a hill, is unexpectedly covered in elephant excrement.… Read the rest

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Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

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Krzysztof Kieślowski
talks about
Three Colours: Blue

Transcript of interview from 1993 when Kieślowski was promoting Three Colours: Blue. At the time, the other two films in the trilogy had yet to be screened to press.

How far do you consider Three Colours: Blue a separate entity in its own right, and how far the first part of a planned trilogy? “I think it’s a film in its own right.”

Did the initial inspiration come as this film, or rather as the three films? “Well, we started from ideas, from scripts – and since the original idea was such as it was, that included three films. So then we had to answer three questions because there were obviously three problems. We decided fairly early on in our working to make the three separate films, which of course have certain common elements to them. But these are quite carefully camouflaged links, representing my playing around with games for the viewer who also indulges in such games. If the viewer doesn’t like such games, then he’ll just see three entirely different stories. If the viewer likes these, then the films become something more.”

These’ll be something to look forward to later on. “Yes, a few of those feature in Blue, but there aren’t all that many of them.… Read the rest

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Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why not – on BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

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No Bears
(Khers Nist,
خرس نیست)

No Bears #freejafarpanahi

Director – Jafar Panahi – 2022 – Iran – Cert. 12a – 106m

*****

An Iranian film director banned from leaving his country rents a house close to the border with Turkey, in which country he is remotely directing a film – available on the following rental streaming services from Monday, March 27th: Amazon Prime, Google Play Movies, YouTube (all £3.49), Apple TV (£4.49), BFI Player (£4.50), and Curzon (£4.99)

In a busy, metropolitian street somewhere in Iran, woman restaurateur Zara (Mina Kavani) is greeted by her partner Bakhtiar (Bakhtiar Panjei), who has secured a fake passport for her. She has only three days to use it before the passport, stolen from a tourist, is stopped. But she doesn’t want to travel outside the country without him: he is the only thing that makes her life bearable.

Then we realise we are watching a movie shoot not in Iran but in neighbouring Turkey. The director is Jafar Panahi (playing himself) and he is not allowed out of Iran, so he is renting a room in an Iranian village not far from the Turkish border and watching the shoot remotely via his computer. He’s been assured that the local internet reception is good, but it isn’t and keeps cutting out, making his job all but impossible, although his first assistant director, cast and crew are doing a good job of getting the shots in the can even when they don’t hear from him.… Read the rest

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Blue Jean

Director – Georgia Oakley – 2022 – UK – Cert. 15 – 97m

*****

A woman attempts to keep her LGBTQ lifestyle and her day job as a PE teacher separate, but has reckoned without the widespread anti-gay prejudice of late 1980s Thatcherite Britain – previews in UK cinemas from Monday, February 6thprior to release on Friday, February 10th

“Everything is political”, says her out and proud girlfriend Viv (Kerrie Hayes) to Jean (Rosy McEwen), an LGBTQ woman who has to date managed to compartmentalise her existence so that work and private life are kept separate. She’d like to keep it that way too, because in her job as a teacher there’s an underlying assumption that heterosexuality is the norm. Which is fine if you happen to fit that model, less so if you don’t. Which Jean doesn’t. And a couple of factors are about to break down those carefully constructed compartments of her life.

It’s the late 1980s in Britain, and Margaret Thatcher’s Conservative government is trying to push through Parliament what will eventually become the Local Government Act (1988). Section 28 (or Clause 28) of that Act prohibits councils in England, Wales and Scotland from promoting homosexuality, seen as a deviant behaviour which can be cured.… Read the rest

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Infinity Pool

Director – Brandon Cronenberg – 2023 – Canada, Hungary, France – Cert. 18 – 117m

*****

WARNING: NSFW

A man holidaying abroad at a resort with his wealthy wife is lured into a series of crimes, punishable locally by death unless you’re rich enough to buy your way out – in UK cinemas from Friday, March 24th

An infinity pool is a swimming pool designed so that at least one edge appears to go on forever, blending into a seascape or waterscape such as an ocean or lake. It’s limitless. One character in this film once installed such a pool for a local hotel, but that’s really not the point. Which is, something that has no boundary, that appears to extend into infinity. Like the moral transgressions in this film, once the preventative edges of incurred punishment are removed from the perpetration of criminal acts, for which the idea of the infinity pool stands as a metaphor. This may not make sense now, but it will once you’ve watched the film and thought about it.

James (Alexander Skarsgärd) and Em (Cleopatra Coleman) Foster are holidaying at a resort. To date, he is a one-book writer: his book was published to rotten reviews and sank without trace and he can’t seem to find an idea for the second one.… Read the rest

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John Wick
Chapter 4

Director – Chad Stahelski – 2023 – US – Cert. 15 – 169m

** The first hour or so.

***** The last hour and a half or so.

The eponymous assassin is given a path to follow that will rid him and others of his obligations to shadowy organisation The High Table once and for all – out in UK cinemas on Friday, March 24th

The fourth episode in the John Wick franchise is not a film to come to without seeing the previous three first – and in the recent past, so they’re fresh in your memory. That was the mistake this reviewer made. Too much in the first hour or so refers back to what has gone before. Characters wander through vast urban or other sets (there’s an early sequence in the open North African desert) often spouting ponderous dialogue.

This works if you have an actor of the calibre of Ian McShane, who plays Winston, the deferential owner of the New York Continental Hotel, and, perhaps surprisingly, it also works with the franchise’s action star Keanu Reeves, who has got the delivery of grunts and one word dialogue lines (“yeah”) down to a fine art.

Even so, the surfeit of overly talky scenes in the first hour or so tends towards the tedious.… Read the rest

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The Cow
Who Sang
A Song
Into The Future
(La Vaca
Que Cantó
Una Canción
Hacia El Futuro)

Director – Francisca Alegria – 2022 – Chile, France, US, Germany – Cert. 15 – 98m

***1/2

A dead woman emerges resurrected from a polluted river to reconnect with her husband, children and grandchildren – out in UK cinemas on Friday, March 24th

The banks of a river cutting through a forest, strewn with dead fish. The sound of a strange song, a mournful chorale. Bubbles. A woman (Mia Maestro) rises from the water, dripping wet and clad in overalls and a helmet as if she’s been riding a motorcycle. She makes her way to the bank, collapses, coughs up water. She feels a joy in being, being back, being on land. She walks along a leaf-covered train track. She boards a bus, paying the driver not with the money for the fare but with a touch of her hand.

She doesn’t speak a word. The whole scenario doesn’t feel quite right. Is she real? Is she an apparition? She’s certainly unexpected in town, when her decades older husband Enrique (Alfredo Castro), collapses after seeing her from the inside of a shop window. Bernardo (Marcial Tagle) phones Cecilia (Leonor Varela) with the news that their father claims to have just seen their late mother, his wife Magdalene, which is, of course, impossible.… Read the rest

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Perfect Sense

Director – David Mackenzie – 2011 – UK – Cert. 15 – 92m

*****

Love story set in a pandemic captures something of the emotions felt during the 2020 COVID-19 crisis, when this review was written (one of the first to appear on this then fledgeling site) – streaming on the Arrow Channel from Friday, March 24th to Sunday, April 30th 2023

Glasgow, Scotland. Michael (Ewan McGregor) is a chef. He likes to sleep alone, so if he takes a woman to bed, he’ll turf her out afterwards to get back his space. That changes when he meets Susan (Eva Green), who then does the same thing to him. And yet, there’s something between them. They’re drawn to one another. A relationship ensues.

Which might sound like just another boy meets girl movie, but Perfect Sense is different. Behind the foreground of walking along river banks and sleeping together lies a very different backdrop. Susan is an epidemiologist at a local hospital. A man has lost his sense of smell and is kept in isolation. There are other cases all over the country. Suddenly, people are being overwhelmed with grief and losing their sense of smell. Some time later, they eat ravenously then lose their sense of taste.… Read the rest

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Film Festivals

Alienoid

Click the links below for coverage of:

2023

Japan Foundation (JPF) Touring Film Programme

2022

Tallinn Black Nights Film Festival (PÖFF)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Annecy

Focus Hong Kong Making Waves

BFI Anime 2022

Japan Foundation (JPF) Touring Film Programme

Yamagata International Documentary Film Festival (YIDFF)

Focus Hong Kong Chinese New Year

2021

BFI Japan 2021

MUBI New South Korean Cinema season

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Scotland Loves Anime

Annecy

Japan Foundation (JPF) Touring Film Programme

Or click any of these tags:

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Under
The Open Sky
(Subarashiki Sekai,
すばらしき世界)

Director – Miwa Nishikawa – 2020 – Japan – 126m

***1/2

A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.

The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.… Read the rest

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Ashes And Diamonds
(Popiół I Diament)

Director – Andrzej Wajda – 1958 – Poland – Cert. 12 – 103m

*****

Two resistance fighters attempt to assassinate a Communist Party official on the last day of the Second World War – plays at the Phoenix Cinema East Finchley in conjunction with the Kinoteka Polish Film Festival at 18:00 on Sunday, March 19th, also on Blu-ray as part of Wajda’s War Trilogy

Made over a decade after not only the historical setting for the events it depicts in 1945 but also the Jerzy Andrzejewski novel on which it is based which was written in 1947 and published in 1948, this condenses that novel’s two weeks into a mere – 24 hours the last day of the Second World War and the evening and night of the victory celebrations that follow plus the subsequent early dawn.

The war is over and the Nazis defeated, but Poland still finds itself the subject of conflict as opposing factions vie for power. On the one hand is the official Party trying to get everything working again and on the other members of the resistance determined to stop them.

The older Andrzej (Adam Pawlikowski) and the younger Maciek (Zbigniew Cybulski) carry out an ordered assassination on Szczuka (Waclaw Zastrzeżyński).… Read the rest

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Winners (Barandeha)

Director – Hassan Nazer – 2022 – UK/Iran – Cert. PG – 85m

****

A missing Oscar statuette is found by two kids in the Iranian provinces who work scavenging rubbish dumps – the UK’s official entry for the 95th (2023) Academy Awards Best International Feature is out in UK cinemas on Friday, March 17th #winnersfilm

An Oscar statuette goes missing in Tehran when the woman charged with bring it to the production company office somewhat foolishly leaves it in the back of a taxi while she nips out at her home to collect something. While she is out of the vehicle, a policeman instructs the driver to move on as he isn’t allowed to stop there. She comes back and the taxi is gone – and the statuette with it.

It ends up in the taxi company’s lost parcel office, where an employee who has no idea what it is decides to borrow it for the evening as it will look good in his home, wrapping it in a towel before placing it in his bag. Travelling through the small town of Garmsar on his motorbike, he is forced by a broken down car blocking the road to take a detour across bumpy, poorly-maintained roads which, in turn, cause the poorly packed statuette to fall off his bike where it is found by a girl, Leila (Helia Mohammad Khani), who hands it to her nine-year old friend Yahya (Parsa Maghami).… Read the rest

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Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough – at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

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Allelujah