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Animation Features Movies

Kiki’s Delivery Service
(Majo no Takkyubin,
魔女の宅急便)

Director – Hayao Miyazaki – 1989 – Japan – Cert. U – 103m

*****

A young witch sets up her own small business and must learn to make her way in the world – out in a 4K remaster in regular UK and Ireland cinemas from Friday, August 28th following last week’s exclusive presentation in IMAX cinemas

Having reached the age of 13, young Kiki (voice/1989 Japanese dub: Minami Takiyama; 1998 Disney dub: Kirsten Dunst) must leave home to do a year’s apprenticeship as a witch in a location where there isn’t one already. Loaned at the insistence of her mother (voice/1989 Japanese dub: Mieko Nobusawa; 1998 Disney dub: Cath Soucie) the latter’s tried and tested broomstick, and accompanied by her talking black cat Jiji (voice/1989 Japanese dub: Rei Sakuma; 1998 Disney dub: Phil Hartman), she flies out on a night of the full moon. An encounter with a somewhat snooty witch who has just completed her year out reminds Kiki that she needs to develop her own special skill: at this stage, she has no idea as to exactly what this skill might be.

Resting overnight in an in transit railway cattle truck, she takes off again and arrives in Koriko, a bustling city much bigger than the tiny, provincial town where she grew up.… Read the rest

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Features Live Action Movies

Colony
(Gunche,
군체)

Director – Yeon Sang-ho – 2026 – South Korea – Cert. 15 – 123m

*****

A scientist wreaks revenge on his former corporation in a bioterrorist attack which turns its victims into zombies – out in UK cinemas on Friday, August 28th

Inside the Doongwoori building, CEO of the Chains Bio corporation Kang Woo-chul (Kim Jong Tae) gives a speech about mass communication via networks. Her ex-husband Professor Han Kyu-seong (Go Soo) urges Professor Kwon Se-jeong (Gianna Jun) to speak to CEO Kang following his speech, but Kang is called away for a phone call regarding one Suh Young-chul and a possible bioterrorist attack.

Encouraged to find Kang and leave her card, Kwon witnesses him assault another man behind the frosted glass walls of his office. That other man is the aforementioned Suh Young-chul (Koo Kyo-hwan), who fights back, injecting Kang with a serum which makes him vomit, writhe and turn into a zombie. Pretty soon, Kang is biting others, giving rise to a local zombie outbreak.

Despite witnessing the initial stages of the assault, Kwon is unaware of the injection and everything that follows, stopping at a cafe with her ex to quiz him as to why he left her.… Read the rest

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Features Live Action Movies

Bitter Christmas
(Amarga Navidad)

Director – Pedro Almodóvar – 2025 – Spain – Cert. 15 – 111m

***1/2

A woman learning to deal with panic attacks is actually a character playing out a screenplay as it is being written by a writer director coming out of an arid creative period – out in UK and Ireland cinemas on Friday, August 28th

This loosely falls into the category of the story of the film being written by a person outside that story, with a parallel narrative dealing with the person outside the story writing that story.

Almodovar uses this schema to talk about the writer-director whose creativity has dried up. And the medical phenomenon of panic attacks. 

Elsa (Bárbara Lennie) has a migraine she can’t shift. Painkillers and rest – in the words which appear at the bottom of the screen of Elsa’s narrative as Raúl (Leonardo Sbaraglia) types them on his laptop – only make it worse. Her partner Beau (Patrick Criado) stays at home that evening to be there for her instead of going to the club as he normally would on a Friday. But then she feels worse, so he drives her to hospital, where she’s given an injection and a sedative, stays in overnight, and the next day feels well enough to go home.… Read the rest

Categories
Animation Features Live Action Movies

Coyote vs. ACME

Director – Dave Green – 2026 – US – Cert. PG – 101m

*****

After years of personal catastrophe because of the numerous defective ACME products he’s used trying to catch the Roadrunner, Wile E. Coyote finally decides to take the ACME Corporation to court – out in UK cinemas on Friday, August 28th with previews Friday, August 21st

Cartoon character Wile E. Coyote (voice: look, he’s a silent character who never speaks, just occasionally holds up signs with words on) sets about his latest plan to trap the Roadrunner (voice: Tucker Hawkey). This time he can’t fail. Because. Jet-powered boots. Made by ACME. Yet, he inevitably, hilariously, fails. Because. Made by ACME.

He has had it with ACME. 

So, armed with a box containing the evidence, he visits low rent law firm Avery, Jones & Maltese (named after director Tex Avery in whose Bad Luck Blackie (1949) pianos fall from the sky, and director Chuck Jones and writer Michael Maltese who created the Roadrunner cartoons) who advertise their expertise in successfully suing ACME for damage and stress caused by their defective products. Typical defective item: plaintiff receives maybe $300. This is chicken feed to the huge ACME Corporation, so they always pay up.… Read the rest

Categories
Animation Features Movies

Early Man

Producer-Director: Nick Park – 2018 – UK – Cert. PG – 89m

*****

Ancient caveman Brits, rabbits, mammoths, dinosaurs, dastardly Frenchmen, and football – Aardman’s prehistoric, stop-frame marvel is back out in UK cinemas on Friday, 21st August

Nick Park and Aardman Animations’ epic is set in a prehistoric world of cavemen, rabbits and mammoths. For good measure it also throws in dastardly Frenchmen and football. Park coaxes great voice performances out of his all-star cast, while physical animation is in the capable hands of Will Becher (who directed the Creature Comforts TV series) and Merlin Crossingham (Creative Director for Wallace & Gromit since 2009 and subsequently co-director with Park of Wallace & Gromit: Vengeance Most Fowl, 2024).

At one point a mallard appears in the distance. A caveman hurls a small rock at it. The rock travels an awful long way. Much farther than we expected. Eventually it reaches the mallard, revealed as a gargantuan beast on the scale of a dinosaur. The giant mallard charges towards us and the hapless tribe of cavemen.

This is very much in the spirit of Early Man’s opening sequence wherein volcanoes belch fire and a carnivorous ceratosaurus does battle with a herbivorous triceratops clearly modelled on their counterparts in Ray Harryhausen’s One Million Years B.C.… Read the rest

Categories
Features Live Action Movies

Stop! That! Train!

Director – Adam Shankman – 2025 – US – Cert. 15 – 90m

***

A luxury bullet train hurtles towards a stormaganza in what is essentially Airplane! rehashed with drag queens – disaster movie and alleged comedy is out in UK cinemas on Friday, August 21st

Commerical break. The Glamazonian Express. The bullet train ride across America where your every whim will be catered for by glamourous hostesses clad in a fetching, bright red. Pampering is the order of the day. Nothing is too much to ask. All the passengers and staff are chic and beautiful people.

Tess (Ginger Minj) and DeeDee (Jujubee) are train hostesses with low budget competitor Stank Rail. In marked contrast to Glamazonian staff, their uniforms are excrement brown and urine yellow-green. Their colleague Barbra (Latrice Royale) has recently been laid off, and further redundancies appear likely. Back at rail training college, the pair pledged to “See America”, but their career trajectory since then has been down the lavatory.

Then they overhear Glamazonian hostesses talking about a departure to Florida delayed because some hostesses have failed to show up. A quick visit to the ladies to improvise makeshift red uniforms, and they themselves show up at Glamazonian’s check-in desk, are given uniforms by Barbra (who does several jobs and will later reappear in other roles), and suddenly are Glamazonian hostesses.… Read the rest

Categories
Features Live Action Movies

Teenage Sex and Death
at Camp Miasma

Director – Jane Schoenbrun – 2026 – US – Cert. 15 – 106m

**

A film director given the job of rebooting the Camp Miasma horror franchise finds her life turned upside-down by the reclusive star of the original film – out in UK cinemas on Friday, August 21st

Once upon a time, there was a series of slasher movies about Camp Miasma in which Little Death – a possibly male figure wearing an air vent on their head and wielding a long, pointed, metal spear – would appear from the lake and kill people. Such as, for instance, the hapless, dog-walking elderly couple of whom the man is turned into a ludicrously high fountain of blood. 29-year-old Indie filmmaker Kris (Hannah Einbinder) has picked up the job of making the latest instalment in the popular horror franchise which she has watched since its inception.

In order to put together a pitch for the series’ producers, she travels to the off the beaten track home of the original film’s final girl Billy (Gillian Anderson). En route, she’s thrilled to pick up a DVD copy of the sixth entry in the franchise from a roadside store where she stops to buy Gummies and other confectionery.… Read the rest

Categories
Features Live Action Movies

The End of Oak Street

Director – David Robert Mitchell – 2026 – US – Cert. 12a – 99m

Film ***

Prehistoric Beasts *****

A family in a pleasant American suburb is inexplicably transported to a prehistoric time where dinosaurs and other dangerous creatures roam – out in UK cinemas on Friday, August 14h

A typical family in 1980s American suburbia. At a local community get together, Greg (Ewan McGregor) takes part in a sack race. His wife Denise (Anne Hathaway) takes him aside for a serious conversation about their marriage, which she doesn’t think is working. She is also annoyed that their son Brian (Christian Convery) has bought along their dog Starbuck (played by dogs Buzz and Brisket) who has a habit of getting out of control. Denise is further frustrated when Greg bunks off to do some deliveries (it later transpires that she hates the Pizza Delivery sign he fixes to the car roof when doing his rounds.) The family also has a young teenage daughter Audrey (Maisy Stella).

Denise pays a visit to her elderly friend Mrs. Huddleston (a striking turn form Anne Gee Byrd) who is somewhat perturbed as to the identity of the flower that has sprung up in her garden, growing to about four feet high in two days and resembling a small palm tree or yucca bearing a fruit something like an acorn about the size of a hand.… Read the rest

Categories
Animation Features Live Action Movies

Holy Days

Director – Nat Boltt – 2026 – New Zealand, Canada – Cert. 12a – 101m

***1/2

Three ageing nuns must save their ramshackle convent from property developers and help a local Maori boy come to terms with his mum’s death and his dad’s new partner – out in UK and Ireland cinemas on Friday, Aug 14th

In a wondrously tacky stop-frame parody, giant-sized Brian rides his giant-sized bicycle through the village (cut to live action Brian played by Elijah Tomati) to explain to Sister Agnes (Judy Davis) at the door of his destination building that he’s committed blasphemery. It turns out his exact words were, “Jesus Jumping Christ”. Taking it good humouredly in her stride, she tells him to come in. And, as a penance, assigns him to clean all the upstairs floors.

As a title informs us, it’s New Zealand. 1974.

Upstairs, Sister Mary Clare (Jacki Weaver) explains that the reason for all the baby photos is that the nuns used to take them in. And shows him, thorough the window, Sister Luke’s garden. Which has seen better days. Brian says his mum loved it here. The feeling was reciprocal, apparently. Nun and boy turn floor polishing chores into improvised sports exercise gliding along the floor.… Read the rest

Categories
Animation Features Movies

Akira
(アキラ)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen in a brand new 35mm print at BFI Southbank, London from Friday 14th August until Wednesday 19th, and will be touring in selected cities throughout 2026

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest