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Masters
of the Universe
(2026)

Director – Travis Knight – 2026 – UK – Cert. 12a – 132m

***1/2

Prince Adam must recapture Castle Grayskull and the throne of Eternia after his parents, the king and queen, have been deposed by the evil Skeletor – out in UK cinemas on Wednesday, June 3rd

As his father King Radnor (James Purefoy from High-Rise, Ben Wheatley, 2015; Ironclad, Jonathan English, 2011; Solomon Kane, M.J. Bassett, 2009) of Eternia and his trainer Duncan the Man-at-Arms (Idris Elba from A House of Dynamite, Kathryn Bigelow, 2025; Pacific Rim, Guillermo Del Toro, 12013; The Wire, TV series, 2002-4) know only too well, young Prince Adam (Artie Wilkinson-Hunt from Good Luck, Have Fun, Don’t Die, Gore Verbinski, 2025; Strike, TV series, 2017) is a bit of a wimp and generally fares badly at Duncan’s open air group combat training classes in the grounds of ancestral home Castle Grayskull. Adam’s best friend and Duncan’s daughter Teela (Eire Farrell from The Wasp, Guillem Morales, 2024; Barbie, Greta Gerwig, 2023) is much better at learning this stuff than he is.

Nothing has prepared either of the pair for real combat, such as when, out of nowhere, Castle Grayskull is attacked by the villainous Skeletor (Jared Leto from Tron: Ares, Joachim Rønning, 2025; House of Gucci, Ridley Scott, 2021; Blade Runner 2049, Denis Villeneuve, 2017; Dallas Buyers Club, Jean-Marc Vallée, 2013) and his forces who defeat the King and his Queen Marlena (Charlotte Riley from London Has Fallen, Babak Najifi, 2016; Edge of Tomorrow, Doug Limon, 2014; Easy Virtue, Stephan Elliot, 2008) and take over the castle even as Duncan, armed with various inventive items of weaponry, helps the two children to escape.… Read the rest

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Features Live Action Movies Music

Köln 75
(Köln 75)

Director – Ido Fluk – 2025 – Germany – Cert. 15 – 112m

*****

How an 18-year-old girl came to stage what would become the biggest selling jazz album in history – narrative feature is out in UK cinemas on Friday, June 5th

At a party honouring her career as a music promoter, 50-year-old Vera Brandes (Suzanne Wolff) is upbraided by her dentist father (Ulrich Tukur from The White Ribbon, Michael Haneke, 2009; The Lives of Others, Florian Henckel Von Donnersmarck, 2006; Solaris, Steven Soderbergh, 2002; Lulu, George Moorse, Peter Zadek, TV movie, 1991) that she never amounted to anything. In a quasi-documentary sequence, she intervenes as narrator to talk about this being a really bad start, and proceeds to play, like a presenter in a music documentary, some music takes abandoned by bad starts from, among others The Cramps and Bob Dylan.

The film starts again, this time with 18-year-old Vera Brandes (Mala Emde) who enjoys hanging out with friends at jazz venues, such as the one where English club owner Ronnie Scott (Daniel Betts from September 5, Tim Fehlbaum, 2024; Alien Romulus, Fede Alvarez, 2024; Allied, Robert Zemeckis, 2016) is playing. Getting his attention by buying him an ice cream cone, Vera chats with him and, by the time she has walked her bicycle with him to his hotel has been commissioned to book him a European tour “because I can’t imagine anyone saying no to you.”… Read the rest

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The Misfits

Director – John Huston – 1961 – UK – Cert. – 125m

****

As the Old West fades, a woman tries to navigate the men who appear to be dying with it in the final film of both Marilyn Monroe and Clark Gable – back out in UK cinemas on Friday, June 5th; the season Marilyn Monroe: Self Made Star plays BFI Southbank throughout June and July

Reno, Nevada. Local resident Isabelle (Thelma Ritter from Rear Window, Alfred Hitchcock, 1954; Pickup on South Street, Sam Fuller, 1953; All About Eve, Joseph L. Mankiewicz, 1950) meets garage tow truck driver Guido (Eli Wallach from The Good, The Bad and the Ugly, Sergio Leone, 1966; The Magnificent Seven, John Sturges, 1961; Baby Doll, Elia Kazan, 1956) as he inspects the damage to the car of Roslyn (Marilyn Monroe) who claims, from an upstairs window, that it was caused by men bumping into her vehicle to get her attention.

The worldly Isabelle attempts to coach the hapless Roslyn as to what to say in the divorce court, a service Isabelle would appear to have performed for previous house guests. Following the hearing, and a brief encounter with Roslyn’s ex Raymond (Kevin McCarthy from Invasion of the Body Snatchers, Don Siegel, 1956), the two women head out to a cocktail lounge to celebrate.… Read the rest

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We’re Nothing
at All
(Ngo Mun
Bat Si Sam Mo,
我們不是什麼)

Director – Herman Yau – 2026 – China, Hong Kong – Cert. 18 – 128m

*****

A seasoned forensics expert pieces together the story behind a bus bombing as the lives and motives of those responsible is revealed in interweaving serial flashbacks – out in UK and Ireland cinemas on Friday, May 29th

A police procedural but not exactly a thriller. This starts off with an unforgettable sequence as, below us, a bus silently weaves its way through streets. And then, without warning, explodes. You’d be forgiven for thinking that, after this bravura opening, you’re in for yet another Hong Kong cops and robbers action movie. And yet, while this is undeniably a police procedural, and contains enough gore and grisly bits to earn it a BBFC 18 certificate, it’s far from your standard HK action outing. Given that Herman Yau’s previous work has included a thriller about a cannibal serial killer The Eight Immortals Restaurant – the Untold Story aka Bunman – the Untold Story (1993) and cops and robbers bomber thriller Shock Wave (2017), this is something of a surprise.

Rather, it’s a drama. If you will, a police forensics drama. The matter of fact, real time nature of the opening sequence introduces no characters whatsoever.… Read the rest

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Features Live Action Movies Music

Power Ballad

Director – John Carney – 2025 – Ireland – Cert. 15 – 98m

*****

A rock musician reduced to playing weddings but happy with his lot meets a former boy band star who steals one of his songs – out in UK cinemas on Friday, May 29th

High heeled feet head for the dance floor. “Cel – e – brate Good Times – Come On.” The happy couple are enjoying themselves. You seem like a good crowd, says the frontman Rick (Paul Rudd from Teenage Mutant Ninja Turtles: Mutant Mayhem, Jeff Rowe, Kyler Spears, 2023; Ghostbusters: Afterlife, Jason Reitman, 2021; Ant-man, Peyton Reed, 2015), of the standards band (Rory Keenan from The Guard, John Michael McDonagh, 2011; Ella Enchanted, Tommy O’Haver, 2004; Reign of Fire, Rob Bowman, 2002; Keith McErlean from Flora and Son, 2023, Sing Street, 2016, both John Carney; Paul Reid from Flora and Son). Here’s a song from my last album.

In Rick’s mind, he and his band are on a night stage at a music festival playing to a vast, enthusiastic and indeed magical crowd holding smartphone torch lights. The wedding party don’t share his enthusiasm, however, and the floor is clearing as he inadvertently brings the evening to an end.… Read the rest

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Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – back out in UK cinemas on Friday, May 29th, and out on 4K UHD on Monday June 22nd

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

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Art Features Live Action Movies

Leonora
in the Morning Light
(Leonora
im Morgenlicht)

©Mirjam Kluka, Dragonfly films, Alamode Film

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

**

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

©Mirjam Kluka, Dragonfly films, Alamode Film

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

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Father Mother
Sister Brother

© Vague Notion 2024 Yorick Le Saux

Director – Jim Jarmusch – 2025 – US – Cert. 12a – 110m

*****

Three separate stories follow visits by three separate sets of adult siblings to, respectively, an elderly father, an elderly mother, and a deceased parents’ cleared home – streams exclusively on MUBI from Friday, May 29th

This harks back to a couple of earlier Jarmusch movies which similarly consist of a small number of stories: Night on Earth (1991) with five cabbies on one night in different cities and Mystery Train (1989) with its three linked stories set during one night in Memphis. There’s no suggestion that the three stories in Father Mother Sister Brother – set in rural North America, Dublin and Paris – are taking place simultaneously, international time differences notwithstanding, but they could well be, because all three take place in similarly good weather conditions. The first is rural, with snow on the ground, while the latter two are urban.

All three of FMSB’s stories feature similarities which link them beyond the overall siblings / parent(s) theme. These are both expected – car journeys to the home of the parent or parents, time spent in their presence or absence – and unexpected – skateboarders seen from the can en route, a Rolex watch.… Read the rest

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Star Wars
The Mandalorian
and Grogu

Director – Jon Favreau – 2026 – US – Cert. 12A – 132m

****

The mercenary Mandalorian and his infant charge, the Yoda-like Grogu, must rescue the young Rotta the Hutt who has been kidnapped by gangsters – out in UK IMAX cinemas on Friday, May 22nd

The character of the MandalorIan resembles a bounty hunter from the early Star Wars films but is, in fact, a Mandalorian warrior sworn not to remove his mask. And he has an apprentice Grogu, who is to all intents and purposes a baby version of Yoda, the character who first appeared in The Empire Strikes Back, although Grogu isn’t actually Yoda, but a different character of a later generation. For those completely new to Star Wars, Yoda was both a Jedi Master skilled in harnessing the Force and a diminutive, otherworldly creature performed by a puppeteer. Audiences immediately warmed to him. Unlike Yoda, Grogu is too young to talk (although he does make suspiciously verbal sounding utterances from time to time) and you might think he would be unbearably cute and make the film difficult to watch. But he isn’t, not at all.

When franchise creator George Lucas still owned Lucasfilm, Star Wars: Episode I – The Phantom Menace, George Lucas, 1999 introduced the irritating, kiddie-oriented character of Jar Jar Binks, widely regarded as an error of judgement. … Read the rest

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Eagles of the Republic
(نسور الجمهورية)

Director – Tarik Saleh – 2025 – Sweden, France, Denmark, Finland – Cert. 15 – 129m

****

A top Egyptian movie star finds himself working on a big budget, high concept, state-sponsored propaganda movie – out in UK and Ireland cinemas on Friday, May 22nd

The opening three scenes… The credits run over a montage of Egyptian movie posters. A group of men outdoors in the Egyptian sun listen attentively to radio commentary of a horse race. One of the men lights his lady passenger’s cigarette from his own as their car speeds towards the horizon of what could well be Monument Valley.. “cut” …but is a movie set with back projection. His assistant tells him has son has called three times – it’s the boy’s birthday, so the actor has his assistant buy his son an expensive watch. Not the greatest of fathers. The kissing couple on the side of the outside studio wall proclaims him to be Pharoah of the Screen George Fahmy (Fares Fares from Cairo Conspiracy, Tarik Saleh, 2022; Westworld, TV series, 2018; The Nile Hilton Incident, Tarik Saleh, 2017; Rogue One: A Star Wars Story, Gareth Edwards, 2016; Department Q: The Keeper of Lost Causes, Mikkel Nørgaard, 2013; Zero Dark Thirty, Kathryn Bigelow, 2012) and her Rula Haddad (Cherien Dabis, director of Only Murders in the Building, 6 episodes, 2021-23).… Read the rest

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Documentary Features Live Action Movies

The Balloonists

Director – John Dower – 2025 – UK, Austria, US – Cert. PG – 86m

****

The story of balloonist Bertrand Piccard’s three attempts to circumnavigate the globe in a balloon – out in UK cinemas on Friday, May 22nd

Bertrand Piccard’s house, as his astonished interviewer notes, is a museum, a personal collection of memorabilia from the history of aviation. It grew in a mere 66 years from the Wright Brothers’ pioneering efforts to the Apollo 11 moon landing. His family was in Florida at the time of the Apollo 7-12 launches which he witnessed. Five days before the moon landing, he vowed to become an explorer himself, but then when Armstrong walked on the moon Piccard felt everything had been done. He got depressed.

And then he saw a balloon and discovered that no-one had ever flown round the world in one.

In 1997, His first attempt, the Breitling Orbiter, ditched in the Mediterranean after six hours. Many others tried, including Richard Branson, who knew how to do publicity: in Morocco, Branson’s balloon blew away before it could be launched.

Enter British engineer Andy Elson. But the film switches back to Piccard, whose grandfather was a pioneering balloonist and whose father designed submarines and made a record-breaking dive to the Mariana Trench.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
The making of an icon

Frida Kahlo, The Two Fridas, 1939 © EXHIBITION ON SCREEN

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing. You notice the ornate rings on her fingers, her lavish earrings, the green and yellow jungle design of her print dress as she talks about “too much pain… It will take me years to get out of this mess I have in my head.… Read the rest

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Normal
(2025)

Director – Ben Wheatley – 2025 – US – Cert. 15 – 90m

*****

Following the recent death of the town’s sheriff, an interim sheriff takes on the job at Normal, Minnesota – a town harbouring dark secrets related to Japanese yakuza – out in UK cinemas on Friday, May 15th

Osaka, Japan. Three yakuza gang members who have failed to carry out a job properly must atone in front of their boss by cutting off their little finger. The two that do so are sent to the US on their next mission.

Normal, Minnesota. Following the recent death of old Sheriff Gunderson, Interim Sheriff Ulysses (Bob Odenkirk from Nobody, Ilya Naishuller, 2021; Better Call Saul, TV series, 2015-22) is getting to grips with his new job, driving around with Deputy Mike (Billy MacLellan from Nobody; Maudie, Aisling Walsh, 2016). Ulysses will be in the town for a mere eight weeks and his philosophy is, don’t upset anything and leave the place as you find it.

Normal may hold a few surprises for Ulysses. Such as the day he discovers a trail of red outside the door which turns out to have been caused by the local moose with a can of red paint dangling from one antler, of which he takes a photo.… Read the rest

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Cronos
(Cronos)

Director – Guillermo del Toro – 1992 – Mexico – Cert. 18 – 92m

****1/2

An antique shop owner is transformed by a strange, hand-sized device he finds in a small statuette – back out in a 4K restoration in UK cinemas on Friday, May 15th alongside a Guillermo del Toro season at BFI Southbank

The auspicious debut of Guillermo del Toro (Frankenstein, 2025; The Shape of Water, 2017; Pan’s Labyrinth, 2006) upsets the joys of family life in old age by means of a small golden device which confers immortality on the user – at a price. The narrative opens with a preamble about the alchemist (Mario Iván Martínez from Clear and Present Danger, Phillip Noyce, 1994; Like Water for Chocolate, Alfonso Arau, 1992) who created the device and who was found dead beneath the ruins of his vast mansion in Veracruz apparently aged four hundred or so years and with a pallid skin in the 1930s.

The present day. Jesús Gris (Frederico Luppi from Pan’s Labyrinth; The Devil’s Backbone, Guillermo del Toro, 2001) runs an antique shop and enjoys the company of his small granddaughter Aurora (Tamara Shanath). After a suspicious character visits the shop, possibly looking for something, Jesús is playing a board game with Aurora when cockroaches appear from the small statuette in which the stranger has shown an interest.… Read the rest

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Art Features Live Action Movies

The Christophers

Director – Steven Soderbergh – 2025 – US, UK – Cert. 15 – 100m

**

Two siblings hire a young art restorer to forge some of their famous artist father’s unfinished paintings before he dies so they can collect on their posthumous sale – out in UK cinemas on Friday, May 15th

Professional art restorer Lori Butler (Michaela Coel) runs a London fast food stall between painting restoration gigs. Then she gets a phone call and meets in a pub with Barnaby (James Corden) and Sallie (Jessica Guning), the son and daughter of ageing artist Julian Sklar (Ian McKellen) who, worried that their father is about to die imminently from a medical condition, want to ensure he (for which read Lori) ‘completes’ (for which read ‘forges’) the third, unfinished series of paintings known as the Christophers after the model Julian used.

Against her better judgement, she accepts the gig, and finds herself playing the ruse of working as Julian’s assistant, basically an excuse for getting into his studio and forging the completed works on canvas as a nest egg for his children who, it later transpires, have already sold the as yet unpainted works to a buyer for a tidy sum.… Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is on Disney+ from Wednesday, March 13th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

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Features Live Action Movies

Top Gun:
Maverick

Director – Joseph Kosinski – 2022 – US – Cert. 12a – 131m

****

The eponymous Maverick (Tom Cruise) returns to the Navy pilot Top Gun school to train a dozen new recruits to fly an impossible bombing mission and come back alive – back out in cinemas in the UK on Friday, May 15th

Welcome back to the world of US Navy aviation where pilots all have their own self-given flying nicknames. While his contemporaries such as Tom ‘Iceman’ Kazansky (Val Kilmer), now an admiral in charge of the Pacific fleet, have advanced in ranks, Pete ‘Maverick’ Mitchell (Tom Cruise) has remained a captain in order to stay on active service in the field. He’s now a test pilot and loves his job.

However, Maverick has got into trouble one too many times, most recently by disobeying orders when he went ahead with a Mojave Desert test flight on a programme which a rear admiral (Ed Harris) wanted shut down. In doing this, and proving that the plane in question can fly not just at the untried Mach 9 but also at Mach 10…10.1… 10.2… Maverick sees himself safeguarding the jobs of all those working on the programme. The Navy, however, sees it as insubordination and want him grounded.… Read the rest

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Kokuho
(Kokuho,
国宝,
lit. National Treasure)

Director – Lee Sang-il – 2025 – Japan – Cert. – 175m

*****

The son of a murdered yakuza is taken under the wing of a respected kabuki actor, who trains him alongside his own son – out in UK cinemas on Friday, May 8th

In kabuki theatre, an onnagata is a man who performs women’s roles, following the banning of women performing in kabuki by the shogunate, who feared it would result in moral decline, in the 17th century.

In 1964, as the snow falls outside, a large, new year restaurant meal for his yakuza family in Nagasaki turns into a pivotal event for teenager Kikuo Tachibana (Soya Kurokawa from Monster, Hirokazu Kore-eda, 2023), for two reasons. One, he is able to perform as an onnagata in a kabuki play, The Snowbound Barrier, for visiting celebrity actor Hanai Hanjiro (Ken Watanabe from Fukushima 50, Setsuro Wakamatsu, 2020; Pokemon; Detective Pikachu, Rob Letterman, 2019; Inception, Christopher Nolan, 2010; Letters from Iwo Jima, Clint Eastwood, 2006; Tampopo, Juzo Itami, 1985); two, a rival yakuza group bursts in and wipes out his family. He vows revenge, but fails in his attempt to murder the killer of his his father (Matsatoshi Nagase from The Box Man, Garyuku Ishii, 2024; Paterson, Jim Jarmusch, 2016; Sweet Bean, Naomi Kawase, 2015; Gojoe, Sogo Ishii, 2000; Cold Fever, Fridrik Thor Fridriksson, 1994; The Most Terrible Time in My Life, Kaizo Hayashi, 1993; Mystery Train, Jim Jarmusch, 1989).… Read the rest

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Documentary Features Live Action Movies Music

Billie Eilish
Hit Me
Hard and Soft
The Tour
Live in 3D

Billie Eilish in Paramount Pictures Presents A Lightstorm Earth Production / The Darkroom / Interscope Films Production of “BILLIE EILISH HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D)”

Directors – James Cameron, Billie Eilish – 2026 – US, UK – Cert. 12a – 114m

*****

One night of the singer’s latest world tour is captured up close and personal using specially developed, 3D camera technology – out in UK cinemas on Friday, May 8th

Disclaimer. Yes, I listen to a great deal of music. No, I don’t know the first thing about Billie Eilish. However, I have a huge admiration for James Cameron, who might reasonably be described as the R&D wing of the movie business.

I have also, in my time, seen a good few concert movies, but never anything quite like this. That’s in part because the contemporary music concert has come a long way, and Billie Eilish typifies a performer who is the act, performing on custom built stages in large stadium-sized venues, even though she has working with her a band and two backup singers, not to mention a vast array of lighting, stage and sound technicians. 

And, in her case, James Cameron.

Who insisted that she be given equal director / producer credit on the film. At least, that’s how he puts it in one of many of the more intimate backstage / offstage / on tour sequences inserted into the footage of the one concert which forms the backbone of the film. … Read the rest

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Features Live Action Movies

Mortal Kombat II

Director – Simon McQuoid – 2025 – US – Cert. 15 – 116m

***

Dragged into an otherworldly tournament a washed up 1990s action star must fight other contestants to the death to save the Earthrealm – out in UK cinemas on Friday, May 8th

King Jerrod (Desmond Chiam from Joy Ride, Adele Lim, 2023) of Edenia loses the tenth fight in a to-the-death tournament to intergalactic despot Shao Khan (Martyn Ford from Kingsman: The Golden Circle, Matthew Vaughn, 2017), who thus takes over as ruler of Edenia, despatching Queen Sindel (Ana Thu Nyguen) when she attacks him and adopting the child Princess Kitana (Sophia Xu) as his own daughter. By the time Kitana (Adeline Rudolph from Hellboy: The Crooked Man, Brian Taylor, 2023) has reached womanhood, she has mastered such combat skills as her two deadly-bladed fans, under her personal combat trainer Jade (Tati Gabrielle), who is also her trusted ally and friend.

Meanwhile on our own planet, following a clip from one of his better movies – a brilliantly choreographed parody of 1990s action movies – washed up action movie star Johnny Cage (Karl Urban from Star Trek, J.J. Abrams, 2009; The Lord of the Rings; The Two Towers, Peter Jackson, 2002; Xena: Warrior Princess, TV series, 1996-2001) is approached by Lord Raiden (Tadanobu Asano from Shogun, TV series, 2025; Journey to the Shore, Kiyoshi Kurosawa, 2015; Shark Skin Man and Peach Hip Girl, Katsuhito Ishii, 1998)

and Sonya Blade (Jessica McNamee from The Meg, Jon Turtletaub, 2018; Battle of the Sexes, 2017; Home and Away, TV series, 2007) who appear a little like Schwarzenegger in The Terminator (James Cameron, 1984) via lightning bolts in a car park following Johnny’s attendance at a fan convention to ask him to join them as champions against Shao Khan in the upcoming tournament to decide the ruler of Earthrealm and the fate of all mankind.… Read the rest

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Animation Documentary Features Live Action Movies

Our Land

Director – Orban Wallace – 2025 – UK – Cert. 12a – 90m

***

An exploration as to why the English people only have the ‘right to roam’ over some eight per cent of their countryside – out in UK cinemas on Friday, May 8th, with previews Tuesday, May 5th, Wednesday May 6th

This sets out its stall with a bold move: an arresting animated sequence by May Kindred Boothby in the style of woodcut prints accompanies a brief, verbal historical overview by Robert MacFarlane (the nature and geography writer whose book of the same name was recently turned into the documentary Underland, Rob Petit, 2025) of English land ownership. It goes back to the 1066 Norman invasion by William the Conqueror who declared land the property of the Crown (!) and then doled that land out to the barons that had helped him become King of England. Prior to this, any English person had the right to go anywhere within the countryside.

What follows after that visually inventive and historically informative introduction admirably manages to avoid one of the common pitfalls that far too often beset documentaries whose subject is one specific issue. Namely, presenting one point of view as the irrefutable final word on the matter.… Read the rest

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Animation Features Live Action Movies

Godzilla Minus One
(Gojira -1.0,
ゴジラ -1.0)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – out on Netflix from Sunday, May 3rd 2026

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed. (Whether his guns would have had any effect in halting the creature’s advance is debatable. They probably wouldn’t have had any effect whatsoever.) The only other survivor, who had previously congratulated Koichi for a near impossible landing on a tiny runway, blames him for the multiple deaths because he didn’t pull the trigger.

In 1945, in the ruins of post-war Tokyo, Shikishima is accused by a survivor – a woman whose children have died – of being a disgrace.… Read the rest

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Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

The officially unacknowledged British role in the 1953 coup overthrowing the Iranian government – more timely than ever, and now back out in UK cinemas from Friday, May 5th 2026; more dates added daily at https://coup53.com/
Originally in UK cinemas from Friday, August 21st 2020

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves). Amirani’s editor, helping pull all this together, is the legendary Walter Murch (Gimme Shelter / 1970, The Conversation / 1974, Apocalypse Now / 1979, The English Patient / 1996).… Read the rest

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Ada
My Mother the Architect

Director – Yael Melamede – 2024 – US – Cert. 12a – 81m

***1/2

A portrait by her New York-based daughter of top Israeli architect Ada Karmi Melamede – out in UK cinemas on Friday, May 1st

This opens with the filmmaker daughter asking her architect mother if she wants to speak English or Hebrew. The mother is happy to speak both. For the titles, we watch her hands drawing / designing buildings on white paper as we hear various one-liners about her qualities as an architect.

Daughter Yael lists “ a few things you should know about my mother.” Ada Karmi Melamede is eighty and goes to the office every day. She is one of a family of architects who built Israel from the ground up. She left Israel twice, once to study in London and once to spend time in New York, where Yael and her family grew up. She returned to Tel Aviv in 1983 and her career took off: she has been working ever since. The Israel Supreme Court. Airports. Universities.

Architecture seems to be her model for discussing the world. She talks about the importance of roots in buildings, decrying glass towers that have no roots, of which she clearly thinks there are too many.… Read the rest

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Wild Foxes
(La Danse des Renards)

Director – Valéry Carnoy – 2026 – Belgium, France – Cert. 15 – 91m

***1/2

A promising young school boxer’s mindset changes following an accident which damages his arm – out in UK cinemas on Friday, May 1st

This starts off with the camera darting nimbly around a boxing ring in a gym in which two teenage fighters (one in red, one in blue) spar while their compatriots and trainer spur them on from the sidelines. Camille (Samuel Kircher), in blue, is the winner. Afterwards, five of them lark around in the changing rooms, filmed on a smartphone. (The French title, with its reference to dancing, seems particularly apt here.)

A coach journey. Camille rehearses his fighting moves in a mirror and hangs up the medal round his neck. And on a football field with a team mate. And back in the gym. Which routine is interrupted when his trainer Bogdan (Jean-Baptiste Durand) summons him for a talk with the director. The dates have come through for the Brussels competition in June, but rather than train alongside his professional team mates, Cam wants to stay at the gym and practice with his friend Matteo (Faycal Anaflous) – who has been warned by the gym, one more screw up and you’re out.… Read the rest

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I’ve Seen All I Need To See

Director – Zeshaan Younus – 2025 – US – Cert. 15 – 84m

*

A woman mourns her sister, dead in circumstances which remain far from clear – impenetrable drama is out in UK cinemas on Friday, May 1st

NSFW

Parker (Renee Gagner from Gazer, Ryan J. Sloan, 2024) sits on a chair and delivers a monologue. Apparently she’s doing an audition for an acting part. Either way, she rambles on about being finger-fucked in a car by a man who would later be turned to red mist as he served abroad with the military. The sequence, which consists of one unbroken, locked-off camera shot, is unlikely to engage you on any level. And it’s typical of everything else about this lacklustre effort.

In the middle comes a sequence in which car headlights appear in a night of pouring rain, and a series of characters gather outside a warehouse. One of them pulls out a gun. Shots are heard to be fired, by which time the picture has cut to a sunset landscape so you could be looking at the end of this mysterious meeting that looks like it isn’t going to go well, or it might be unrelated. It’s hard to tell.… Read the rest

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Exit 8
(Hachiban Deguchi,
8番出口)

Director – Genki Kawamura – 2025 – Japan – Cert. 15 – 95m

*****

A commuter tries to leave the Tokyo Underground but finds himself retracing his steps within a repeating system from which there is no exit – out in UK and Ireland cinemas on Friday, April 24th

A packed carriage on the Tokyo Underground. A commuter (Kazunari Ninomiya from Letters from Iwo Jima, Clint Eastwood, 2006), heading to his first day at a new job, can’t help but notice a young mother whose baby is crying. This is not a situation anyone likes to find themselves in, least of all the young mother. One male passenger takes it upon himself to berate and belittle the woman for selfishly allowing her child to make a noise in such a crowded, public space, inconveniencing everyone present. On one level, is he simply voicing what everyone else in the carriage is thinking? On another, is he completely out of order? After all, the mother is not the child making the noise, and she is doing her best to calm it. The irate passenger is clearly not helping the situation.

Perhaps someone should intervene and tell the man to leave the woman alone.… Read the rest

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Primavera
(Primavera)

Director – Damiano Michieletto – 2025 – Italy, France – Cert. 15 – 110m

*****

A young Venetian orphan comes into her own learning to play the violin under her orphanage’s new Master of Music, Antonio Vivaldi – period drama is out in UK and Ireland cinemas on Friday, April 24th

A group of girls, all wearing similar dresses, fawn over a cat’s newly birthed litter of kittens. That doesn’t last long, as an older woman unceremoniously picks up the kittens one by one, stuffs them into a sack, goes to the huge wooden door of the courtyard, opens it, and throws the sack into the canal. In seconds we have gone from unbearably cute to unspeakably cruel.

The older woman is the Prioress (Fabrizia Sacchi) who presides over an orphanage in eighteenth century Venice. Baby girls are abandoned outside their doors, accompanied by half a memento – should the woman later wish to reclaim her daughter, she need only turn up at the orphanage bearing the matching half. The orphanage’s archive lists the details of every girl, complete with half memento. Many of the mementos are religious, such as an image of the Blessed Virgin Mary.

The orphanage is renowned for its orchestra.… Read the rest

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London’s Last Wilderness

Director – Pablo Behrens – 2026 – UK – Cert. 12a – 61m

*****

London’s Thames Estuary filmed and edited from the point of view of an alien – out in UK cinemas on Friday, April 24th

A genre bender of a documentary, this owes a great deal to Petropolis (Peter Mettler, 2009) which comprises aerial cinematography of the environmental wreck of Canada’s Alberta Tar sands. The subject of London’s Last Wilderness, however, is not an ecological catastrophe, however much its narration by intertitle might (mis)interpret it as the aftermath of a war zone. It is rather the estuary of the Thames, the river that further inland flows through London, which city puts in a brief appearance towards the end. Indeed, insofar as this has a narrative spine, it is of a journey from the largely uninhabited estuary inland to the metropolis itself.

Where Petropolis was shot largely from a helicopter by a cameraman, the results recalling nothing so much as the aerial footage that opens The Shining (Stanley Kubrick, 1980) and closes (because they bought the rights to it) Blade Runner (Ridley Scott, 1982), aerial photography has moved on considerably in the last fifteen of so years with the evolution of drones, today a major part of the filmmaker / cinematographer’s arsenal.… Read the rest

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Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad. 

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest

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Blades of the Guardians
Wind Rises in the Desert
(Biao Ren
Feng Qi Da Mo,
镖人
风起大漠)

Director – Yuen Woo-Ping – 2026 – China – Cert. 15 – 126m

*****

In ancient China, a bounty hunter with his small nephew in tow must transport a man across a desert to Chang’an – out in UK and Ireland cinemas on Friday, April 17th

The synopsis opening this review might make it sound like a bad film. It’s not. Humour me.

China’s Sui Dynasty (581 to 618 AD). Bounty hunter Dau Ma (Wu Jing from Ride On, Larry Yang, 2023; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021; The Wandering Earth, Frant Gwo, 2019; Wolf Warrior, Wu Jing, 2015) travels with his small nephew Xiao Qi (Qianlang Ju) in tow. At an incident at a village inn he demonstrates his considerable fighting skill against a mark and his thugs to force the man to pay Dau Ma triple the price on his head to leave him alone.

Dau Ma is summoned before the town’s Governor Chang (Jet Li from Hero, Zhang Yimou, 2002; Black Mask, Daniel Lee, 1996); Once Upon a Time in China, Tsui Hark, 1991), who wants him to sign on to train Chang’s cavalry – an offer Dau refuses because as an ex-cavalry officer he has long since decided he is better off outside than inside the military system.… Read the rest

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Animation Features Movies

Akira
(アキラ)
4K
(IMAX)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen – back in over 350+ UK and Ireland cinemas, plus every IMAX screen from Friday, April 17th!

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

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The Wizard of the Kremlin
(Le Mage du Kremlin)

Director – Olivier Assayas – 2025 – France – Cert. 15 – 137m

*****

Starting in 1990s Russia, an avant-garde theatre director morphs into first a TV producer then the mastermind behind the rise and rule of Vladimir Putin – out in UK cinemas on Friday, April 17th

2019. Roland (Jeffrey Wright) writing a book on a prominent Russian novelist and on a research trip to Moscow when he receives a message from someone who has materials that will interest him. So he accepts the invitation and is driven to a private house on the woodlands outskirts of that city where he is shown first editions and documentation pertaining to the writer.

All this, however, is a pretext to the main event. His host, Vadim Baranov (Paul Dano), starts to tell Roland his life story from his student days onwards. Which sets the scene for what is to follow: a portrait of a close-up portrait of a shadowy figure who was to become Vladimir Putin’s arch-manipulator and right-hand man.

Dismissive of Gorbachov, he takes us back to the early 1990s when the Soviet Union was collapsing and Boris Yeltsin was in the presidential ascendant. A time of gunfire and violence, when men of increasing wealth and power could be killed at any time, a fact illustrated by an SUV exploding mid-convoy along a Muscovite spaghetti junction.… Read the rest

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Rebuilding

Director – Max Walker-Silverman – 2025 – US – Cert. PG – 96m

****

A divorced man whose home has been destroyed by a forest fire begins to reconnect with his pre-teenage daughter – out in UK cinemas on Friday, April 17th

This opens with an image of red hot embers rising and falling a black night sky. A couple of brief, opening, expository shots is all we are shown of the tragedy, but it’s enough: much of the remainder of the narrative takes place against a backdrop of leafless, tall, burned trees, an area of likely great former beauty now reduced to desolation. This is not the cinema of big budget disaster scenarios with no-holds barred pyrotechnic effects: it’s something altogether much lower key and quieter, an exploration of the effect of natural disasters on the lives of those people who survive them.

The fire has destroyed the 20 acres of property on the edge of the forest where Dusty (Josh O’Connor from The History of Sound, Oliver Hermanus, 2025; Mothering Sunday, Eva Husson, 2017; God’s Own Country, Francis Lee, 2017) lives, an area of outstanding natural beauty. He sells off his surviving livestock at an auction, then calls in on his ex-wife Ruby (Meghann Fahy from The White Lotus, TV series, 2022) who lives in the nearby town with their pre-teen daughter Callie-Rose (Lily LaTorre) and his mother-in-law Bess (Amy Madigan from Weapons, Zach Cregger, 2025; Pollock, Ed Harris, 2000; Field of Dreams, Phil Alden Robinson, 1989).… Read the rest

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The Blue Trail
(O Último Azul)

Director – Gabriel Macaro – 2025 – Brazil, Netherlands, Mexico, Chile – Cert. 12a – 86m

***1/2

A 77-year-old woman, learning she is to be rehoused at a state home for the elderly, refuses to comply, instead setting out to fulfil a long-held dream – out in UK cinemas on Friday, April 17th

Tereza (Denise Weinberg), 77, is doing fine thank you very much, supporting herself with a job in an alligator slaughterhouse. All that changes when the government lowers the age at which people are considered too old to be economically productive and relocated to the out of town elderly home known simply as The Colony, about which details are in scant supply. The name carries with it specific cultural associations, since The Colony was a notorious, Brazilian psychiatric prison used for the purposes of removing from mainstream society individuals deemed undesirable or unacceptable for whatever reason by the authorities, as portrayed in the drama Nobody Leaves Alive (André Ristum, 2023). Further afield, in Chile, the name conjures the equally if not more notorious detention centre of the Pinochet regime which features in the drama The Colony (Florian Gallenberger,2015). The name of the institution doesn’t bode well on either account.… Read the rest

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Kinaesthesia

Director – Gerald Fox – 2026 – UK – Cert. 15 – 97m

**1/2

A journey through the dream imagery of silent cinema and its cinematographic effects, augmented by present day stagings before the camera – out in UK cinemas on Friday, April 17th

Long fascinated by dream imagery in cinema, director Fox attended the Harvard course run by its Professor of Film Studies Vlada Petrić (1928-2019) to which this documentary essay is dedicated, being based on and quoting intensely from the latter’s theories.

Additionally, it just about works as a useful primer in silent cinema for the uninitiated provided you’re aware of its inherent biases and limitations. These may well be linked to the films (or film libraries) for which producer-director Fox secured rights, because there’s a far greater amount of French movies than you might expect. Or, these may may simply reflect Petrić’s theories and tastes.

Either way, the selection of movies here also leans towards the avant-garde in not only France but also the US. Then it throws in specific films from Griffifth (Edgar Allan Poe, 1909; The Avenging Conscience / Thou Shalt Not Kill, 1915) and Hitchcock (The Ring, 1927), China’s Romance of the Western Chamber (Hou Yau, 1927) and Japan’s A Page of Madness (Teinosuke Kinugasa, 1926).… Read the rest

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Miroirs No.3
(Miroirs No.3)

Director – Christian Petzold – 2025 – Germany – Cert. 15 – 86m

**1/2

A traumatised woman who survives a car crash moves in with a woman living near the crash site, unaware that the second woman is not what she seems – out in UK cinemas on Friday, April 17th

She stares out from a bridge, watches the water go by from underneath it. Returning home, she’s lost her bag. Her partner wants to know where she’s been. Anyway, Debbi (Victoire Laly) and Roger (Marcel Heupermann) are waiting. The four go off in the car. While her partner and Roger swap notes on the song playing on the car sound system, Laura (Paula Beer from Afire, Christian Petzold, 2023; Transit, Christian Petzold, 2019; Never Look Away, Florian Henckel von Donnersmarck, 2018, Frantz, François Ozon, 2016) is distracted, noticing a woman standing in her driveway as they pass. When they stop to check their itinerary, Laura just stands there. She wants to go home, telling partner Jakob (Philip Froissant) she isn’t feeling well.

Driving Laura to the station in the other couple’s car, so she can go home while the other three carry on as planned, Jakob nearly collides with the woman on the drive.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – streaming on UK VoD from Friday, April 17th

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – opening film in Film Tottenham’s upcoming programme celebrating female action heroes, plays Sunday, April 12th 2026, 6.30 for 7pm start

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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The Stranger
(L’Étranger)
(2025)

Director – François Ozon – 2025 – France – Cert. 15 – 120m

*****

A Frenchman living in French Algiers with an attitude of detachment is arrested following a violent incident with an Arab – adaptation of Albert Camus’ existentialist novella is in UK and Ireland cinemas on Friday, April 10th

Albert Camus’ 1942 novella is a character study of a non-conformist to the widely held ideals of the day. Ozon’s film adaptation roughly follows its template, making some subtle changes which alter its overall stance and meaning. 

The following synopsis contains spoilers, but, to be honest, given that this is an adaption of a significant work of French literature, and that you’ll get just as much if not more out of it if you read the book beforehand, I’m not convinced that knowing the plot in advance is a bad thing.

The novella has a two-part structure. First, it follows the life of its main, French Algiers-based protagonist Meursault from his receiving news of his mother’s death and taking time off work to attend her funeral, through his embarking on a relationship with the besotted Maria, to his involvement with his friend the local pimp Raymond Sintès and Meursault’s fatal shooting of an Arab, who has been following Raymond with murderous intent after Raymond mistreated his sister.… Read the rest

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Undertone

Director – Ian Tuason – 2025 – Canada – Cert. 15 – 94m

**

The co-host of a paranormal podcast is disturbed by ten mysterious sound files even as her elderly mother is nearing death in her bedroom upstairs – out in UK and Ireland cinemas on Friday, April 10th

A two person paranormal podcast comprises Evy Babic (Nina Kiri) and Justin (voice: Adam DiMarco) in a good cop / bad cop routine. Adam’s good cop is always willing to believe – or at least hoping – that the incident or phenomena underlying the latest episode is real, however strange or unlikely it might be. Evy’s bad cop always assumes the phenomena are fake or a hoax, until or unless she has incontrovertible evidence that suggests otherwise.

We never see Justin since the movie focuses on Evy living in her house and Justin only appears (on the soundtrack) as her co-host when they go live on air or in conversation with her on the phone outside of that recording / broadcasting process. You might think that focusing on the subject of the paranormal would drive someone off the deep end, but for Evy, doing the podcast with Justin is the one thing that keeps her sane.… Read the rest

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Documentary Features Live Action Movies

Kim Novak’s Vertigo

Director – Alexandre O. Philippe – 2025 – UK – Cert. uncertificated – 76m

*****

An essential addition to the canon of work surrounding and helping audiences to understand the power of one of the cinema’s greatest works– out in UK cinemas on Friday, April 3rd

The opening black and white scene features actress Kim Novak, probably shot in the 1950s, as if through a peephole. This recalls Norman and his peephole in Psycho (Alfred Hitchcock, 1960). Novak here seems to know she is being watched, looks directly at the camera, then rolls her head so her eyes go into the darkness of shadow. Then, colour footage of present day, images that could be out of Spellbound (Hitchcock, 1945): a gate opening, a passage along a country roadway, a wooden memorial to someone. All this accompanied by the voice of Kim Novak, now in her twilight years, talking about her life on the soundtrack – her present difficulty in getting breath, how awful it must be to gasp for breath prior to dying.

All this has a Hitchcock connection. Novak is familiar to us from her twin roles in Vertigo (Hitchcock, 1958), the favourite film of director Philippe (and also, as it happens, of this critic) who specialises in documentaries about movies and made the definitive documentary about Psycho’s shower scene 78/52 (2017).… Read the rest

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D is for Distance

Director – Chris Petit, Emma Mathews – 2025 – Finland – Cert. 12A – 88m

****

A diary film about a boy with epilepsy, his interior world, and parenting – out in UK cinemas on Friday, April 3rd

Opening and closing, more or less, with one of the quieter themes from Once Upon a Time in the West (Sergio Leone, composer: Ennio Morricone, 1968), and images first of a boy / young man clambering over coastal rocks and finally of the same young man and his father looking out from atop rock formations near “the top of the world”, this fits into the personal diary school of documentary filmmaking.

The two co-directors are life partners Chris Petit (Radio On, 1979) and Emma Matthews; the subject their son Louis, who started having epileptic fits around age 12. Following various NHS misdiagnoses, the family moved to the Netherlands where they could legally get hold of medical cannabis which, it turned out, cured Louis as long as he kept taking it. 

In former times, notes the unseen narrator (Jodhi May from Dune: Prophecy, TV series, 2024; The Last of the Mohicans, Michael Mann, 1992, A World Apart, Chris Menges, 1988), people with this condition would be taken as demon-possessed and burned at the stake, or (under the Nazis) forcibly exterminated.… Read the rest

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The Last Blossom
(Housenka,
ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest

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Two Prosecutors
(Zwei Staatsanwälte)

Director – Sergei Loznitsa – 2025 – France, Germany, Romania, Latvia, Netherlands, Lithuania – Cert. 12A – 118m

****1/2

Stalinist Russia, 1937. A young, idealistic prosecutor takes up the case of an unjustly imprisoned, political prisoner – out in UK cinemas on Friday, March 27th

A prison yard. Impassive guards. Inmates on scaffolding work at plastering the exterior wall. A man from a new prisoner detail is given a sack of letters and locked in a cell with a stove. He must burn the letters.

Given two matches, he reads some of the letters before incineration. One is written in blood from an inmate named Stepniak requesting a visit from a prosecutor. 

The young, fresh faced prosecutor Kornev (Alexander Kuznetsov) arrives at the prison to see the governor. He is seen instead to the duty assistant (Andria Keiss). 

The prosecutor is received, but the interviewing duty assistant lives in a different world. The prison staff live in a world where the apple cart is never to be upset and an easy life is paramount. They laugh uproariously at the current joke doing the rounds about a political celebrity being imprisoned both before and after the Revolution. 

They do their jobs efficiently, but woe beside interfering busybodies.… Read the rest

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Orwell: 2+2=5

Director – Raoul Peck – 2025 – UK – Cert. 15 – 119m

****1/2

A primer on the life and work of George Orwell, particularly Nineteen Eighty-Four, and its relevance to today’s post-truth world – out in UK cinemas on Friday, March 27th

This belongs to the school of documentary which creates a film out of assembling fragments of movies, found footage, archive clips and images, moving or still. The list of feature films and other source material used in this instance is astonishing, with the director given full access to the Orwell Estate. Peck also makes use of clips from various movie adaptations of Nineteen Eighty-Four (Paul Nickell, 1953; Rudolph Cartier, 1954; Michael Anderson, 1956, Michael Radford, 1984) plus Brazil (Terry Gilliam, 1985), a film so heavily inspired by Orwell’s book that it was originally entitled 1984½, and Animal Farm (John Halas, Joy Batchelor, cartoon animated feature, 1954; John Stephenson, Jim Henson Creature Shop, 1999; illustrations by Ralph Steadman, 1995). On top of this, he uses BBC Drama The Crystal Spirit: Orwell on Jura (John Glenister, script: Alan Plater, 1983) and Orwell’s essay Why I Write (1946).

These last two are particularly pertinent, given that Peck has chosen to focus on the final year (1949-50) of Orwell’s life during which he took himself off to the Island of Jura, Scotland to finish writing Nineteen Eighty-Four and was subsequently admitted to University College Hospital, London with Tuberculosis.… Read the rest

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They Will Kill You

Director – Kirill Sokolov – 2025 – US – Cert. 15 – 94m

****

A young woman, searching from her missing sister, takes a job as a cleaner in a mysterious, wealthy, New York apartment block – horror action movie is out in UK cinemas on Friday, March 27th

This has been sold as a horror / paranoia conspiracy thriller about a New York apartment building in the mould of Rosemary’s Baby (Roman Polanski, 1968). Yet while its opening set up has echoes of that film, it turns out to be something altogether very different.

Asia Reaves (Zazie Beetz from The Bad Guys, Pierre Perifel, 2022; Joker, Todd Phillips, 2019; Deadpool 2, David Leitch, 2018), her younger sister Maria (Myha’la from Dead Man’s Wire, Gus van Sant, 2025; Bodies Bodies Bodies, Halina Reijn, 2022) in tow, flees their abusive father. He tracks them down in a grocery store, outside which she later shoots and hospitalises him before going on the run alone.

Ten years later, she applies for a housekeeper’s job at the Virgil, a nine-storey New York apartment building. The door is answered by Irish building superintendent Lily (Patricia Arquette from Boyhood, Richard Linklater, 2014; Lost Highway, David Lynch, 1997; True Romance, Tony Scott, 1993) who introduces her to a few of the tenants in the lobby including Sharon (Heather Graham from Austin Powers 2; The Spy Who Shagged Me, Jay Roach, 1999; Boogie Nights, Paul Thomas Anderson, 1997) and Kevin (Tom Felton – Draco Malfoy from the Harry Potter films, 2001-2011) before showing her to her room.… Read the rest

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Features Live Action Movies

Redoubt
(Värn)

Redoubt (Värn)

Director – John Skoog – 2025 – Sweden – Cert. – 85m

***1/2

Convinced the enemy will attack soon, a man turns his small house into a fortress that can provide shelter for a small number of people – out in UK cinemas on Friday, March 27th

Before this film came along, ‘redoubt’ was not a word in my vocabulary; it means a small, possibly temporary, building turned into a fortress in preparation for war. John Skoog’s stark film, shot in equally stark black and white by cinematographer Ita Zbroniec-Zajt (Woman on the Roof, Anna Jadowska, 2022) is about a man living in an isolated rural community who, perhaps influenced by old government pamphlets about preparing for war, images from which pepper the film’s opening moments, decides to fortify his house as a refuge for his neighbours in the local community should the unthinkable happen.

It bears similarity to the Biblical story of Noah who is instructed by God to build an ark prior to the forthcoming global flood. In that account, everyone else thinks him completely nuts and just lets him get on with it, and the same thing happens here – people like him, and he’s tolerated as the local eccentric.… Read the rest

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Documentary Features Live Action Movies

Underland

Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m

***

Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th

Why do we seek the void, asks a narrator (Sandra Hüller from Project Hail Mary, Phil Lord, Christopher Miller, 2026; The Zone of Interest, Jonathan Glazer, 2023; Anatomy of a Fall, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.

In terms of following what’s going on, apart from the idea of people in different places possessed of a desire to penetrate the Earth’s surface, and exciting, pulsating music by Hannah Peel, all this is really hard to follow; the viewer’s brain is overloaded.… Read the rest

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Features Live Action Movies

The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – back out in a 4K restoration in UK cinemas on Friday, March 20th

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Features Live Action Movies

Project Hail Mary

Directors – Phil Lord, Christopher Miller – 2026 – US – Cert. 12a – 156m

*****

Hail Mary, Full of Grace. A school teacher is sent to a star 12 light years from Earth to determine why it is surviving the emergent life form killing all other stars, including our sun – out in UK cinemas on Friday, March 20th

“What is 2 + 2?” Rudely awakened from cryogenic sleep by the ship’s computer (voice: Priya Kansara from Polite Society, Nida Manzoor, 2023), Ryland Grace (Ryan Gosling from Blade Runner 2049, Denis Villeneuve, 2017; La La Land, Damien Chazelle, 2016; Drive, Nicholas Winding Refn, 2011) comes under a barrage of questions designed to check his medical status. While he is perfectly healthy, his fellow crew members – the captain (Milana Vayntrub) and the pilot (Ken Leung from Joker: Folie à Deux, Todd Phillips, 2024; Lost, TV series, 2008-10; Rush Hour, Brett Ratner, 1998) – have died in their sleep chambers. Who is he, how did he get here? Memories come flooding back, building a picture of his past and revealing the answers, even as he goes about his mission.

Back on earth, Grace was a middle school teacher.… Read the rest

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Animation Features Movies

Arco
(Arco)

Director – Ugo Bienvenu – 2025 – France – Cert. PG – 82m

French with subtitles (not in UK cinemas) *****

English dubbed version (in UK cinemas) ****1/2

A boy from the far future attempts time travel too young and gets stranded in an earlier time – animated SF feature is out in UK cinemas on Friday, March 20th

Somewhere in the distant future, above the clouds where the birds fly, in semi-spherical houses constructed on supports rising through the clouds, live the likes of Arco (English voice: Juliano Krue Valdi; French voice: Oscar Tresanini) with his mother (voices: America Ferreira; Sophie Mas) and father (Roeg Sutherland; Oxmo Puccino), and his elder sister (unknown; Joséphine Mancini). His daily routine includes feeding the hens and the pigs, but not flying because he’s not yet 12 and, as his dad constantly reminds him, that’s the law.

The house is powered at least in part by small water wheels. It would appear to be self-sustaining. The family grow a lot of plants as part of their self-sufficient diet, and the daily flights of Arco’s father, mother and sister take them to other times to gather samples of new plant species to grow as nutrients.… Read the rest

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Documentary Features Live Action Movies Music

Broken English

Directors – Iain Forsyth, Jane Pollard – 2025 – UK – Cert. 15 – 96m

*****

Musician and cultural icon Marianne Faithfull is interviewed at length, and her life and artistic achievements examined from several angles – compelling documentary is out in UK and Ireland cinemas on Friday, March 20th

Who is Marianne Faithfull? Given that, sadly, she died during the making of this documentary about her, we should ask another question. Who was Marianne Faithfull? 

Marianne appears extensively here as a real life, a 78-year-old interviewed by actor George MacKay (from The Beast, Bertrand Bonello, 2023; Femme, Sam H. Freeman, Ng Choon Ping, 2023; 1917, Sam Mendes, 2019) for The Ministry of Not Forgetting, an institution created specially for this film narrative where it is run by Tilda Swinton (from Memoria, Apichatpong Weerasethakul, 2021; Snowpiercer, Bong Joon Ho, 2013; Orlando, Sally Potter, 1992) in a suit and tie who delivers all manner of fascinating pronouncements about Marianne’s life and work, and at one point even explores that territory by choreographing a dancer’s movements.

While The Ministry of Not Forgetting provides a structure within which Faithfull’s humanity and legacy can be explored, this latest film from Forsyth and Pollard (20, 000 Days on Earth, 2014; The Extraordinary Miss Flower, 2024) is characteristically kaleidoscopic.… Read the rest

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Animation Features Movies

Scarlet
(Hateshinaki Sukaretto,
果てしなきスカーレット,
lit. Endless Scarlet)

Director – Mamoru Hosoda – 2025 – Japan – Cert. 15 – 111m

****

Trapped in the Otherworld, a limbo preceding the afterlife, Princess Scarlet seeks revenge on her uncle who has killed her father the King – anime reimagining of Hamlet is out in UK cinemas on Friday, March 13th

Walking across a vast desert and dying of thirst, a redhead recalls how she came to be there. Those were happier times in sixteenth century Denmark, when Scarlet (voice: Mana Ashida from Lonely Castle in the Mirror, Keiichi Hara, 2022; The House of the Lost on the Cape, Shinya Kawatsura, 2021; Poupelle of Chimney Town, Yusuke Hirota, 2020; Pacific Rim, Guillermo del Toro, 2013) – for it is she – spent time with her father King Amleth (voice: Masachika Ichimura from Giovanni’s Island, 2014), drawing his portrait outdoors. Amleth always had the best interests of his people at heart.

Yet there was always a dark foreboding in the background – Scarlet’s severe mother Gertrude (voice: Yuki Saito from The Third Murder, Hirokazu Kore-eda, 2017) who ripped up her drawing, her power-hungry, warmongering Uncle Claudius (voice: Koji Yakusho from Perfect Days, Wim Wenders, 2023; Belle, Mamoru Hosoda, 2021, The Third Murder; Cure, Kiyoshi Kurosawa, 1997; Shall We Dance, Masayuki Suo, 1996) with his greedy eyes on the throne.… Read the rest

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Features Live Action Movies

How to Make a Killing

Director – John Patton Ford – 2026 – UK, France – Cert. 15 – 105m

****

A disinherited son culls the seven family members standing between him and the fortune of his super-rich family one by one – US reimagining of Kind Hearts and Coronets is out in UK cinemas on Friday, March 13th

Sentenced to death for murder, Becket Redfellow (Glen Powell) asks for a priest to visit his cell on death row so he can recount the long story behind his incarceration. The priest arrives, and Becket starts to tell his tale…

Mary Redfellow (Nell Williams) has a child, Becket (Grady Wilson), with a man her wealthy family, the Redfellows, consider beneath her station. As a result, they cut her off. She nevertheless teaches the child to be mindful of gaining his true inheritance. She has him learn archery and piano. At a piano recital as a child, he meets Julia (Maggie Toomey), a monied girl his own age, and the two immediately hit it off.

As an adult, the family’s rejection of Becket and his mother is made crystal clear to him when his mother dies and he attempts to get family funding for her funeral, the refusal coming in the terse form of a three-line letter delivered by chauffeur-driven car to the family estate gates where Becket is waiting.… Read the rest

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Features Live Action Movies

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Features Live Action Movies

A Pale View of Hills
(Toi Yamanamino Hikari,
遠い山なみの光)

Director – Kei Ishikawa – 2025 – UK, Japan, Poland – Cert. 12a – 123m

From the novel by Kazuo Ishiguro

***1/2

An aspiring journalist in 1982 England delves into her mother’s past life in 1952 Nagasaki and unearths dark family secrets – out in UK cinemas on Friday, March 13th

As will be seen from the above logline description, this essentially plays out in two timelines.

One is in Nagasaki, Japan in 1952, less than a decade after the dropping of the atomic bomb, where the married and barely visibly pregnant Etsuko (Suzo Hirose from Lupin III the First, Takashi Yamazaki, 2019; The Third Murder, Hirokazu Kore-eda, 2017; The Boy and the Beast, Mamoru Hosoda, 2015; Our Little Sister, Hirokazu Kore-eda, 2015) befriends Sachiko (Fumi Nikaido from River’s Edge, Isao Yukisada, 2018; Himizu, Sion Sono, 2011), the mother of local waif Mariko (Mio Suzuki), who lives in an isolated shack near the river and plans to emigrate to the US with a man named ‘Frank’.

The other is in a town in England somewhere near Greenham Common, Berkshire, in 1982, where aspiring journalist Niki (Camilla Aiko from Dr.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Turner & Constable

Director – David Bickerstaff – 2026 – UK – Cert. U – 93m

****

A journey through the current Tate Britain show and art history about the two rival landscape painters – out in UK cinemas from Tuesday, March 10th

This latest Exhibition on Screen entry kicks off in uncharacteristic fashion with photographic shots of landscape (typical of views that used by painters Turner and Constable) accompanied by an excerpt from the poem Richmond by James Thomson (1834-1882), a favourite of both painters whose work will be similarly deployed (voiced by Robert Lindsay) at appropriate intervals throughout this documentary.

Amy Concannon © David Bickerstaff

However, the film soon moves into more familiar territory with shots of present day London and of the Tate Britain’s current Turner & Constable exhibition, with visitors admiring some of the paintings on display. Amy Concannon, Manton Senior Curator, Historic British Art, Tate Britain, notes that this show represents the first time the two painters have been displays side by side on such a vast scale. Turner & Constable were born within a year of one another, which became a catalyst for the current show’s displaying them together.

Lachlan Goudie © David Bickerstaff

Artist, writer and broadcaster Lachlan Goudie talks about the “dazzling” influence of both artists on the likes of Delacroix.… Read the rest

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Art Exhibitions Music

Miseris Succurrere Disco
(I Learn to Help
Those in Need)

© Paul Heartfield

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reflection on how personal tragedy can awaken empathy, mercy and collective care – exhibition / installation at Fitzrovia Chapel from Friday, March 6th to Wednesday, March 25th

It’s a strange phenomenon when you attend an exhibition / installation and the unfamiliar venue is, to you, as exciting as the event itself. Iain Forsyth and Jane Pollard’s new outing isn’t a film, but an exhibition, the second of three they’ve created in this particular space as it turns out. And the space they’ve deployed is fabulous, a new one on me. 

The Byzantine-inspired Fitzrovia Chapel, as the name implies, is situated in the heart of Fitzrovia, the area of London North of Oxford Street between Regent Street and Tottenham Court Road. It’s the chapel of the former Middlesex Hospital, one of London’s flagship NHS teaching hospitals, which was closed in 2006. You may be familiar with the chapel from King Charles’ 2024 Christmas broadcast.

The venue is open on particular days, often Monday, Tuesday, Wednesday, but not every week, and opening times can vary if the space is hosting an exhibition.

What can present challenges is if, as this writer did, you attend a show without being familiar with the space as it normally appears to visitors outside of exhibitions / installations. … Read the rest

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Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – back in a 4K Restoration in UK cinemas on Friday, March 6th

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).

Hard Boiled opens with a spectacular tea house shoot out where Insp.… Read the rest

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Features Live Action Movies

The Bride!

Director – Maggie Gyllenhaal – 2026 – US – Cert. 15 – 126m

**

In 1930s Chicago, Frankenstein’s monster seeks love and companionship, so a dead girl, possessed by the spirit of Mary Shelley, is reanimated as his Bride – out in UK cinemas on Friday, March 6th

Stuck for eons in a black and white limbo, having died of brain cancer after writing the novel Frankenstein – perhaps the novel was part of a brain tumour – and feeling that she’d not managed to say within it what she needed to say, the departed spirit of Mary Shelley (Jessie Buckley from Hamnet, Chloe Zhao, 2025; The Lost Daughter, Maggie Gyllenhaal, 2021; Misbehaviour, Phillippa Lowthorpe, 2020) observes the world of the living, in colour, and enters it to take possession of a living woman in 1930s Chicago through whom she intends to say what still needs to be said. She picks the fearless and vivacious Ida (Buckley again) in the orbit of ruthless gangster Lupino (Zlatko Burić from Superman, James Gunn, 2025; Triangle of Sadness, Ruben Östlund, 2022; Pusher, Nicolas Winding Refn, 1996).

Being fed one oyster too many in a nightclub, Ida wilfully throws up over one of Lupino’s men.… Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Directed by Mona Fastvold
Certificate 15
130 minutes
Released 27 February and on Disney+ from 13 May

Few films accurately chronicle a specific, historical Christian sect, fewer still do so as a musical. I knew virtually nothing about the Shakers, before seeing The Testament of Ann Lee, which is based on a true story. | found much to admire in their religion, yet I was appalled by two aspects.

Read the rest of my Reformed magazine review here.

Read my later review for this website here.

The Testament of Ann Lee is on Disney+ from Wednesday, March 13th following its release in cinemas in the UK on Friday, February 27th 2026

Teaser Trailer (Cert. 12a, which really gives no indication of some of the more extreme elements in the film):

Trailer

Categories
Dance Features Live Action Movies Music

Sirāt
(Sirāt)

Director – Óliver Laxe – 2025 – Spain, France – Cert. 15 – 115m

*****

Young son in tow, a man goes in search of his daughter who has gone missing at raves in the North African desert – 2025 Cannes Jury Prize Winner is out in UK cinemas on Friday, February 27th

Luis (Sergi López from Pan’s Labyrinth, Guillermo del Toro, 2006; Dirty Pretty Things, Stephen Frears, 2002; Harry, He’s Here to Help, Dominik Moll, 2000) and his son Esteban (Bruno Núñez Arjona) are searching for his son’s elder sister who vanished five months ago. Believing she is headed to a rave in the Moroccan desert, they turn up there to hand out Missing fliers and ask people there if they have seen her.

No-one has seen her.

They start off asking among dancing revellers, but soon move on to try people resting or on the fringes of the event. One group of three people halfway up a hillside, seem more sympathetic than most, but they’ve not seen the daughter so there isn’t a lot they can do to help. 

The rave is an illicit event not sanctioned in any way by the authorities, so it’s perhaps not surprising that on maybe the second day… time can be hard to keep track of at these events… soldiers turn up to close the event down. … Read the rest

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Features Live Action Movies

Scream 7

Ghostface in Paramount Pictures and Spyglass Media Group's "Scream 7." © 2025 Paramount Pictures. Ghost Face is a Registered Trademark of Fun World Div., Easter Unlimited, Inc. ©1999. All Rights Reserved.”.

Director – Kevin Williamson – 2026 – US – Cert. 18 – 114m

****

A survivor from the original murder spree tries to protect her 17-year-old daughter from the recently reappeared killer – out in UK cinemas on Friday, February 27th

This cleverly plays to both anyone who has followed the Scream franchise since its inception and anyone coming to it for the first time. It grabs you straight from the start with a clever little sequence, featured in the first quarter of the trailer, in which a young couple (Michelle Randolph and Jimmy Tatro) arrive for their stay at a Woodsboro house where the Stu Macher murders took place decades earlier, now done up as a short stay holiday home for crime thrill seekers. Since the trailer gives it away, it seems reasonable to point out that these two are about to become the latest victims of the so-called Ghostface killer, clad in his familiar mask that to this writer has always conjured Edvard Munch’s painting The Scream (1893).

Jimmy Tatro stars in Paramount Pictures and Spyglass Media Group’s “Scream 7.”

An additional conceit of the franchise is that the Ghostface killer’s trademark mask and cape can be worn by anyone, meaning that if you can disarm or kill them, you can then remove the mask and discover the identity of this particular Ghostface.… Read the rest

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Animation Features Movies

All You Need is Kill
(Oru Yu Nido izu Kiru)

Directors – Kenichiro Akimoto, Yukinori Yakamura – 2025 – Japan – Cert. 15 – 86m

***1/2

A woman trapped in a repeating time loop dies fighting alien plant monsters, joins forces with a man in a similar time loop – animated science fiction tale is out in UK cinemas on Friday, February 27th

This began as a science fiction novel first published in Japan in 2004. Ten years later, as is the way of things in Japan, it appeared as a manga. It also formed the basis of the Tom Cruise / Emily Blunt vehicle Edge of Tomorrow (Doug Liman, 2014). The novel is about a cowardly military man killed in a skirmish with unexpected invading aliens who wakes up and realises he’s reliving that first day of the alien invasion. He gets killed over and over again, and wakes up and relives the same day over and over again. Similarly trapped in a time loop is a brave military woman fighting the aliens. It’s a military hardware alien action movie using the looped repeating day structure of Groundhog Day (Harold Ramis, 1993).

While I recommend the 2014 movie, and have no issue mentioning it in terms of contextualising the new film, I also recommend you put it firmly to one side and don’t try and base whatever expectations you might have about the new film on it.… Read the rest

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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – plays one night only, Sunday, March 1st, 6.30pm, as part of Film Tottenham following its release in UK cinemas on Friday, April 18th 2025

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.… Read the rest

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Features Live Action Movies

Wasteman

Director – Cal McMau – 2025 – UK – Cert. 18 – 90m

*****

A prisoner’s chances of achieving parole are threatened by the arrival of a ruthless and manipulative new cellmate – out in UK cinemas on Friday, February 20th

Taylor (David Jonsson from The Long Walk, Francis Lawrence , 2025; Alien: Romulus, Fede Alvarez, 2024; Rye Lane, Raine Allen-Miller, 2023), a young inmate in prison, is due for parole provided he behaves as required. However, his new cellmate Dee (Tom Blyth from The Hunger Games: The Ballad of Songbirds & Snakes, Francis Lawrence, 2023; Benediction, Terence Davies, 2021; Robin Hood, Ridley Scott, 2010) has other ideas, including making money by dealing all manner of illicit goods from the outside.

This opens with a row between inmates, one of whom is determined to mete out punishment to whoever it was took his mobile phone. Very quickly, the situation descends into his suspected thief being assaulted with a television set that happens to be nearby. As another prisoner says to the one who carries out the assault, part in awe, part in jest, and part in newly-found respect, “Fucking TV, mate.”

Welcome to the world of Wasteman, the term used to designate central character Taylor who has been written off by British society.… Read the rest

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Features Live Action Movies

Scare Out
(Jing Zhe wu Sheng,
惊蛰无声)

Director – Zhang Yimou – 2026 – China – Cert. 15 – 104m

***1/2

A mole in a small National Security department is narrowed down to one of two operatives… But which one of the two is it?– high tech surveillance thriller is out in UK cinemas on Friday, February 20th

A National Security operation involving numerous operatives and frankly overwhelming high tech surveillance technology is tracking Nathan (Nathaniel Boyd) who is receiving a package from a contact on the street. A fast and furious attempt to catch him involving numerous officers, notably Yan Di (Jackson Yee from Resurrection, Bi Gan, 2025; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021; Better Days, Derek Tsang, 2019) and Hwang Du (Zhu Yilong from Dongji Rescue, Fei Zhenxiang, Guan Hu, 2025; Only the River Flows, Wei Shujun, 2023; Lost in the Stars, Cui Rui, Liu Xiang, 2022), goes badly wrong when drone operator Chen Yi (Lin Bo Yang) accidentally steers her drone into an operative causing him to fall from a great height. After much frantic running, Nathan is apprehended hiding high up in the scaffolding behind an advertising hoarding.… Read the rest

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Animation Features Movies

LUPIN THE IIIRD
The Movie
The Immortal Bloodline
(RUPAN SANSEI ZA MUBÎ
Fujimi no Ketsuzoku,
LUPIN THE IIIRD
THE MOVIE
不死身の血族)

Original comic books created by Monkey Punch © Monkey Punch All rights reserved. © TMS All rights reserved.

Director – Takeshi Koike – 2025 – Japan – Cert. 15 – 93m

***

Lupin and his friends are lured to a zombie-populated island run by an immortal being where a toxic gas kills people after 24 hours – out in UK cinemas on Saturday, February 21st

Lupin III (or LUPIN THE IIIRD as he’s called here) has been around in Japan a very long time, first in the manga created by artist Monkey Punch in 1967 and later in live action movies, animated TV series, animated features and various other media formats.

© MP / T

You be forgiven for thinking that makes the franchise inaccessible for the newcomer, but this latest instalment opens with a burst of fuzz guitar and black and white images of ink clouds in liquid and drawings of the five main characters, who are helpfully introduced one by one, invaluable to the newcomer but equally, given the stylish drawings and the rapid pace at which they are introduced, a pleasure also for the viewer already familiar. Thus, we meet master thief (and narrator) Arsène Lupin III (voice: Kenichi Kurita) (“the cops are always after me”), his gunslinging partner Daisuke Jigen (voice: Akio Otsuka), his friend Goemon the swordsman (voice: Daisuke Namikawa), his friendly rival the curvaceous Fujiko Mine (voice: Miyuki Sawashiro), briefly zipping up cleavage that appears have been considerably enlarged for this particular film, and his nemesis Inspector Zenigata (voice: Koichi Yamadira) who has failed to apprehend him for decades, here introduced as an ace even though elsewhere in the franchise he’s pretty hapless.… Read the rest

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Animation Features Movies

Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – out in UK cinemas on Friday, February 13th; previews Saturday, 7th and Sunday, 8th February

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest

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Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

A high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest

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Wuthering Heights
(2026)

Director – Emerald Fennell – 2026 – UK – Cert. 15 – 136m

***1/2

NSFW

Emily Brontë’s beloved fantasy romance gets a modern makeover with lashings of sex including some S&M – out in UK cinemas on Friday, February 13th

The late eighteenth century. A man is publicly hanged in a town square, with crowds in attendance. Among the onlookers, in a scene unlike anything else that follows it in terms of its scale (a cast of hundreds of if not thousands) is young urchin Cathy Earnshaw (Charlotte Mellington), relishing the spectacle alongside the other kids present.

Cathy lives with her father (Martin Clunes) and servants including young servant / companion Nelly (Vy Nguyen) in the family home Wuthering Heights on the Yorkshire Moors exposed to its treacherous weather of near constant rain, fog or snow. One night, father returns from the pub with a young boy he has rescued from being thrown out on the street by another customer. With the boy hiding in one of the upstairs bedrooms, Cathy goes to look for him only to be unexpectedly dragged under the bed in a moment invoking any number of horror movies. Under the bed, in the dark, she meets the boy (Owen Cooper).… Read the rest

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Animation Documentary Features Live Action Movies Music

It’s Never Over,
Jeff Buckley

Director – Amy Berg – 2025 – US – Cert. 15 – 106m

***1/2

A look at the life of the hugely talented singer / songwriter whose career in the 1990s was cut short by his untimely death – out in UK cinemas on Friday, February 13th

It’s tempting to place Jeff Buckley among the all too long list of rock and roll music casualties who killed themselves via a mixture of excessive lifestyle and drug abuse, a list which includes Jeff’s absent, singer / songwriter father Tim, who died of a morphine and heroin overdose at age 28.

This documentary charts its subject’s life chronologically and thus doesn’t get to the issue of Jeff’s death until late on. Following his early years as a young hopeful living in New York City, Jeff Buckley relocated to Memphis where one day, aged 30, he swam out into the Wolf River (a tributary of the Mississippi) and was never seen alive again. The autopsy, which was pretty much open and shut, recorded that he had one beer in his system. Nothing else. The river at this location had a powerful undertow, so Buckley’s untimely death can be put down to a tragic combination of ignorance and misjudgement.… Read the rest

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Goat

Director – Tyree Dillihaye – Co-Director – Adam Rosette – 2025 – US – Cert. PG – 100m

***

A goat sets out to prove that despite being small he can play professional roarball just as well as the big guys who populate the sport – animated feature is out in UK cinemas on Friday, February 13th

In a world where ‘smalls’ and ‘bigs’ live side by side, Will Harris (voice: Caleb McLoughlin) is a small goat who wants nothing more than to play roarball, and is thrilled when his mum (voice: ) takes him to see his first game with local team the Vineland Thorns. Their star player is Jett Fillmore (voice: Gabrielle Union), a leopard. Like most of the played, she is huge. Much, much bigger than the comparatively tiny Will. The Thorns’ nemesis is Magma, who likewise have their own huge star player, Mane Attraction, who looks like a cross between a lion and horse. Bigs dominate the world of roarball, and keep smalls out of it with the simple motto, “smalls don’t ball.” But Will is the determined sort, not one to take no for an answer.

Other members of the Thorns include: Olivia Burch (voice: Nicola Coughlan), an ostrich depressed by fan comments on social media who deals with the problem by burying her head in the sand.… Read the rest

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Documentary Features Live Action Movies

What Should We
Have Done?
(Do Sureba Yokatta Ka?,
どうすればよかったか？)

Director – Fujino Tomoaki – 2023 – Japan – Cert. N/C 15+ – 102m

***1/2

Remarkable diary film of the director’s sister who has undiagnosed schizophrenia as his parents deprive her of a decent quality of life for 30 years – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

Darkness. The sound of a woman angrily, relentlessly, berating her daughter. At least, that’s what it sounds like. Director Fujino Tomoaki clarifies. He’s not trying to explain how his sister got schizophrenia, nor what schizophrenia is.

His elder sister was smarter than him. She spent four years trying to get into Medical School. One night in 1983, at home, she went completely berserk, waking everybody up. She was taken to a psychiatric hospital, who found nothing wrong with her. Tomoaki just doesn’t believe it. Another night at 2am she walked into his room, sobbing. He became worried that if she had another episode, he’d have to fight back, and the consequences might destroy his life. After his father, a medical research academic like his mother, disagreed with a psychiatrist’s thesis as to what was wrong with her, he got a job that enabled him to leave home and escape.… Read the rest

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Kaneko’s Commissary
(Kaneko Sashiireten,
金子差入店)

Director – Go Furukawa – 2025 – Japan – Cert. N/C 15+ – 125m

****

An ex-con runs a service delivering clothing, other supplies and messages from loved ones to convicted prisoners – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

A young mum, babe in arms, takes bags for her husband to a drop-off facility / creche so she can visit him in prison. The helpful assistant informs her that the commissary will be unable to accept most of the contents of the bag – basically, any clothing other than underwear. And off she goes for a prison visit with her husband, who has anger management issues and takes out on her the fact that she failed to visit last month, telling her, “it’s easy for you to abandon me.” His unabated rating and verbal abuse eventually drives her to a primal scream before she walks out, leaving him to ask, redundantly, after she’s left, if their child has been born yet.

His visit isn’t from her but the self-announced “Kaneko from Hosoda’s Commissary”, who has a deliver from his wife; divorce papers to sign.… Read the rest

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All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – plays one night only, Sunday, February 8th, 6.45pm, as part of Film Tottenham

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

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Primate

Director – Johannes Roberts – 2025 – US – Cert. 18 – 89m

****1/2

A girl and her friends discover her family’s pet chimp has turned violent and trapped them in the house – out in UK cinemas on Friday, January 30th

Coming in commendably under 90 minutes, this is a hugely effective thriller about people trapped in a confined space with a monster. Which makes it all the more curious that it missteps for its first couple of scenes, making you wonder if you’re going to regret seeing the film. First up is a scene in which a vet ventures into a house’s exterior enclosure and is attacked by Ben, the distressed chimpanzee, who lives there. The problem is not the scene itself, which is both genuinely scary and sets the scene for what is to follow – indeed, it establishes that there is a chimpanzee in the house about to turn bad – but the fact that it’s almost impossible to relate the scene to the remaining narrative, apart from the fact that it takes place 36 hours earlier. Who was the vet? At what point in the unfolding flashback does this attack take place? The ensuing mayhem won’t leave you any time to ponder such questions, so it arguably doesn’t matter, but for me, because I couldn’t make any sense of it in the scheme of the wider film, it proved annoying.… Read the rest

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H is for Hawk

Director – Philippa Lowthorpe – 2025 – US, UK – Cert.12a – 115m

*****

An academic grieving her recently deceased photojournalist father buys and trains a goshawk then turns in on herself – adaptation of bestselling memoir is out in UK cinemas on Friday, January 23rd

Helen (Claire Foy) phones her dad to tell him she’s just seen a pair of goshawks. Her dad (Brendan Gleeson), with whom she would often venture out into the English countryside, is a top photojournalist who has made a career out of waiting with his camera – for hours sometimes – to catch just the right moment to tell a story. Technically, he is retired, but still carries on working. And then a few days after Helen sees the goshawks, her mum (Lindsay Duncan) phones. Dad died, suddenly, unexpectedly. He’s gone. Except that, in the manner of the bereaved, he’s still there. Everywhere Helen goes, she remembers flashes of him from the past, things they did together. They were very close.

She works as an academic, teaching science at Cambridge, and not unusually is disenchanted with her students, wishing they’d show a bit more interest. She has been invited to apply for a position in Berlin, and as her best friend Christina (Denise Gough) says, if she applies she’ll probably get it, so they go out to celebrate.… Read the rest

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The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

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October Sky

Director – Joe Johnston – 1999 – US – Cert. PG – 97m

****1/2

Coming-of-age drama based on the teenage years of Homer Hickam who went on to become a NASA rocket scientist – out in UK cinemas on Friday, June 26th 1999

1957 was the year Sputnik became the Earth’s first man‑made satellite. This first of two December releases set in small town America against the backdrop of that event (the second is next week’s The Iron Giant, Brad Bird, 1999) is a coming-of-age drama based on the real life teenage years of Homer Hickam who went on to become a NASA rocket scientist. Homer (Jake Gyllenhaal) is initially inspired by the sight of the Sputnik flying over his hometown through 1957’s October skies, a tiny moving dot amidst the stars.

Hickham starts experimenting with home-made rockets – blowing up his mother’s picket fence, sending potentially lethal projectiles hurtling through the air towards the local pithead and, ultimately, becoming something of a local celebrity. Aided by his two best mates and the school nerd, a stereotype likely to infuriate anyone who wears spectacles, he receives support from admiring teacher Miss Riley (Laura Dern) but not his own mine superintendent father John (Chris Cooper) who regards him as an idealistic fool wasting his time.… Read the rest

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BULK

All pic credits: d.p. Nick Gillespie

Director – Ben Wheatley – 2025 – UK – Cert. 15 – 90m

*****

An abducted journalist finds himself involved in multi-dimensional travel – quasi-experimental and completely bonkers sci-fi drama embarks on a tour of UK cinemas, from the smallest to the largest, on Thursday, January 15th

We are watching black and white footage. (The film occasionally uses colour, for instance footage of Sam Riley – from Islands, Jan-Ole Gerster, 2025; Firebrand, Karim Ainouz, 2023; Control, Anton Corbijn, 2007 – in a grey-blue suit reminiscing about what happened to his character). “25 kilometres from the epicentre,” says a voice, instantly recognisable as Bill Nighy (from Living, Oliver Hermanus, 2022; Minamata, Andrew Levitas, 2020; I Capture the Castle, Tim Fywell, 2003), who performs similar duties throughout, including reading the film’s title when it appears moments and several shots later on the screen.

Some of those shots are worth talking about in detail, because they help convey everything that’s great about this lovingly hand-to-mouth-crafted movie. They include library footage – a jet trail across what could be detail of a planet, troops watching an A-bomb explosion from the trenches.

As Nighy speaks, two tiny static figures stand in a landscape (which looks like a model although it could be a still photographic element behind which is composited live action footage of clouds moving across in a sky.… Read the rest

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Lollipop

Director – Daisy-May Hudson – 2024 – UK – Cert. 15 – 100m

*****

After four months in prison, a young woman must deal with the UK’s social services to regain custody of her kids – on BBC iPlayer from Friday, January 16th

East Londoner Molly (Posy Sterling) leaves prison following a four-month sentence to discover that her two kids Ava, 11 (Tegan-Mia Stanley Rhoads) and Leo, 5 (Luke Howitt) have been taken into care because her alcoholic mum Sylvie (TeriAnne Cousins from Silver Haze, Sasha Polak, 2023) couldn’t cope with them. This means the kids have been taken into care by social services, and in order to get them back, Molly has to have a roof over her head. Alas, while she was detained, the council have taken her home off her.

She finds herself trapped between the devil and the deep blue sea – she can’t get her kids back until she has a suitable home, and she can’t get a suitable home because, until she gets her kids back, she will only be offered accommodation suitable for a single homeless woman. For the time being, she lives out of a tent.

The impulsive Molly worsens her own situation when, during a supervised visit, she abducts her kids and flees with them on the train to the wilds of the countryside.… Read the rest

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The Ice Tower
(La Tour de Glace)

Director – Lucile Hadzihalilovic – 2025 – France, Germany, Italy – Cert. 15 – 117m

*****

Midwinter. A homeless girl stumbles onto a film set where a notoriously difficult actress is shooting an adaptation of The Snow Queen – screens exclusively on BFI Player from Monday, January 12th

Opening with microscopic images of of snowflakes and more abstract visuals of refracted light, this swiftly delivers a female voiceover (by Aurélia Petit from Saint Omer, Alice Diop, 2022; By the Grace of God, François Ozon, 2018; Happy End, Michael Haneke, 2017; Personal Shopper, Olivier Assayas, 2016; The Science of Sleep, Michel Gondry, 2006) in French with English subtitles for those of us in the UK, in which the word ‘neige’ (snow) is seemingly, endlessly repeated. Then images of a girl wandering snow covered mountainsides gives way to night time small town streets before Jeanne (newcomer Clara Pacini) is told off for arriving late at the supper table. “I was afraid you’d gone”, says one of the younger girls (Cassandre Louis Urbain).

At night, Jeanne surreptitiously reads a postcard from a friend picturing Alpenaille skating rink addressed to her at the Bon Secours (Good Rescue) Foster Home.… Read the rest

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The Running Man
(2025)

Director – Edgar Wright – 2025 – US – Cert. 15 – 133m

***1/2

In an America controlled by a TV network producing violent game shows, a poor man signs on for its biggest show The Running Man whose contestants never come back – Stephen King adaptation available to buy on digital Tuesday, January 13th & to rent on Tuesday, January 27th; on 4K UHD Steelbook, 4K UHD, Blu-ray and DVD Monday, March 2nd, 2026

His baby daughter is sick, and medical treatment is expensive. His wife is working as many shifts as she can at a hostess club (we never see it – it’s described in dialogue) in an attempt to bring in some money. But it’s not enough. Ben Richards (Glen Powell) needs to find more money to pay the bills and keep his family alive. While he is good at what he does, he has a tendency to speak up when things aren’t as they should be, and this gets him into trouble. As in, he has been blacklisted by previous employers of whom he’s fallen foul. So, he turns to the Free-Vee TV network that controls and runs everything, providing a subsidised TV to every home and non-stop, reality TV and game show programming.… Read the rest

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Oh, Canada

Director – Paul Schrader – 2024 – US – Cert. 15 – 94m

From the novel by Russell Banks

***

A documentary filmmaker dying of cancer consents to a filmed interview about his life and work to air his dirty laundry – on UK and Ireland digital platforms on Monday, January 12th

“Remind me why I agreed to do this,” says the ageing Leonard Fife, aka Leo (Richard Gere, from Schrader’s earlier American Gigolo, 1980) setting up for a filmed interview, about his life and work as a documentary filmmaker, at which he has insisted his wife Emma (Uma Thurman), a former student of his, be present. His interviewer Malcolm (Michael Imperioli from Song Sung Blue, Craig Brewer, 2025; The White Lotus, TV series, Mike White, 2021; The Sopranos, TV series, 1999–2007) is another former student, as is Malcolm’s producer Diana (Victoria Hill from First Reformed, 2017; Master Gardener, 2022, both Paul Schrader), another former student conquest of Leo’s; Malcolm’s production assistant is 24-year old Sloan (Penelope Mitchell from Sting, Kiah Roache-Turner, 2024; Hellboy, Neil Marshall, 2019; The Vampire Diaries, TV series, 2014-15; Hemlock Grove, TV series, 2013).

What lies behind Leonard’s acceptance of the gig swiftly becomes clear when he hijacks the first question, framing it with a date in 1968 of great significance in his personal life.… Read the rest

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Hamnet

Director – Chloé Zhao – 2025 – UK, US – Cert. 12a – 125m

*****

An imagining of the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – Maggie O’Farrell’s adaptation of her own novel is out in UK cinemas on Friday, January 9th

According to the opening title card, the names Hamlet and Hamnet were regarded as interchangeable in Elizabethan England. This is curious, since the piece’s female lead (Jessie Buckley from Women Talking, Sarah Polley, 2022; Men, Alex Garland, 2022; Misbehaviour, Philippa Lowthorpe, 2020) appears to be variously addressed as Alice, Agnes or Anyes while the male lead (Paul Mescal from Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023; Aftersun, Charlotte Wells, 2022) is not referred to by name as William Shakespeare until well towards the end. Since this is being promoted as the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – as you can see from the trailer below – audiences will enter the film knowing who the Paul Mescal character is as soon as he appears unnamed.

The outdoors, looking up through the trees of a forest.… Read the rest

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Top Ten Movies
(and more,
excluding re-releases)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version excludes re-releases (Battleship Potemkin, The Piano Teacher or Hard Boiled, among others) would top everything here). In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2025. For that even longer list, click here.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

1=. Flow (2024, Belgium, France, Latvia)

1=. The Glassworker (2024, Pakistan, Spain)

1=. One Battle After Another (2025, US)

1=. Riefenstahl (2024, Germany)

1=. The Seed of the Sacred Fig (2024, Iran, Germany, France)

6=. Mars Express (2023, France)

6=. On Swift Horses (2024, US)

6=. … Read the rest

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Hamnet

Directed by Chloé Zhao
Certificate 12A
125 minutes
Released 9 January

Shakespeare’s romantic relationship, family life and the tragedy of bereavement resulted in his writing one of his bestknown plays, Hamlet. In Elizabethan England, we are told at the start of Hamnet, the two names were interchangeable. Adapted from Maggie O’Farrell’s novel, this film is well-served by the landscape-friendly sensibilities of the director Chloé Zhao (Nomadland). [Read the rest at Reform magazine…]

[Read my longer review on this site…]

Hamnet is out in cinemas in the UK on Friday, January 9th.

Trailer:

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Marty Supreme

Director – Josh Safdie – 2025 – US – Cert. 15 – 149m

*****

In the 1950s, a young New Yorker with the odds against him is determined to become a top table tennis player – in cinemas from Friday, December 26th

Manhattan’s Lower East Side, the 1950s. Marty Mauser (Timothée Chalamet) has a dream. It is, admittedly, a pretty odd dream which involves him rising to the top of a sport to which no-one in his native America currently pays any attention: table tennis. Also, he is possessed of the quintessentially New York sensibility of the street smart hustler who can, he believes, sell anything to anyone. A mere 23 years of age, he is naive and optimistic, but if you think that means the hard realities of day-to-day living are about to grind him down, you’ve got another think coming. For Marty is nothing less than a force of nature, blessed with unshakeable self-belief. And he needs it, because in this seriocomic rollercoaster of a sports drama, the odds seem to be increasingly stacked against him at every turn.

On top of all this, Marty is at once the person who through shrewd manoeuvring on the one hand makes his own luck and slowly builds his own destiny, and through hubris on the other has an unfortunate tendency to shoot himself in the foot..… Read the rest

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The SpongeBob Movie
Search for SquarePants

Director – Derek Drymon – 2025 – US – Cert. PG – 96m

*****

SpongeBob is duped by a ghostly pirate into undertaking a quest in the underworld which will have disastrous consequences for him – anarchic and inventive animation is out in UK cinemas on Friday, December 26th

The big day has arrived. SpongeBob SquarePants (voice: Tom Kenny) has finally reached the height of 36 clamshells. This means he can fulfil his dream – going on the fairground rollercoaster ride. As he bottles out, an opportunity presents itself: the chance to become a certified swashbuckler like the employer he so admires, Mr. Krabs (voice: Clancy Brown).

Thus SpongeBob joins ghostly pirate the Flying Dutchman (voice: Mark Hamill), the curse of the seven seas, on a quest into the underworld resembling the numbered stages of a computer game. However, our hero has been duped; the Flying Dutchman can only rid himself of the curse which traps him in the state of a ghost by transferring it to someone else – and SpongeBob is the fall guy. Can our hero’s friends Patrick (voice: Bill Fagerbakke), accompanying him on his quest, and Mr. Krabs and Squidward (voice: Roger Bumpass), who set out in hot pursuit, save him?… Read the rest

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Avatar
Fire and Ash

Director – James Cameron – 2025 – US – Cert. 12a – 195m

Immersive Cinema *****

Screenplay ***1/2

Return to Pandora – this time, with a terrifying tribe whose trust in the planet’s spirit has been wiped out by a volcano – second Avatar sequel is out in cinemas from Friday, December 19th

Whatever you think of the Avatar movies – of which this is the third – there’s no denying that audiences love them, and that these films are, for the time being at least, critic-proof. The original Avatar (2009) is a remarkable work, right at the cutting edge of what one might call immersive cinema, with Cameron making superb use of 3D in an industry which long ago decided 3D was a fad useful primarily for jacking up the price of tickets: in Cameron’s hands, however, 3D goes hand-in-hand with artistic intent as he involves you in a planet or a world – Pandora – with its own, unique, eco-system. Having done that, the question is, where can you go. The second film Avatar: The Way of Water (James Cameron, 2022), in this writer’s opinion, is just as impressive as a further piece of immersive cinema; however, while it delivers some extraordinary sequences, it fails to deliver in terms of story in the way that the original did.… Read the rest

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One Flew Over the Cuckoo’s Nest

Jack Nicholson

Director – Milos Forman – 1975 – US – Cert. 18 – 133m

*****

An unpredictable new inmate unsettles the controlling nurse presiding over a hospital ward’s mental patients– out now in the UK on 4K UHD and 4K UHD Steelbook

A state hospital for the mentally ill, a live-in ward presided over by Miss Ratched (Louise Fletcher). For reasons that are never entirely clear, RP McMurphy (Jack Nicholson) arrives for a stay to evaluate his mental health. It’s also not clear whether there is anything actually wrong with him; the prison that sent him thinks he was faking it to get out of a work detail.

McMurphy finds himself on Miss Ratched’s ward, which she runs in a highly regimented fashion. He doesn’t like that, and the scene is set for a battle of the wills.

The film was originally a 1962 novel by Ken Kesey which became a play within a year with Kirk Douglas playing McMurphy. That ran on Broadway for six months, and Douglas was so taken with it that he spent most of the 1960s trying to make the film, eventually deciding on Forman as director and sending him a copy of the novel. Forman never received the book as it was seized by the Czech authorities.… Read the rest

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Attending the Festival
at a distance

Oh, What Happy Days!

Health issues prevent Jeremy Clarke from attending the Critics’ Picks at the 29th Tallinn Black Nights Film Festival, but he manages to watch the films anyway.

2025 has been a strange year for me personally, not least because of my ongoing fight against cancer. Which, I am happy to report, I appear to be winning. To cut a very long story short, for the previous three years I’ve had the great privilege and joy of attending PÖFF, the Tallinn Black Nights Film Festival and covering, since its inception in 2022, the Festival’s Critics’ Picks Competition for Dmovies.org. This year, however, I found myself on a five day course of radiotherapy on dates immediately before the Festival. One of the things you learn very quickly when having treatment for cancer is that everybody is different – every body is different – and reactions and side effects can vary enormously from person to person.

Invisibles

The hospital warned me of possible side effects which might kick in anything up to a month after the treatment, and also that I would be very unwise to delay the radiotherapy. That effectively stopped me from leaving the UK around the time of the Festival this year.… Read the rest

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Oh, What Happy Days! (Ah Che Roozhayeh Khoshi Bood,
آه، چه روزهای خوشی بود. )

Director – Homayoun Ghanizadeh – 2025 – Iran, USA, France, Canada – 107m

*****

On a video phone network, a woman is caught between her well-off family and their former servant’s wronged son – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

Facing us, photographed in black and white, an old man hangs up, revealed by his offline screen to be Mr. Farrokhi (Ali Nassirian) in Los Angeles, as a woman rails to camera, hurling obscenities at him as at the viewer. Her screen enlarges as it moves to centre screen. He and she, like the other characters who appear in this drama, is wearing what looks like a prison uniform with a designation tab above the right breast.

As the piece proceeds, you start to get a handle on the ground rules: this is a film that owes much to communications technologies like Zoom. Characters only ever appear here within a Zoom type box in black and white, slowly morphing into colour for moments when they relax or are less guarded and more openly themselves. Sometimes there is only a single box with its one character filling the screen; this shifts to two, three – or, in two rows, four or five – boxes side by side.… Read the rest

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Documentary Features Live Action Movies

The Tale of Silyan
(Приказната за Силјан)

Director – Tamara Kotseva – 2025 – North Macedonia – Cert. 12a – 81m

*****

A farmer, whose livelihood has collapsed thanks to economics and government policy, cares for a stork with a broken wing – in cinemas from Friday, December 12th

This begins with a simple voiceover story. Silyan, ostracised from the other storks because he was different, is noticed by a similarly lonely father who takes pity on the stork and invites it to live with him.

Then it swiftly switches to two parallel narratives within the same geographical area.

In one, a man’s extended family builds a new storey onto their house for the son and daughter in law. The act of building is very much a family affair, with even the man’s small granddaughter mucking in.

In the other, a flock of storks build their nests on the roof of an old farmhouse building nearby.

The man is a farmer (Nikola Conev); his extended family help him pick this year’s harvest of vegetables, then accompany him to a string of local farmer’s markets to sell his produce. At this point, the man hits a problem; the going rate has dropped. And he can’t get a decent price for his produce.… Read the rest

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Documentary Features Live Action Movies

Dark Star

Director – John Carpenter – 1974 – US – Cert. PG – 83m (71m Directors Cut)

*****

Let There Be Light: The Odyssey of Dark Star

Director – Daniel Griffith – 2010 – US – 118 mins

*****

A bored crew of astronauts travel through space blowing up unstable planets – out now as a 4K Ultra-HD and Blu-ray Box Set, and a standalone Blu-ray

Carpenter’s 71-minute cut of his extraordinary debut feature is a lean, if tacky, sci-fi comedy that succeeds because of clever characterisations in the script and exemplary use of minimal resources in its production. Begun as a student film at USC, it preceeds his more polished, widescreen thriller efforts of the 1970s starting with Assault on Precinct 13 (1976) and Halloween (1978) with their relentless, pounding scores which he also composed and which would enable him to reinvent himself as a performing musician much later in his career. With no driving beat, Dark Star’s keyboard tones merely hint at what is to come musically.

The spaceship interiors are deceptively simple. One is a small room with four seats crammed side to side alternately facing from which four crew members operate the ship. Or, rather, three – Lt.… Read the rest

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Winners
(Barandeha,
برنده‌ها)

Director – Hassan Nazer – 2022 – UK, Iran – Cert. PG – 85m

****

A missing Oscar statuette is found by two kids in the Iranian provinces who work scavenging rubbish dumps – the UK’s official entry for the 95th (2023) Academy Awards Best International Feature plays one night only, Monday, December 8th, 6.15pm, as the second part of a triple bill with The Pearl Button at 4pm and Goodbye, Dragon Inn at 7.45pm, as part of Film Tottenham celebrates 100 years of community cinema, which runs until Sunday, December 21st 2025

An Oscar statuette goes missing in Tehran when the woman charged with bring it to the production company office somewhat foolishly leaves it in the back of a taxi while she nips out at her home to collect something. While she is out of the vehicle, a policeman instructs the driver to move on as he isn’t allowed to stop there. She comes back and the taxi is gone – and the statuette with it.

It ends up in the taxi company’s lost parcel office, where an employee who has no idea what it is decides to borrow it for the evening as it will look good in his home, wrapping it in a towel before placing it in his bag.… Read the rest

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Invisibles
(Invisibles)

Director – Junna Chif – 2025 – Canada – 94m

****1/2

A sex worker turned exotic dancer starts providing sexual services to disabled people – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

“Blow jobs are real jobs – and real jobs suck” reads a slogan held by three boisterous young women on a protest march. In a nightclub, we watch one of them perform a burlesque striptease to rapturous applause from the audience, seated in male and female blocks. ‘Ella’ (Nadia Essadiqi from Incendies, Denis Villeneueve, 2010) later gets an email from the disabled brother of a friend stating he is now “ready for full sexual intercourse”.

She decides to meet the challenge, so the sender turns up in a van with his carer Marco (Victor Andres Turgeon-Trelles) who hoists him onto the bed, then departs for an hour leaving a contact number. Floyd (Floyd Lapierre-Poupart) can’t move much and has club hands and feet, and their initial encounter proves less than successful, resulting in his premature ejaculation. You sense that the whole exercise is way outside both their comfort zones. In the tense exchange that follows with Marco, he emphasises that the correct term is “people with a disability, Miss” and she retorts with, “sex workers, Sir.”… Read the rest

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Documentary Features Live Action Movies

Prime Minister

Directors – Michelle Walshe, Lindsay Utz – 2025 – US, New Zealand – Cert. 12a – 102m

*****

A portrait of Rt Hon Dame Jacinda Ardern, New Zealand’s 40th Prime Minister – out in UK and Irish cinemas on Friday, December 5th

There has never been a documentary quite like this before, and perhaps there never will be again. For one thing, it turns out that Jacinda Ardern’s partner Clarke Gayford is an established TV producer who shot a wealth of home movie footage, albeit with professional equipment, throughout the period for which she served as New Zealand’s Prime Minister. For another, this home movie footage covers her pregnancy and the early years of her daughter Neve. For a third, as an MP she became involved with a project in which MPs would record their thoughts at various points during their tenure. When she agreed to this, no-one, including herself, had any idea that she would subsequently become Prime Minister. And that’s the fourth reason: this is a portrait of a PM in office who had no intention of being either a party leader or the Prime Minister of a country. And then who suddenly found herself the sole candidate for the post of leading New Zealand’s Labour Party weeks ahead of a General Election, in which she led the party to victory,

In this documentary, Jacinda (as I shall call her) describes being the leader of a country as “the worst job in politics”.… Read the rest

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It Was Just an Accident
(Yek Tasadef Sadeh,
یک تصادف ساده)

Director – Jafar Panahi – 2025 – Iran, France, Luxembourg – Cert. 12a – 105m

*****

When a man hits an animal driving on country roads late at night, unforeseen consequences ensue – out in UK cinemas on Friday, December 5th

It’s late at night and the family are returning by car. Eghbal (Ebrahim Azizi), who is driving, and his wife (Afssaneh Najmabadi) keep their small daughter (Delnaz Najafi) amused with raucous, Iranian dance music. Then there’s a bang as the car hits something. Dad stops, gets out and finds he’s hit an animal. “Animals just walk onto these roads,” he explains to his traumatised daughter. The mother tries to pacify the child, saying this happens all the time and is nothing to worry about. The little girl is upset; she was enjoying the loud music before, but now she isn’t. At her request, dad turns it off. A sombre mood settles over the car.

The vehicle isn’t right since the collision, so dad takes it to a garage for them to have a look at it. One of the mechanics Vahid (Vahid Mobasseri) spots him, keeps out of sight, then borrows his boss’ van keys for a emergency to follow the departing vehicle.… Read the rest

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That Burning House
(Shi Le Yuan,
火宅之犬)

That Burning House

Director – Tsai Yin-chuan – 2025 – Taiwan – 133m

****1/2

Teachers in a juvenile care home attempt to break the cycle of violence among their charges – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This is one of those films that takes place in several different times in the characters lives, including when they are children, teenagers and adults. That means that you need more than one actor to play each character at different times in their lives, and if you’re going to attempt that, you’d better get your casting right, so that when you see the second actor playing an older or younger version of the character, you instantly recognise that character.

I wanted to rate this compelling film as five stars, but it has severe problems in this area – it’s really hard working out which character is which in the various different times in which events take place. Studying the end credits helped somewhat in this regard, but that information really ought to be expressed more clearly within the film narrative itself. (To see an example of a film that tackles this multiple character casting brilliantly, see Moonlight (Barry Jenkins, 2018).… Read the rest

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Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Street Wanderers
(Los Caminantes
de la Calle)

Director – Juan Martin Hsu – 2025 – Argentina, Peru – 90m

*****

Argentinian cops and robbers procedural is set largely in the world of Mendoza’s immigrant Chinese community – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

2010. Mendoza, Argentina. The family-run, Chinese restaurant of Dageng (Kon Yam Pin) receives telephone threats for protection money. When they don’t pay up within 24 hours, a motorbike with two riders pulls up on at their door which opens onto the main street and fires four shots. So Dageng’s son (Willy Kon Chin Yi) delivers a rucksack containing $50 000 to the gang. But later, the riders complain there was only $30 000 and demand another $20 000.

Lots of similarly threatening phone calls overlap on the soundtrack as we see numerous yellow cables plugged into a telecoms hub, recalling similar motifs in movies as diverse as Three Colours Red (Krzysztof Kieślowski, 1994) and Dial M for Murder (Alfred Hitchcock, 1953).

The prosecutor’s office is monitoring phone calls, but faces challenges. One such is that the calls are in Cantonese so require an interpreter to turn them into intelligible Spanish. Another is illustrated when the current interpreter quits, terrified what might happen to her family if word about the nature of her work gets out.… Read the rest

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The Silent Virgin
(La Virgen Silenciosa)

Director – Xavi Sala – 2025 – Mexico – 127m

*****

A legal secretary frustrated in her job embarks on a relationship with another woman, but her possessive mother does not approve – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This certainly knows how to grab your attention at the start. An icon of the Blessed Virgin Mary (BVM) hangs on the wall. On the bed, a grown woman pleasures herself until… The earth moves! Everything is shaking, and she quickly recovers her composure as her middle-aged mother runs in to get her out of the house as the earthquake alarm goes off.

After, they eat at the meal table, and her mother (Mercedes Hernández from New Order, Michel Franco, 2020) asks Vale (“Va-lay”; Zamira Franco also from New Order), who she’ll later address as Valeria, to pick up prescriptions while she’s out and makes sure she doesn’t forget her packed lunch. Then it’s train, bus and the walk past colourful stalls to work. Vale’s office with about half a dozen or so people seems to be piled high with paperwork. They are dealing with the cases of people being arrested.… Read the rest

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Nino in Paradise
(Nino Dans la Nuit)

NIno in Paradise

Director – Laurent Micheli – 2025 – Belgium, France – 117m

****

A young man, his girlfriend and his two mates navigate an urban existence filled with crap jobs during the day and drug-fuelled partying during the night – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This opens with a combination of slow, ominous music (which you might describe as a deep, absorbing blue) being undercut by frame grabbed moving images featuring green, yellow, red, and black – but not blue – of people partying, girls snorting coke and popping pills.

And then the voiceover, the potential sign that someone should be writing a novel or perhaps poetry rather than making a movie. “Paradis. People always ask me, is that your real name?” And straight into an interview for the Foreign Legion. This might have proved a useful escape route for protagonist Nino Paradis (Oscar Högström), but a medical test (“Toilet. Piss.”) soon puts paid to that, revealing as it does high levels of drugs in his system.

They pay his train fare back to Paris. “In Paris, you can’t stop. I walked. I walked ’til I dropped.” He talks about a succession of dead end jobs.… Read the rest

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Documentary Features Live Action Movies Music

The Session Man

Director – Michael Treen – 2023 – UK – Cert. 12a – 90m

***

A look at legendary pianist Nicky Hopkins who played with numerous bands and on numerous records – out in UK cinemas on Friday, November 21st

Nicky Hopkins may not exactly be a household name, but anyone who paid attention to credits on rock music albums from the early 1960s through to the early 1990s is likely to have heard of him. Trained as a classical pianist at the Royal Academy of Music, he simultaneously discovered rock and roll and began playing in bands at the start of the sixties as a 16-year-old. The right place at the right time. Up and coming British bands of the early 1960s like The Beatles, The Kinks, The Rolling Stones, and The Who – essentially bands consisting of guitars and drums – got him playing piano on their albums to fill out the sound. He was playing with Jeff Beck around the time of the Truth album, which took him to the US, where he became based for the rest of his life, occasionally returning to the UK to work on specific albums.

Narrated by Bob Harris, formerly of BBC’s The Old Grey Whistle Test, this music documentary follows the obvious format of, film a lot of interviews with people who know the subject and intersperse footage of the musician concerned playing live or in recording sessions to break the interviews up a bit.… Read the rest

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A Summer Tale
(Cuento de Verano)

A Summer's Tale

Director – Matías Szulanski – 2025 – Argentina – 78m

*****

A moneylender’s difficulties getting money owed back from clients on time cause his heart to play up – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

It’s a lovely Summer day. Jorge (Fabián Arenillas) is out on the street, getting up again, gathering his briefcase. What happened? A blackout? A heart attack? 

The camera follows him from behind as he enters a modern building. In the hairdresser’s, the owner asks him to come back later as he’s busy with a client. A cigarette on the go, stopping for a glass of Coke, he makes his next call. When the door opens, it’s the client’s son, who turns out not to have nearly enough money to make a significant payment. 

He returns to the hairdresser’s, where one of the customers heaps abuse on him. If what he had at the start was a heart attack, it’s not hard to see why. Jorge leads a highly stressful life. 

Wherever he goes, he seems to want to extract money from people. A phone call to Diana (Tamara Leschner) leads to a quick meeting where he picks up $124 000 and gives her an invoice.… Read the rest

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Round 13
(13ème Round)

Round 13

Director – Mohamed Ali Nahdi – 2025 – Tunisia, Cyprus, Qatar, Saudi Arabia – 85m

*****

A young boy is diagnosed with a tumour in his arm, and his parents must guide him through his ensuing medical treatment – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

My third Critics’ Picks entry is another five star movie. Which is great, but once again, I wonder, for how many more films can this last? What IS true is that this is not another ‘urban unease and finding your way in the world’ movie like China Sea (Jurgis Matulevičius. 2025) or Mo Papa (Eeva Mägi, 2025), it’s something altogether different.

Sabri (Hedi Ben Jabouria) is a very ordinary eight-year-old boy who likes boxing. We first meet him out with his dad in the cinema where the pair are watching a black and white movie about boxing. They return home where Sabri looks at his dad’s old photos of his days as a boxer in Rome.

They are interrupted by Sabri’s mum Semia whose name curiously isn’t spoken until about ten minutes before the end of the movie (Afef Ben Mahmoud) and who wants to know why she can never reach Kamel (Helmi Drid), the boy’s dad, on the phone.… Read the rest

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China Sea
(Kinų Jūra)

Director – Jurgis Matulevičius – 2025 – Lithuania, Taiwan, Poland, Czechia – 96m

*****

A former champion kickboxer whose career has been destroyed by his poor anger management attempts to find direction in life – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

World champion kickboxer Osvald Gurevicious (Marius Rapsys) has it all, but unfortunately is a bit too full of himself, accidentally clobbering a woman who is standing in the wrong place during a bar room brawl. We see him at the height of his success, playing an opponent in a tournament in Japan, but we never see the incident which destroys his career. Instead, he goes on TV back in Lithuania explaining that it was all a terrible accident which he regrets, but sadly that doesn’t seem to cut any ice.

Discussing the situation with his coach (Marius Misiūnas), he resolves to make the best of the situation by opening his own gym; his coach, however, isn’t sure that Osvald has what it takes and suggests he work at the gym as an assistant to see if he has a feel for coaching. Among Osvald’s new kickboxing charges is the promising Angelika (Samantha Drilingate), who he helps to learn how to defend herself in the ring when she comes in one day with a massive torso bruise from a bar fight that got out of hand.… Read the rest

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Mo Papa
(Mo Papa)

Mo Papa

Director – Eeva Mägi – 2025 – Estonia – 88m

*****

A young ex-con imprisoned as a teenager for killing his younger brother tries to make his way in present-day Tallinn – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

I am wary of unscripted feature films. There is a reason why most narrative movies are made working from scripts; actors have lines to speak, to help them get a handle on their characters. Technicians have an idea of what they are realising on the screen or the soundtrack for a director. Without a script, most attempts at making a film are liable to founder. And quite probably result in an indulgent, unwatchable movie.

Mo Papa, according to the Festival’s blurb, was unscripted. On the one hand, I fear the worst. On the other, after three years of watching Critics’ Picks at Tallinn, I know the standard to be generally high, and duff films are happily all too rare. Would Mo Papa turn out to be one of those rare blips?

It’s also an Estonian movie, and because this is an Estonian festival, in a sense that ups the ante. So I’m really hoping it’s going to be good.… Read the rest

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London Korean
Film Festival
(LKFF)
2025

LKFF, the London Korean Film Festival 2025 runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

The London Korean Film Festival, now celebrating its 20th year, kicks off tonight with its Opening Gala, a World Premiere of Frosted Window (Kim Jong-Kwan, 2025), followed by a Q&A with director Kim and actor Yeon Woo-jin.

It bows out in two weeks time with its Closing Gala, Harbin (Woo Min-ho, 2024), starring Hyun Bin, with cinematography by Hong Kyeong-pyo who shot Parasite (Bong Joon Ho, 2019).

In between these two events comes a Special Screening of Hi-Five, a superhero comedy by Kang Hyoung-chul (Swing Kids, 2018; Sunny, 2011).

Also, this year the Festival launches its first-ever LKFF Audience Award, giving festival-goers the chance to vote for their favourite film and help shape this 20th anniversary edition. Of the four films made available to press in advance, my vote would go to the enigmatically titled 3670 (Park Joon-ho, 2025), a compelling drama about a gay man who has defected from North to South Korea. The film, which picked up four awards at the 26th Jeonju International Film Festival, transcends Korean, gay and religious demographics to speak to a much wider audience, and in this writer’s opinion deserves a proper UK release.… Read the rest

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Our dirty questions
to Nikolaj Nikitin

The man at the helm of the highly successful Critics’ Picks strand at the Tallinn Black Nights shares his secrets with Jeremy Clarke, who covered every edition of the new section since its inception in 2022

Article originally published on DMovies.org

Nikolaj Nikitin (more widely and affectionately known as “Niki”) started the Critics’ Picks competitive section of the Tallinn Black Nights Film Festival just three years ago, in 2022, making this year the fourth edition of the strand. Every year 10 to 12 films vie for multiple prizes; Best Film, Best Director and Special Jury Mention. These movies have been amongst the strongest that we encountered in our many years profound wide coverage of the event

Your interviewer Jeremy Clarke is a member of the prestigious London Critics’ Circle and DMovies writer since our establishment 2016. He stepped in immediately in 2022 in order to cover the section. He has reviewed every single film in every edition (you can read Jeremy’s full coverage of last year by clicking here). This year he is being exceptionally replaced by Victoria Luxford (also a member of the London Critics’s Circle), however he remains close to our heart and ready for a return next year.… Read the rest

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Valley of the
Shadow of Death
(不赦之罪)

Directors – Jeffrey Lam Sen & Antonio Tam – 2024 – Hong Kong, China – Cert. 15 – 84m

***1/2

The lives of a Christian pastor and his wife become intertwined with that of a youth who believes himself responsible for their teenage daughter’s suicide some years ago – out in UK cinemas on Friday, November 14th

For roughly its first half, this delivers a narrative that sits squarely in an evangelical Christian framework. Unable to keep that up, it shifts focus in its second half to fire off in a number of directions.

Pastor Leung (Anthony Wong) and visits an old lady named Chan who is dying in hospital, asking her on her deathbed to accept Jesus as her Saviour. As he’s leaving, the nurse with him spots her grandson coming in, chained between two police officers. His granny is unconscious, and he finds her clasping a crucifix tight in one hand.

Praying alone, the Pastor talks about ”joining in the sufferings of Christ” as well he might: when interviewed by a lady journalist (Amber Van Cheung) about suffering and his experiences, something he is known for speaking about widely, it’s apparent that he and his family – pictured on a cupboard top photo as father, mother and daughter – suffered terrible grief a few years back.… Read the rest

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Break Up The Chain
(Soesaseul-euld
Kkeunh-eola,
쇠사슬을 끊어라)

Director – Lee Man Hee – 1971 – South Korea – Cert. tbc – 98m

***1/2

Three Koreans each with dubious motiveshunt for a small statue of Buddha containing the names of anti-Japanese resistance fighters – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Much like the statue containing the microfilm sought by the characters of North by Northwest (Alfred Hitchcock, 1959), a small statue of Buddha holds the names of anti-Japanese resistance fighters and is similarly desired by Break Up The Chain’s protagonists. Not that this Lee Man Hee late career offering is in quite the same league as Hitch’s espionage romp, even if its dialogue does from time to time refer to drama and performance in much the same way, particularly in the opening ten minutes.

Otherwise, though, it’s a very different animal: essentially, three male protagonists chasing a MacGuffin. Cheol Su (Namkoong Won from Cheongnyeo, Lee Man Hee, 1975; Insect Woman, Kim Ki-young, 1972), is an outlaw, Tae Ho (Huh Jang-gang from Eunuch, Shin Sang-ok, 1968), a gangster and Dal Gun (Jang Dong-hwi from The Marines Who Never Returned, Lee Man Hee, 1963), a spy for the Japanese.… Read the rest

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YMCA Baseball Team
(YMCA Yagudan,
YMCA야구단)

Director – Kim Hyun-seok – 2002 – South Korea – Cert. – 104m

***

In 1905, as the Japanese take over the running of their country, a small group of Koreans form a baseball team to defeat the Japanese – from LKFF, the London Korean Film Festival 2025 which runsin cinemas from Wednesday, November 5th to Tuesday, November 18th

A lightweight sports comedy loosely inspired by historical events, this is set in 1905, by which time the Japanese were moving to occupy Korea. Lee Ho-chang (Song Kang-ho) is playing soccer on a local plateau when the ball goes off the edge and into the local YMCA missionary compound below. While retrieving the ball, he is confronted by US-schooled baseball enthusiast Min Jung-rim (Kim Hye-soo).

Much comedy is derived (albeit not that successfully for Western audiences) from Ho-chang’s taking a romantic liking to her, even though she has not the slightest interest in him, preferring (when he turns up later in the narrative) Japanese-schooled Oh Day-hyun (Kim Joo-hyuk) who is already highly skilled at baseball, which arrived in Japan in 1872, some 30 years before it came to Korea. Also in the team is bespectacled Ryu Kwang-tae (Hwang Jung-min), whose bureaucrat father is collaborating with the Japanese administration.… Read the rest

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3670
(3670)

Director – Park Joon-ho – 2025 – South Korea – Cert. 15 – 124m

*****

A gay man who has defected from North to South Korea must get to grips with Seoul’s gay scene and his own sexual and religious identity – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Sexually active, gay Seoul resident Cheol-jun (Cho You-hyun) grapples with the fact that his partners don’t stick around after physical interaction. Cheol-jun has recently escaped from North to South Korea. He works at a local store counter and attends a class to help defectors adapt to their new way of life. After class, rather than hang out with fellow defectors such as Hak-min (Jeon Du-sik), who is trying to pair him off with pretty class girl Ji-ye (Choi Yun-seol), he follows phone directions to a mixer, a club night to help gay men make friends.

Numbers are assigned. Asked why he is dressed so formally – is he from North Korea, or something – he responds candidly, “I am.” After drinking “love shots” – two men drink with arms intertwined – guests are invited to write “love notes” to the number they fancy.… Read the rest

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Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Caravaggio

Caravaggio – filming Christ at Emmaus (1601) at the National Gallery London © David Bickerstaff

Directors – David Bickerstaff, Phil Grabsky – 2025 – UK – Cert. 12a – 101m

***

A look at the turbulent life of sixteenth century Italian painter Caravaggio, his troubles, his forced travels, and his art – out in UK cinemas from Tuesday, November 11th

Michelangelo Merisi da Caravaggio (1571–1610), generally known as Caravaggio, is here, initially, curiously and somewhat confusingly referred to as Michelangelo only to be called Caravaggio throughout the remainder. The narrative of the artist’s life is built around talking head footage of actor Jack Bannell as Caravaggio himself speaking his own words – except that, they aren’t his own words since, as is pointed out later, this particular artist wrote very little himself and most of what is known about him today comes from police records of the time.

The framing device with the actor is supposed to be Caravaggio recalling his life on the boat trip back to Rome. Historically, he mysteriously disappeared after landing and was never seen again. Alas this latter fact – which might have made a great framing device – is only clarified at the end, at which point it plays merely as a less than satisfying conclusion.

Also included are a handful of art experts – historian Helen Langdon, artist Stephen Nelson, Caravaggio author Fabio Scalatti and Letizia Treves, Global Head of Research and Expertise, Christie’s – all of whom have a great deal to say about the various works of the artist which appear here.… Read the rest

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Silver Apricot
(Eunbitsalgu,
서울독립영화제)

Director – Jang Man-min – 2024 – South Korea – Cert. 12 – 121m

***1/2

A Seoul woman in need of funds to buy a condo returns to her childhood coastal town to get the alimony payments her estranged father never stumped up – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Tormented by dreams set at night in which sometimes she herself and sometimes people she knows are vampires preying on others, which inspires her to draw a webtoon series, 32-year-old Kim Jung-seo (Na Ae-jin) has moved to Seoul and bought into the corporate dream, agreeing to split the cost of a condo, the right to buy for which she won on a lottery, with her fiancé Park Gyeong-hyun (Kang Bong-seong).

The only problem is, she has just been refused a permanent position at the graphic design company which employs her, so doesn’t have the money. So she resolves to visit her estranged father and pick up the alimony he never paid her mother Choi Mi-yeong (Park Hyun-sook) after their divorce. Jung-seo regularly visits the latter, who also lives in Seoul, whereas it’s been years since she was in the coastal town where her father lives with his new family.… Read the rest

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The Choral

Director – Nicholas Hytner – 2025 – UK – Cert. 12a – 113m

*****

Against the backdrop of WW1 and a dwindling male population, the choral society of a small Yorkshire village attempts to mount a performance of Elgar’s The Dream of Gerontius – out in UK cinemas on Friday, November 7th

The fictional town of Ramsden, Yorkshire, 1916. World War One has been raging almost two years in France, but that almost seems like a distant world to 17-year-old lads Ellis (Taylor Uttley) and Lofty (Oliver Briscombe) whose main concern is eyeing up the local girls and working out their chances. Almost. Because Lofty’s job as a telegram boy, on which rounds Ellis accompanies him, means he’s delivering news of deaths from the Front to wives waiting anxiously at home and, following the 1916 Conscription Act requiring men aged 18 and above to join the armed forces, conscription notes to households from the King. (Prior to the Act, joining up had been voluntary although there was considerable moral and social pressure on men to do so.)

Closer to home, a more immediate concern looms for Ramsden in the form of the local choir, which has just lost its musical director to the army.… Read the rest

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Odyssey
(2025)

Director – Gerard Johnson – 2025 – UK – Cert. 18 – 110m

****

A ruthless London estate agent with mounting debts finds herself at the mercy of criminal backers – out in UK cinemas on Friday, November 7th

This starts off no holds barred with protagonist Natasha (Polly Maberly from Muscle, Gerard Johnson, 2019) having a tooth removed at the dentist’s, then having her card declined as she attempts to pay the £950 bill, going out of the front door after the third failed payment attempt. Throughout what follows, she will consistently receive phone messages about the outstanding amount and ignore them, although you suspect they are slowly eating away at her soul along with most of the other influences in her life. Somehow the incident seems to define her character: a driven, self-made woman – or, more accurately, a self-making one who never quite got there and lives beyond her means to maintain the illusion.

Natasha runs a tight office with right-hand woman Safi (Kellie Shirley), tech guy Spike (Charley Palmer Rothwell) developing a game-changing app for her, and promising new girl learning the ropes Dylan (Jasmine Blackborow). But Natasha is the person in charge of everything, the place where the buck stops, and despite their undoubted talents the other three seem scarcely to matter: it’s all about Natasha as she struggles to see through a hostile takeover, or, as she frames it, merger.… Read the rest

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Documentary Features Live Action Movies

The Marbles

Director – David Nicholas Wilkinson – 2025 – UK – Cert. 12a – 114m
****

The Parthenon Marbles – were they stolen from Greece, and should they be sent back? – Opening Night Film (World Premiere) Central Scotland Documentary Festival in Stirling, Scotland on Thursday, October 30th; out in UK cinemas on Thursday, November 6th.

This starts with director Wilkinson, who previously made the excellent Getting Away With Murder(s) (2021), writing a letter to the Head of the British Museum asking him for an interview outlining the Museum’s position on the Parthenon Marbles. He never receives a reply.

The historical and legal background is helpfully unpacked by Alexander Herman, a historian and legal expert who has written and spoken widely on the Marbles controversy, and Mark Stephens, the UK’s foremost Art & Cultural Property lawyer.

The eponymous Marbles were Ancient Greek statues and artefacts removed from the Acropolis in Athens by Lord Elgin in the early part of the 19th Century and brought over to England to adorn his newly built stately home in Scotland. In 1816, following a Parliamentary debate on the matter, they were purchased from Elgin by the British Museum where they have resided ever since, on display to the public.… Read the rest

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Bugonia

Director – Yorgos Lanthimos – 2025 – US, Ireland, South Korea – Cert. 15 – 118m

****

A man with a grievance against a corporation kidnaps its CEO, believing her to be an alien with hostile designs on the human race – out in UK cinemas on Friday, October 31st

As Teddy (Jesse Plemons from Civil War, Alex Garland, 2024; Kinds of Kindness, Yorgos Lanthimos, 2024; Killers of the Flower Moon, Martin Scorsese, 2023) explains it, they live among us. While he and his autistic bother Don (Aidan Delbis) eke out their very ordinary lives with Teddy working in a warehouse for big pharma company Auxolith, the company CEO Michelle (Lanthimos regular Emma Stone) has her life on a platter: expensive home outside which she works out on the landing every morning, expensive SUV to get her to corporate HQ and back, and an army of corporate minions around her to ensure her every order is carried out. Even so, she still has difficulty speaking complicated lines for a corporate video. But that’s nothing compared to the ordeal Teddy has planned for her.

Teddy and decidedly unsure about the whole thing sidekick Don ambush her when he car arrives home from work and, after a struggle, for Michelle is used to getting her own way and is not a woman to be trifled with, overcome her after injecting her with a sedative.… Read the rest

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Kontinental ’25 (Kontinental ’25)

Director – Radu Jude – 2025 – Romania – Cert. 15 – 109m

****

Although operating within the bounds of the law, a bailiff is smitten with guilt and remorse for the effect of her job on a ‘client’– out in UK cinemas on Friday, October 31st

Carrying large bags, he scavenges at the bases of tree trunks in the woodlands, swearing profusely when his foot goes a foot in to the stream when he tries to fill his water bottle. In a bizarre nod to the dinosaurs of Jurassic Park (Steven Spielberg, 1993) – or more likely those briefly seen in The Tree of Life (Terrence Malick, 2011), he rests beside a dimetrodon sculpture then smokes a cigarette by a dilophosaurus. He rides a ski lift, passes a father and small son on their bikes on a footbridge, downs his packed lunch with vodka on a river bridge. He hangs around cafes asking for either work or five lei. He says “fuck you” after the woman offering him an early Sunday morning cleaning job has left. He gets hassled by a robot dog. He returns to his boiler room home.

While he sleeps, the bailiff Mrs Orsolya Ionescu (Eszter Tompa) knocks on his door, gendarmes in tow, to evict him, Ion (Gabriel Spahiu).… Read the rest

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Relay

Director – David Mackenzie – 2024 – US – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

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The Descent

Director – Neil Marshall – 2005 – UK – Cert. 18 – 99m

*****

A group of female friends go on a caving expedition…which then goes horribly wrong – review originally published in What’s On In London, 2005; 4K Restoration out in UK cinemas Friday, October 24th 2025

Here’s something different: a caving movie. Tough to pull off in terms of production logistics, since you’re dealing with confined spaces, often very small and lacking any light source whatever. Although the (fictional) cave system in question is accessed via the Appalachian mountains, this is a British film made mostly in the studio, where the cave sets were constructed or, in the case of larger spaces, faked by a variety of FX trickery. Amazingly, you never see the join and it all feels incredibly real.

Genre is psychological horror, at least to start with, as a group of female friends go on a caving expedition…which then goes horribly wrong. Mood is set up Dead Calm style via a traumatic car accident in the first few minutes. After that, the tension never lets up. There follows argument, panic, gory injury and more than a few surprises. Defying expectations, the proceedings stubbornly refuse to settle into cliché, keeping you on the edge of your seat right up to an ending which will sit in your mind days afterwards as a subject for discussion.… Read the rest

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Peeping Tom

Director – Michael Powell – 1960 – UK – Cert. 15 – 101m

*****

“It’s just a film – isn’t it?” The obsessive home moviemaker who lives in the attic is photographing women as he kills them, leaving an inexplicable look of abject terror on his victims’ faces as they die – plays one night only, Sunday, October 26th, 7.30pm, as part of Film Tottenham celebrates 100 years of community cinema, which runs until Sunday, December 7th 2025, now extended to Sunday, December 21st

More on Film Tottenham’s two current seasons below review.

Review originally written for 2023 UK cinema reissue on Friday, October 27th 2023 alongside major BFI season Cinema Unbound: The Creative Worlds Of Powell + Pressburger in late 2023

(Warning: may contain spoilers.)

What would have happened to Michael Powell if he and Emeric Pressburger had never met each other? Powell cut his teeth making ‘quota quickies’ in the 1930s British film industry: low budget films whose function was to ensure British talent got a chance in an international industry dominated by product from Hollywood. His final film before he and Pressburger began working together is the impressive The Edge Of The World (1937) about a remote Scottish island.… Read the rest

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Taegukgi
The Brotherhood of War
(Taegukgi Hwinallimyeo,
태극기 휘날리며)

Director – Kang Je-gyu – 2004 – South Korea – Cert. 15 – 140m

****

When two brothers are conscripted into the Korean War, the older one’s attempts to keep the younger from harm’s way irrevocably damage their filial relationship – plays in LEAFF10 (London East Asia Film Festival 2025) with an In Conversation session with Production Designer Shin Bo-kyeong on Monday, October 27th

Named after the South Korean national flag, this latest Kang Je-Gyu (The Gingko Bed, 1996; Shiri, 1999) offering tells the story of two young Korean brothers caught up in the Korean War (initiated when the Communist North invaded the South in 1950). Like numerous other Oriental movies (e.g Bullet In The Head, John Woo, 1990), the considerable, historical detail realised on the screen is secondary to the emotionally charged, interpersonal core drama.

Thus, shoe shine boy and older sibling Jin-Tae (Jang Dong-gun from Nowhere To Hide, Lee Myung-se, 1999) is saving to send little brother Jin-Seok (Won Bin) to university. When war breaks out, younger brother is conscripted, with elder brother forcibly joined up only when he tries to have Jin-Seok’s conscription reversed. Leaving behind girlfriend Young-Shin (Lee Eun-doo), Jin-Tae learns that his earning the medal of honour might secure Jin-Seok’s release, so sets about on the one hand undertaking as many dangerous missions as possible and on the other refusing to allow Jin-Seok to do so.… Read the rest

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Memories
Of Murder
(Salinui chueok,
살인의 추억)

Director – Bong Joon Ho – 2003 – South Korea – Cert. 15 – 131m

*****

Three cops attempt to track down a serial sex killer. Based on a real life, unsolved murder case... with Song Kang-ho – plays in LEAFF10 (London East Asia Film Festival 2025) with an In Conversation session with Cinematographer Kim Hyung-koo on Friday, October 24th

On one level, there’s nothing remarkable about Memories Of Murder, a crime movie about cops hunting a serial killer. This is a sub-genre done to death in Hollywood and elsewhere. On another level, however, it has the hallmarks of a really rich and strange talent getting hold of a well-worn formula and doing something fresh, new and original with it.

For one thing, it never dwells on the gore or fetishises the detail of the crimes. At the same time, like much Korean cinema, it never shies away from this material either. It’s unafraid to have an autopsy scene in which the pathologist discovers nine pieces of peach inside a corpse’s vagina but feels just as at ease that a testimony from a survivor throws up an important clue like, I didn’t see the killer’s face because if I had looked at him he’d have killed me, but I did notice he had soft hands.… Read the rest

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Animation Features Movies

Princess Mononoke
(Mononoke-hime,
もののけ姫)

Director – Hayao Miyazaki – 1997 – Japan – Cert. PG – 134m

*****

The groundbreaking, mythological Japanese animated epic returns to UK cinemas from Friday, 17th October 2025

Originally reviewed for What’s On in London when the film appeared in the Barbican’s 2001 Studio Ghibli season. It never got a proper theatrical release in the UK at the time. The review presents a fascinating snapshot of the cinema landscape in the UK from the time when, outside of anime fandom, film journalists, and industry insiders, Studio Ghibli and Hayao Miyazaki were largely unknown.

Film critics are occasionally privileged to see incredible films that, for one reason or another, never receive proper UK release. The Barbican is currently hosting a season of 11 films by Japan’s legendary Studio Ghibli (Jib-Lee), an animation company as familiar in Japan as Disney is here, that fall into exactly this category. They include Ghibli director Hayao Miyazaki’s legendary masterpiece My Neighbour Totoro (1988) and his imaginative fantasy epic Princess Mononoke (1997). Both took the Japanese box office by storm, the latter topping $150m putting it second only to Titanic (James Cameron, 1997). Miyazaki’s latest Spirited Away (2001) has topped the Japanese box office for weeks.… Read the rest

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Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against Mechagodzilla, Miyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still Walking, Hirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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Animation Features Movies

Perfect Blue
(Pafekuto Buru,
パーフェクトブルー)

Director – Satoshi Kon – 1997 – Japan – Cert. 18 – 81m

*****

Multi-layered, identity crisis psycho thriller redefines the boundaries of animation, Japanese or otherwise – back out in cinemas in a 4K Restoration on Friday, October 10th

During a gig by girl pop trio CHAM, one of its three singers Mima announces her decision to quit the band. Her intention to pursue an acting career is a move designed to both help her escape the inevitable waning popularity of the pop idol and make the public take her more seriously than they would the innocent girl they perceive her pop idol / persona to be.

Her agent, a former pop idol herself, expresses concern when Mima is first required to play a rape scene in her new daytime TV soap Double Bind and second to pose nude for a photographer. But there’s worse to come for Mima as an internet fan page starts to chronicle an idealised version of her life and a series of bloody corpses start piling up in her wake.

Although it plays like an Argento or De Palma Hitchcockian thriller, Perfect Blue is in fact a cel animated, subtitled Japanese affair that once and for all kills off widespread misconceptions about animation – it’s neither for kids, nor cute, nor simplistic.… Read the rest

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Animation Features Movies

Tim Burton’s Corpse Bride

Directors – Tim Burton, Mike Johnson – 2005 – US – Cert. PG – 77m

*****

When his arranged marriage preparations go badly wrong, a young man inadvertently marries a dead woman from the underworld – stop-frame animated marvel is out on 4K Ultra HD and Digital, and in UK cinemas on Friday, October 10th

It is a grey world, and everything must go… according to plan. For there is to be a rehearsal today for a marriage that will take place tomorrow. The son of nouveau riche couple the Van Dorts (voices: Tracey Ullman, Paul Whitehouse) is to wed the daughter of penniless aristocrats Lord and Lady Everglot (voices: Joanna Lumley, Albert Finney). The bridegroom Victor (voice: Johnny Depp) has yet to meet his bride Victoria (voice: Emily Watson) and, left in the vast Everglot vestibule, the young man plays the piano. The tune floats up the stairs and is heard by Victoria who is drawn to it and its performer. She descends the stairs to listen and, against the odds, the pair fall in love.

Three hours into the marriage rehearsal, presided over by Pastor Galswells (voice: Christopher Lee) and poor Victor can’t seem to get his lines right.… Read the rest

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Tron: Ares

Director – Joachim Rønning – 2025 – US – Cert. 12a – 119m

A CEO uses robots and vehicles from the digital world, which disintegrate after 29 minutes, to hunt down his corporate rival – out in UK cinemas on Friday, October 10th

****

Third movie in Disney’s Tron franchise doesn’t presuppose much knowledge of the original film (Steven Lisberger, 1982) beyond Jeff Bridges vanishing into the world of computer games, and coloured motorbikes leaving instantly recognisable colour trails behind them in the computer graphics-styled grid world. In its day, when computer graphics effects were few and far between in the cinema, it’s visuals were memorable. Which instantly states the problem for any contemporary Tron movie: it has to stand out from the crowd of CG-augmented movies released in contemporary Hollywood cinema.

The plot here is pretty flimsy (I don’t say that as an adverse criticism: the movie is what is is, a serviceable, effects-laden Hollywood blockbuster) and is as follows. Two big corporations are vying for market dominance in the area of realising computer programmes from the CG world into our own. Dillinger Systems, run by the youthful and ruthless Julian Dillinger (Evan Peters), shows shareholders at a flashy presentation how he can bring the ultimate, obedient, robot warrior Ares (Jared Leto) into our world to provide buyers with the most effective soldier imaginable.… Read the rest

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The Shadow’s Edge
(捕风追影,
Bu Feng Zhui Ying)

Director – Larry Yang – 2025 – China – Cert. 15 – 141m

****1/2

To hunt a criminal mastermind adept at eluding their surveillance systems, Macau cops bring back an old surveillance man whose expertise predates contemporary technology– Jackie Chan cops and robbers movie pairs him with acting legend Tony Leung Ka Fai – out in UK cinemas on Friday, October 3rd

This remake of Eye in the Sky (Yau Nai-Hoi, 2007), already remade in South Korea as Cold Eyes (Kim Byung-seo, Jo Ui-Seok, 2013), introduces the idea that modern technology has its limitations, so it’s sometimes better to resort to older methods of doing things which are less reliant on the new technology.

Macau, 2025, and the police are monitoring four young men in a car using the Surveillance and Pursuit All System (SPAIS – possibly something got lost here in translation) and cleverly manage to get a fleet of patrol cars to box the car in at a roundabout. The only problem is, while HQ can see the trapped car on their real time monitors, the cops on the ground can see that there’s no car there.

Then, a daring bank vault raid to steal the pass code for a crypto currency account throws a pursuing cop into disarray when, following a spectacular fight with a cop in a lift, the perps paraglide off the top of the building to make their bold escape.… Read the rest

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Avatar
The Way of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is back out in cinemas on Friday, October 3rd

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

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Steve

Director – Tim Mielants – 2025 – UK – Cert. 15 – 93m

****1/2

In 1996, the head, his staff and their students struggle to get through a particularly difficult day at a school for troubled teenage boys – out in UK cinemas on Friday, September 19th, and worldwide on Netflix on Friday, October 3rd

Steve (a burned out, visually unrecognisable Cillian Murphy, also the producer) is asked if he’s ready to do an interview to camera. He isn’t, but now is as good a time as any. He drives into work across a vast estate and spots teenager Shy (Jay Lycurgo) dancing to drum and bass music on his Walkman cassette player and smoking a spliff. Steve disciplines his pupil in a friendly manner, then returns to his car after being reminded that today is the day a TV film crew is coming to the school to film a segment for the local TV news magazine programme. Shy attempts, playfully, to ride on the bonnet of Steve’s car. Steve, talks him out of it.

Most of what follows, which covers the next 24 hours, takes place within the school buildings themselves, although the action occasionally wanders (or flies drone-shot style) out into and around the wider grounds of the school estate.… Read the rest

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One Battle After Another

Director – Paul Thomas Anderson – 2025 – US – Cert. 12A – 161m

*****

Over a decade after they disappeared into a safe town with new identities, a father and now-teenage daughter are tracked down by their army officer nemesis… – one of the most extraordinary Warner Bros. action movies you’ve ever seen is out in UK cinemas on Friday, September 26th

Radical, black revolutionary Perfidia Beverley Hills (Teyana Taylor) is on the verge of leading the forces of underground far-left organisation the French 75 in an attack on a Californian immigration centre to free those imprisoned when a bedraggled man pulling a trailer, looking to all intents and purposes like a refugee, turns up. Pat Calhoun (Leonardo DiCaprio) tells Perfidia he has all the explosives she could possibly need, and sets about using them with her blessing, putting on an impressive show of pyrotechnics to prove his credentials. Inside the centre, Perfidia locates its commanding officer Col. Steven J. Lockjaw (Sean Penn) to sexually humiliate him at gunpoint. Surprisingly, this personal violation only serves to turn the white soldier on.

With Pat and the pregnant Perfidia now a couple, she carries on her high octane, physically demanding revolutionary activities, belly fully swollen, as if there were no child.… Read the rest

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Brides

Director – Nadia Fall – 2025 – UK – Cert. 15 – 93m

***

Two radicalised British, teenage girls run away from home intending to become brides for Islamic State – out in UK cinemas on Friday, September 26th

When they meet at the local school, Doe (Ebada Hassan) and Muna (Safiyya Ingar) strike up an unlikely friendship. In a way, they’re like chalk and cheese – Doe is the quiet one, always observing, while Muna is brash, loud and outgoing. Both come from Muslim backgrounds, and both feel alienated from their classmates, their school and wider British culture. Muna sticks up for herself against school bullies, and effectively gets vilified by the school authorities, and as a result her father, for doing so.

So, without their parents’ permission, they fly off to Turkey to meet up with a man who has groomed them online as brides for Islamic State. When their contact never shows up at the airport, they resolve to find their own way into Syria. As well as following their journey, the narrative frequently lapses into often confusing flashbacks about their home and school lives. And infuriatingly, it never explores how they fare when their their rose-tinted idealism collides with the harsh reality of becoming jihadist brides.… Read the rest

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Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – Cert. 12a – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex, anti-war drama from the 2024 Annecy International Animation Festival in the Contrechamps section, released in Pakistan on Friday, 26th July 2024 and out in UK cinemas on Friday, September 19th

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest

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Animation Features Live Action Movies

Diplo,
The Mighty Dinosaur
(Smok Diplodok,
original title:
Diplodocus)

Director – Wojtek Wawszczyk – 2024 – Poland, Czechia – Cert. U – 84m

****

A young diplodocus must save the comic book in which he lives from being erased by the artist who created it – from the 2024 Annecy International Animation Festival in the Annecy Presents section, out in UK cinemas on Friday, September 19th

Animation. A bookworm (English voice: Wayne Greyson; Polish voice: Tadeusz Baranowski) appears, a “respected devourer of picture stories”. His function is not exactly that of a Greek chorus, more like a comic interlude who occasionally wanders into the narrative as light relief, to leaven the whole. Not that this likeable romp, is any need of leavening, but it’s a nice touch which nicely sets the tone for the whole piece. It’s about characters in a comic book whose very existence is threatened by the originating artist’s run-in with his commercially driven but artistically clueless lady publisher.

Beyond a vast, bubbling, primeval swamp in a crater, an inventive and adventurous, male diplodocus child (English voice: Julian Wanderer; Polish voice: Mikołaj Wachowski), Diplodocus as the credits calls him, nicks snails off a frog to use as climbing suckers. A butterfly flies past. Diplodocus gets sent to his room by his essentially conservative parents (English voices: Alyson Leigh Rosenfeld, Marc Thompson; Polish voices: Monica Pikuła, Grzegorz Pawlak) for wanting a life of adventure.… Read the rest

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Happyend
(HAPPYEND) 

Director – Neo Sora – 2024 – Japan – Cert. 12a – 113m

***

Two schoolboys play a prank on their despotic principal, who turns it into an excuse to introduce a high tech surveillance system – out in UK and Irish cinemas on Friday, September 19th

In a future dystopian Kobe, Japan, that looks remarkably like the present day Kobe, Japan, a group of highschoolers fail to get past the tough, power-dressed, Chinese lady bouncer to a club because they’re underage. A couple of the boys, Yuta (Hayato Kurihara) and Kou (Yukito Hidaka), wandering down a nearby back alley, notice a man in a dark vest taking a crate of beer into the building, strip off their white shirts to reveal similar dark vests underneath, and use crates of beer to gain back door access. Inside, the DJ is electrifying, the beat is strong and the gig is everything they had hoped. There is a police raid, but Kou can’t get Yuta to leave. Somehow, they and the DJ end up being the only ones there, and he gives them a talisman as a mark of respect and tells them to come back for the second set, which is better. But they don’t chance their luck.… Read the rest

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Can I Get a Witness

Director – Ann Marie Fleming – 2024 – Canada – Cert. 12a – 100m

The subject matter *****

The film itself *

Can I fast-forward through the boring bits? Dystopian SF outing with good intentions may be the least watchable film of the year – out in UK cinemas on Friday, September 19th

Here’s a movie about one of the most important subjects there is which manages to turn itself into mind-numbingly tedious narrative. It’s hard to imagine more of a missed opportunity.

It’s the first day on the job for gifted sketch artist Kiah (Keira Jang), and before her experienced co-worker comes to pick her up, she’s already having misgivings. She doesn’t want to wear the old-fashioned dress her mother Ellie (Sandra Oh) has picked out for her (her mum bigs the item up as ‘vintage’). Her mum, meanwhile, takes delivery of a mysterious (and apparently equally vintage) fridge, plus a bottle of champagne (which she puts straight in the fridge), along with a mysterious wooden box for which she signs the obligatory paperwork without hesitation (she used to work getting people to sign these herself, so she knows the contents backwards).

Kiah is still getting herself ready when her co-worker turns up co-worker Daniel (Joel Oulette) turns up, so while he’s waiting, Ellie treats him to a piece of her special pie, which he finds delicious.… Read the rest

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Islands
(2025)

Director – Jan-Ole Gerster – 2025 – Germany – Cert. 15 – 123m

****1/2

A British ex-pat tennis coach working for a hotel on a sun-drenched island in the Canaries gets more than he bargained for when he befriends the couple whose young son he is coaching – out in UK cinemas on Friday, September 12th, and on BFI Player from Monday, October 27th

Tom (Sam Riley) wakes up in the desert and walks back to his car. He often nods off – at one point he is woken by a tap on his car window by the local police chief Jorge (Pep Ambròs) in a scene reminiscent of the one in Psycho (Alfred Hitchcock, 1960), one of the differences being that he’s a local and he and the cop not only know each other, but are friends. (Another is that in Psycho, the motorist is a woman and the cop a man, which brings a whole other dynamic into play.) Jorge fines him for a traffic violation, but apologises for the fact, and the two men’s friendship is able to accommodate that.

The desert, or beach, is a very specific location: Fuerteventura, one of the Canary Islands. And Tom has manoeuvred his life into a very nice routine, thank you very much, as he sees it.… Read the rest

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The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest

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Funny Games
(1997)

Director – Michael Haneke – 1997 – Austria – Cert.18 – 103m

*****

Two young men turn up at a family’s holiday home to humiliate and torture them via a series of controlling exchanges (or games) – plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Saturday, June 21st and on BFI Player from Thursday, September 11th 2025

Review originally published in Shivers around the time of the film’s 1997 London Film Festival premiere

With Hollywood currently rediscovering the profitability of slick, fun horror movies in the blockbusting wake of Scream (Wes Craven, 1996), Europe proves itself well capable of delivering work at the other end of the spectrum. Funny Games is the latest brainchild of Austrian-born Michael Haneke (Benny’s Video, 1992).

Like Scream, Funny Games never misses a trick on the technical level. Unlike Scream, its intention is not a non-stop, mass-consumption, vicarious thrill-laden roller coaster ride (which Funny Games certainly isn’t) but a rigorous and unrelenting, one way descent into madness, fear and despair depicting violence, mutilation, torture and – above all – amoral manipulation of one’s fellow human beings – as truly horrific.

To dismiss Funny Games as either moral lecture or morality play would do it great disservice.… Read the rest

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On Swift Horses

Director – Daniel Minahan – 2024 – US – Cert. 15 – 119m

*****

A husband’s dreams are undermined in 1950s America by the separate lives and desires of his secretly racetrack-gambling wife and his reappearing, disappearing drifter-gambler brother – out in UK cinemas on Friday, September 5th

Lee Walker (Will Poulter from Warfare, Alex Garland, 2025; Detroit, Kathryn Bigelow, 2017; The Chronicles of Narnia: The Voyage of the Dawn Treader, Michael Apted, 2010; Son of Rambow, Garth Jennings, 2007) returns home to the US from the Korean War to his adored wife Muriel (Daisy Edgar-Jones from Twisters, Lee Isaac Chung, 2024; Where the Crawdads Sing, Olivia Newman, 2022) who lives in the isolated house she inherited from her mother in the calm prairie lands up North. Their relationship is deeply carnal. And yet, something changes in that relationship dynamic the night Lee’s brother Julius (Jacob Elordi from Frankenstein, Guillermo del Toro, 2025; Priscilla, Sofia Coppola, 2023; Saltburn, Emerald Fennell, 2023) turns up, and she is instantly attracted to him. Of course, that can’t be, because she is with Lee.

Part of the attraction is that Julius, a drifter who turns up unannounced, is also an inveterate card sharp and gambler.… Read the rest

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Paul & Paulette
Take a Bath

Director – Jethro Massey – 2024 – France – Cert. 15 – 109m

****

A young American photographer in Paris runs into a girl obsessed with the darker side of French history – out in UK cinemas on Friday, September 5th

Opening with sepia-toned engravings then photos depicting the last couple of centuries of Paris, this switches to an image of a girl walking and kneeling and a male “Once there was a girl” fairytale voiceover about a girl who would immerse herself in history, who was drawn both to the stars and the gutter, who liked Bad Things. Immediately, it’s juxtaposed with a female “Once there was a boy” voiceover about a boy who came to Paris with a camera around his neck. He photographs the girl. She confronts him. He points out that before her execution (on which site the girl has been kneeling, as if awaiting execution) Marie-Antoinette would have had her hair cut so as not to impede the blade. The girl has long, black hair.

In voiceover, she talks about how a spoon’s meaning changes once you know that Marilyn Monroe ate ice cream with it on the last day of her life. They visit a church which appears to contain the site of Marie-Antoinette’s cell.… Read the rest

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The Regulars

Director – Fil Freitas – 2025 – UK – Cert. 12 tbc – 105m

***1/2

A single day shift in the working life of the staff at London’s legendary Prince Charles Cinema – out in UK cinemas on Friday, August 22nd

2019, that halcyon time before the global pandemic. Independent repertory cinemas struggle on, their poorly paid staff a hotbed of frustrated creativity. This is as true of London’s Prince Charles Cinema (the PCC) as anywhere. Fil Freitas (playing himself, also the writer-director) can’t seem to get out of bed in time for his PCC shifts, scarcely helped by his sharing it (and his life in rented flat hell) with fellow PCC worker Dusty Keeney (playing herself, also the producer). Then, to compound his lateness for work, is the small matter of his inability to open the front door due to someone having dumped an oven outside it, a smartphone photo of which helps on this occasion to provide him with an excuse for being late. Still, his unflustered boss Sam (Ricardo Freitas) makes him sign the late book. (“Really?”)

Despite this start which feels very much like a start, there’s no real plot to speak of here beyond the (perfectly good) idea of portraying a day in the workinglife of the staff at the PCC, so the film ends at the close of day as everyone clocks off after their shift.… Read the rest

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The Life of Chuck

Director – Mike Flanagan – 2024 – US – Cert. 15 – 110m

*****

From the End of the World to the life and essence of what defines one man – remarkable Stephen King adaptation is out in UK cinemas on Wednesday, August 20th

This is an adaptation of a Stephen King novella, originally one of the four stories comprising the volume If It Bleeds, published in 2020. King is known as a horror writer, but every so often he comes up with something that defies that mould, including stories that have been turned into such films as Stand by Me (Rob Reiner, 1986), The Shawshank Redemption (Frank Darabont, 1994) and Apt Pupil (Bryan Singer, 1998). His story The Life of Chuck is different again.

And, as is apparent from its outset, it employs a three act structure – a standard device in classic Hollywood screenwriting that makes the property the obvious basis for a film for any filmmaker savvy enough to spot that element – which the author unexpectedly flips on its head by reversing it. Inspired, in part, by that structure, Mike Flanagan’s film follows this template, starting off with a title card announcing Act 3 and then proceeding to tell its three related acts, all of which in one way of another concern defining moments in the life of a man named Charles Krantz (his dying in hospital, an episode one day in his adult life, an experience in his childhood).… Read the rest

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Bambi:
a Tale of Life in the Woods
(Bambi,
l’histoire d’une Vie
dans les Bois)

Director – Michel Fessler – 2024 – France – Cert. PG – 78m

*****

The woods. A faun is born, looked after by its mother, and learns to fend for itself – remarkable live action adaptation of Bambi, shot with real live animals, is out in UK cinemas on Friday, August 15th

It’s inevitable that any film adaptation of Austrian writer Felix Salten’s novel Bambi: a Tale of Life in the Woods will conjure the spectre of Disney’s groundbreaking, animated Bambi (David D. Hand, 1942). However, this French live action film (which opened in that country last year) takes interesting decisions from the get go. For a start it’s live action, so straight away we’re in the quasi-documentary area of animals being photographed, and it’s unclear to what extent these performers or their environments are being augmented by computer animation. (A couple of wide, establishing drone shots in the opening minutes, too far away to show animals, looked to this writer to incorporate CGI. But perhaps that’s just my imagination, and there’s little or perhaps no computer animation here.)

Then we have the addition of a narrator (this is the English language version, so the narrator (NAME) speaks in English – one would hope that the French soundtrack with on / off-able subtitles would be included on any forthcoming Blu-ray or DVD release, which perhaps might even have an option to switch the voice-over off altogether and just play the sound effects and the music, or even better, have a music only track available as well.)… Read the rest

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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – The Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Nobody 2

Director – Timo Tjahjanto – 2025 – US – Cert. 15 – 89m

**

A professional hitman takes his family on holiday to rebuild their trust, embracing and revelling in the violence that erupts around him – out in UK cinemas on Friday, August 15th

“Who are you people?”, asks one of two investigating officers of a man (Bob Odenkirk) and his dog in an interrogation room in the bookend device that opens and closes this sequel. Flashback: he is a married man Hutch with a wife Becca (Connie Nielsen) and two teenage kids Brady (Gage Munroe), 17, and Sammy (Paisley Cadorath), 12. As the days of the week go by – Monday, Tuesday, Wednesday, Thursday, Friday – mum gets the kids fed and off to their school (which we never see) and she drives off to her demanding real estate job (which, again, we never see).

We do see his work, though. Some days, he lies in, his head flashing back to disturbing and violent memories. Some days, he works: for instance, the day when he enters a hotel lift and brutally fights to the death with the three bodyguards protecting a suited convention guest who has in his possession the Card which our man has been instructed to retrieve.… Read the rest

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Two Way Stretch

Director – Robert Day – 1960 – UK – Cert. U – 78m

****

Three prisoners plot a heist with the perfect alibi… that they are incarcerated in prison at the time – classic British prison comedy is out on UK Blu-ray on Monday, August 4th

Very much of its time, this British prison comedy concerns three convicts and an outside contact who sets them up with the perfect job. The top-billed performer is Peter Sellers, a British household name by this time thanks to radio’s long-running comedy series The Goon Show TIMES, but far from being a straightforward vehicle for Sellers’ indisputable comic talents, the film is very much an ensemble piece, with a main cast that reads like a who’s who of British comedy acting talent of the time.

Prisoner Dodger Lane (Peter Sellers) and his two cellmates Jelly Knight (David Lodge) and Lennie Price (Bernard Cribbins) have engineered themselves a cushy existence in one of H.M. Prisons where every morning at 7 a.m. sharp, groceries are delivered by van via a rope through their cell window and their beloved cat Strangeways is periodically taken out for a walk by friendly Chief Prison Officer Jenkins (George Woodbridge). The latter is due to retire shortly, and soon after that, the three men’s sentence (for the same crime) is due to end.… Read the rest

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Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest

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Zodiac

Director – David Fincher – 2007 – US – Cert. 15 – 158m

Two cops, a crime reporter and a geek working on the same paper attempt to solve the identity of San Francisco’s 1970s Zodiac Killer – engrossing crime thriller / character study is now out on 4K Ultra HD + Blu-ray

Fincher’s feature filmography is a fascinating hit-and-miss affair, debuting with the middling Alien3 (1992) then covering gems Se7en (1995, make sure you see a silvered print), Fight Club (1999) and The Social Network (2010) plus lesser outings The Game (1997), Panic Room (2002) and The Curious Case of Benjamin Button (2008). Zodiac concerning a serial killer, you’d be forgiven for pigeonholing it as similar to Se7en – but in fact it’s something rather different. Se7en is a fictional thriller concerning cops hunting a serial murderer – or, you might argue, the murderer himself – whose killings are inspired by the Seven Deadly Sins and an exercise in avant-garde visual style.

Zodiac is based on the unsolved case of the real life Zodiac Killer who terrorised San Francisco in the seventies. It spans decades, focusing on the four men attempting to solve the case. Attempting to stay true to the facts, it avoids a wrapped up, neat ending, presenting instead the contradictory evidence and leaving you to draw your own conclusions – or make your own guess as to the killer’s identity.… Read the rest

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Late Shift
(Heldin)

Director – Petra Blondina Volpe – 2025 – Switzerland – Cert. 12a – 92m

****1/2

An experienced and competent nurse in a hospital in the Western world endures a particularly gruelling night shift – out in UK cinemas on Friday, August 1st

There’s a moment of calm at the start of Late Shift… Scrubs going through a laundry system… Floria Lind (Leonie Benesch from September 5, Tim Fehlbaum, 2024; The Teachers’ Lounge, Ilker Çatak, 2023; The White Ribbon, Michael Haneke, 2009) on the night bus to her shift… She and a colleague making small talk whilst changing at the lockers… (The film ends similarly, with a reverse of this bookend, peace after the night shift is over.) And then, they’re on shift.

As soon as Mrs. Lind comes into the ward, the chaos starts. She helps a male colleague (bilingual in German and, for the patient, French) lift the demented Mrs Kuhn (Margherita Schoch) out of her wheelchair so Floria can change the lady’s underwear (and, quite literally, clean her shit off the floor). This evening, it’s Floria, one other nurse (Sonja Riesen), and Amelie (Selma Jamal Aldin), an inexperienced med student. Handing over, a colleague runs through by name the patients on the ward this shift and their various medical needs.… Read the rest

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The Naked Gun
(2025)

Director – Akiva Schaffer – 2025 – US – Cert. 15 – 85m

*****

Frank Drebin, the bumbling, self-confident, incompetent, cop and son of Frank Drebin, the bumbling, self-confident, incompetent cop sets out to solve a case involving a self-driving car and a P.L.O.T. Device – reboot of the classic comedy franchise is out in UK cinemas on Friday, August 1st

Sequels and reboots are often questionable, and can so easily be made for all the wrong reasons. The Naked Gun franchise started out as the six-episode, L.A. police procedural TV series spoof Police Squad! (1982) which spawned three features under The Naked Gun moniker (1988, 1991, 1994). The TV series is both extremely funny and groundbreaking in its use of the format. The three movies cleverly translated the humour to the big screen, and had the good sense to quit while still ahead. Both the TV series and the movies were well received at the time and are fondly remembered today.

The humour derives from a combination of ridiculous gags and non-comedy actors playing it straight. At the centre of the franchise was Lt. Frank Drebin, who despite a general cluelessness possesses a determination to follow through that means he always gets his man.… Read the rest

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Animation Features Movies

Savages
(Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest

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Documentary Features Live Action Movies

2000 Meters to Andriivka

Director – Mstyslav Chernov – 2025 – Ukraine – Cert. 15 – 107m

****

A small Ukrainian Army unit advances through a narrow strip of war-scarred forest to recapture a village from the occupying Russians – documentary from the makers of 20 Days in Mariupol is out in UK and Irish cinemas on Friday, August 1st

Set in the 2023 Ukrainain offensive to take back land occupied by the Russians in the East of Ukraine, this covers the advance of a small, Ukrainian army unit, the 3rd Assault Brigade, on the country’s Russian-occupied village of Adriivka, located on the outskirts of the town of Bahkmut. Given that the latter is two hours away from Kharkiv, the hometown of director Mstyslav Chernov (20 Days in Mariupol, 2023), the location has a clear personal significance for him. He and his Associated Press colleague Alex Babenko take their camera with the unit on their mission.

The soldiers are all equipped with helmet cams, giving the filmmakers additional material to play with. Such technology is unimaginable as recently as 25 years ago. One might argue that war has changed little, that it’s still much the same, horrible phenomenon it always has been. The advent of the cam, however, means that an audience can watch the viewpoint of a war participant up close and personal.… Read the rest

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Animation Features Movies

The Bad Guys 2

Director – Pierre Perifel Co-Director JP Sans – 2025 – US – Cert. PG – 104m

****

A criminal gang of animals led by a wolf mastermind attempts to go straight but are extorted into doing one last job – animated feature sequel is out in UK cinemas on Friday, July 25th

Like its predecessor, The Bad Guys 2 manages to successfully parody the meanness and violence of the gangster movie genre in a children’s animated film without any of the meanness and violence normally associated with that genre. You might wonder where you could go with what is essentially a sequel to five bad guys turning from bad to good. This skilfully implements its answer: introduce a rival gang, as bad as the original protagonists, who force our reformed heroes into that old gangster movie trope: they want to go straight, but before they can get there they have to do one last job. 

Here’s the twist. The Bad Guys, like most gangsters, are (mostly) male.  Their new rivals, The Bad Girls, are all female.

Thus, the eponymous, anthropomorphised animal gang Mr Wolf (voice: Sam Rockwell from (Three Billboards Outside Ebbing, Missouri, Martin McDonagh, 2017; Seven Psychopaths, Martin McDonagh, 2012; Lawn Dogs, John Duigan, 1997) the leader of the pack, Mr.… Read the rest

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Gazer

Director – Ryan J. Sloan – 2024 – US – Cert. 15 – 114m

***

A single-parent mum, unable to make sense of the passing of time, struggles to get by and find the money to get out of town with her child – largely incomprehensible yet strangely compelling, urban, neo-noir thriller is out in UK cinemas on Friday, July 25th

This narrative impresses and frustrates the viewer in pretty much equal measure. There are rotten films out there on which you really don’t want to waste your time, and for all its faults, Gazer isn’t one of those (although there are times, particularly in its first hour, when it comes close). And then there are (arguably) visionary films where you can sense the makers – usually the director(s), writer(s) or performer(s) – struggling to express (a) unique viewpoint(s), and Gazer, a first-time feature by former New York electrician Sloan, who co-wrote and directs, and Canadian musician / actress Ariella Mastroianni, who co-wrote and stars, most definitely fits into that category – albeit not always entirely successfully.

The film possesses a distinctive look, which I imagine is largely down to Brazilian-Portuguese cameraperson Matheus Bastos, who shot it on 16mm.… Read the rest

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Animation Movies Shorts

Phil Mulloy
Extreme Animation

Director – Phil Mulloy – 2001 – UK – Cert. 18 – shorts of various lengths, total running time 2 hr 33 mins – Original Aspect Ratios (various) – Dolby Digital 5.1

*****

To mark the recent passing of Phil Mulloy (29 August 1948 – 10 July 2025), my review from 2001 of the BFI DVD of his work.

About as far from Disney animation as it’s possible to get, British animator Phil Mulloy’s short films, produced on a shoestring, employ crude paint brushstrokes on paper with violent, sexual and explicit subject matter. But far from being sensationalist, Mulloy is a brilliant satirist, deluging us with graphic imagery to hit his targets with a vengeance, underscored by voice-over, occasional words of dialogue, and background music by one or two musicians (among them pianist Keith Tippett, Angels & Insects composer Alex Bălănescu and Taiko drummer Joji Hirota).

He first came to prominence with six Cowboys shorts (1991) featuring gunfights, lynchings, bestiality (with horses) and much more. In Outrage, a man and woman are pilloried for having sex outdoors. For ten long years, The Conformist captures and tames a stallion, only to be ridiculed on his return as the only man whose horse has freestanding legs not a wheeled trolley base.… Read the rest

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I, the Song
(Dzongkha, 
མོ་གི་གསང་བའི་ཞབས་ཁྲ)

Director – Dechen Roder – 2024 – Bhutan, Norway, Italy, France – 112m

*****

A woman fired from her teacher’s job for appearing in an online sex video she claims is of someone else sets out to find her doppelgänger and clear her name – winner of Best Director in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival; plays Tyneside Cinema, Newcastle at 7.30 pm, Tuesday, July 15th 2025 as part of GemArts Masala Festival

This starts off deceptively with singing children’s voices, cutting into accompanying images of a school play with the children costumed as various types of flowers. The camera moves slowly to the back of the school hall where watching teacher Nima (Tandin Bidha) is told she is urgently needed in the office of the principal (Kezang Dorjee aka Kazee), where she finds herself being fired because of the video, now widely seen online, in which she appears. She protests that the person in the video isn’t her, but the principal says he can’t have her seen on school premises with so many parents about today.

She phones her boyfriend Penjor (Dorji Wangdi), who is in the middle of a gig hosting traditional Bhutanese folk plays.… Read the rest

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Animation Features Movies

Flow
(Straume)
(2024)

Director – Gints Zilbalodis – 2024 – Belgium, France, Latvia – Cert. U – 84m

*****

A cat must survive rising water levels as they engulf both the countryside and cities – remarkable, dialogue-free, computer animated feature is out now on 4K UHD, Blu-ray and DVD

Like his earlier Away (2019), Zilbalodis’ new CG animated movie features characters who don’t speak. The central character is a cat, and you’d be forgiven, after years of animated films about cats in which they talk, for expecting the same here, but Zilbalodis isn’t interested in anthropomorphised talking animals. He’s clearly interested in animals, and in characters, but the cat here has been derived from watching and studying cats in real life and their behaviour in the real world. There’s a long history of this in drawn animation, typified by the classic Disney films, where it was all about what you could achieve with a paper and pencil, studying from life, making drawings of characters move.

These days, the medium has moved on, and unless one is being purist and working with pencil and paper for the sake of making drawn animation the way it was made roughly a century ago (and there’s nothing whatsoever wrong with doing that), you would use computers as Zilbalodis does.… Read the rest

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Features Live Action Movies

Jurassic World Rebirth

Director – Gareth Edwards – 2025 – US – Cert. – 134m

***

A group of mercenary hunters and a traumatised family find themselves on an equatorial island populated by mutant dinosaurs – out in UK cinemas on Wednesday, July 2nd

The difficult seventh movie, made on a shorter production schedule than its predecessors – according to the production notes – and probably made too quickly for its own good. First there were three Jurassic Park movies, then there were three Jurassic World movies, and now there’s a seventh Jurassic. What to call it? Jurassic Beyond? Jurassic Outside? Jurassic Environment? Jurassic Habitat? Jurassic Equator? Jurassic Island? Jurassic Laboratory? Jurassic Lab? Jurassic Experiment? Jurassic Mutation? (Those took me a mere five minutes.) No: unable to think of a word to replace Park or World, this one is saddled with the marketing-led Jurassic World Rebirth. Which no doubt will do the job, but when Michael Crichton coined Jurassic Park for his novel’s title and Spielberg ran with it, no-one outside of palaeontologists and dinosaur-geeks (I number myself among the latter) knew what ‘Jurassic’ was. It didn’t matter: it was Spielberg and dinosaurs, that sold it, and the film more than lived up to the lure and the promise.… Read the rest

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Features Live Action Movies

Ran
(乱)

Director – Akira Kurosawa – 1985 – Japan, France – Cert. 15 – 162m

*****

Back out in cinemas this Friday to commemorate its 40th anniversary.

—

Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints. Entered in the 1951 Venice Film Festival without his knowledge, Rashomon unexpectedly picked up the prestigious Golden Lion award.

Subsequent international successes included Seven Samurai (1954) and Yojimbo (The Bodyguard) (1961). By the nineteen eighties, his productions had grown less frequent and more lavish with Kagemusha (The Shadow Warrior) (1980) and Ran (1985) requiring budgetary input from outside Japan.

Kurosawa’s influence abroad has been consolidated by various remakes of his films, with other countries adapting the Japanese elements to their own cultures. Many of his biggest international successes being period pieces have leant themselves to obvious translation into Westerns where gun-slinging cowboys were easily substituted for sword-wielding samurai.… Read the rest

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Documentary Features Live Action Movies

The Road to Patagonia

Directed by Matty Hannon
Certificate 15
90 minutes
Released 27 June

In his mid-20s, former ecology student and keen surfer Matty Hannon returns to Melbourne, Australia. For five years, from age 21 to 26, he has lived alongside one of Indonesia’s Sumatran Island tribes, a utopia where people live in harmony with nature, assigning spirit gods to rivers and mountains. And then there are the waves.

Melbourne hits him with culture shock; a culture that refers to its people as consumers, where national success is measured in terms of how much they buy. Depression is common. Hannon records his response in this documentary as he gets out, takes a tent to Alaska, then… on his motorbike… travels down the West Coast of the Americas to Patagonia… [read the rest in the Issue 4 – 2025 edition of Reform]

[Read my longer review for this site here.]

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Animation Movies Shorts

Little Shrew
(Snowflake)

Director – Kate Bush – 2024 – UK – Cert. PG – 4m

*****

As modern warfare decimates a landscape, a shrew crosses countryside and town as a small, spirit-like light falls towards it – short accompanies the UK cinema release of From Hilde, With Love on Friday, June 27th

Musician / songwriter Kate Bush originally recorded the song Snowflake, which appeared on her album 50 Words for Snow (2011), in part to record her young son Albert’s voice before it broke. The creative process is such that people don’t always know exactly why they do what they do, and that is clearly the case with this song, since Kate has returned to it after the event to direct an animated film around it. Animation being a painstakingly slow production process, the soundtrack for the short is an edit of the song, pulling it down from almost 10 minutes to 4 minutes. The 4-minute edit is surprisingly coherent and seems to distil the essence of the piece.

Most of the lyrics are sung by Albert, yet Kate sings the haunting refrain:

The world is so loud

Keep falling

I’ll find you

It’s impossible to listen to this without thinking she is the mother somehow waiting for her falling son, whatever that means.… Read the rest

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Features Live Action Movies

From Hilde, With Love
(In Liebe, Eure Hilde)

Director – Andreas Dresen – 2024 – Germany – Cert. 15 – 125m

***

A young, pregnant German woman involved with a group of radicals trying to undermine the Nazi regime is arrested and put on trial with a possible death sentence – out in UK cinemas accompanied by the Kate Bush short Little Shrew (Snowflake) on Friday, June 27th

Its opening, pre-credits moments of a German mother and bespectacled, pregnant adult daughter picking strawberries in the garden belies what is to follow, but that sense of calm doesn’t last long as two barely seen black cars pull up in the lane. The pregnant woman packs a suitcase before the two men accompany her out to the car. How long will it take, she asks. That depends on you, comes the reply.

In the lift, the big, burly man asks after her pregnancy. It seems his wife, too, is expecting. When she is questioned in the interrogation room, she is asked about her husband’s radio equipment, on the table in front of her in a suitcase. She makes up stories about her innocence and ignorance, but they (including, when we finally see him, the man from the lift) run rings round her.… Read the rest

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Features Live Action Movies

Red Path
(Les Enfants Rouges,
الذراري الحمر)

Director – Lotfi Achour – 2024 – Tunisia, France, Belgium, Poland, Saudi Arabia, Qatar – Cert. 15 – 100m

*****

When paradise is suddenly taken away from him, a young innocent must come to terms with stark and brutal forces of corruption and death – searing drama is out in UK cinemas on Friday, June 20th

** SPOILER ALERT**

Two boys are herding a flock of sheep cross-country. The older one (Wided Dabebi), who tells the younger not to be scared, but to watch out for mines, knows his way around. The younger one Achraf (Ali Helali) hasn’t told his mother he’s doing this, because he knows she would have forbidden him from coming.

They are navigating the slopes of Tunisia’s Mighila Mountain, which is fabulously beautiful. They find a perfect place to give the sheep a rest, and the older one shows the younger a good spot – they climb to the top of a ridge, with a stunning, panoramic view of the local landscape, and bask on the rock in the sunshine. Life is good. In fact, it is paradise. After some time, they head back down to the watering hole they left earlier, plunge their heads in the cool water.… Read the rest

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Animation Features Live Action Movies

Elio

Directors – Adrian Molina, Madeline Sharafian, Domee Shi – 2025 – US – Cert. PG – 99m

****

An alien-obsessed orphan, whose aunt tracks space debris for NASA, makes contact with aliens – latest Disney / Pixar romp is out in UK cinemas on Friday, June 20th

Young lad Elio Solis (voice: Yonas Kibreab) has never got over the death of his parents, and lives with his aunt Olga (voice: Zoe Soldana) with whom he doesn’t really get on, even though she puts him before the advancement of her career at NASA, where she has forgone aspiring to astronaut training and works tracking space debris. One day, she is having a meal in the large work canteen with him when he vanishes, sneaking in to an exhibit about the cosmos to hear a Carl Sagan monologue about the possibility of extra-terrestrial life.

Following this incident, Elio decides that all his problems would be solved if only aliens would abduct him, and goes out of his way to make this happen, drawing a big “Abduct me” message / diagram on the beach and lying in the middle of it so he can be clearly seen from the sky, not to mention sending ham radio messages to the stars with his woefully inadequate radio transmitter.… Read the rest

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Features Live Action Movies

Darling

Director – John Schlesinger – 1965 – UK – Cert. 15 – 128m

*****

A young woman abandons her dull marriage to navigate life and love in 1960s swinging London – back out in UK cinemas on Friday, May 30th, and on 4K UHD & Blu-ray on Monday, 16th June

Today, this stands as a testament to the 1960s, when social class in Britain began to break down and people began experimenting with lifestyle and morality in hitherto unthinkable ways. It plays as a fascinating snapshot of its contemporary time and mores, providing a glimpse into the sixties, the decade of Swinging London when, for a brief moment, this city was the coolest in the world.

Yet, for Darling’s characters, London is just where they happen to live. In a loose framing device, Diana Scott (Julie Christie) recounts her memories into a tape recorder, presumably for an unseen interviewer or biographer, although while this dramatic device anchors the narrative charting of the young woman’s life and career, it does little beyond ease the viewer into her story and allow her to interject pertinent comments at various points.

As a child in the school play, people are already referring to Diana as Darling.… Read the rest

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Animation Features Live Action Movies

Sister Midnight

Director – Karan Kandhari – 2024 – UK, Sweden, India – Cert. 15 – 110m

***1/2

A young woman in an arranged marriage discovers herself to be a creature of the night… and one of the undead – genre-bender is out on UK digital from Wednesday, June 18th

A young woman travels cross-country by train, face veiled by beaded hangings, to join the arranged marriage husband she has (presumably) never met in their new, urban home. Uma (Radikha Apte) and Gopal (Ashok Pathak best known here from The Second Best Exotic Marigold Hotel, John Madden, 2015) don’t seem to know what to do with each other. Certainly not any sort of sexual congress as they unveil sitting beside one another for the first time. As the tale proceeds, sleeping with him comes to consist of curling up on her own on the other side of the bed from him. Later, her sleeping patterns will start to shift…

Theirs is a pretty basic home – a room with a mattress and a door out onto the bustling, main street outside. Her husband has a job, so goes out in the morning and comes back in the evening, although sometimes he goes out drinking after work and comes back later.… Read the rest

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Animation Features Live Action Movies

Mars Express
(Mars Express)

Director – Jérémie Périn – 2023 – France – Cert. 15 – 85m

*****

In the 23rd Century, a private investigator and her resurrected robot assistant go to Mars to investigate the murder of a cybernetics student – out in UK cinemas on Friday, June 13th from the 27th Tallinn Black Nights Film Festival

The difference between humans and machines is one of the great themes of science fiction from Blade Runner (Ridley Scott, 1982) to Ghost in the Shell (Mamoru Oshii, 1995). Mars Express takes its name from an Earth-Mars shuttle which, following a bravura action / chase sequence early on, not unlike the one at the start of Ghost in the Shell, is used by private investigator Aline Ruby (voice: Léa Drucker from Custody, Xavier Legrand, 2017) and her assistant Carlos Rivera (voice: Daniel Njo Lobé) to transport a captured suspect from Earth to Mars where, it transpires on arrival, the relevant paperwork to detain their prisoner has been wiped from their on-person devices and internet-accessible office, meaning they are forced to release their prisoner. The narrative is littered with cleverly thought out ideas like this.

The setting is the 23rd Century and mostly Mars, where the pair are hired to search for a second year cybernetics student who has gone missing.… Read the rest

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Features Live Action Movies

Tornado

Director – John Maclean – 2025 – UK – Cert. 15 – 91m

*****

A bereaved Japanese in Britain in 1790 must prove herself as a samurai to survive – unique coming of age historical drama is out in UK cinemas on Friday, June 13th

A 16-year-old Japanese girl (Koki) flees over the moors, through the wood, towards a large mansion. So does a young boy. Their male pursuers walk relentlessly in her direction, but they haven’t seen her. Woe betide her if they do, because their leader (Tim Roth from Pulp Fiction, 1994; Reservoir Dogs, 1992, both Quentin Tarantino; The Hit, Stephen Frears, 1984) addresses one of their number by name then slits his throat. She gets to the house, opens the door, the sudden draught inside causing papers to blow around, but she shuts it pretty fast, sensing the woman inside. A little later, she opens the door, gingerly enters the house. A hiding place, but she must be sure the occupants don’t spot her.

No such hesitancy for the gang following her; they step inside confidently as if they own the place, pushing over and kicking the male occupant while he’s down. They spread out, and a younger man in the party, who we will later come to know as Little Sugar (Jack Lowden frrom Benediction, Terence Davies, 2021; Dunkirk, Christopher Nolan, 2017; ’71, Yann Demange, 2014), son of the gang leader Sugarman (Roth), finds her at the end of an upper corridor whose floor has given way beneath another gang member.… Read the rest

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Animation Features Live Action Movies

How to Train Your Dragon
(2025)

Director – Dean DeBlois – 2025 – US – Cert. PG – 125m

****

Instead of fighting dragons like other viking teenagers, Hiccup shoots a dragon out of the sky then secretly trains it as his steed– live action remake of animated classic is out in UK cinemas from Monday, June 9th

Following in the footsteps of Disney, who are slowly but surely turning their back catalogue of animated features into live action movies, Dreamworks have taken the plunge and turned the first of their three animated How To Train Your Dragon movies into live action. Director DeBlois previously directed the three animated outings, and clearly cares a great deal about the franchise because he has made a live action equivalent of the first film with the same plot, dragons that look near identical, and locations that feel like those in the original.

If you’re an admirer of the first film, which I am, as you’re watching this new one, you feel like you’ve seen it all before. Except, this is in live action. It’s enjoyable enough, and avoids the obvious trap of trying to redesign its classic animated characters for live action (the trap that Disney’s Snow White remake (Marc Webb, 2025) walked straight into with its hyperrealist dwarfs).… Read the rest

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Features Live Action Movies

The Seed
of the Sacred Fig
(Dane-ye
Anjir-e Ma’abed,
دانه‌ی انجیر معابد)

Director – Mohammad Rasoulof – 2024 – Iran, Germany, France – Cert. 15 – 167m

*****

An Iranian state functionary, married with two teenage daughters, is promoted to the position of judge at the same time as the Women, Life, Freedom protests erupt… And then, his gun goes missing at home… – out on Blu-ray and DVD from Monday, June 9th 2025

A film so extraordinarily brilliant that it is almost impossible to conceive.

An opening intertitle explains the remarkable life cycle of a tree which grows on one of the southern Iranian islands. Its seeds fall onto the branches of other trees through bird droppings. The seeds then germinate, and their roots move towards the ground. When the roots reach the ground, the sacred fig tree stands on its own feet and its branches strangle the host tree.

2022. The tireless and diligent work of state functionary Iman (Missagh Zareh) has finally been rewarded; he is to be appointed a judge. In a repressive regime like Iran, that’s not a job looked upon favourably by most of the population, so his work gives him a pistol just in case he should need to defend himself or his family. At home, in the Tehran apartment where he lives with his family, he keeps the weapon in a drawer.… Read the rest

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Features Live Action Movies

Ballerina
(2025)

Director – Len Wiseman – 2025 – US – Cert. 15 – 125m

*****

A young, female assassin seeks out the man behind the organisation that killed her father – John Wick franchise spin-off is out in UK cinemas on Friday, June 6th

While the Bond movie No Time To Die (Cary Joji Fukunaga, 2021) divided viewers, there seemed to be a widespread consensus that Ana de Armas’ scene as a kickboxing 007 sidekick was something special, crying out for her to be given her own action film. In the interim, the actress’ high profile career has burgeoned – her portrait of Marilyn Monroe in Blonde (Andrew Dominik, 2002) proved that she can act just as well as she can do stunt action.

Meanwhile, writer Shay Hatten’s spec screenplay about a ballerina bent on revenge found its way to John Wick franchise originator and director Chad Stahelski, who thought it might fit into John Wick’s world. As they worked out exactly where that might be, Hatten was put to work on the scripts for John Wick: Chapter 3 – Parabellum (2019) and John Wick: Chapter 4 (2023). It was eventually decided that the events in Ballerina would take place at the same time as those in John Wick: Chapter 3 – Parabellum, and an early scene has John Wick (Keanu Reeves) passing on a staircase in the Ruska Roma Ballet School in New York.… Read the rest

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Features Live Action Movies

Dangerous Animals

Director – Sean Byrne – 2025 – Australia – Cert. 15 – 98m

*****

A free-spirited girl surfer must outwit the shark tour operator who has kidnapped her and whose idea of looking after customers is feeding them to the sharks – out in UK cinemas on Friday, June 6th

Greg (Liam Greinke) invites Brit backpacker Heather (Ella Newton) to join him on a shark swim. So, off they go to Tucker (Jai Courtney), who runs shark-seeing tours using his boat. As in Jaws (Steven Spielberg, 1975), you go in the cage, the cage goes in the water, the sharks are outside the cage. Heather has second thoughts, but the couple go for it, which turns out to be an amazing experience. You won’t believe what happens next. Greg certainly doesn’t. (Be advised: some online trailers give the game away. Thankfully, Vertigo’s teaser trailer, below, doesn’t.)

Free-spirited surfer Zephyr (Hessie Harrison) lives out of her van and one night indulges in passion there with yuppie Moses (Josh Heuston) parked outside his house, swiftly driving off afterwards before he has had a chance to take their relationship further, which is a pity from his point of view since he feels some sort of deeper connection.… Read the rest

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Animation Features Live Action Movies

Karate Kid
Legends

Director – Jonathan Entwhistle – 2025 – US – Cert. 12a – 94m

*****

Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould and come up with something fresh and original – out in UK cinemas on Wednesday, May 28th

All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original The Karate Kid (John G. Avildsen, 1984) clearly struck enough of a chord to spawn more films, some entries, such as The Karate Kid Part III (John G. Avildsen, 1989), have felt worn, tired and clichéd.

That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu Jackie Chan as the trainer in the two decades later remake The Karate Kid (Harold Zwart, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).… Read the rest

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Features Live Action Movies Music

The Ballad
of Wallis Island

Director – James Griffifths – 2025 – UK – Cert. 12a – 99m

***1/2

An emotionally clueless lottery winner living on a remote British island attempts to reunite his favourite singer / songwriting duo for a gig on his local beach – out in US cinemas on Wednesday, May 28th and UK cinemas on Friday, May 30th

When musician Herb McGuyer (Tom Basden) arrives by boat to play a gig on a remote island somewhere off the UK coast, he’s a little shocked when met by promoter Charles (Tim Key) that he’s required to wade through water on the beach – so shocked, in fact, that he drops his mobile phone in the water. There follows a lengthy walk up a steep track to the hotel where he’ll be staying – actually Charles’ house. Further surprises are in store. The intimate gig of less than a hundred turns out to be just Charles himself, a lottery winner who is a huge fan.

These days, Herb has a solo musical career, however Charles is particularly keen on Herb’s earlier work with McGuyer Mortimer in which he partnered with Nell Mortimer before that duo split and went their separate ways. Charles has neglected to mention to Herb that this is to be a reunion gig for the duo, and Mortimer will be joining them on the island shortly.… Read the rest

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Features Live Action Movies Music

Once

Director – John Carney – 2006 – Ireland – Cert. 15 – 90m

*****

Two musicians fall for each other on the streets of Dublin… – review originally published in Third Way magazine, October 2007

UK release date 19/10/2007

This brilliant film is a reviewer’s nightmare because a thumbnail synopsis on paper sounds incredibly bland and clichéd – something the actual film isn’t. A busker meets a girl on the street in Dublin. He fixes her vacuum cleaner. Being a pianist, she gets involved in his newly formed band. Romantic entanglements might ensue, but they don’t because she has a husband. The band’s demo sounds impressive, and the former busker departs for London to seek his fortune – without the girl. And that’s it.

However, the above outline doesn’t tell you two things.

One, there are a lot of songs. As in, the narrative stops so a character or characters can sing a song. This is not the case of, as in the classic movie musicals, the invisible orchestra swells and the character or characters can sing, but something more naturalistic. For instance, the first song occurs when the busker, on the street, picks up his guitar and sings a song.… Read the rest

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Features Live Action Movies

Mongrel
(Baiyi Cang Gou,
白衣蒼狗)

Director – Chiang Wei-liang – 2024 – Taiwan, Singapore, France – Cert. 15 – 128m

****1/2

An immigrant caregiver is caught between the demands of his exhausted, needy clients on the one hand and his profit-oriented gangster taskmasters on the other – out in UK cinemas on Friday, May 23rd

This gets straight in there with a taboo-breaking shot of a human bottom covered in excrement, something familiar to anyone who has worked as a carer for an incontinent person but a bit of a shock to the rest of us. A hand bearing a cloth comes into shot and wipes the excrement off. When we eventually see the carer’s head, he is wearing earphones as he does the work. All his male client is doing is wordlessly moaning. We watch the carer lift the man, reassuring him, and deposit him in an offscreen chair. An elderly woman dozes on the sofa. He wipes her brow with a fresh towel. She takes it from him and wipes her face. He tells her he’s fed and bathed Hui (i.e. the son, played by Kuo Shu-wei who has cerebral palsy).

The carer goes outside in the rain. In the cab of his truck, his boss asks, what the hell took you so long?… Read the rest

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Features Live Action Movies

Mission: Impossible
The Final Reckoning

Director – Christopher McQuarrie – 2025 – US – Cert. 12a – 163m

*****

Tom Cruise’s eighth and director Christopher McQuarrie’s fourth Mission: Impossible outing delivers up to par globe-trotting action set pieces and considerably more plot than last time – out in UK cinemas on Wednesday, May 21st

When Tom Cruise made his first Mission: Impossible movie (Brian DePalma, 1996), no-one foresaw that the property, already a successful and long-running TV series emblazoned into the cultural zeitgeist along with its immediately recognisable Lalo Schifrin theme tune, would turn into an equally successful movie franchise. With each passing movie, it has seemed a better and better fit for Tom Cruise – while he has a wide-ranging career, this franchise is today what his name immediately brings to mind. After several directors, the franchise and Cruise somehow found another director -actually a writer director – who seemed to fit the franchise as well as he did. Chrstopher McQuarrie did uncredited rewrites on the fourth entry Mission: Impossible – Ghost Protocol (Brad Bird, 2011) and has directed and written or co-written every entry in the franchise since. Watching these films, you sense a shorthand developing between producer-star and writer-director, with each film feeling more assured than its predecessor.… Read the rest

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Features Live Action Movies

Fountain of Youth
(2025)

Director – Guy Ritchie – 2025 – US – Cert. 12a – 126m

*

Two estranged, treasure-hunting siblings, with the help of a rich backer, pursue the trail towards the life-giving water source of legend, pursued by forces that want to prevent them from doing so – premieres globally on Apple TV+ from Friday, May 23rd

Films get made in a variety of different ways. According to the press handouts, this one came about initially through producer Tripp Vinson’s research into the legendary Fountain of Youth and the desire to have a globe-trotting hero searching for it. This idea was developed by screenwriter James Vanderbilt (Scream VI, Matt Bettinelli-Olpin, Tyler Gillett, 2022; The Amazing Spider-man, Marc Webb, 2012; Zodiac, David Fincher, 2007) into where the hero was not one but two people, an estranged brother and sister. When director Ritchie later came on board, he brought to it the idea of the journey being more important than the destination. This is not, therefore, a director-led project. In the process of making movies, however, it is ultimately the director, once they are on board, who is responsible for the myriad decisions that are taken in putting the film on the screen.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Michelangelo
Love and Death

Director – David Bickerstaff – 2017 – UK – Cert. U – 91m

*****

Sixteenth Century Renaissance sculptor Michelangelo remains one of the greatest artists of all time, yet his overreaching ambition frequently proved his undoing – back out in UK cinemas to tie in with the 550th anniversary of Michelangelo’s birth from Tuesday, May 20th

“From a fountain of mercy… my suffering is born.” These words (voiced by James Faulkner as Michelangelo) accompany images of a present day sculptor (Marco Ambrosini) working away at a piece of marble in his studio. The writings of Vasari (voice: Lawrence Kennedy) take up the story. A boy was born to a noble family in 1475. Art Critic and Author Jonathan Jones places Michelangelo among the greats, like Leonardo da Vinci, Rembrandt, Picasso. He deals with the strangest, darkest and most difficult stuff. He is the original famous artist. He had two biographies written about him in his lifetime, and took great interest in them, helping bring them to fruition. He painted, sculpted, built architecture, wrote poetry, even built military fortifications. This was the time when artists started being regarded as creative geniuses, according to Art Historian Jennifer Sliwka. Vasari referred to Michelangelo and his art in terms of Divinity and then the Divine.… Read the rest

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Features Live Action Movies

Throne Of Blood
(Kumonosu-jo,
蜘蛛巣城,
lit. Castle
Of The Spider Web)

Director – Akira Kurosawa – 1957 – Japan – Cert. 12 – 110m

*****

Out on BFI UHD & Blu-ray on Monday, May 19th 2025.

Currently streaming on BFI Player alongside many other Kurosawa films together with a much wider selection of Japanese movies.

Macbeth is one of Shakespeare’s most familiar plays. In 1957, Kurosawa reworked it against the backdrop of feudal, 16th Century Japan. Ascendant samurai Washizu (Toshiro Mifune) and Miki (Minoru Chiaki) hear from an old crone at a spinning wheel in the forest that Washizu will become Lord of Cobweb Castle, later to be succeeded by Miki’s son. Washizu’s wife Asaji (Isuzu Yamada, her face rigidly fixed in Noh mask poses) preys on his insecurities to convince Washizu to murder his way to the top. Slayings, ghost sightings, hand washing and his demise duly ensue.

Not only does Kurosawa jettison all Shakespeare’s dialogue, he also makes the material thoroughly his own even while remaining true to its essence. For instance, when Washizu, eating in public, sees Miki’s ghost, Mifune with the camera following him starts running around like a man possessed, slashing wildly at an unseen apparition. Watching this, it’s hard to imagine it ever being shot on film (let alone performed on a stage) any other way.… Read the rest

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Features Live Action Movies

Stuntman
(Mou Tai Do,
武替道)

Directors – Albert & Herbart Leung – 2024 – Hong Kong – Cert. 15 – 114m

****

20 years after a stuntman on his team was hospitalised when a stunt went wrong, an action choreographer takes on his first stunt job since the tragic incident – out on digital from Monday, 12 May 2025

This opens with a terrific cops and robbers fight in a shopping mall at the top of an escalator bearing remarkable resemblance to (and just as exciting as) the one towards the end of Police Story (Jackie Chan, 1985). However, while this might be an obvious homage to that film specifically and 1980s Hong Kong action cinema generally, it’s far from a mere attempt to retread the same ground: we suddenly cut from the cops and robbers scenario to reveal a film crew of that period shooting an action movie.

There is a particularly dangerous stunt coming up. A (stunt)man must jump off a bridge onto a lorry as it passes below, with a car immediately behind. (Again, this is remarkably similar to the stunt in Police Story II (Jackie Chan, 1988) where Chan leaps off a balcony onto a lorry passing in the street.) In the current film, for the stunt to come off, the stuntman must jump at exactly the moment the action choreographer Sam Lee (Lam Yiu Sing from The Goldfinger, Felix Chong, 2023; Where the Wind Blows, Philip Yung, 2022; Memories to Choke on, Drinks to Wash Them Down, Leung Ming Kai, Kate Reilly, 2019; Dream Home, Cheung Pang-ho, 2010) tells him; to wait until he can see the truck would be too late and cause considerable, possibly fatal, injury.… Read the rest

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Features Live Action Movies

Blue
is the Warmest Colour
(La Vie d’Adèle)

Director – Abdellatif Kechiche – 2013 – France – Cert. 18 – 180m

UK release date 22/11/2013;

Review originally published in Third Way magazine, November 2013.

A loose adaptation of Julie Maroh’s graphic novel Le Bleu est une Couleur Chaude, this is one of the most touching films about romantic love (and physical passion) ever. Be warned, it contains some pretty explicit, real rather than simulated, sex scenes (there’s good reason for the 18 certificate) but these appear in a wider, character-driven context.

Adèle (Adèle Exarchopoulos) and her mainly girl peer group at school spend much time discussing boys. She sleeps with but feels no real connection to a boy who’s a “sure thing”. While this romance is going nowhere, she exchanges glances with an unknown blue-haired girl on the arm of another woman on the street and is completely smitten. Seeing her emotional turmoil, she’s dragged off for a drink by her confidant, a boy she’s unaware is gay until they’re together in a gay bar, from which she makes her excuses and somehow winds up alone in an all-girl bar where Emma (Léa Seydoux), the girl with blue hair, chats her up. From there, to the confusion of her straight peers, a relationship slowly blossoms into full-blown passion.… Read the rest

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Documentary Features Live Action Movies

Riefenstahl

Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest

Categories
Dance Documentary Features Live Action Movies Music

The Extraordinary
Miss Flower

Directors – Iain Forsyth, Jane Pollard – 2024 – UK – Cert. 12a – 73m

****

A suitcase containing love letters, telexes and photographs found after her death, which inspired songs from singer Emilíana Torrini, becomes the key to a woman’s interior life – out in UK cinemas on Friday, May 9th

Every so often, a feature film turns up that doesn’t really fit the obvious categories, and this is one of those. It might be described as a cross between a documentary, a music promo and a home movie. Yet, none of those makeshift, pressed-into-service labels quite do it justice.

It’s a documentary because its starting point is a collection of personal items – love letters, telexes and photographs – kept in a suitcase by a woman named Geraldine Flower and subsequently found by her daughter Zoe some time after Geraldine’s death. Which is to say, found by her daughter Zoe, Zoe’s musician husband Simon Byrd and their friend the singer Emilíana Torrini. The latter had recorded some four albums and had come to a sort of creative impasse where she wanted to make another album but just couldn’t find the right creative spark. And then, the contents of Geraldine’s rediscovered case provided that impetus.… Read the rest

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Features Live Action Movies

Tokyo Pop

Director – Fran Rubel Kuzui – 1988 – US, Japan – Cert. 18 – 99m

****

A girl singer, fed up with being sidelined by the music business in New York, relocates to Tokyo and falls in with local rock band hopefuls there – select UK cinema screenings from Friday, April 25th prior to its Blu-ray release on Monday, May 5th

“Hey, Mike, when do I get to use my song?” asks the band’s disgruntled, leather-clad back-up singer, feeling redundant as she stands on stage holding a tambourine. Her music career in New York stalling fast, Wendy (Carrie Hamilton from Cool World, Ralph Bakshi, 1995; Shag, Zelda Barron, 1989) receives a “Wish you were here” postcard from her friend Jane in Japan and shoots back a reply: “Hope you meant it – ‘cos I’m coming.”

In Japan, a band does an English language cover of Blue Suede Shoes. When Wendy arrives in Tokyo, her girlfriend has moved on to Thailand. Barely speaking any Japanese, Wendy winds up in a cheap hotel in Itabashi the space of a small Japanese apartment where footwear is removed on entering and, as an Aussie resident tells her, everything operates on credit card and a shower is Y100 for ten minutes.… Read the rest

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Features Live Action Movies Music

Slade in Flame

Director – Richard Loncraine – 1975 – UK – Cert. – 91m

****

Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits – 2K Remaster for the film’s 50th Anniversary Re-release is out on UHD / Blu-ray on Monday, May 19th

In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (A Hard Day’s Night, 1964; Help!, 1965, both Richard Lester; Yellow Submarine, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.

First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (The Missionary, 1982; Bellman and True, 1987; Richard III, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (The Missionary, not to mention Monty Python’s The Meaning of Life, Terrys Gilliam and Jones, 1983).… Read the rest

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Features Live Action Movies

Cloud
(Kuraudo,
クラウド)

Director – Kiyoshi Kurosawa – 2024 – Japan – Cert. 15 – 124m

*****

The art of the deal. The past of an internet goods reseller driven by making money who has made enemies among his one-off suppliers and customers comes back to bite him – out in UK cinemas on Friday, April 25th

Ryosuke Yoshii (Masaki Suda) makes a take-it-or-leave it offer to Tonoyama (Masaaki Akahori), who manufactures electric therapy devices: ¥90 000 for his entire inventory. Tonoyama protests that at such a low price he will barely make any money after all the investment he has made. Tonoyama’s wife (Maho Yamada) is horrified and pleads with Yoshii, but he is ruthless. He explains that if he can’t sell the items, the ¥90 000 will ocver him to pay someone to take the unsaleable goods away. Returning home to his sometime live-in girlfriend Akiko (Kotone Furukawa), Yoshii puts the items online at ¥200 000 each. They quickly sell out. He tells her she can buy whatever she wants with his credit card.

At Yoshii’s day job, in what appears to be a factory floor for the laundering of clothes, his boss Takimoto (Yoshiyoshi Arakawa) holds him in high regard, feeling his talents are underused as a mere shop floor worker and regarding him as a future leader.… Read the rest

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Documentary Features Live Action Movies Music

Pink Floyd at Pompeii

Director – Adrian Maben – 1972 – UK – Cert. PG – 93m

*****

Around the time of Meddle, Pink Floyd perform in the amphitheatre at Pompeii and in a Paris sound studio; later, at EMI Abbey Road, they work on their next album The Dark Side of the Moon – Pink Floyd at Pompeii – MCMLXXII is out in UK cinemas on Thursday, April 24th

This review is of the Pink Floyd Live at Pompeii – The Director’s Cut version that came out on DVD in 2003. There have been various versions over the years; indeed, that DVD release also contains the 62-minute cut which excises all the Abbey Road material. The newly released version (as yet unseen by this writer) boasts a 4K restoration and a new sound mix by Steven Wilson. Even without these new enhancements, the film is pretty impressive some fifty odd years on.

It starts and ends with a version of Echoes (which originally took up the second side of Meddle and is here conveniently broken up into a part one and a part two). This is followed by Careful With That Axe Eugene and another lengthy opus A Saucerful of Secrets. Three more numbers are recorded in Studio Europa-Sonor in Paris: the shorter, punchier (to give it its long title used in the film, which also constitutes the song’s entire vocal lyrics) One of These Days I’m Going To Cut You into Little Pieces, a blues called Mademoiselle Nobs similar to Meddle’s Seamus without lyrics but with a dog (the eponymous Nobs) howling along, and Set The Controls for the Heart of the Sun.… Read the rest

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Features Live Action Movies

The Last Dance
(Po Dei Juk,
破·地獄)

Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m (extended version – Cert. 15 – 140m)

**** (regular version) / unseen (extended version)

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is back out in UK cinemas in an extended version on Friday, April 24th following the original version’s release on Friday, November 15th 2024

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr.… Read the rest

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Features Live Action Movies

Shark Skin Man
and Peach Hip Girl
(Samehada Otoko
to Momojiri Onna,
鮫肌男と桃尻女)

Director – Katsuhito Ishii – 1998 – Japan – Cert. 15 – 108m

*****

Arresting and highly inventive thriller is out as a standalone Blu-ray release in the UK from Monday, April 14th 2025, also on digital, having previously appeared as the first disc of the three disc release Katsuhito Ishii Collection from Third Window Films just over a year ago (when the following piece was written for All the Anime).

Deriving its odd title from a literal translation of the leads’ surnames, Katsuhito Ishii’s highly original gangster movie from 1998 is based on a familiar plot: a man runs off with the mob’s money, and a lady companion. Or, as pioneering French New Wave director Jean-Luc Godard once put it: all you need to make a movie is a girl and a gun.

Shark Skin Man and Peach Hip Girl has much the same strengths as Godard when he’s on form. Ishii demonstrates a similar flair for taking actors or actresses and having them do what they do on camera so that it’s completely absorbing to watch: look no further than the extraordinary title sequence which starts about five minutes in and consists of little more than names and images of all the major cast members against a white background with overlaid black line animation images.… Read the rest

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Animation Features Movies

Boonie Bears
Future Reborn
(Xiong Chu Mo
Chong Qi Wei Lai,
熊出没·重启未来)

Directors – Lin Yongchang, Qu Caijia – 2025 – China – Cert. PG – 107m

**

Park Ranger Vick unwittingly releases pink spores into the atmosphere, reducing the earth to a toxic wasteland, then he and the bears time travel forward 100 years to sort it out– in a dubbed format for family audiences – out in UK cinemas on Friday, April 18th

One hundred years in the future, cities (and a cute rabbit that gets less than a minute of screen time) have been subsumed by toxic spores. This is because of one man. Flashback into the present and Park Ranger Vick (voice in the English language dub: Chris Boike), familiar from previous Boonie Bears outings, holding a cute baby, seeing the child’s beautiful mother approach them and then coming down to Earth when her tourist husband turns up behind him.

The disappointed Vick guides his charges to snow-covered mountain Crystal Peak, where a combination of awkward customers and Vick’s slipping on a banana skin causes a noise which triggers a deadly avalanche. And a wormhole opening in the sky, from which falls a boy with jetpack shoes. He perches on a high branch, marvelling as a butterfly alights on his glove.… Read the rest

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Features Live Action Movies

Babe

Director – Chris Noonan – 1995 – Australia – Cert. PG (2025), U (1995) – 92m

The story of a sheep that thinks it’s a dog – back in cinemas 30 years later on Friday, April 11th 2025, with a higher BBFC classification rating. The below is my review from What’s On in London in 1995, where I badgered my editor to make it the Film of the Week.

The very different worlds of Gloucestershire-born children’s author Dick King-Smith and Australian production company Kennedy Miller (Mad Max, George Miller, 1979; The Year My Voice Broke, John Duigan, 1987; Dead Calm, Phillip Noyce, 1989) might appear to have little in common. Then along comes Babe, a Kennedy-Miller adaptation of King-Smith’s hilarious fable The Sheep-Pig in which Farmer Hogget’s sole piglet Babe decides to become a sheepdog. Although the book is a very fine (and highly recommended) example of the children’s book, it’s hardly groundbreaking – we’ve read tales about talking animals before. For that matter, too, we’ve seen films with talking animals before – many of the better ones made by Disney.

What we haven’t seen before is this conceit pulled off flawlessly in live action.… Read the rest

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Features Live Action Movies

The Return

Director – Uberto Pasolini – 2024 – Italy, Greece, UK, France – Cert. 15 – 116m

**

Odysseus returns home to his island kingdom of Ithaca ten years after the Trojan War to find faithful wife Penelope fending off insistent suitors who threaten to kill son Telemachus – out in UK cinemas on Friday, April 11th

A young man (Charlie Plummer) stares out on clear blue Mediterranean waters crashing against the shore’s rocks. In an interior, an older woman (Juliette Binoche) weaves at her shuttle. On a beach, unobserved, the flotsam and jetsam of a shipwreck wash up, as does the unconscious body of a man (Ralph Fiennes). In the local village, a man threatens the young man with a knife.

Under pressure to marry one of the men in the village – her husband Odysseus, the island’s king, never having returned from the Trojan War – Penelope (for the woman played here by Binoche is she) claims she will do so once she has finished weaving her grandfather’s shroud. She is accused of having been weaving it for months.

The Fiennes character is rescued from the sea by a boat, only for crew members to throw him back into the sea.… Read the rest

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Animation Features Movies

The Most Precious
of Cargoes
(La Plus Précieuse
des Marchandises)

Director – Michel Hazanavicius – 2024 – France – Cert. 12a – 81m

*****

In Winter in a forest, a poor woodcutter’s wife rescues an abandoned baby thrown from a passing train and, despite her husband’s misgivings, raises the girl as her own – out in UK and Ireland cinemas on Friday, April 4th

Once upon a time… In the woods through which many trains pass… In a war… Yes, that war… In Winter, when everything is under snow… The wife (voice: Dominique Blanc from La Reine Margot, Patrice Chéreau, 1994; Indochine, Régis Wargnier, 1992) of a poor woodcutter, unable to have children, is outside and prays to the Gods of the Trains. Whether they hear her and look upon her kindly, or whether they even exist, it’s impossible to say. Following her prayer, however, she hears the sound of a baby crying. How did the baby get there? Well, unbeknownst to the woman, a man in a goods wagon threw it out of a passing train. She locates the baby girl, takes it home, feeds it. It’s the child she never had.

Her husband, the woodcutter (voice: Grégory Gadebois from Everything Went Fine, François Ozon, 2021; Redoubtable, Michel Hazanavicius, 2017), on returning home, discovers the baby and is furious.… Read the rest

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Features Live Action Movies

Novocaine
(2025)

Directors – Dan Berk, Robert Olsen – 2025 – US – Cert. 15 – 110m

*****

An assistant bank manager who is medically unable to feel pain pursues the bank robbers who have kidnapped his brand new and first ever girlfriend – out in UK cinemas on Friday, March 28th

(There have been several other movies with this title. Apart from having the same title, this one appears to be completely original.)

San Diego, California. Driving to work in gridlock, Nathan Caine (Jack Quaid) is the type to annoy fellow motorists by obsessively maintaining the correct space in front of his vehicle when no-one else is doing so. At work, he’s the assistant bank manager. He’s a genuinely nice guy who genuinely cares from people, such as long-standing customer Earl (Lou Beatty Jr.) who Nate helps through an unpleasant foreclosure on his workshop by doing things on a schedule that will help ease the man’s pain.

Also, there’s this new teller Sherry (Amber Midthunder) at the bank who Nate rather likes but can’t bring himself to talk to. In fact, despite her obvious attentions, he goes out of his way to avoid talking to her.

Somehow, she talks him into a lunch date where she has cherry pie and he… doesn’t.… Read the rest

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Art Documentary Features Live Action Movies

War Paint
Women at War

The Crying Game. Between a Rock and a Hard Place 2017 by Marcelle Hanselaar

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

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Animation Features Movies

The First
Slam Dunk

All images: © I.T. PLANNING, INC. © 2022 THE FIRST SLAM DUNK Film Partners

Director – Takehiko Inoue – 2022 – Japan – Cert. 12a tbc – 124m

*****

A high school basketball team sets out to defeat the seemingly unstoppable league champions – on 4K UHD + Blu-ray Collector’s Edition, Steelbook, Blu-ray, and DVD on 24th March following its debut in the 2023 Annecy International Animation Festival from Wednesday, June 14th; Edinburgh Film Festival from Wednesday, August 22nd-23rd; out in cinemas in the UK and Ireland on Wednesday, August 30th

The coastal town of Shohoku. 11-year-old Ryota Miyagi (voice: Miyuri Shimabukuro) lives in the shadow of his 14-year-old, elder brother and school basketball star Sota (voice: Gakuto Kajiwara). One evening, Sota takes his younger sibling out for a practice at the local court, playing as hard as he can to push Ryota, which makes the youngster want to push himself harder still. Sota then alienates Ryota by going on a fishing trip with his peer group rather than respond to Ryota’s demand to extend their practice session. When his elder brother is tragically killed at sea, Ryota must both step into both the role of man of the house and prove himself in the school basketball team.

By the time Ryota is 17 (voice: Shugo Nakamura), he is one of the players on the Shohoku school basketball team which itself faces challenges: specifically, if it is to win the national championships, it must defeat the the seemingly unstoppable reigning champions the Sannoh school basketball club and their star player Masashi Kawata (voice: Mitsuaki Kanuka), Ryota’s opposite number (both wear their team’s no.… Read the rest

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Features Live Action Movies

When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Director – François Ozon – 2024 – France – Cert. 15 – 102m

*****

A grandmother’s cooking accidentally poisons her daughter, who survives… in the ensuing emotional turmoil, past truths are revealed, which have devastating effects… – out in UK cinemas on Friday, March 21st

Michelle (Hélène Vincent) lives alone in rural Burgundy. She goes to church. She goes out picking mushrooms with her old friend Marie-Claude (Josiane Bolasko), who attempts to stop her picking the poisonous ones. At home, Michelle double-checks the mushrooms against photos and blurb in her mushroom reference book. She cooks the mushrooms. She gets a phone call telling her her guests are on the way. She is surprised that the driver is using Laurant’s car.

Her daughter Valérie (Ludivine Sagnier) arrives in the car with grandson Lucas (Galan Erlos) in tow. He is looking forward to spending the Summer with his gran. Valérie, however, is constantly angry, blaming her mum for everything, occasionally making remarks about “what you did”. She is clearly upset by something in their past history, although it’s unclear as to exactly what. Although grandmother has given daughter her former Paris apartment, Valérie also seems keen that Michelle sign over the current house to her under a scheme that would exempt Valérie from paying tax on it.… Read the rest

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Animation Features Live Action Movies Music

Disney’s Snow White
(2025)

(Live action remake of animated feature, so filed under animation, among other categories.)

Director – Marc Webb – 2025 – US – Cert. PG – 119m

***1/2

Disney’s new Snow White redoes the first animated feature, with its eponymous heroine, wicked queen and dwarfs, as live action – out in UK cinemas on Friday, March 21st

There are a very small number of watershed films after which cinema is never been quite the same again. One of them is Snow White and the Seven Dwarfs (David Hand, 1937), the first ever animated feature film, widely considered a folly until it became a huge success and helped fuel the rise of the Hollywood Studio that still bears its founder Walt Disney’s name today. Before that film, no-one made animated features. After that film, Disney regularly made animated features of a consistently high standard, and his name became synonymous with animation for the three decades until his death in 1966.

Yet, the film isn’t good simply because it was the first animated feature – it’s good for a whole host of other reasons, namely excellence in storytelling, character, visuals, and songs, elements which would similarly underscore his Studio’s output during the remainder of Disney’s lifetime.… Read the rest

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Animation Features Movies

Ne Zha 2
(Nezha:
Mo Tong Nao Hai,
lit. Nezha:
The Demon Child
Churns the Sea,
哪吒之魔童闹海)

Director – Yang Yu aka Jiaozi – 2025 – China – Cert. 12a – 143m

***1/2

Two supernatural, child warriors battle a plethora of marmots, dragons and immortals – action-packed, animated, spectacular, Chinese box office juggernaut is out in UK and Ireland cinemas on Friday, March 21st

All but destroyed by the events in Ne Zha (Yang Yu, 2019), supernatural, child warriors Ne Zha (voice: Lu Yanting) and his companion Ao Bing (voice: Han Mo) are reconstituted thanks to the giant lotus of deity Taiyi Zhenren (voice: Zhang Jiaming). Their new bodies, however, are unstable.

Mistakenly believing Ao Bing dead, his father Ao Guang, the Dragon King of the East Sea (one of four dragon monarchs for each of the seas of the four compass points who live in a vast underground cavern) gives demon Shen Gongbao (voice: Yang Wei) a severed dragon’s claw capable of ripping the sky, and sends him off to the town of Chentang Pass to slash the heavens and cause them to leak lava upon it. A fiery battle ensues.

Meanwhile, after a series of adventures elsewhere including a fight with a hoard of marmots, Ne Zha goes to help heavenly immortal Wuliang (voice: Wang Deshun) as he traps Shen’s forces in a giant cauldron at what is left of Chengtang Pass.… Read the rest

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Features Live Action Movies

Brief History of a Family
(Jiating Jianshi,
家庭简史)

Director – Jianjie Lin – 2024 – China – Cert. 15 – 99m

****

A boy from a broken home starts spending more and more time with the family of a schoolmate, where the family isn’t quite as perfect as it initially appears… – out in UK cinemas on Friday, March 21st

A boy is doing pull-ups in the school gym. A basketball hits him on the head. He falls. (All in one highly striking shot looking from behind at the back of his head.) He’s on the floor. A nurse patches him up in the san. Going home, he has a minor altercation with a boy who surprises him. But, actually, the boy just wants to know if he’s okay.

Next day, the same boy – driven by guilt, perhaps? – gives him a ride over to his own house on his bicycle. It’s a nicer place than the first boy is used to: the calming sound of bubbles through water can be heard from the fish tank; the whole place seems light, airy, pleasant. The other boy’s choice of music stands in sharp contrast to this – he listens to rap. The pair play videogames until his parents, Mr.… Read the rest

Categories
Art Documentary Exhibitions Live Action Movies

Exhibition on Screen
Dawn of Impressionism
Paris 1874

Director – Ali Ray – 2025 – UK – Cert. U – 91m

*****

The origins of Impressionism are revealed via the 1874, anti-art-establishment exhibition which birthed what is today the world’s favourite art movement – out in UK cinemas from Tuesday, March 18th

At the present time, the best known school of painting in the history of art must surely be Impressionism. To both open this latest Exhibition on Screen outing and promote the film on its posters, the filmmakers head to arguably the most iconic Impressionist painting of them all, Claude Monet’s Impression: Sunrise (1872), pictured above. To reinforce the point, a brief art auction sequence shows one of his paintings fetching astronomical prices.

Exhibition on Screen’s excellent, history of art documentary series entries are often built around one or more specific art exhibitions, and this one uses two as its foundation. The Musée d’Orsay in Paris held Paris 1874: Inventing Impressionism from March 26th until July 14th 2024, after which the exhibition travelled to the National Gallery of Art, Washington DC to appear under the slightly different moniker Paris 1874: The Impressionist Moment from September 8th 2024 until January 19th 2025. Alas, this is not one of those cases where your appetite will be whetted to go and see a current or upcoming exhibition, because both shows have already been and gone.… Read the rest

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Features Live Action Movies

All We Imagine as Light

Director – Payal Kapadia – 2024 – France, India, Luxembourg, Netherlands – Cert. 15 – 118m

*****

The lives, loves and challenges of three women working in a hospital in Mumbai – on UK Blu-ray/DVD (Dual Format Edition) from Monday, March 3rd, on BFI Player from Monday, February 17th, and on iTunes and Amazon Prime from Monday, March 17th

Mumbai. Opening with serial, engrossing tracking shots showing first men working throwing goods onto lorries, then men in traffic riding in the open boot of a car, then people riding on the urban rail system, all to the accompaniment of soundtrack vox pops of men and women talking about their lives and how the city helps you forget, All We Imagine as Light is, among other things, a paean to the city of Mumbai.

On a typical working day in the hospital, Nurse Prabha (Kani Kusruti from Girls Will Be Girls, Shuchi Talati, 2024) explains to a doctor why an old lady refuses to take her pills (she’s seeing visions of the torso of her late husband) and opts out of going out to see the latest action blockbuster featuring dreamy male stars with her fellow nurses. She talks about helping with free legal advice to kitchen worker Pavarty (Chhaya Kadam from Sister Midnight, Karan Kandhari, 2024; Laapataa Ladies, Kiran Rao, 2023; Bombay Rose, Gitanjali Rao, 2019) who is having problems with intimidation by thugs to move out of her home.… Read the rest

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Live Action Movies Shorts

Afternoon Clouds

Director – Payal Kapadia – 2017 – India – 13m

*****

An old woman, her home and her cat interact in the former’s coastal flat – Kapadia’s first short evidences a sensibility which will inform her debut feature All We Imagine as Light – on the UK Blu-ray/DVD (Dual Format Edition) of All We Imagine as Light, released Monday, March 3rd

A room with two windows looking out on the sea. The constant sound of its roar, the net curtains stir in the breeze. An elderly woman (Usha Naik) holds a bowl of milk as she calls out for, “Koshu”. Elsewhere in the house, a younger woman (Trimala Adhikari) sits, dozing, on a bench, until she hears the older woman calling her name, “Malti”. She opens her eyes.

The older and younger women stand in a room, staring, the elder explaining to the younger that the plant will last two days. As the ginger cat Koshu feeds contentedly, the younger woman Malti limps back to her room. Preparing food in the kitchen, the younger tells the older that three chillis are too much for her. The older protests.

The conversation turns to the older’s medication, the next life, and why not get a plant that lasts longer, asks the younger.… Read the rest

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Animation Features Movies

Away

Director – Gints Zilbalodis – 2019 – Latvia – Cert. U – 75m
****1/2
From the director of Oscar winner Flow (2024), his debut animated feature Away is exclusively back in cinemas from Friday, March 14th

It originally played in the 2019 Annecy International Animation Festival.

A boy hangs from a tree by a parachute in a wilderness. He wakes. A strange, towering black / grey figure approaches, shining as if metallic or viscous like a solidified, smooth, crude oil or tar. It picks him up. He is in a dark tunnel, light at one end. He goes the other way, is out of the giant’s clutches, runs. It slowly turns and lumbers after him. There are occasional, giant, semicircular hoops in his path. He goes through them, eventually entering a grotto, through which fully circular hoop the giant can’t follow. Welcome to the strange, dreamlike world of Away.

Beyond an abandoned motorbike, in the middle of the grotto, is a lake bordered with orange trees and the ocean. The boy feeds, bathes and makes the acquaintance of a shy, little yellow bird. Finding a key and a map in a rucksack, the boy learns that the semicircular hoops mark a route to a harbour.… Read the rest

Categories
Animation Movies Shorts

The Lab

Director – Izzy Livesey – 2024 – UK – Cert. U – 3m

****1/2

In her secluded laboratory, an obsessive woman scientist develops a powerful serum which leads to unexpected consequences – animated short accompanies the reissue of Away, back in UK cinemas from Friday, March 14th

This plays around with that old horror movie trope, the mad scientist, making that figure into a middle-aged woman in a white lab coat. The pleasures to be had here come not so much from what happens – although the twist at the end, when you see it, is likely to surprise you – as they do in the expression of its happening. What impresses are the designs of the characters (both of them!), the look of the sets, the use of lighting to create atmosphere, and – once you get into the area of kinetics, the fact that this is a moving picture – the choreography and flow of the piece. (I use the world flow deliberately, since it perfectly describes Gint Zalbalodis’ two, wordless animated features to date. The current, animated short accompanies the reissue this week of the first of those, Away (2019). Zalbalodis’ second feature is the deservedly Oscar-winning Flow (2024), out in cinemas here next week on Friday, March 21st.)… Read the rest

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Black Bag

Director – Steven Soderbergh – 2025 – US – Cert. 15 – 93m

*

A spy is tasked with finding and eliminating a mole from a list of five suspects – one of whom is his wife… out in UK cinemas on Friday, March 14th

London-based George Woodhouse (Michael Fassbender) meets with a fellow operative, who informs him the organisation has been compromised. To sort this out, and find and eliminate the mole, the operative has produced a list of five suspects. One of which is George’s wife, Kathryn St. Jean, because she ticks all the suspect boxes. Neglecting to tell Kathryn (Cate Blanchett) that she is one of the names on the list, George enlists her help in concocting a plan to identify the suspect. In the spy business, relationships inevitably involve not telling things to one another and not asking about them either.

Thus, the couple invite four colleagues – Freddie Smalls (Tom Burke), Clarissa Dubose (Marisa Abela), Col. James Stokes (Regé-Jean Page) and psychiatrist Dr. Zoe Vaughan (Naomie Harris) – round to their lavish London flat for dinner, where each of the four are surprised to discover three more guests than they anticipated. At the dinner table, George commences his plan by having his guests play a game.… Read the rest

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Mickey 17

Director – Bong Joon Ho – 2025 – US – Cert. 15 – 134m

*****

Contracted to have his fleshly body reprinted, and his memory restored every time he dies, the expendable Mickey is assigned to a ship run by a right-wing power couple who plan to colonise a distant planet – science fiction adaptation is out in UK cinemas on Friday, March 7th

The snow has given way beneath his feet. Mickey Barnes (Robert Pattinson) has plummeted through several layers of ice and now lies helpless on a subterranean ice shelf. His best friend Timo (Stephen Yuen) comes to rescue him. Sorry. To retrieve mickey’s his gun, but leave Mickey himself there to die. Because, after all, it’s easier to reboot Mickey and upload his memories. His friend can’t but help to ask, “Mickey, what’s it like? To die?”

Left alone in the planet’s underground ice caves, where he’s already seen a fellow crew member attacked by cow-sized, insect-mammals for which will later be named “creepers”, Mickey 17 expects to be digested alive by the alien life forms. Of course he does – that’s what happens in movies about alien life on other planets. However, the script has some surprises in store, and the creepers, who are set to play a much bigger role in the story, don’t so much play the role of unfriendly monster as that of the misunderstood race of indigenous outsiders in relation to invading, would-be colonisers.… Read the rest

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Animation Features Movies

Giants of La Mancha
(Argentina: Gigantes;
Germany: Das Geheimnis
von La Mancha;
Spain: Los Exploradores;
US: Storm Crashers)

Director – Gonzalo Gutiérrez – 2024 – Argentina, Germany, Spain – Cert. U – 88m

***1/2

The young, present day descendants of Don Quixote and Sancho Panza must save La Mancha from a villainous property developer – animated children’s adventure is out in UK cinemas on Friday, March 7th

(UK cinemas are showing the English language version: further voice credits are given for Spanish and German language versions, where available.)

Alfonso (voice: English: Micke Alejandro Morena Lamprea; Spanish: Patricio Lago; German: Julian Jansson) the great, great, great, great, great-grandson of Don Quixote, lives with his parents in the small Spanish village of La Mancha which is under threat of terrible storms that the occupants attribute to climate change. Like his ancestor, Alfonso misreads things, such as an impending storm which he believes to be a storm monster.

He and his dad Dan Quixote (voice: English: Bradley Krupsaw), who alone among all the characters here speaks in rhyming couplets, and his mum (voice: English: Jennifer Moule; Spanish: Carla Petersen) are both idealists, to the extent that Dan is the one person in the village who has refused to sign his home over to besuited property developer Mr. Carrasco (voice: English: Thomas Harris), whose snake oil salesman charms seem to have convinced all the other villagers to sell up and move out to his development “with children in mind” of Carascoland, towards which they are currently heading in their cars en masse, despite Alfonso’s hurtling around on his bicycle warning everybody of the storm monster heading in their direction.… Read the rest

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Animation Features Movies

Detective Conan
The Million-Dollar Pentagram
(Meitantei Konan
Hyakuman Doru
no Michishirube,
名探偵コナン
100万ドルの五稜星)

Director – Chika Nagaoka – 2024 – Japan – Cert. 15 – 111m

****

Spin-off from a hugely populardetective mystery manga and anime franchise – and Japan’s biggest box office success of 2024 – impresses on the level of eye-candy provided you don’t attempt to follow the overly convoluted plot – out on UK digital from Monday, March 3rd 2025

Japanese property Detective Conan is huge, running as a serialised manga in Weekly Shonen Sunday for 30 years, and turned into an anime series two years after that. By 2024, the manga has been collected into over a hundred volumes, while the franchise has spawn both animated and live action features among other things. The current film is the 27th animated feature, and at the time of writing is the biggest film at this year’s Japanese box office.

It may not be a good place to start with the franchise. Unlike Spy x Family Code: White (Kazuhiro Fusuhashu, Takashi Karagiri, 2023), which does a surprisingly effective job at getting the newcomer up to speed on a well-established anime franchise, Detective Conan: The Million-Dollar Pentagram doesn’t bother to explain its characters and their complex network of relationships, so you may find yourself completely lost before it starts throwing its increasingly convoluted plot developments at the viewer (as it does almost immediately with disorienting speed).… Read the rest

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The Conversation

R.I.P. Gene Hackman (1930-2025)

Director – Francis Ford Coppola – 1974 – US – Cert. 12a – 113m

*****

A surveillance expert records a conversation between two people, then worries about turning the recording over to his corporate client as contracted – 50th anniversary 4K Restoration is out on UHD, Blu-ray and DVD on Monday, July 15th, 2024

There’s nothing else quite like The Conversation in cinema.

Union Square, San Francisco. People milling around. Among them, a couple (Frederic Forrest and Cindy Williams) having a conversation. Also in the square, a man in a plastic mac (Gene Hackman). And another man (Michael Higgins) following them around, holding a bag. And, at two separate windows above the square, two long range microphones.

The first man, Harry, enters a nearby van, inside which is his recording assistant Stan (John Cazale). He’s shortly followed by the other man, Paul, who believes the couple spotted him trailing them.

Harry pays a nighttime visit to his girlfriend Amy (Teri Garr). She wants him to spill his secrets. He claims he has none. He leaves, with her telling him not to bother to come back.

He goes to work in his office, situated at one end of the floor in an otherwise deserted warehouse.… Read the rest

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When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Forgiveness for the past

When Autumn Falls

Directed by François Ozon

Certificate 15, 102 minutes

Released 21 March

Reviewed in Reform magazine, March 2025.

Judge not lest ye be judged, we are told. At the start of this latest drama from François Ozon, an ever-reliable director who rarely repeats himself, a devoted, eightysomething grandmother Michelle (Hélène Vincent) accidentally gives her fortysomething daughter Valérie (Ludivine Sagnier) food poisoning when she picks and cooks mushrooms.

Once out of hospital, the daughter, unable to forgive her mum, takes the disappointed grandson Lucas (Galan Erlos) – who was to have spent the Summer holidays in the country with his beloved granny – back home to Paris.

The daughter’s reaction isn’t really about the food, though…

[Read the rest at Reform.]

[Read my longer review on this site.]

Trailer:

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Animation Features Movies

Chang’an
(Chang’an San Wan Li,
长安三万里,
lit. 3 000 Miles from Chang’an)

Directors – Xie Junwei, Zou Jing – 2023 – China – Cert. 12a – 168m

****

General Gao Shi of the Tang dynasty recounts his life, his struggle to become a poet and his friendship with Li Bai, a more renowned poet – animated epic is out in UK cinemas on Friday, February 28th

Set roughly halfway through the Tang dynasty (618-907 A.D.), this lengthy, animated epic starts off like an historical war movie in the vein of the live action Red Cliff (John Woo, 2008, 2009) but swiftly morphs into something else entirely as this initial narrative about the capture and interrogation of an enemy soldier turns into a frame story – which is rather more than that, popping up repeatedly throughout the narrative with the frame story’s resolution taking centre stage towards the end of the proceedings. Even this is deceptive; while military strategy and conflict is covered, the narrative is far less interested in that than in the overall life of main protagonist and minor poet Gao Shi, his meetings and friendship through the years with secondary character and major poet Li Bai, and the wider poetry of the period.

Believing himself about to be punished for the failure of his well planned and fought military campaign against the Tubos (the Tibetans, their ethnic identity never clarified within the film itself – at least, not in the English subtitles, presumably because the film is aimed at a Chinese audience who would already know this ethnic, historical; background), the ageing General Gao Shi (voice: Wu Junquan) falls neck first on his spear before receiving the Emperor’s emissary who wants to question him, it turns out, about not his military campaign but, rather, Li Bai.… Read the rest

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Picnic at Hanging Rock
(Director’s Cut,
4K Restoration)

Director – Peter Weir – 1975 – Australia – Cert. 12a – 107m

*****

A group of teenage schoolgirls supervised by two teachers go on a picnic beside an isolated volcanic outcrop: three of them never return – Valentine’s Day previews on Friday & Saturday, February 14th & 15th, then is out in UK cinemas from Friday, February 21st

Two locations sear themselves into your brain when watching Picnic at Hanging Rock, whether for the first time or the umpteenth. One is the obvious one – the eponymous, towering rock formation in Victoria, Australia, at once an inescapable presence in a landscape and an invitation to come into its labyrinth and explore. The other is Appleyard College, a turn of the (nineteenth into twentieth) century boarding school for young ladies, shot in the real life 1870s-built, Georgian mansion Martindale Hall. They are two very different worlds, one natural, wild, and inexplicable, the other buttoned down and socially stratified.

The picnic, which takes place on St. Valentine’s Day, 1900, only seems to take the first third of the film’s running length. Two teachers, Miss Greta McCraw (Vivean Gray from The Last Wave, Peter Weir, 1977) and the French mistress Mlle de Poitiers (Helen Morse) are in charge of around a dozen teenage girls, all dressed very prim and properly.… Read the rest

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I’m Still Here
(Ainda Estou Aqui)

Director – Walter Salles – 2024 – Brazil – Cert. 15 – 137m

****

When a family man is disappeared by Brazil’s military dictatorship, his wife must fight for justice while raising their family of five children alone – out in UK cinemas on Friday, February 21st

1971. The middle of Brazil’s 1964-85 military dictatorship. Former government commissioner Rubens Paiva (Selton Mello), a trained civil; engineer, lives with his family in Rio de Janeiro where he is designing the new family home he plans to build. The purchased plot of land, in view of the Christ the Redeemer monument, is staked out, and he has made little models of what the whole thing will look like, captured along with his partying family on Super-8 film by his home-movie-camera-wielding, eldest daughter Veroca (Valentina Herszage). Said eldest daughter (he has four of them plus one young son) is about to go to college. Taking the lead from his wife Eunice (Fernanda Torres), who is concerned that their daughter’s likely involvement in radical student politics will get her in trouble with the dictatorship, Rubens sets her up with an old family friend to study abroad in London.

With reports on the TV news of various diplomats being kidnapped by paramilitaries, who want to exchange them for political prisoners, in a worrying taste of events to come, Veroca is travelling and filming her Super-8 as a passenger in a friend’s car wherein weed is being smoked, when they hit a military roadblock in a road tunnel.… Read the rest

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The Monkey
(2025)

Director – Osgood Perkins – 2025 – US – Cert. 15 – 98m

****

An automaton monkey found by two twins causes horrific deaths to people around them – out in UK cinemas on Friday, February 21st

This sets its tone early on with a framing story in which a junk store owner is asked by mild-mannered, bespectacled protagonist Hal (Theo James, who also plays his twin brother Bill) to take a clockwork monkey off his hands, insisting that the object, whatever it might be, is not a toy. The store owner is sceptical. More fool him, because he is about to undergo one of many sudden, gruesome and unexpected deaths of which the film offers a gorehound’s smorgasboard.

Other notable characters include their mum Lois (Tatania Maslany from Woman in Gold, Simon Curtis, 2015; Eastern Promises, David Cronenberg, 2007), Hal’s estranged son Petey (Colin O’Brien from Wonka, Paul King, 2023) and Petey’s stepfather Ted (Elijah Wood from The Lord of the Rings trilogy, Peter Jackson, 2001-3).

This Stephen King adaptation comes from the school of horror films which are, basically, an excuse for staging a series of sudden, gruesome and unexpected deaths. Inventiveness is high on the menu, provided you accept that killing multiple people in unique and spectacular ways can be said to be inventive.… Read the rest

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Animation Features Movies

Memoir of a Snail

Director – Adam Elliot – 2024 – Australia – Cert. 15 – 94m

*****

A young woman recounts her life story to her newly freed pet snail after her best friend dies – stop-frame animation marvel is out in UK cinemas on Friday, February 14th

Following a bravura title sequence which consists of a camera moving around (a scale model set of) detritus from a life, everything from soap on a rope to snail poison, with various objects bearing upon themselves various credits for the film, a young woman has tears in her eyes as her bedridden friend Pinky (voice: Jacki Weaver from Silver Linings Playbook, David O. Russell, 2012; Animal Kingdom, David Michod, 2010; Picnic at Hanging Rock, Peter Weir, 1975) breathes her last, briefly coming back to life to utter the legend, “potatoes”. But what can this word mean?

Taking her pet snail Sylvia (the name is painted on the back of the creature’s shell) out of a glass jar and setting her free to cross Pinky’s garden in the course of her subsequent narrative, the woman remembers her childhood down to the smallest detail, and starts to recount it to the liberated gastropod. She was born prematurely as Grace Prudence Pudel (voice: Sarah Snook from Steve Jobs, Danny Boyle, 2015; Predestination, The Spierig Brothers, 2014), shortly followed by her twin brother Gilbert (voice: Kodi Smit-McPhee from Maria, Pablo Larraín, 2024; The Power of the Dog, Jane Campion, 2021; The Congress, Ari Folman, 2013; ParaNorman, Chris Butler, Sam Fell, 2012).… Read the rest

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Cottontail
(コットンテール)

Director – Patrick Dickinson – 2023 – UK, Japan – Cert. 12a – 94m

****

A Japanese widower comes to England to scatter his late wife’s ashes at Lake Windermere – out in UK cinemas on Friday, February 14th

Kenzaburo (Lily Franky from Shoplifters, 2018; After the Storm, 2016; Like Father, Like Son, 2013, all Hirokazu Kore-eda), on occasion abbreviated to Ken, seems somehow lost as he wanders around Tokyo, looking out over a cityscape of roofs, travelling in passenger train carriages, wandering round a food market in search of octopus for he and his wife’s anniversary meal. 

He wistfully observes a live specimen in a tank. It’s not yet in season and the prices are ridiculous, so he shoplifts a packet, taking it to the restaurant where he and his wife Akiko had their first date all those years ago. She (Yuri Tsunematsu from Wife of a Spy, 2020; Before We Vanish, 2017, both Kiyoshi Kurosawa) comes in young as ever, as is he (Kosei Kudo), that pendant on her neck. He ignores the question from the present day chef (Hiroshi Okawa) as to how she’s doing.

Back at his flat, his panicking, besuited son Toshi (Ryo Nishikido) gets him ready for the funeral.… Read the rest

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Bridget Jones
Mad about the Boy

Director – Michael Morris – 2025 – UK – Cert. 15 – 124m

*****

Following the death of her husband, Bridget must carry on raising her kids even as she restarts her career and attempts to find love, sex and romance once again – out in UK cinemas on Thursday, February 13th

The character of Bridget Jones first burst onto cinema screens in Bridget Jones’s Diary (Sharon Maguire, 2001) in what turned out to be a hugely successful adaptation of a hugely successful publishing phenomenon. The book spawned three more volumes, and the film spawned adaptations of them. For reasons best known to the producers, they skipped the third published book Bridget Jones: Mad about the Boy to film the fourth one, Bridget Jones’ Baby, as the third movie.

The reason may be that Mad about the Boy is set following the death of the heroine’s beloved husband, a top human rights lawyer, making her not the single woman of the first film, but a widow navigating not just life, with all its ups and downs, but grief, which doesn’t sound like a great premise for a comedy. The script, co-written like its three predecessors by author Helen Felding, doesn’t shirk this difficult subject either.… Read the rest

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Qualia
(Qualia,
クオリア)

Director – Ryo Ushimaru – 2023 – Japan – 96m

*****

A bizarre drama plays out among a group of people running a chicken farm – plays UK cinemas in the Japan Foundation Touring Film Programme 2025 which runs from Friday, 7th February to Monday, 31st March

Wheelchair-bound Satomi (Maya Kudamatsu) likes to hunt. So sister-in-law Yuko (Kokone Sasaki) takes her out game shooting. Yuko is a people pleaser: she likes to help. Disability nothwithstanding, Satomi is the type that likes to order people around. She has Yuko wrapped around her little finger to the extent that she can get Yuko to phone the air con repair man on his annual leave, insist he come and fix the system while he’s on holiday and even absolve Satomi of any involvement during the phone call. Yuko is, to say the least, compliant, while Satomi is a bully.

Yuko’s small holding, battery chicken farmer husband Ryosuke (Kenta Kiguchi) delivers freshly laid eggs to the egg station every morning, where he pretends not to know his mistress Saki (Ruka Ishikawa), instead confining their relationship to a hidden away hotel room later in the day. Here, she shows him her positive pregnancy test.… Read the rest

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September 5

Director – Tim Fehlbaum – 2024 – US, Germany – Cert. 15 – 95m

****1/2

A dramatisation of the events of September 5, 1972 when broadcast TV sports journalists found themselves covering the terrorist kidnapping of Israeli athletes in the Olympic village – out in UK cinemas on Thursday, February 6th

There have been movies about the terrorist incident at the 1972 Olympics before: the documentary One Day in September (Kevin McDonald, 1999) and the drama about its aftermath Munich (Steven Spielberg, 2005). Like the latter, September 5 is a drama. What marks it out as different, however, is that it tells the story from the point of view of broadcast journalists working out of a studio.

In this respect, its feeling for capturing the processes of live US network television renders it not entirely dissimilar to recent release Saturday Night (Jason Reitman, 2024), yet in many ways, it couldn’t be more different. Saturday Night is about the birth of a legendary US comedy show; September 5 starts in an arguably similar area of entertainment (live sports coverage) before swiftly moving into the wider, more problematic area of live broadcast news coverage. The coverage of the incident around which September 5 is based forever changed the face of broadcast television media.… Read the rest

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Bring Them Down

Director – Chris Andrews – 2024 – Ireland – Cert. 15 – 105m

**

A feud between two neighbouring, Irish sheep farmers is made worse by toxic masculinity on both sides– out in UK and Ireland cinemas on Friday, February 7th

Two women in a car are being driven down an isolated country road. The older one, Peggy (Susan Lynch), is in the passenger seat talking to the unseen driver about why she’s finally leaving his father. The younger one Catherine (Nora-Jane Noone) sits horrified in the back seat as the driver reacts to the conversation by going faster and faster. The older one repeatedly and with increasing urgency shouts at the driver, “Mikey, slow down.” Eventually, there is a crash. Catherine’s face is disfigured. Peggy doesn’t survive.

The car crash opening is hardly new to the movies, gracing films as diverse as thrillers Dead Calm (Philip Noyce, 1989) and The Descent (Neil Marshall, 2005), and children’s drama Fly Away Home (Carroll Ballard, 1996). The scene is used differently here, with the crash caused by wilfully bad driving, in turn caused by the driver’s emotional immaturity, which signals the intention of the piece, most of the narrative of which takes place some years later.… Read the rest

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Animation Features Movies Music

The Colors Within
Kimi no Iro,
きみの色,
lit. Your Color)

Director – Naoko Yamada – 2024 – Japan – Cert. PG – 101m

*****

A Catholic schoolgirl with synaesthesia inadvertently forms a rock band who find themselves playing a gig at her school – out in UK cinemas on Friday, January 31st

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

That’s the Serenity Prayer, and it opens this remarkable story of a schoolgirl in a boarding school as she prays it to a statue of Mary in the school chapel. A scene of her as a small girl attending the dance class, and scenes of her seeing other pupils in the corridor, are rendered in vivid, blinding colour where bright white light constantly threatens to engulf the pastel shades in which the girl sees. For more on synaesthesia, see A Sudden Glimpse to Deeper Things (Mark Cousins, 2024).

If you were to land in the middle of this film with no context, for a frame, or a scene (drawn animation parlance for a single shot), you could be forgiven for thinking there was something wrong with the print, or the colour balance. I am immediately reminded of the reviewer who said of Black Narcissus (Michael Powell, Emeric Pressburger, 1947) that the film was so visually perfect that it could be shown out of focus and upside down and the audience would still be enraptured by its kinetic abstract colour properties.… Read the rest

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Hard Truths

Director – Mike Leigh – 2024 – UK – Cert. 12a – 97m

*****

A woman with a chip on her shoulder makes her own and her extended family’s lives a misery, as she does with everyone with whom she comes into contact – expertly crafted slice of Brit Misery Porn is out in UK cinemas on Friday, January 31st

While her plumber husband Curtley (David Webber) and his assistant Virgil (Jonathan Livingstone) are out all day working, which seems to consist of removing plumbing fixtures and fittings from unoccupied houses, Pansy (Marianne Jean-Baptiste) stays at home berating their 22-year-old, videogame-playing son Moses (Tuwaine Barrett) for being unemployed and lacking in ambition.

It’s as if the world has it in for Pansy, and she takes it out on anything and everything. Without realising what she is doing, she turns the family home into a place of misery, making her son and husband’s lives a living hell through no fault of their own.

She couldn’t be more different from her sassy and outgoing sister Chantelle (Michelle Austin), who despite being abandoned by her husband has made a go of life, passing on her ‘can do’ spirit to her two moderately successful daughters Kayla (Ani Nelson) and Aleisha (Sophia Brown).… Read the rest

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Saturday Night

Director – Jason Reitman – 2024 – US – Cert. 15 – 109m

***

A journey through the behind the scenes chaos of the 90 minutes prior to the broadcast of NBC’s first ever Saturday Night Live show – out in UK cinemas on Friday, January 31st

In the mid-1970s, US TV network NBC made a monumental change to its scheduled programming. For the best part of a decade, it had broadcast reruns of The Tonight Show with Johnny Carson on Saturdays and Sundays, and wanted something new which would capture the 19-34-year-old audience demographic, developing a replacement show with young, independent producer Lorne Michaels, the first episode of which was broadcast live on October 11, 1975. The show, which is still running on NBC today, became something of an institution in the US, kickstarting the careers of numerous comedy stars and writers who would go on to achieve considerable success in US film and TV.

Saturday Night is an attempt to put on the screen the chaos of that first night’s preparation, in which no-one quite knows if the show’s broadcast is going to go ahead, or whether the network will flip a switch and play the Carson rerun tape it has lined up in case Michaels (Gabriel LaBelle) can’t get his show together.… Read the rest

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Old Fox
(Lao Hu Li,
老狐狸)

Director – Hsaio Ya-chuan – 2023 – Taiwan – Cert. – 112m

*****

In 1990, against the backdrop of burgeoning share prices, a young boy starts taking car rides from his father’s landlord – is Taiwan’s entry for 2025 Best International Feature – was out in US cinemas on Friday, January 18th 2024

11-year-old Jie (Bae Run-yin) lives with his widowed dad (Liu Kuan-ting), the Maitre d’ at a posh, local restaurant, in their small, cramped apartment above Li’s cafe. Every week, Miss Lin (Eugenie Liu), who the boy calls Miss Pretty, calls by to collect the rent, which both Li (Ban Tie-tsiang) and Jie’s dad regularly pay. Li plans to better himself, and his friend The Major (Kao Ying-hsuan) helps him out by investing cash in stocks and shares and earning Li massive returns.

Jie’s dad is involved in no such scheme, but Jie yearns for a bigger home and with his savings has told the boy they should be able to afford to buy their own place in about three years. But rapidly rising share prices, dragging property prices up along with them, kill his three-year dream.

His dad is a resourceful sort who sews all Jie’s clothes.… Read the rest

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Art Documentary Features Live Action Movies

Eno

Director – Gary Hustwit – 2023 – UK – Cert. 12a – 83m

**** (on this occasion)

Musician, artist and activist Brian Eno has been at the cutting edge of creativity for 50 years, and this generative, AI-programmed film plays in a different version every time it is shown – 24-hour online screening event 5pm GMT on Friday, January 24th 2025, ticket info below review

–

Disclaimer: This film is being touted as a film that’s different every time it screens: thus, I need to declare that I saw the version shown to press in London on 03.07.2024 (which was prepared as a file for viewing on 26.04.2024). Things included in that version might or might not be in the one you see. So, in a sense, you have to take this review with a pinch of salt. The version I saw ran 83 minutes. Officially, it’s supposed to be 90, so that exact running length may vary too. Or not. I really don’t know.

—

Brian Eno hasn’t made the film himself, yet clearly he’s the perfect subject for it. He talks about “accidentally” getting involved with Roxy Music after being asked by band member Andy Mackay to help them record (as in, do the work required to record them at a recording studio) some pieces and realising that recording and performing with the band would help him pursue his interest in exploring emerging new technologies and their creative possibilities.… Read the rest

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Small Things Like These

Director – Tim Mielants – 2024 – Ireland – Cert. 12a – 98m

*****

A coal delivery man is troubled by the recurring sight of a deeply traumatised young woman at one of his regular customers, a convent – out to buy on Digital on Monday, January 20th, and on Blu-ray & DVD and to rent on Digital on Monday, February 3rd

Bill Furlong (Cillian Murphy) runs a company delivering coal to customers in and around Wexford, Ireland. It’s tough, backbreaking work, as is evident from the sight of his assistants loading up his truck, one bag of coal loaded onto the back by two men. He’s happy with his men, who do a good job. Doing his rounds as driver and delivery man (locked-off camera looking out from the driver’s cab) he carries one sack at a time himself. Finishing up delivering to the local convent, where he’s required to leave the coal bags behind the door in the designated coal house, he witnesses a scene where a young woman clearly doesn’t want to be in the care of the head sister.

He comes home. As is his wont, he furiously scrubs the coal black off his hands, producing a pool of blackened water in the bathroom sink.… Read the rest

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A Complete Unknown

Director – James Mangold – 2024 – US – Cert. 15 – 141m

*****

A feature narrative recreation of Bob Dylan’s career in New York up to the 1965 Newport Folk Festival gig where he switched acoustic guitar for electric – out in UK cinemas on Friday, January 17th

1961. Carrying his acoustic guitar, complete unknown Bobby Dylan (Timothée Chalamet) arrives in New York trying to find the hospital where legendary folk singer Woody Guthrie is being treated for terminal illness. After some false starts, Bobby finds the place, with Pete Seeger (Edward Norton) sitting by Woody (Scoot McNairy) at his bedside. Pete welcomes him, and Woody, who can barely speak, indicates he would like to have the young man play one of his own compositions. Bobby obliges. Both men are impressed. Sensing the youth has nowhere to stay, Pete invites him to stay at his house with his Japanese-American wife Toshi (Eriko Hatsune) and their two daughters. 

Pete, who recognises in Bob a powerful talent and a new, artistic voice, is deeply committed to both political activism and folk music as a vehicle for social change. One of the organisers of the annual Newport Folk Festival, he takes the young Dylan under his wing and helps him get gigs.… Read the rest

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The Girl
with the Needle
(Pigen med Nålen)

Director – Magnus Van Horn – 2024 – Denmark, Sweden, Poland – Cert. 15 – 123m

*****

A young Copenhagen woman’s attempts to escape poverty following the Great War lead her into a dark nightmare – Denmark’s entry for Best International Feature is out in UK and Ireland cinemas on Friday, January 10th

In the darkness, faces writhing, superimposed on other faces. Katherine (Vic Carmen Sonne from Godland, 2022; Holiday, Isabella Eklöf, 2018), behind on the rent for her room by 14 months, is evicted. She works at a rag trade factory as a seamstress, where the owner Peter (Besir Zeciri) wants to be able to help her but cannot grant her widow’s supplement without proof of death of her husband, who has gone missing in the war. She manages to find herself cheaper lodgings. Sensing something more behind Peter’s kindness and an offer of a shoulder to rest on, Katherine has sex with him in an alley in broad daylight.

One day, her husband Jørgen (Joachim Fjelstrup) returns from the war, his face heavily disfigured. She takes him in but, unable to cope with his recurring nightmares, soon throws him out. Something similar is soon visited on her; Peter agrees to marry her, but when his mother (Benedikte Hansen from Borgen, TV series, 2010) explains that her son can do as he wants, but not with her money or her estate, he changes his mind (this, incidentally, is the same plot that drives Anora, Sean Baker, 2024).… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies (and more, excluding re-releases) 2024

The Old Man and the Land

All films received either a theatrical or an online release in the UK between 01/01/24 and 31/12/24.

Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.

This version excludes re-releases (My Neighbour Totoro and Seven Samurai would top everything here). In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2024. For that even longer list, click here.

Beyond the first 25 titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online in the holidays.

Finally, last year’s list is here.

Top Ten Movies (and more, excluding re-releases) 2024

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2022 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt (and my notes that they might need to move position up or down ignored.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more)
2024

The Old Man and the Land

All films received either a theatrical or an online release in the UK between 01/01/24 and 31/12/24.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Miyazaki’s My Neighbour Totoro or Kurosawa’s Seven Samurai.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any other UK release in 2024.

The star ratings may occasionally differ from the star rating I gave a particular film at the time of review.

Beyond the first 25 numbered titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online.

Finally, last year’s list is here.

Top Ten Movies (and more) 2024

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

My Neighbour Totoro reissue (Japan, 1988)

Seven Samurai restoration (Japan, 1954)

1. The Old Man and the Land (UK, 2023)

2. Wallace & Gromit: Vengeance Most Fowl (UK, 2024)

3.… Read the rest

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Nosferatu
(2024)

Director – Robert Eggers – 2024 – US – Cert. 15 – 132m

*****

Unaware a woman has unwittingly summoned Count Orloc, her husband is sent to the latter’s castle in Transylvania – out in UK cinemas on Wednesday, January 1st 2025

The German expressionist silent film Nosferatu (F.W. Murnau, 1922) has been described as setting the cinematic template for the horror film. Broadly speaking, it’s an unofficial adaptation of Bram Stoker’s novel Dracula, with names changed for the purposes either of connecting to the German audience or avoiding copyright issues. While there have been numerous Dracula movie adaptations and spin-offs over the years, remakes of the 1922 film are comparatively few and far between; prior to the current film, Werner Herzog notably made Nosferatu the Vampyre (1979).

Eggers is a great admirer of the 1922 film, and originally planned to remake it after The Witch (2015). It’s not hard to see why. His films have about them a terrible sense of dread, of dire events about to occur. Like F.W. Murnau, he is a great visual stylist (although the silent film industry of the 1920s was very different to the far more sophisticated sector of today). The film has had time to marinate in his head for the best part of a decade, which has probably done the project no harm at all.… Read the rest

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Animation Features Movies

Spirited Away
(Sen
to Chihiro
no Kamikakushi,
千と千尋の神隠し)

Director – Hayao Miyazaki – 2001 – Japan – Cert. PG – 125m

****1/2

(A shorter version of this review was originally published in Third Way for UK release date 12/09/2002. At which point, hardly anyone in the UK outside of anime fandom knew who Miyazaki was.)

In director Hayao Miyazaki’s Spirited Away, a ten-year-old girl must survive a bathhouse run by demons after her parents are turned into pigs – back in UK cinemas from Thursday, December 26th 2024

To discover the films of Hayao Miyazaki – and those of his company Studio Ghibli (pronounced “Jib-Lee”) – is like suddenly being exposed to those of Disney without prior knowledge of their sheer number or quality. In Miyazaki’s native Japan, Spirited Away shattered box office records to succeed Titanic (James Cameron, 1997) as the most lucrative movie of all time. In the US, it won the Oscar for Best Animated Feature while making only modest inroads into the marketplace. Britain, however, is not the US, and it may well fare better here than it did there.

Previous Miyazaki outings have covered children’s experience of the countryside (My Neighbour Totoro, 1988; one of this writer’s favourite films of all time), a young girl’s learning to find her way in the world (Kiki’s Delivery Service, 1989) and conflicting loyalties among pilots in interwar Europe (Porco Rosso, 1992).… Read the rest

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Wallace & Gromit
Vengeance Most Fowl

Directors – Nick Park, Merlin Crossingham – 2024 – UK – Cert. U – 79m

*****

Feathers McGraw returns to wreak havoc with Wallace’s latest invention, robotic garden smart gnomes – out in UK cinemas on Wednesday, December 18th 2024, on the BBC on Christmas Day, and on Netflix from Friday, January 3rd 2025

Opening with the capture, some years ago, of notorious master criminal Feathers McGraw (voice: none) for the attempted theft of the blue diamond, foiled by simple Lancastrian inventor Wallace (voice: Ben Whitehead, doing an amazing job replacing the late Peter Sallis) and his smart pet dog Gromit (voice: none), this second feature sees Wallace inventing furiously, making next to no money and the household bills pile up.

However, all that is about to change with Wallace’s latest gadget, Norbot the Smart Gnome (voice: Reece Shearsmith) who, voice-instructed by his inventor to make Gromit’s carefully tended garden “neat and tidy”, chops down most of the put-upon pooch’s cherished, colourful flowerbeds to replace them with something resembling a Brutalist version of the Gardens of the Palace of Versailles.

This impresses the neighbours and passing tradesman, causing Wallace – a lightbulb sign from a stationery van (hilariously parked behind him) above his head – to realise that he has a potential business startup here.… Read the rest

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12.12: The Day
(Seour-ui Bom,
서울의 봄,
lit. Seoul Spring)

Director – Kim Sung Soo – 2023 – South Korea – Cert. 15 – 141m

*****

In 1980, one Major General attempts to stop another from successfully orchestrating a military coup in South Korea – historical drama is South Korea’s entry for 2025 Best International Feature

In the aftermath of the assassination of President Park in 1979, an event portrayed in The Man Standing Next (Woo Min-ho, 2020), Chief of Staff Jeong (Lee Sung-min) promotes Major General Lee (Jung Woo-sung) to head of the Capital Garrison Command “because you’re not motivated by greed” and charges him with the job of defending Seoul. His concern is another Major General, Director of Joint Investigation Chun (Hwang Jung-min), who has access to the country’s surveillance services and is a member of the secret society Hanahoo which is rife within the military. Chun is already behaving like a king, and Jeong is worried what he might be planning.

And well he should be, because Chun is figuratively and literally empire-building, planning a coup d’etat and working out who is loyal to him (and will carry out his commands) and who isn’t. As far as he is concerned, Jeong is the enemy, and although the latter has been cleared of any involvement in the assassination, his presence at the scene of the assassination is enough to justify arrest and further interrogation.… Read the rest

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Queer

Director – Luca Guadagnino – 2024 – Italy, US – Cert. 18 – 135m

*****

A journey through the gay fleshpots of Mexico City leading, through illness, to a deeper jungle wherein can be found a drug that will enhance telepathy – challenging William Burroughs adaptation with Daniel Craig & Lesley Manville is out in UK cinemas on Friday, December 13th

Bookended with a prologue and an episode, this is a narrative split into three separate sections or chapters. In the first, set in Mexico City, fortysomething Bill Lee (Daniel Craig) spends his days and nights drinking in bars like Ship Ahoy frequented by (mostly younger male) US ex-pats. He talks with friends such as Joe Guidry (Jason Schwartzman), he watches newcomers, he attempts, sometimes successfully, to pick some up. He is taken with Eugene Allerton (Drew Starkey), and the pair embark on an intense physical relationship. Lee persuades Eugene to accompany him to South America, with no stipulation other than Eugene “be nice” to him a couple of times a week.

In the second, on the trip Bill goes down with a nasty case of the chills. In the third, following his eventual recovery, he asks around about a drug called Yaga he understands can facilitate telepathy, the pair trekking deep into the jungle to find biologist Dr.… Read the rest

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Animation Features Movies

The Lord
of the Rings:
The War
of the Rohirrim

Director – Kenji Kamiyama – 2024 – US – Cert. 12a – 134m

****

A story of J.R.R. Tolkien’s Middle-earth, set around 200 years before The Lord of the Rings – English language anime is out in UK cinemas on Friday, December 13th

This narrative is based on one of the appendices in J.R.R. Tolkien’s The Lord of the Rings, (although checking my copy of the 1979 Unwin paperback edition, it’s not there, so it’s unclear when this appendix first appeared). The Kingdom of Rohan and the Battle of Helm’s Deep are familiar from Peter Jackson’s LOTR trilogy, as is the character of Éowyn (voice: Miranda Otto, reprising her role) who serves here as a narrator, the tale taking place around 200 years before the events in LOTR.

Wulf (voice: Elijah Tamati) and Hèra (voice: Bea Dooley) are childhood friends, sweethearts even. She is something of a tomboy, riding out of the small fiefdom – from where her father Helm Hammerhand (voice: Brian Cox) rules his Kingdom of Rohan – to feed a giant eagle, or engage in friendly, hand-to-hand, sword and shield combat with Wulf, at which task she bests him.… Read the rest

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Interstella 5555
The 5tory
of the
5ecret 5tar 5ystem

Director – Leiji Matsumoto – 2003 – Japan – Cert. PG – 68m

**

Back in UK cinemas from Thursday, December 12th 2024

Review from What’s On in London, December 2003.

Admirers of legendary anime series Capitaine Albator / Captain Harlock, 1978), electronic band Daft Punk sought out designer and source manga artist Leiji Matsumoto (anime series Space Cruiser Yamato 1974-5, 1978-9, 1980-81, dubbed into English as Starblazers, 1979-84; The Cockpit, 1993-4) to put together images to accompany their latest project. Their resultant collaboration is the unwieldily titled Interstella 5555: The 5tory Of The 5ecret 5tar 5ystem. Perfectly acceptable as a DVD release (it originally came out as such in December 2003), it doesn’t really cut it on the big screen.

5555 is basically an overlong pop promo: images put to music with no sound effects. A narrative of sorts has an evil rock manager kidnap musicians from another planet, wipe their minds clean and develop them into a huge commercial success in Earth’s music industry.

However, the script (such as it is) is very loosely constructed. Instead, what drives its 68 minutes is Daft Punk’s music upon which, almost as an afterthought, are hung Matsumoto’s images.… Read the rest

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Rumours
(2024)

Director – Guy Maddin, Evan Johnson, Galen Johnson – 2024 – Germany, Canada – Cert. 15 – 109m

****1/2

The G7 leaders meet at a summit only to find themselves trapped in the woods following an apocalyptic event – out in UK cinemas on Friday, December 6th

Every so often, the leaders of the world’s leading liberal democracies – the G7 – gather for summits to deal with the impending global crisis. On this occasion, it’s a bright, sunshiny day. Prior to getting down to business, they are toured through some local woods and shown the remains of one of the Bog People in a deep pit, their corpses perfectly preserved, apart from their bones which have disappeared, thanks to the properties of the bog land environment in which they were buried thousands of years ago. One corpse which they are shown has had his penis cut off and hung ornamentally round his neck. British PM Cardosa Dewindt (Nicky Amuka-Bird) is understandably somewhat taken aback by this.

The seven have their picture taken by the side of the pit, posing with spades. Then it’s on to the gazebo in a large clearing to sit down and discuss the matter in hand.… Read the rest

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Rumours
(2024)

Directed by Guy Maddin, Evan Johnson, Galen Johnson
Certificate 15
109 minutes
Released 6 December

Jesus spoke of ‘wars and rumours of wars’, and told us to give our leaders their due. He also spoke of the End of the Age. In our post-Christian 21st century, half the world supposedly runs under democracy, government by the people. Capitalism is driving corporate and individual financial greed towards burning up the planet – or at least its human population – through climate change. It does not look good.

The leaders of the G7 nations, the seven richest nations on the planet, meet regularly to try and hammer out statements to help the world deal with this impending crisis. There is a widespread feeling among their citizens that the resulting diplomatic agreements achieve nothing, and disaster inevitably looms.

Read the rest at Reform magazine.

Read my longer, alternative review for this site.

Trailer:

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Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

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Animation Features Movies

Moana 2

Directors – David G. Derrick Jr., Jason Hand, Dana Ledoux Miller – 2024 – US – Cert. PG – 100m

*** 1/2

The desire to connect with the people who must surely live beyond the known horizons of her world drives Moana on a new seafaring adventure – out in UK cinemas on Friday, November 29th

Set three years after Moana (John Musker, Ron Clements, 2016), this features the eponymous Polynesian heroine (voiced once again by Auli’i Cravalho) not as a 16-year-old but as a 19-year-old. She has now become a wayfinder and the leader of her island people. Weirdly, perhaps, for a leader, she likes nothing better than going off into the middle of the island, accompanied by her two Disney-obligatory small animal friends Pua the pig and HeiHei the dim-witted cockerel (voice, or at least cockerel noises: Alan Tudyk), climbing to its highest point and blowing a shell in the hope that someone out in the world beyond the one she knows might respond. She wants to reach out and connect with other islander populations. Alas, she gets little more than Heihei blowing a shell a few yards away.

Following a vision in which she is visited by Tautai Vasa (voice: Gerald Faitala Ramsey), a wayfinder from a distant generation who sent out to sea and never came back, Moana and her small crew set sail for the lost island of Motufetu.… Read the rest

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The Contestant

Director – Clair Titley – 2023 – UK – Cert.12a – 90m

*****

How a man’s incarceration in a room, broadcast on TV, became a media sensation in Japan– out in UK cinemas on Friday, November 29th

Before The Truman Show (Peter Weir, 1998), which would be released later the same year, a couple of years before Big Brother and the start of the UK’s reality TV phenomenon, a Japanese TV show breaks new boundaries. A man is put in a room where he had to earn a million yen in prizes from magazine competitions before being released. The facilities are basic – there is a sink unit and a gas ring, but no cooking utensils. The whole situation is filmed by two cameras. The man in the room, Nasubi, knows it is being filmed, but has been told by the producer that most of it will be thrown away. He is completely unaware that this setup is being edited into a weekly, six-minute TV spot and going out on the weekly, magazine format, endurance TV show Denpa Shonen.

The Denpa Shonen show is the brainchild of TV producer Tsuchiya, who for this segment auditions a dozen or so male hopefuls and chooses one of them, Nasubi, by lottery.… Read the rest

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Shoulders

Director – Jamie Flatters – 2024 – UK – Cert. 15 – 101m

* or *****, depending how I’m feeling at the time

A group of soldiers armed with sticks instead of guns fight a war against an unseen enemy on open ground near some woodlands – opens the Clapham International Film Festival which runs from Wednesday, November 27th to Saturday, November 30th.

With a title that sounds like a mis-pronounciation of ‘Soldiers’, Shoulders is a pretty strange experience. Photographed, ***** SPOILER ALERT ***** apart from a couple of shots in colour ***** SPOILER ALERT ENDS *****, in at once stark and ravishing black and white, it features a visually partially diverse cast some of whom are instantly recognisable and some of whom it’s easy to confuse with one another. There is (I believe) a script, although any narrative coherence is largely lost under what feels like multiple layers of improvisation. And yet… Somehow, the whole thing coheres, at least up to a point, by virtue of its own peculiar internal logic and succeeds almost entirely on its energy and that of its various collaborators, director, cast, and crew. I’m not even sure that that logic can be adequately expressed in words.… Read the rest

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Animation Features Live Action Movies

Snow Leopard
(Xue Bao,
雪豹)

Director – Pema Tseden – 2023 – Tibet – Cert. 15 – 109m

*****

A monk invites a filmmaker friend to a remote farm in the Tibetan mountain region where a snow leopard trapped in a sheep pen has killed nine sheep – the late Pema Tseden’s final completed film is out in UK cinemas from Friday, November 22nd

Film maker Dradul (Genden Phuntsok) has been informed by his friend Nyima the Snow Leopard Monk (Tseten Tashi) of an incident and so sets out for the region of the Tibetan Mountains with a small crew in his car. Following roads in the freezing wilderness, the car arrives at a remote farm which consists basically of a stone farmhouse and a sheep pen where the Snow Leopard Monk awaits them, along with the old farmer and his family.

The sheep pen has been breached by a snow leopard, a rare animal that’s a protected species in Tibet, and the old farmer’s adult son Jinpa (Jinpa) is furious that it has killed nine sheep. Confronted with the camera, he argues vociferously that man must live with the snow leopard, and that a small number of kills would be acceptable, but an amount as large as nine is most definitely not okay.… Read the rest

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Face/Off

Director – John Woo – 1997 – US – Cert. 18 – 138m

*****

John Woo’s third US film, his strongest to date, has FBI agent John Travolta switching faces with villain Nic Cage – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

When screenwriters Mike Werb and Michael Colleary collaborated on original screenplay Face/Off, they had in mind such classic films as post-war gangster tale White Heat (Raoul Walsh, 1949)and identity change outing Seconds (John Frankenheimer, 1966). Only after completing an initial draft did Colleary see a John Woo movie – The Killer (1989) – at which point he immediately knew the pair had found the perfect director for their material.

This was clearly reciprocal – if Woo had already astounded Hong Kong audiences with A Better Tomorrow (1986) and crossed over internationally with The Killer and Hard Boiled (1992), he had yet to win comparable critical acclaim in America, even though his modest budget American debut Hard Target (1993) had had its admirers and his first blockbusting actioner Broken Arrow (1996) had impressed Hollywood with its box office.

These films both felt like the work of a director for hire not an auteur, and while Woo, like numerous Hollywood immigrants before him, could probably have continued in similar vein, the Face/Off script contained exactly the elements the director needed to take up in Hollywood where he’d left off in Hong Kong.… Read the rest

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Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

***

Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest

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Hard Target

Director – John Woo – 1993 – US – Cert. 18 – 100m (UK version), 86m (US version)

****

John Woo’s US debut is a New Orleans remake of The Most Dangerous Game with action star Jean-Claude Van Damme – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Essentially the first of two remakes of The Most Dangerous Game / The Hounds Of Zaroff (Ernest B. Schoedsack, Irving Pichel, 1932, shot using the same cast, crew and jungle sets as King Kong, (Merian C. Cooper, Ernest B. Schoedsack, 1933) – the second being Surviving The Game (Ernest R. Dickinson, 1994) – this updates the original’s remote island to the urban jungle of and countryside surrounding New Orleans, making its mad game hunter (Lance Henriksen taking on the role originally played by Leslie Banks) prey not on lost seafarers but unemployed down and outs on dry land.

In true New Right nineties spirit, the hunter of humans has now graduated from being merely a gratifying personal sport for deranged psychopaths to a lucrative business attracting high rolling, thrill-seeking clients who get to pull the trigger themselves.… Read the rest

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Tallinn Critics’ Picks selection: Searching for vanishing corpses and disappeared people

I, the Song - Critics' Picks Best Director

Jeremy Clarke looks back at this year’s Critics’ Picks and finds some unsettling, recurring themes

Let’s Talk about the Weather

This PÖFF is going to be remembered by those of us at DMovies as the year when the weather we left behind us in the UK was colder and more wintry than the weather in Tallinn, where the average seemed to be between five and minus one degrees, very mild for this time of year. I’m checking the weather forecast over there as I write from the UK, to see that it is warmer still this week, and up to seven degrees tomorrow. Global warming is real, people.

The warmer weather had a strange effect on the festival’s annual tram party – basically, you are marshalled around and ushered onto a tram in subzero conditions, and then on the tram you drink lots of vodka to warm up. On this year, no subzero conditions as it was much warmer, so the vodka didn’t need to be consumed in massive quantities in quite the same way, so I stuck mostly to the alternative, very pleasant, local alcoholic beverage and consumed a ridiculous amount of gherkins (the only food on offer but one to which I’m extremely partial).… Read the rest

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Art Features Live Action Movies

Nobody Likes Me
(Nikdo Mne Nemá Rád)

Directors – Petr Kazda, Tomáš Weinreb – 2024 – Czechia, Slovakia, France – 105m
*****

The female gaze. An introvert woman finds love in an unlikely place where, it turns out, there are catches – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

A figure stands in interior darkness. Watching. She moves forward. She lies down on the bed. She sits up. She makes and eats a simple breakfast. She stands on a moving tram; the brown autumn leaves behind her. At her desk, wearing her military uniform, Sarah (Rebeka Poláková) details to the Commander his itinerary for the day, and fields requests from others for his attention. She seems content in her work.

One evening, Sarah sees a woman across the street in physical difficulty. Perhaps she should help but, frozen on the spot, she stares. The woman starts to throw up – presumably she’s had too much to drink. A man appears from nowhere and comes to the woman’s aid. Sarah can’t take her eyes off him. The female gaze. He looks back at her. She looks back at him.

She gets on well with her dad, a doctor, who she regularly visits at his surgery for health check-ups.… Read the rest

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The Body
(2024)
(Il Corpo)

Director – Vincenzo Alfieri – 2024 – Italy – 115m

*****

The body of a rich industrialist’s wife vanishes from the morgue after her death – stylish giallo premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

An unashamed genre piece, The Body is a giallo – an Italian crime and murder mystery named after the yellow book covers of their literary equivalents. While it absolutely fits into that very specific Italian genre, it’s actually the fourth remake of Spanish murder mystery The Body (Oriol Paulo, 2012) following remakes in India (twice, as Game, A.M.R. Ramesh, 2016 and The Body, Jeethu Joseph, 2019) and South Korea (The Vanished, Lee Chang-hee, 2018).

The current version juxtaposes stock elements from gialli and popular fiction with some highly original ideas which may or may not have been used in the earlier versions as yet unseen by this writer. The stock elements include: the womaniser suspected of murdering his wife, the hard-bitten inspector investigating the case, the man who has married into wealth, and the university professor having an affair with a student. The highly original ideas: a man running out in front of a car, a corpse disappearing from a morgue, and a married woman who is also a practical joker.… Read the rest

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Dreaming of Lions
(Sonhar com Leões)

Director – Paolo Marinou-Blanco – 2024 – Portugal, Brazil, Spain – 85m

****

A woman diagnosed with terminal cancer signs up with a corporate programme allegedly aimed at helping people in her situation to humanely end their own lives – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

“Chemo never worked. So I decided to beat the fucker to the punch.” Thus says Gilda (Denise Fraga) at the start of this tale about voluntary euthanasia. Gilda has cancer and a year and a half left to live. She exasperates her husband when he hilariously stumbles into the bathroom as she’s trying to shoot herself in the head, both of them winding up in hospital as a result.

She is determined to kill herself. If she does nothing, the condition will take its course and the end of the process won’t be pleasant. In the hospital, she picks up a leaflet of a company which might provide some help for those considering voluntary euthanasia. So Gildagoes for an interview with Joy Transition International and finds herself facing a panel of three: Isa (Joana Rebeiro), Eva (Sandra Faleiro), and Bruno (Alexander Tuji Nam).

Isa has her mouth fixed in a somewhat ingratiating, permanently lipstick-painted smile.… Read the rest

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Streets of Glória
(Ruas da Glória)

Director – Felipe Sholl – 2024 – Brazil – 103m

****

A man mourning his late grandmother but estranged from the rest of his family embarks on a gay relationship with an escort – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Gabriel (Caio Macedo) arrives in Rio de Janeiro with his late grandmother’s ashes in a box. He is not short of money, and rents a hotel room. He wanders around during the day talking to his grandmother, who he clearly misses a great deal. At night, he finds a club named Glória, fronted by an area with tables where style queen Monica (Diva Menner) hangs out with her small entourage of friends. She explains she is the owner. Further inside is the dance floor where he spots Adriano (Alejandro Claveaux) and attempts but fails to pick him up, instead spending the night with another man.

However, a spark has been lit, and the next night Gabriel is more successful. He and Adriano embark on a passionate relationship. Adriano is an escort, and shows Gabriel the park benches where escorts pick up clients; he takes servicing his male clients in his stride, occasionally persuading the hesitant Gabriel to join him in a paying threesome.… Read the rest

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The Brothers Kitaura
(Kitaurakyodai)

Director – Masaki Tsujino – 2024 – Japan – 94m

***1/2

A 40-year-old living at home accidentally kills his father, then enlists the help of his brother to dispose of the body – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Morning. 40-year-old Sato wakes up, surrounded by bagged-up piles of manga, used food packaging and drink cans. The used food packaging squelches as he stretches into it. He is a slob. Meanwhile, his better-dressed, retired and widowed art teacher father is out teaching watercolour painting to a lady of a similar age to himself. They sit on the bank overlooking a picturesque river scene and seem to be enjoying both the act of painting and each other’s company.

Sato finds the note his father left him, and orders takeaway food to feed himself accordingly. Then, to satisfy more carnal appetites, he also orders a call-girl from Bang Club Tokyo, who arrives as promised in a matter of minutes, sitting for a relaxing smoke (which we see) before servicing her client (which we don’t).

The father isn’t just enjoying his lady student’s company. He appears to be teaching her and her alone for a number of consecutive days, and would like to formalise the relationship into something more.… Read the rest

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Johatsu
(Johatsu)

Directors – Lina Lužytė, Nerijus Milerius – 2024 – Lithuania – 83m

***

A woman who checks bodies entering a morgue investigates one that she is convinced has been registered under a false name – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

The concept of Johatsu or ‘vanished people’ – which is never explained here, merely name-checked in the title – originated in Japan, where it refers to people who vanish from their everyday lives without a trace. One way to achieve that goal would be to fake your own death, which is exactly what Lina (Zygimante Elena Jakstaite) believes she has stumbled upon someone doing as this opens.

Lina works as an orderly in a morgue. When the fresh corpse of a man supposedly blown up in an explosion on a ship is identified as her husband by his widow, Lina becomes convinced that the woman is lying, and that the body is that of someone else entirely. Which begs the question, what happened to the real husband?

First off, Lina takes it upon herself to visit and question the supposed dead man’s wife. Talking to the woman, she discovers that before the body turned up, the husband had already been ‘missing’ for around three years.… Read the rest

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Moor
(Mavr)

Director – Adilkhan Yerzhanov – 2024 – Kazakhstan, France – 83m

***

A mercenary known by the codename ‘Moor’ returns from the war to the big city to rescue his younger brother’s wife and son from her husband’s debts – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Found by the authorities, who apprehend him by a perimeter fence and remove his bag of home-made weaponry which includes a wooden bow and arrows and a knife carved from bone, which he will get back and make use of later in the plot, Moor is processed alongside wounded and traumatised veterans. He speaks few words and is in complete control of his faculties. The chief of police, who talks in a confident, jokey manner and insists on addressing him as Bro, feels more like a gangster than a cop, wearing a snakeskin jacket not unlike the hero of Wild at Heart (David Lynch, 1990) and often accompanied by a small entourage who read as gangsters rather than cops, even though the group occasionally expands to contain officers with the word POLICE on the back of their jackets.

He explains that Moor’s younger brother Houdini has disappeared, leaving behind him not only a mountain of debt but also a wife and small son.… Read the rest

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Fishgirl
(Alucina)

Fishgirl - Critics' Picks Special Mention

Director – Javier Cutrona – 2024 – Ecuador – 105m

**

Enter the surreal world of a young woman beset by bizarre visions who believes herself followed and protected by a giant fish – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Fairly early on, in a tender, conversational, post-coital scene, her boyfriend José (Lucas Ortiz) draws an additional face on the side of that of Camila (Jessica Barahona). Visually this suggests Cubism, in which a subject’s faces would be painted from different angles simultaneously, but the dialogue between the two swiftly moves on to the subject of a god with two faces possessing the ability to look into the past and the future. (This sounds like the Roman god Janus, but if anyone name-checked him here, I must have missed it.).

The motif is echoed later when her landlord Edmundo (Pablo Aguirre), who runs (owns?) the hotel where she rents a room, is attending to the doll’s house of their rooms and maquettes of all the hotel’s residents he has made. For the maquette of Camila, he grafts an extra face onto the side of hers so that she has two. And towards the end, a shot of Camila cinematographically superimposes a second face on her, a very neat visual trick.… Read the rest

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Hani
(Hani)

Director – Hou Dasheng – 2024 – Canada – 73m

*

In a remote, Southern Chinese mountain village, a 14-year-old needs the money for the dowry to buy his 12-year-old sweetheart as a wife – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Credited on the Festival’s website as a Canadian production in the Burmese and Chinese languages, this is a Chinese-made film not sanctioned by the Chinese authorities dealing with subject matter which the filmmakers fear would not be passed by the Chinese censor. The caption review suggests that a number of the film’s cast and crew have used pseudonyms to avoid prosecution. The narrative takes place in the mountainous, Southern region of China close to the border with Myanmar, where people are known by their Burmese names, but occasionally refer to other people by their Chinese names. You get the feeling that this area of China has been largely forgotten by the distant Beijing authorities.

The central characters are young teenagers or pre-teenagers, Hani (14; Gao Xiaokang) and his friend Apao (Qian Long), who seems to be frequently seeking advice from others on his mobile phone, and Hani’s longtime sweetheart Pushiha (12; Pu Juan).… Read the rest

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Tallinn Critics’ Picks selection: so good it’s almost impossible to beat

Nobody Likes Me

Goldfinger said: “Mr. Bond, they have a saying in Chicago. ‘Once is happenstance. Twice is coincidence. The third time it’s enemy action.'” – Jeremy Clarke anticipates his third visit to Tallinn to cover the third year of its Critics’ Picks strand

When you see a film, or visit a film festival, you inevitably have expectations. The bar is at a certain level. The first time I went to POFF, I didn’t really know what to expect, except that our editor Victor Fraga spoke highly of it, which obviously boded well. Once there, I found the festival extremely friendly, perhaps due to its size (it’s the smallest of the A-list festivals), and a place where filmmakers, critics and other industry types happily mingle (that doesn’t happen in the larger festivals, I understand, and it doesn’t happen at most festivals I’ve had the pleasure of attending. Yet, it has happened in Tallinn on the two occasions I’ve visited, which is a real joy. Being a natural worrier, I fear that Tallinn may abandon this virtue at some point. Yet, so far, it hasn’t, and long may it continue in that vein).

Back to the level of the bar. The first year I went, 2022, the Critics’ Picks films were of a good standard overall – there was one I disliked and a couple that I thought particularly excellent (Dito Tsintsadze’s Roxy and Çigdem Sezgin’s Suna).… Read the rest

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Take Care of My Cat
(Go-yang-i-leul
Boo-tak-hae,
고양이를 부탁해)

Director – Hong Eun-won – 2001 – South Korea – Cert. PG – 112m

****

A cat passes between a group of twentysomething girls as each one finds they can no longer look after it – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

(2024 explanatory note: This was, I believe, the first South Korean film to get a UK theatrical release. It was certainly the first one I ever reviewed, for What’s On in London back in 2002. Soon after this, Metro-Tartan film distributors would release a good deal of horror / thriller / action movies in cinemas and on DVD under their Asia Extreme brand, but it would be a long time before the UK saw the theatrical release of another South Korean film outside of those genres. What follows below is the What’s On in London review from 2002.)

Two areas of the world currently make its most interesting films. One is Iran and surrounding area, which has been fairly well represented in terms of UK releases. The other is South Korea, largely and criminally neglected by UK distributors.… Read the rest

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The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

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Alienoid
Return to the Future
(Oegye+in 2bu,
외계+인 2부)

Director – Choi Dong-hoon – 2024 – South Korea – LKFF Cert.12 – 122m

*****

In Part Two of the double feature, aliens once again incarcerate prisoners in human brains and travel through time between present day and fourteenth century Korea; mayhem ensues – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Second part of Alienoid, director Choi’s to-die-for mash-up of fourteenth century historical mayhem and twenty-first century alien invasion action delivers more of the same, opening with a brief summation of the previous movie. In Korean, the movies are helpfully called Part One and Part Two, and the second is the last one, so rather than finishing on an unexpected, irritating “to be continued” note, the second one does bring the whole thing to a conclusion, and a satisfying conclusion at that.

The whole thing is effectively a five-hour movie split into two parts, although like The Lord of the Rings Trilogy (Peter Jackson, 2001-3), each movie is paced so that it works as an experience in itself. That said, no-one I know wants to sit down and watch the second of three movies on its own, and what Alienoid really needs is for both parts to be shown close together or in a double bill, as happens all the time with all-nighter reruns of the three-part LOTR and as the BFI’s Art of Action Season recently did with the two-part historical war epic Red Cliff (John Woo, 2008-9).… Read the rest

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Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – LKFF Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensues – from LKFF, the London Korean Film Festival 2022;

Part Two Alienoid: Return to the Future plays in LKFF 2024

The first film of a two-part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Twilight of the Warriors
Walled in
(Jiu Long Cheng
Zhai·Wei Cheng,
九龙城寨之围城)

Director – Soi Cheang – 2023 – Hong Kong – Cert. 15 – 126m

*****

A refugee steals money from a Hong Kong triad then hides out in Kowloon Walled City, a place as dangerous as the triads pursuing him – out on Zavvi-exclusive Limited 4K UHD + Blu-ray Special Edition from Monday, November 11th

Never entered by those outside, an uneasy peace has reigned in Kowloon Walled City a.k.a. the City of Darkness since Cyclone defeated ‘Dragon Head’ Liu and his warlord partner Jim. It’s Hong Kong in the 1980s, when refugees were flooding into the territory. In a nightclub where women dance to Cantopop, one such refugee (Raymond Lam) wins a fist fight competition then is conned by gang boss (Sammo Hung) into paying for a shoddily made fake ID card, which he refuses to accept when he calls to collect it two weeks later. Leaving the ensuing argument, he snatches a bag from the villain’s drug warehouse and runs hell for leather into the Walled City, where the gangsters won’t follow.

Inside, he discovers to his horror that he’s snatched not a bag of banknotes as he supposed but a bag of drugs. Trying to sell it, he finds himself fighting local gangsters, who don’t want him selling drugs on their turf.… Read the rest

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Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

—

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

—

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest

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The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

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Exhibition on Screen
Van Gogh
Poets & Lovers

Director – David Bickerstaff – 2024 – UK – Cert. 12a – 90m

*****

Fascinating journey through Van Gogh’s two plus years in Arles and Saint-Rémy in the South of France through his paintings of 1888-90 (collected in the current National Gallery exhibition) and readings from his letters – out in UK cinemas from Wednesday, November 6th

This is the latest offering in Exhibition on Screen’s excellent series of films about art, which usually tie in with some current, recent or upcoming art exhibition. In this case, the tie-in is with the National Gallery’s current offering Van Gogh – Poets & Lovers, and on one level the film follows EoS’ tried and tested template of shooting footage of the exhibition and paintings along with interviews with exhibition curators (in this instance, Cornelia Homburg and Christopher Riopelle) and assorted artists, critics or other biographers.

It also incorporates footage of actor Jamie de Courcey playing Vincent van Gogh – more as shots from moving visual tableaux than anything else (a form of filmic illustration, if you will) – the actor isn’t required to speak dialogue – to break up the whole and make it more manageable by the viewer.

Vincent van Gogh who, as Homburg notes early on, had within 25 years of his death become the best known artist in the world, is something of a gift to anyone making a film about him.… Read the rest

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Handsome Guys
(Haenseomgaijeu,
핸섬가이즈)

Director – Nam Dong-hyub – 2024 – South Korea – LKFF Cert. 15 – 102m

****

A comedy of errors in horror genre clothing, features a house in which accidents keep occurring, and a demonic goat – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Half-brothers Kang Jae-pil (Lee Sung-min from this year’s South Korean Oscar entry 12.12: The Day, Kim Sung-su, 2023; The Man Standing Next, Woo Min-ho, 2020), Park Sang-goo (Lee Hee-jun from The Man Standing Next; 1987: When That Day Comes, 2017) and their dog Bong-gu have come to a rural area with the intent of buying their dream home, unaware that a demon was banished to hell in its basement two generations ago by British priest Father Baker (Jamie Horan) and can only be banished back there, should it arise from the grave, by one of those present at the time of the banishment.

A group of students runs into the half-brothers in a supermarket, the former drawing all the wrong conclusions from the latter’s unkempt appearance and shopping trolley of heavy-duty carpentry kit, snap judgements somewhat thrown by the undeniable cuteness of Bong-gu the dog, sitting in the front of their trolley.… Read the rest

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Shiri
(Swiri,
쉬리)

Director – Kang Je-Gyu – 1999 – South Korea – Cert. 18 – 125m

****

South Korean intelligence men track a North Korean sniper who has gone to Earth – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This South Korean box office success story is a hard-boiled action movie, an Asian cross between Die Hard John McTiernan, 1988) and Nikita (Luc Besson, 1990) which could probably have been made in no other country. The North Korean villains in recent Bond outing Die Another Day (Lee Tamahori, 2002) seem saintly by comparison with the brainwashed, gun-toting mercenaries here, one of whom – deadly female sniper Hee (Kim Yun-jin) – goes to Earth following a series of assassinations of South Korean government officials.

But when some years later, Southern intelligence men Ryu (Han Suk-kyu) and Lee (Song Kang-ho) prove unable to prevent several likely targets from being killed by notorious Northern terrorist Park (Choi Min‑sik), the vanished Hee is their primary suspect for pulling the trigger.

Made in 1999, it originally concerned a slightly post-millennial future, which aspect has been lost with the film taking some four years to reach these shores.… Read the rest

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Red Cliff
(Chì Bì,
赤壁);
Red Cliff II
(Chì Bì
Jue Zhan Tian Xia,
赤壁（下）)

Director – John Woo – 2008, 2009 – China, Hong Kong – Cert. 15 – 139m + 135m

*****

As a warlord seeks to crush opposition in Southern China, its two kingdoms join forces to defeat him, with the deciding battle taking place at Red Cliff – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

China, 208 A.D., around the end of the Han Dynasty. With the puppet Emperor more interested in talking to birds than the nitty-gritty of ruling his kingdom, his Prime Minister Cao Cao (Zhang Fengyi) talks him into a commission to subdue the rival Southern warlords Liu Bei (You Yong) and Sun Quan (Chang Chen).

After a battle against the former’s forces in which his a loyal soldier is unable to prevent Liu’s wife getting killed but manages to get their baby to safety by strapping it on his back prior to single-handed combat, Liu’s advisor Zhuge Liang (Takeshi Kaneshiro) sets out to persuade Sun Qian to join them in an alliance against the aggressor.

Despite unanimous opposition from his ministers, who would prefer to surrender to keep the peace, Sun agrees to fight along with his frontline commander Zhou Yu (Tony Leung Chiu-wai) and, because she insists on joining them, his tomboy sister the Princess Sun Shangxian (Zhao Wei).… Read the rest

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Blitz
(2024)

Directed by Steve McQueen
Certificate 12a
120 minutes
Released 1 November

People just getting on with life in dire circumstances, doing what they have to do. A mother searches for her lost son. An 11-year-old embraces his black identity. Women work in munitions factories. Thieves take advantage of death and devastation to turn a profit. And, unexpectedly, a spiritually dark place produces an impassioned plea for the virtues of Christianity.

This is London during the Nazi bombings of the Second World War. Steve McQueen (12 Years a Slave, the Small Axe TV series) and his collaborators have done remarkable historical and visual research, so that the historical situation seeps into you. McQueen’s way in was a photograph of a young black boy, around whom he has woven a story of an evacuee jumping from the train to return to his mum.

In a remarkable performance, 11-year-old Elliot Heffernan plays the boy… [Read the rest at Reform magazine]

Read my longer review on this site here.

Trailer:

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Godzilla Minus One
/ Minus Color
(Gojira-1.0 / C,
ゴジラ -1.0 / C)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – now in black & white – out in UK cinemas from Friday, November 1st

Something happens when you watch this / Minus Color version of Gozilla Minus One, which director Yamazaki has gone through cut by cut and personally overseen. You are watching a 2023 movie, yet you feel as if you’re watching a 1954 one. Because the film is about Japan, World War Two and its immediate aftermath, the film seems to play better in black and white.

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed.… Read the rest

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The Woman King

Director – Gina Prince-Bythewood – 2022 – US – Cert. 15 – 135m

****

The warrior women of Dahomey defend their people against capture by neighbouring nations for the white foreigners’ slave trade – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Outside of the Greek myth of the Amazons, we don’t really think of armies as being made up of women rather than men prior to the last few decades, yet historically this actually occurred in a West African country, the Kingdom of Dahomey (further info: National Geographic; wikipedia) between the middle of the seventeenth and the end of the nineteenth centuries. These warrior women are the subject of this film which takes place in 1823.

A prologue shows a small unit of the women in action under their General Nansica (an unforgettable Viola Davis) as they attack and slaughter a unit of (male) soldiers from the neighbouring Oyo kingdom who have invaded one of their villages. These women are fearsome indeed and fly in the face of the representational norms of female or military.

After this compelling, action-packed opening, the narrative shifts to follow rebellious, young Dahomey girl Nawi (Thusu Mbedo) whose traditionalist father attempts to marry her off to an older man.… Read the rest

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Aimless Bullet
(Obaltan,
오발탄)

Director – Yu Hyun-mok – 1961 – South Korea – 110m

****

Former soldiers and others struggle with the effects of post-war economic depression in the newly constituted South Korea – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Made and released in the brief period of about a year between the collapse of one dictatorship and the rise of another, and the temporary relaxation of state censorship that accompanied it in South Korea, Aimless Bullet deals with the struggle to survive in that country amidst economic collapse. Men including demobbed soldiers and officers struggle to find work, others lucky enough to have jobs struggle to support their extended networks of loved ones while women drift into prostitution – or, if they’re really lucky, become movie stars.

It opens with crippled, former officer Gyeong-sik, constantly asking Sgt. Park and other drinking buddies not to call him “The Commander”, making a scene in a bar and smashing a glass door. Wandering through the streets at night alone afterwards, he’s accosted by former girlfriend Song Myeong-suk (Seo Ae-ja) who desperately wants him to fulfil his promise and marry her, but he won’t because as a cripple he feel an incomplete man.… Read the rest

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Save the Green Planet!
(Jigureul Jikyeora!,
지구를 지켜라!)

Director – Jang Joon-Hwan – 2003 – South Korea – Cert. 18 – 118m

*****

NSFW

Convinced that a corporate boss is an alien who killed his mother, a man takes him prisoner and tortures him to find out his race’s plans for planet Earth – plays alongside Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Lee Byong-gu (Shin Ha-kyun) is convinced that corporate CEO Kang Man-shik (Baek Yoon-shik) is not only responsible for the death of his mother but also is an alien spy set to communicate with his extra-terrestrial superiors at the next full moon in seven days time. So, aided by girlfriend Sooni (Hwang Jung-min), Lee kidnaps Kang and brings him back to his underground workshop beneath his hilltop home near which he keeps bees in hives. Lee wants to hear the truth from Kang’s own lips, and is prepared to torture him to get it.

CEO Kang is clearly not a nice guy – he is obviously raking in the money, yet we watch him driven home drunk by a valet who he shamelessly short changes on his fare.… Read the rest

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Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

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The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

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Nowhere to Hide
(Injeong Sajeong
Bol Geot Eobtda,
인정사정 볼 것 없다)

Director – Lee Myung-se – 1999 – South Korea – Cert. 15 – 100m, 113m

***1/2

A cop determinedly pursues a gangland killer in a city where, since he committed the murder for which he is bing hunted, it always appears to be heavily raining – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Effectively a four-hander – an impulsive detective, his partner on the force, a ruthless killer gangster and his long-suffering girlfriend. Like a slobbish, South Korean version of Chow Yun-fat without the charm, Park Joong-Hung is the Oriental action movie homage-named Inspector Woo, who before the titles have rolled has pursued a black-clad gang into an underground train for a machete fight, shot in stylish, bleached black and white for no apparent reason.

The ground is covered in Autumn leaves, recalling The Conformist (Bernardo Bertolucci, 1970). The downtown location of public stairway 40 Steps has a schoolgirl look up and see it begin to rain, the torrential downpour continuing for the two months and more of the remainder of the narrative. A man leaves his car to ascend the steps; halfway up, he approaches another man (Song Young-chang) and kills him, even as the victim stretches out his hand in a futile attempt to keep his murderer’s knife at bay.… Read the rest

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Animation Features Movies

Watership Down
(new 4K restoration)

Directed by Martin Rosen
Certificate PG
92 minutes
Released 25 October

Reviewed for Reform magazine.

Now fully restored in a new 4K restoration, this 1978 tale of rabbits on the run proved that an animated film need be neither made by Disney nor sugar-coated for children. Watership Down, although a children’s film, came from the producer of the Oscar-winning DH Lawrence adaptation Women in Love (1969), Martin Rosen. He ended up directing it too.

A prologue details the relationship between the creator-god Frith – represented as the sun – and rabbitkind. As with most creation myths outside the Judeo-Christian, there’s quite a bit of sex and violence. The rabbits breed furiously; hitherto non-carnivorous animals are given teeth to keep the rabbit numbers down. The rabbits are given powerful hind legs to outrun their predators.

Having established rabbits as intelligent creatures possessing a mythology and a world view, the main story… [Read the rest at Reform magazine]

[Read my alternative, longer review for this site.]

Trailer:

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Animation Features Movies

Rebellious

Director – Alex Tsitsilin – 2023 – UK, Cyprus – Cert. PG – 94m

***

Her true love must rescue the princess before three rival princes after a dragon abducts her on behalf of an evil wizard – fairy tale animation is out in UK cinemas on Friday, October 25th

A dad reads his small daughter a bedtime story, a fairytale about a kingdom where an evil dragon carries off innocent princesses, sometimes as they are about to be married. I’d never stand for that, intones young Mina (voice: Alyson Leigh Rosenfeld), who is herself a princess, and her father a king (voice: David Wills).

Jump forward to her as a young woman hanging out with architecture graduate boyfriend Ronan (voice: Dan Edwards), despite the fact that her more traditional father thinks she ought to marry a foreign prince for political reasons. As Ronan points out, he can handle all the design stuff like strategy, construction and weaponry while she is better at hands on combat, so they make a good pair to rule the kingdom.

There are three princely candidates in the offing: strong but brutish Eastern European Rogdai (voice: Matt Giroveanu), vain Indian ladies’ man Kezabor (voice: Pete Zarustica), and overeating, obese, Oriental Fa Chan (voice: Brian Kim) who is in thrall to his Mommy Dearest (voice: Jennifer Sun Bell).… Read the rest

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Yes, Madam!
(Huang Jia Shi Jie,
皇家师姐)

Director – Corey Yuen – 1985 – Hong Kong – Cert. 18 – 93m

***1/2

Michelle Yeoh and Cynthia Rothrock’s star debut, in which they play two plain-clothes, kickboxing Hong Kong cops – on Blu-ray from Monday, December 12th 2002 and now part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Michelle Yeoh, here credited as Michelle Kheng (in her early Hong Kong films she was often credited as Michelle Khan, and her birth nameis Yeoh Choo Kheng) plays Inspector Ng, a no-nonsense police officer who always gets her man (and, interestingly, all the criminals here are men), as illustrated in the opening scene when a flasher accosts her in a convenience store, and she promptly arrests him.

Her mentor Richard Nornen (Michael Harry, later seen in An Angel at my Table, Jane Campion, 1990) is visited in his hotel room by professional assassin Mr. Dik (Dick Wei) who shoots him point-blank through an apple in Nornen’s mouth in order to obtain a two-frame film clip of a legal contract for his gangster boss Tin Wai-keung (James Tien).… Read the rest

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Seven Samurai
(Shichinin
no Samurai,
七人の侍)

Director – Akira Kurosawa – 1954 – Japan – Cert. PG – 207m 207m + 5m intermission – Oscar nominated

Seven samurai must defend a poor village of farmers from bandits in one of the greatest action movies ever made – – both released in cinemas in a brand-new, 70th anniversary, 4k restoration from Thursday, September 26th; and currently streaming on BFI Player alongside other Kurosawa films together with a much wider selection of Japanese movies; the film is also part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Seven Samurai opens with a group of horsemen on a horizon. Notwithstanding the Japanese titles on the screen, you could be watching a Hollywood Western. Although what follows is a tale of samurai, bandits and farmers, it’s so close to ideas in a Western that Hollywood replaced sword with guns and retooled it as the hugely successful The Magnificent Seven (1960).

event_49554_original

The plot concerns a small farming village threatened by bandits, who attack at harvest time and take all the crops. The farmers find a group of samurai prepared to defend them against the bandits in return for food and lodging.… Read the rest

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Starve Acre

Director – Daniel Kokotajlo – 2023 – UK – Cert. 15 – 98m

***

As a couple become mired in grief following the death of their son, their behaviour turns increasingly obsessive, erratic and violent – terrifying and unsettling folk horror is out in UK cinemas on Friday, September 6th and on Blu-ray, DVD and BFI Player from Monday, October 21st

Thinking the fresh air of the countryside will benefit their son’s health, the family of Richard (Matt Smith), Juliette (Morfydd Clark), and their young son Owen (Arthur Shaw) move from their urban home to the wilds of the Yorkshire countryside and the house, named Starve Acre, in which Richard grew up. Owen doesn’t respond too well to the new environment. An unfortunate incident occurs offscreen at a village event, in which an animal gets stabbed in the eye and Owen’s clothing is stained with blood.

His understandably concerned parents take him to Dr. Monk (Roger Barclay) for advice. It isn’t immediately obvious as to what exactly is wrong, and the situation is set to worsen for the couple.

In Richard’s opinion, it doesn’t help that their hardened, elderly neighbour Gordon (Sean Gilder) visits quite often to fill the boy’s head with tales of a mysterious Jack Grey.… Read the rest

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The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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A Sudden Glimpse
to Deeper Things

Director – Mark Cousins – 2024 – UK – Cert. PG – 88m

*****

A look at Scots artist and painter Wilhelmina Barns-Graham, who had synaesthesia – out in UK cinemas on Friday, October 18th

I am someone who frequents art galleries, yet I have to confess that before seeing this film, I had never heard of Wilhelmina Barns-Graham. Cousins starts his film off assuming we know nothing about her.

He starts with images. Who is this old woman on a verandah with palm trees in the background? Or peering down at rocky ground wearing an all-weather coat?

In later years, she frequently wore a necklace she had made resembling, in Cousins’ words, Concorde with droplets.

Wilhelmina Barns-Graham, a woman to whom all men were attracted (“she’d have flirted with you”, a woman who knew her tells Marc) was fascinated by order and disorder. Her arresting 1967 abstract painting Pilgrimage consists of Vermillion squares on brown, jostling as if in a procession across the picture surface.

Her father (and here Cousins cuts in the moving image of Joseph Cotten giving his “if you rip the sides off houses you’ll find swine” speech from Shadow of a Doubt, Alfred Hitchcock, 1943) never wanted her to be an artist.… Read the rest

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The Wild Robot

Director – Chris Sanders – 2024 – US – Cert. U – 102m

****1/2

A service robot shipwrecked on a desert island is imprinted as its mother on the mind of an orphaned gosling – out in UK and Ireland cinemas on Friday, October 18th following its screening in the London Film Festival

Waking up on an unknown beach with no idea as to how she got there, ROZZUM Unit 7134 (voice: Lupita Nyong’o) is a Universal Dynamics service robot designed to complete any task assigned to her. Without any such task, she feels completely lost. She wanders around the island, populated only by animals, in search of her owner. Unable to understand all the noises the animals make communicating with each other, she has her translation circuits decode their meaning so that, soon, she is hearing them communicate in English.

She accidentally almost destroys a family of geese but managing to rescue a goose egg. She must protect the egg from the fox (voice: Pedro Pascal) who attempts to steal it to satisfy his hunger. Her robotic rationale for this is to question whether the egg is the fox’s property, A thought process that might make sense in a human environment but makes none at all in this animal one.… Read the rest

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Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse… – latest SF horror franchise entry is out on digital on Friday, October 18th following its release in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation.… Read the rest

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Animation Features Movies

Watership Down
(new 4K restoration)

Director – Martin Rosen – 1978 – UK – Cert. PG – 92m

*****

When a young rabbit visionary foresees doom for those who remain, some of the rabbits leave their warren in search of a safer home, encountering many life-threatening perils along the way – new 4K restoration of animated feature is out in UK cinemas on Friday, October 25th, following its World Premiere in the London Film Festival on Saturday, October 12th

LFF: Sat 12 Oct 12:20 World Premiere, Tues 15 Oct 12:15,
both BFI Southbank NFT1.

This opens with a mythological segment involving a powerful God, represented as the sun, and rabbitkind, specifically the archetypal rabbit El-ahrairah. It’s drawn and painted in an arresting, non-naturalistic style involving coloured lines animated against a white background to create the impression of moving, primitive drawings, due in large part to uncredited director John Hubley, whose vision for the film was at odds with that of producer Martin Rosen. The latter ended up firing the former as he wanted something grittier and less lightweight.

It’s arguable this has worked to the film’s advantage: the fable sequence works as otherworldly rabbit mythology, suggesting a race of intelligent creatures capable of constructing creation myths about their species much as human beings do.… Read the rest

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Timestalker

Director – Alice Lowe – 2024 – UK – Cert. 15 – 90m

*****

A reincarnated woman falls for the same man in different, historical time periods – hilarious romantic comedy of errors is out in UK cinemas on Friday, October 11th

Agnes (Alice Lowe) is a woman falling madly in love. Sadly, the object of her affection Alex (Aneurin Barnard from Dunkirk, Christopher Nolan, 2017) isn’t really interested. And her attempts at forming relationships seem to always end badly. Although not in the way you might expect – for instance, with her head being lopped off. Yet all is not lost: in the world of the Karmic cycle: you die one day only to be reborn in another time the next. However, Agnes seems destined to make the same mistakes over and over again, consistently falling for Alex the wrong man in each of her different lives at different times in history.

The whole thing plays out like a series of repeated cycles by the same characters in different generations. In that sense, it’s not entirely unlike The Beast (Bertrand Bonello, 2023), a serious art house science fiction costume drama mashup. Timestalker isn’t necessarily in the same league as that film, but then again, The Beast isn’t a comedy and Timestalker is really, really funny.… Read the rest

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Transformers One

Director – Josh Cooley – 2023 – US – Cert. PG – 104m

***

The origin story of the hero and villain of the Transformers in a long-distant past on their home planet – animated prequel is out in UK cinemas on Friday, October 11th

In a city deep in the bowels of his planet, one of its Transformer residents, Orion Pax (voice: Chris Hemsworth), obsessed with learning all he can about the history of his people, breaches the security of an historical archive only to be chased by guards who find him as he starts reading. Like many others, Orion is a mining bot, and as such lacks the ability to transform that is possessed only by true Transformers. Trying to do the right thing even when it’s against regulations, he is often getting into trouble on his mining shift. His immediate superior Elita-1 (voice: Scarlett Johansson) consistently covers for him.

That doesn’t stop Orion Pax from breaking with tradition and getting himself and his friend D-16 (voice: Brian Tyree Henry) to participate in a Transformers race through the city, for participation in which, benevolent ruler Sentinel (voice: Jon Hamm) promises to reward them – although as it turns out, they are almost immediately sent to a deep level waste dump for stepping out of line.… Read the rest

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Blitz
(2024)

Director – Steve McQueen – 2024 – UK, US – Cert. 12a – 120m

*****

As the Germans bomb London in WW2’s Blitz, a boy evacuated by his mother as per government instructions refuses to stay on the train and finds his way back to London – from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on Friday, November 1st

(This review is a piece of writing currently in progress. Please bookmark and return to this page to see the whole review in due course.)

A five-star review (and I’m unrepentant) for a film that’s less than perfect. It gets the five stars because of the incredible things it gets right.

Blitz promises two things: one, an immersive experience of the London Blitz, and two, the mother and son story of a woman sending her son out of London in the mass child evacuation and the child’s refusal to follow the plan, complicated with the racial tension of the child’s having a black father (who is absent) and a white mother.

Writing these lines, the film’s potential problem is evident; the immersive experience is probably a movie in itself, and this side of things is brilliantly realised without the need for narrative coherence.… Read the rest

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Air America

Director – Roger Spottiswoode – 1990 – US – Cert. 15 – 113m

*

Reviewed in What’s On in London, January 1991.

Released on 4K UHD, Blu-ray and DVD in the UK on Monday, 7th October, 2024.

One of the most accurate ways to judge whether or not a movie is worth seeing is to look at the credits. Air America‘s director is Roger Spottiswoode, whose career has spanned such diverse movies as the gripping political thriller Under Fire (1983) and the tedious Tom Hanks and dog cop buddy movie for children Turner & Hooch (1989).

Spottiswoode has Mel Gibson heading his cast, but it isn’t a great help with a script as dire as this. Worse, Gibson these days is getting more comedy roles, and he simply isn’t as good in these as he was in more serious parts earlier in his career. Here, he plays a pilot of Air America, the secret, CIA-owned airline network which flies covert missions and goods around the Far East.

This might well have been another Under Fire, but as it stands, I’m afraid, the resemblance to Turner & Hooch is more evident. Like that film, this bores rather than entertains, lumbering along without any overall sense of structure or direction.… Read the rest

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Enter The Dragon

Director – Robert Clouse – 2018 – Hong Kong – Cert. 18 – 94m (cut)

£6.99, Dist Warner Screen Classics

***

Reviewed on VHS for Manga Mania sometime in the late 1990s.

Now over twenty years old, this 1973 offering holds up pretty well as an average HK martial arts movie and remains a milestone in terms of Western involvement in the HK film industry. The plot, which owes more than a little to Ian Fleming’s Dr.No, has Bruce Lee sent to the island home of despot Han, a trafficker in opium and young women who has disgraced Lee’s temple and killed Lee’s sister. Han doesn’t allow guns on his island and recruits fighting talent by putting on martial arts contests with intent to employ the best entrants (an idea reworked later with supernatural trimmings in Mortal Kombat, Paul W.S. Anderson, 1995) – among them the unknown Jim Kelly (sporting embarrassing period afro) and the young John Saxon.

Much of the proceedings are taken up with one on one contest fights, with numerous yellow or white clad extras clapping politely after every blow or kick. The stunts remain impressive, but this current release isn’t in widescreen (unless you count titles, credits, and two fight scenes duplicated in widescreen at the start of the tape) with the result that essential parts of the fight sequences (e.g.… Read the rest

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Joker
Folie à Deux

Director – Todd Phillips – 2023 – US – Cert. 15 – 138m

****1/2

Get Happy… Get Ready for the Judgement Day! Prison movie, courtroom drama, musical… the new Joker movie is something of a wild card – out in UK cinemas on Friday, October 4th

The big surprise about this sequel to Joker (Todd Phillips, 2019), if indeed it is a sequel rather than another standalone film reimagining the same character, is not one but two big surprises. In no order of anything… One, it is a courtroom drama. Two, it is a musical. This is extraordinary. Less of a surprise is that, like its predecessor, it is also a character study. More of a surprise is that it completely breaks the mould as to what a comic book superhero – or, in this case, supervillain – movie might be.

Warner Bros. / DC appear to have unearthed a unique asset. DC Comics have a long tradition of alternate histories, something capitalised on in their Elseworlds imprint which have, for example, recast Batman on different occasions in as diverse roles as an historic American Civil War participant and a vampire. Thinking about such volumes in terms of the movies, such shifts of context as a musical built around a character like Joker makes perfect sense.… Read the rest

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Things Will Be Different

Director – Michael Felker – 2024 – US – Cert. 15 – 102m

****

A brother and sister go through a portal into the past, are trapped there by an unseen adversary, and must wait for a mysterious visitor – out in UK cinemas on Friday, October 4th

This movie is different. It’s about philosophical ideas. It would work very well as a piece of writing (a short story? a novella?), it would work as a radio drama, and – yes – it works very well as a movie. Because what’s compelling about it is not what you see with your eyes or hear with your ears, it’s the implications of it all, the stuff that goes through your head as you’re watching the movie. Welcome to the Cinema of Ideas.

Early one bright and sunny Summer morning, Sidney (Riley Dandy) enters the diner where her brother Joseph (Adam David Thompson), who she’s not seen for a while, is having breakfast. She has the rifle. He has the two bags with the money. As arranged, they go through the woods, across the high cornfields towards the house. There are people in the woods, which are supposed to be deserted. She is concerned.… Read the rest

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Documentary Features Live Action Movies

Harder Than The Rock
The Cimarons Story

Director – Mark Warmington – 2024 – UK – Cert. 12a – 100m

****

The story of Cimarons, the first British reggae band, who were formed in 1967 – out in UK cinemas on Thursday, October 3rd

As teenagers, they came from sun-soaked Jamaica to the UK to be confronted with a climate that was “rain, dull and gray.” In the 1960s, one of the areas that Jamaican immigrants came to in London was Harlesden, in Brent, and it was at Harlesden Methodist Church Youth Club in 1967 where Losely Guichy (guitar), Franklin Dunn (bass), Maurice Ellis (drums), and Carl Levi (organ) first met up and started playing music together, a site today commemorated with a blue plaque. They went through s number of singers over the years, notably Winston Reedy between 1974 and 1983.

By 1968 they were gigging as Cimarons. A performance at Paddington’s Q Club saw an A&R rep from Trojan Records in attendance, which led to a recording contract, their first album appearing in 1974, recorded in part as the Jamaican studio of the legendary Lee ‘Scratch’ Perry. Before that, they worked mainly as session musicians, appearing uncredited on numerous singles by black British reggae artists. The film isn’t particularly clear on the matter, but it’s mentioned that they lacked management and got hardly any royalties out of all this.… Read the rest

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The Battle for Laikipia

Directors – Daphne Matziaraki, Peter Murimi – 2024 – US, Kenya, Greece – Cert. 12a – 94m

**

Disagreements in Kenya between indigenous, pastoralist herdsmen and white immigrant farmers come to a head during a severe drought exacerbated by climate change – out in UK cinemas on Friday, October 4th

Shot mostly between 2017 and 2019 – so before the COVID pandemic – this is a brave attempt to relate two opposing and seemingly irreconcilable sides to a specific conflict.

Laikipia is a large, wildlife conservation area of Kenya, and the film was made some 60 or so years after Kenyan independence.

On the one hand, indigenous Kenyan tribesmen have been grazing their herds of goats and cattle on the land, simply wandering around and letting the animals graze at any suitable pasture they find. There is no concept of land ownership, except the unspoken idea that this is their country and this is therefore their land, which seems reasonable enough.

On the other hand, the early part of the twentieth century saw white British settlers awarded large areas of land to set up farms on the more profitable, Western capitalist business model. These people have now lived in the country and run their farms as enclosed ranches for some four generations.… Read the rest

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Dragonkeeper
(Gardiana de Dragones)

Director – Li Jianping, Salvador Simó – 2023 – Spain, China – Cert. PG – 98m

****

Faced by powerful forces of empire and a ruthless traitor, a girl must accompany an old dragon to ensure the survival of its egg – out in UK cinemas on Friday, September 27th

Ancient China. As revealed in a voice-over and an ancient, panoramic, wall-hanging scroll, the empire of the humans united with the dragons to successfully defeat necromancy. But then, the Emperor turned on the dragons, hunting them.

A long time after these events have occurred, a hard-nosed trader Master Lan (voice in the English language version: Tony Jayawardena) and his wallas are receiving some goods at a trading post when they stumble upon an abandoned baby girl. One of the wallas notices strange, blue-lit rocks floating near the baby. The group take the girl back across mountain ranges and vast plains to their small town.

Around eight years later, Ping (voice: Mayalinee Griffith) is living in that town, in the care of an old lady Lao Ma (voice: Sarah Lam), and feeding her pet rat Hua Hua (non-dialogue voice: Jonathan David Mellors) who lives in a hole in a storehouse and often goes with her in her jacket or any container or bag she might be carrying.… Read the rest

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Hellboy
The Crooked Man

Director – Brian Taylor – 2023 – US – Cert. 15 – 99m

**1/2

Hellboy must confront a dark labyrinth of hills, the Crooked Man who tricks people out of their souls, and some unresolved family matter from his own past– latest franchise reboot is out in UK cinemas on Friday, September 13th

1959. Hellboy (Jack Kesy), his assistant Jo (Adeline Rudolph) and an FBI man are transporting a deadly spider in a boxcar across the Appalachians to a lab where Jo can subject it to further study when the creature goes berserk, busts out of its crate, precipitating a terrible struggle in which the FBI man is killed and their boxcar is thrown down a steep embankment. They have arrived in a place where, we later learn in dialogue, a network of mining tunnels acts like veins to the living creature that is the hills, and the authorities have built a church atop the hills in the exact place where a portal used to connect a world of demonic forces with our own world.

The area is frequently visited by the Crooked Man (Martin Bassindale), who carries with him numerous coins, each one representing a soul he has tricked into selling him- or herself to the Devil.… Read the rest

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The Young Taoism Fighter
(Ying Yang Qi Bin,
阴阳奇兵)

Director – Chen Chi-Hwa – 1986 – Taiwan – Cert. 15 – 84m

***1/2

A lazy martial arts student experimenting with magic finds himself helping a girl warrior against a sorcerer and his master – on Blu-ray from Monday, September 23rd

At the Taoist martial arts training school Ying Yang Hall, two students are wont to skip rigorous training to hang out with the drunken sorceror in the

It’s probably a mistake to attempt to describe this in terms of its plot, because while it borrows lots of staple generic ideas from all over the place, it frequently abandons one to go off and develop another. It’s ostensibly a story about students from a martial arts school confronted by an evil sorcerer, but it’s nothing like as coherent as, say, the Mr. Vampire films. In fact, it’s just an excuse to throw together fight scenes, special effects and knockabout humour, all of which, against the odds, somehow cohere into some sort of whole to prove spectacularly entertaining.

Two slacker students bunk off to hang out with a drunken master in the kitchen, in the course of which he momentarily sets one of them on fire while the other one pulls a live snake from his trousers, and prepares it as a culinary delicacy.… Read the rest

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The Old Man
and the Land

Director – Nicholas Parish – 2023 – UK – Cert. 15 – 100m

*****

As he works on the land, an aging farmer hears his two adult children argue about the future of the family farm – plays UK cinemas from Friday, September 20th 2024, with previews from Monday, September 16th following its premiere in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival, where it was the best film out of a superb lot

Movies. You think everything’s been done, then along comes something you’ve never seen before. Or, in this case, seen or heard before.

The Old Man in question is an English farmer (Roger Marten) whose family have worked the land for generations. He’s getting on in years, so won’t be around forever. His wife died a while ago, so he’s now running the farm on his own. He has two children who have long since grown up and left home: a son (voice: Rory Kinnear) and a daughter (voice: Emily Beecham), and the big question is, when he dies, will they take over – or will they get rid of the farm?

In recent years, the UK has produced a number of rural movies that stand in stark contrast to the urban- (often London-) based films produced.… Read the rest

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Features Live Action Movies

The Substance

Director – Coralie Fargeat – 2024 – US – Cert. 18 – 140m

****1/2

An aging movie star takes a wonder treatment which splits her into her current self and a much younger version – in cinemas in the UK on Friday, September 20th.

Hollywood star Elisabeth Sparkle (Demi Moore) hosts a network TV keep fit show, but she’s getting on in years – and so is her audience. The show’s producer Harvey (Dennis Quaid) has decided that younger talent is needed in order to attract a younger audience, and gives her the elbow. By a quirk of fate or screenplay, a mailshot about something called The Substance arrives in her penthouse apartment. It’s some sort of beauty product, although the high-end design of the blurb doesn’t explain exactly what it is or what it does. There’s a phone number.

Elizabeth’s identity is bound up with the former show. She calls the number. She engages in conversation with the unseen voice on the other end of the phone. She decides to give The Substance a try. She is told to write down an address. Later, she is sent locker card key number 503 and instructed to collect her package from that address.… Read the rest

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Features Live Action Movies

The Goldman Case
(Le Procès Goldman)

Director – Cédric Kahn – 2023 – France – Cert. 12a – 115m

****

An acerbic, left-wing revolutionary in the dock protests his innocence on counts of murder he claims he did not commit – true life, courtroom drama is out in UK and Ireland cinemas on Friday, September 20th

Before this courtroom drama, which is based on an actual trial in 1975 concerning incidents in 1969 and 1970, gets fully under way, and after a brief title card explaining that left wing Jew Pierre Goldman (Arieh Worthalter from Girl, Lukas Dhont, 2018) was imprisoned on four counts of robbery, but insists that he’s not guilty of causing the two deaths in the pharmacy incident, and that a retrial is pending, two of his defence lawyers meet in an office to discuss his decision to drop one of them, M. Kiejman (Arthur Harari from Anatomy of a Fall, Justine Triet, 2023; Onoda: 10, 000 Nights in the Jungle, Arthur Harari, 2021), something neither of the defence lawyers want. Clearly, M. Goldman is a difficult client.

After people arrive in a courtroom thronging with photographers, Goldman is led into the dock, and is immediately met with shouts of “Goldman, innocent” from his supporters.… Read the rest

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Documentary Features Live Action Movies

Cyborg
A Documentary

Director – Carey Born – 2023 – Germany, Spain, UK – Cert. 12a – 87m

***1/2

Cyborg artist Neil Harbisson, unable to see in colour, has had an antenna implanted in his head to hear colours instead – out in UK cinemas on Friday, September 20th

This opens with a title sequence of weird, psychedelic images of what appears to be moving coloured liquids forming strange, never to be repeated natural patterns. If that implies a striking visual sensibility, that’s deceptive, since this documentary follows a fairly straightforward structure of following people around with cameras and talking to them as it introduces us to cyber artist Neil Harbisson and his artist partner Moon Ribas.

Neil stands out from other people because he has an antenna protruding from the back of his head to dangle in front of his forehead. He was born with the unusual condition of achromatism, which means that he sees not in colour but in monochrome. (Less severe, more common forms of colour blindness include the inability to differentiate between green and red.) This came to light in his childhood when the family got a new colour TV, and he and his sister would watch cartoons. At this point, the film throws in a clip of the children’s sci-fi cartoon series Robotrix (John Gibbs, Terry Lennon, 1985).… Read the rest

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Features Live Action Movies

Pharaoh
(Faraon)

Director – Jerzy Kawalerowicz – 1966 – Poland – Cert. 12 – 152m

*****

The reformist zeal of a youthful heir to the Ancient Egyptian throne confronts the immovable conservative tradition of the priesthood of the god Osiris – on Blu-ray from Monday, September 16th

There is nothing else in cinema quite like Pharaoh. That was my impression watching it, and although in such instances you always wonder if there are films of which you’re unaware that lie in a similar vein, this impression is confirmed by watching the Blu-ray’s excellent, 70 minute-odd afterword by critic, curator and scholar Michal Oleszczyk, which contextualises the film by detailing (1) the source novel by Boleslaw Prus, (2) its place in director Kawalerowicz’s wider body of work, which also includes Mother Joan of the Angels (1961) and (3) its significance in both 1960s international film culture and wider Polish history.

This disc extra isn’t meant to be watched until after the film has been viewed, not least because it contains a number of spoilers, so I’ll say no more about it in this review except to say that it’s an excellent and worthwhile extra that will add much to the viewer’s appreciation of the film.… Read the rest

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Features Live Action Movies

The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest

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Features Live Action Movies

My Favourite Cake
(Keyke Mahboobe Man,
کیک محبوب من)

Directors – Maryam Mogadam, Behtash Sanaeeha – 2024 – Iran, France, Sweden, Germany – Cert. 12a – 97m

****1/2

An old woman living alone in Iran takes a shine to a taxi driver after learning he has no romantic attachments – out in UK cinemas on Friday, September 13th

Mahin (Lily Farhadpour), 70, likes to lie in. Every morning, she’s woken by her mobile phone and her friend Pouran’s distinctive Vivaldi Four Seasons ringtone. She waters her small courtyard garden, she goes to the market to buy vegetables, she gets a lift home. She talks to her daughter and grandkids on a videolink – her daughter has long since left Iran. In the evening, she has friends round for a meal, including the hypochondriac Pouran who insists on talking about her recent colonoscopy (of which she’s brought along a disc with a video).

The next day, she gets a cab to a hotel to visit a coffee shop inside its premises, where she is confounded by a menu consisting of a QR code. She visits a park and asks a man there, where do people exercise? It seems they tend to come earlier in the morning than she gets up.… Read the rest

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Features Live Action Movies

Lee

Director – Ellen Kuras – 2023 – UK – Cert. 15 – 116m

****

Former fashion model Lee Miller, played by producer Kate Winslet, reinvents herself as a war photographer for London Vogue at the start of World War Two – out in UK cinemas on Friday, September 13th

It’s all too easy to assume (as per the ‘auteur’ theory espoused by the French ‘Cahiers du Cinema’ critics of the 1950s) that films are the works of directors. If one had to pick a single creative force behind this film, however, it would be the person who put it all together as producer before any director or writer were involved as collaborators.

That producer was the actress Kate Winslet who wanted to make a film about Vogue model turned photographer Lee Miller. Winslet doesn’t look much like the tall statuesque beauty that Lee Miller was in her younger days, and it didn’t occur to her to portray Lee Miller herself until some way into the process of putting the film together.

To direct the film, Winslet has chosen former cinematographer Ellen Kuras, an appropriate choice since Kuras has worked on documentaries shooting such musicians as David Byrne, Bob Dylan, Lou Reed and Neil Young, lensed narrative features on the such diverse cultural figures as Jane Goodall and Andy Warhol, and worked with unique film director Michel Gondry.… Read the rest

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Animation Features Movies

Boonie Bears Time Twist
(Xiong Chu Mo
Ni Zhuan Shi Kong,
熊出沒·逆轉時空)

Director – Lin Huida – 2024 – China – Cert. PG – 105m

***1/2

The Boonie Bears’ friend Vick is tricked into giving up his memories of the bears in exchange for working at an office job far away in the city – in a dubbed format for family audiences – out in UK and Ireland cinemas on Friday, September 13th

Although it works perfectly well as a standalone film, Time Twist is an odd place to start for anyone new to China’s long-running Boonie Bears franchise because the Boonie Bears are here relegated to secondary character status in a story about their friend Vick (once again voiced in the English language version by Paul ‘Maxx’ Rinehart). Here he’s introduced as ‘the logger’ who first fell in and became friends with the Bears (in what those already familiar with the franchise will know as their Pine Tree Mountain forest / national park home) before becoming, as a slogan hand-stamped on the image puts it, a ‘Certified Loser’.

He boards the bus to nearby Shen City, after momentarily looking wistfully at a flier on a telegraph pole reading ‘Lumberjacks / Hiring’. There, he picks up a job as an intern in an office, where his computer keyboard skills and overall ingenuity get his ‘intern’ tag replaced by one for ‘engineer’.… Read the rest

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Features Live Action Movies

Reawakening

Director – Virginia Gilbert – 2024 – UK – Cert. 15 – 90m

***

When a couple’s daughter returns after a decade’s long absence, the husband starts to suspect she is not really their daughter – out in UK cinemas on Friday, September 13th

It’s been ten years since their daughter Clare left home at 14. Not a day has gone by for her parents John (Jared Harris) and Mary (Juliet Stevenson) when they haven’t thought about her. The couple are in touch with the police and give periodic press conferences which have, so far, yielded nothing in the way of results.

Yet John, a self-employed electrician, has never given up hope. On the streets, he looks out for his daughter in the hope that he might one day see her again. And then, one day, he sees her sitting at then getting up from a table outside a café. He runs towards her, nearly getting hit by a car in the process, then follows her only to lose her down a turning.

Every morning at the primary school where she teaches, his wife Mary re-pins the poster of their missing daughter over the top of other bits of posters pinned on top of it to ensure that it can be clearly seen.… Read the rest

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Animation Features Movies Music

The Island

Director – Anca Damian – 2021 – Romania, France, Belgium – 84m

*****

A reimagining of the Robinson Crusoe story with Robinson as a doctor on an island where Friday is the only survivor of a refugee ship – plays with the accompaniment of the Bălănescu Ensemble at BFI Southbank on Friday, September 6th 2024 – from the 2022 Annecy International Animation Festival in the Official Competition section

The story of Robinson Crusoe, the man shipwrecked on a desert island befriended by a native he calls Friday, is here turned on its head by director Damian (Marona’s Fantastic Tale, 2019) bringing to life a clever script using an inventive mixture of 2D and CG animation techniques. Robinson (voiced by musician Alexander Bălănescu, who composed the music and songs with Ada Milea) is a Westerner, a well-off doctor who spends most of his time lounging around on an island with an i-Pad. He might be a shipwreck survivor, at least metaphorically. He sings about dreaming of shopping when hungry, and after a while we wonder if he’s simply disillusioned with the Western materialist way of life.

He finds himself in the company of Friday (Lucian Ionescu), sole survivor of a refugee boat who treats the doctor as his saviour.… Read the rest

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Features Live Action Movies

Firebrand

Director – Karim Ainouz – 2023 – UK – Cert. 15 – 121m

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest

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Animation Features Live Action Movies

Beetlejuice Beetlejuice

Director – Tim Burton – 2024 – US – Cert. 12a – 104m

***1/2

The hyperactive ghost from the afterlife returns, along with a number of characters from the original – sequel to the 1988 film is out in UK and Ireland cinemas on Friday, September 6th

When the original Beetlejuice (Tim Burton, 1988) came out, no-one had quite worked out what Tim Burton was about, and the film was arresting, shocking, completely out there, utterly bonkers and like nothing anyone had ever seen. It’s difficult to know exactly what one could do to achieve that same effect in a sequel, or whether one should even try that approach. In the interim, Burton has had a lengthy and successful Hollywood career, arguably the system’s resident maverick director. When he’s good he’s very good; when he’s not, you wait for the next one and it’s usually an improvement.

In the event, perhaps inevitably, Beetlejuice Beetlejuice doesn’t have the same shock of the new as its predecessor, but it’s similarly out there and bonkers and recognisably a sequel. It takes a while to get going – the first hour lumbers along with flashes of brilliance, such as a memorable, 3D-animated passenger aircraft crash at sea sequence, but the final third or so (from the point where one of the characters is lured in to the afterlife by another who turns out to be a ghost) is much more effective.… Read the rest

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Animation Features Live Action Movies

Beetlejuice

Director – Tim Burton – 1988 – US – Cert. 15 – 92m

***1/2

A recently deceased couple hire a bio-exorcist to rid their former house of its new, yuppie occupants – review originally published in Samhain, 1988

Whilst its opening shot recalls the aerial opening of The Shining (Stanley Kubrick, 1980) segueying into that of The Witches Of Eastwick (George Miller, 1987), this film has been described as a reworking of Ghostbusters (Ivan Reitman, 1984) and The Exorcist (William Friedkin, 1973) (!) from the ghost’s point of view. The plot concerns a couple (Geena Davis and Alec Baldwin) who die and then find that their house – which they have to live in as ghosts – is bought by an horrific collection of yuppie trendies.

The couple try to carry on as normal, picking up the occasional useful tip from a weighty tome entitled ‘The Handbook for the Recently Deceased’ (or diseased, as they first pronounce it!) and despite warnings from their afterlife caseworker Juno (played by veteran Hollywood actress Sylvia Sidney) they decide to employ the self-styled bio-exorcist Beetlegeuse (Michael Keaton) to frighten off the new occupants.

The single most memorable image of Beetlejuice is that of a desert landscape peopled by sea monster-like worms, reminiscent of nothing so much as a surrealist version of Frank Herbert’s Dune.… Read the rest

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Features Live Action Movies

Firebrand

Directed by Karim Ainouz
Certificate 15
121 minutes
Released 6 September

Reviewed for Reform magazine.

History. The Tudors. King Henry VIII wanted a male heir to the throne. His first wife failed to deliver, so he divorced her. When the Pope excommunicated him, Henry set up the new, Protestant, Church of England. He kept marrying new wives who ended up, as a popular rhyme puts it, ‘divorced, beheaded, died, divorced, beheaded, survived’.

The wife who died, Jane Seymour, gave Henry his desired son – however, Edward (Patrick Buckley) later dies at age 15. The wife who survived, Katherine Parr (Alicia Vikander), is the subject of this movie, which deals with the later period of Henry’s sixth marriage… [Read the rest at Reform magazine]

[Read my longer, alternative review on this site.]

Firebrand is out in cinemas in the UK on Friday, September 6th.

Trailer:

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Features Live Action Movies

Hard Miles

Director – R.J. Daniel Hanna – 2023 – US – Cert. 12a – 108m

****1/2

A youth facility social worker takes a group of troubled young men on a transformative team bicycle ride – out on Blu-ray, DVD & Digital Monday, September 2nd

Day-to-day life is one thing after another for Colorado medium-security correction school staff member Greg Townsend (Matthew Modine). He is in court defending, failing to get the court to see one of his charges as a human being rather than someone who committed an offence. Leaving, he finds someone has stolen his bicycle (it later gets found by the police, having sustained only minor damage). He is fielding calls from his prison-incarcerated brother about their father, who is in a care home and may not have much longer to live, and with whom Greg has not had contact for years. He is at the school, pulling boys apart as they attack each other for the most trivial remark.

However, not everything is about work and family responsibility. Greg is a cycling enthusiast, and is looking forward to taking his booked holiday of a week or more off cycling 1 000 (well, 762) miles to the Grand Canyon. Except that his boss Skip (Leslie David Baker) wants him to fill in that week, which Greg isn’t going to do.… Read the rest

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Features Live Action Movies

The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out on Blu-ray on Monday, June 17th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

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Animation Features Movies

A Greyhound
of a Girl

Director – Enzo d’Alò – 2023 – Luxembourg, Italy, Ireland, UK, Latvia, Estonia, Germany – Cert. U – 88m

****1/2

A young, cookery-obsessed girl with a fear of dogs must come to terms with the fact that her beloved granny is dying – animated feature is out on Blu-ray, DVD & Digital Monday, August 26th

Ireland. Faced with an unsympathetic interview panel for the Ballymaloe Cooking School when she unwisely makes a tatty tart with bananas, young girl Mary (voice: Mia O’Connor) finds she has an ally in her granny (voice: Rosaleen Linehan) who gives the judges a friendly talking to when they reject her granddaughter. The girl can always come back next time. She and granny are driving home on a minor coastal road and granny is refusing to talk about her own childhood – apparently there was an incident involving a dog and a well – when granny swerves to avoid a dog and dents the car. Mary doesn’t like dogs, although she’s a caring child who stopped granny accidentally running over a hedgehog earlier.

Granny has been coughing all day. With the news that Mary’s bestie Ava (voice: Amelie Metacalf) is soon be leaving as her dad has got a job in England, it’s not a great time for the young girl, and it gets worse, when she discovers her gran has a fever and her mum calls an ambulance.… Read the rest

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Features Live Action Movies

Black Dog
(Gou Zhen,
狗阵)

Director – Guan Hu – 2023 – China – Cert. 12a – 106m

***1/2

An ex-con returns to his home town, which is infested with wild dogs, and befriends a stray – out in UK and Ireland cinemas on Friday, August 30th

Looking down from the edge of a slope towards Gobi Desert scrubland. In the distance, a coach moving along a road. Suddenly, a large pack of wild dogs come out of nowhere and charge down the slope. The startled bus topples over. The dogs are gone, the driver is getting everyone out of the bus. A man complains that his money, his life savings, have gone. He needs that money. Who has taken it? They are about ten miles from Chixia. One of those on the bus is Lang’s son. The police are called, they arrive and help get the bus back upright. Lang Yonghui (Eddie Peng), as required, shows an officer his parole ID. Lang walks behind the slow moving bus as the police escort the coach to Chixia.

As an announcement warns of a black dog seen around the town that may well be carrying rabies, Lang is strip searched at the station while the other passengers wait to be interviewed.… Read the rest

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Features Live Action Movies

No Trees in the Street

Director – J. Lee Thompson – 1959 – UK – Cert. 12 – 96m

****

An essentially honest young woman living in her parents’ East End slum fails to stop her impetuous younger brother from becoming involved in the criminal underworld – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital

Framed by a contemporary story of plain clothes policeman Frank (Ronald Howard) trying to talk sense into a knife-carrying teenager (David Hemmings), this takes place in the East End street where the latter lives some 20 years previously. The name has changed: back then, Somerset Street was known as Kennedy Street. The policeman, who is local, has always worked this beat. 20 years ago, he was trying to prevent another young man from drifting into a life of crime.

That other young man is Tommy (Melvyn Hayes), who lives with his father, mother and older sister Hetty (Sylvia Syms) in fairly basic accommodation. It’s a poor area and honest work is hard to come by. Both brother and sister would like to find a way out, into a better life. Both have less than honest ways of doing so, in the form of local ‘businessman’ Wilkie (Herbert Lom).… Read the rest

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Features Live Action Movies

The Weak and the Wicked

Director – J. Lee Thompson – 1954 – UK – Cert. 12 – 88m

***1/2

A woman spends 12 months in prison after being convicted of fraud – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital in August, 2024

Jean (Glynis Johns) is marched from her cell and up the stairs into the courtroom to hear the judge’s verdict. She gets 12 months for fraud, and is sent to HM Prison Blackdown. Her crime is detailed in flashback – she has a gambling problem, which costs her her doctor boyfriend Michael Hale (John Gregson) who walks out on her. She pays for chips at a casino with a cheque, for which she hadn’t the funds in the bank. In this office, the owner Mr. Seymour (Edwin Styles) tells her he has his own way of dealing with debts, as she’ll shortly find out.

Her friend Pam (Ursula Howells) gets her a job in a clothing store, but it turns out Pam is actually working for Mr. Seymour and steals a family heirloom from Jean’s handbag the first chance she gets. Jean claims the insurance money only for two policemen to arrest her the day the money comes through, going into her home and finding a pawn ticket for the allegedly stolen item tucked into the back of a mirror.… Read the rest

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Features Live Action Movies

Sasquatch Sunset

Director – David & Nathan Zellner – 2024 – US – Cert. 15 – 88m

****

As recreated by actors wearing primate suits, a family of Sasquatches are photographed in the wild over the course of a year – on Blu-ray and Digital from Monday, August 26th, packed with more than three hours of UK exclusive special features

In the US and Canada, the Bigfoot or Sasquatch is a staple of American folklore; a primate alleged to live in various American woodlands habitats, an assertion supported by such dubious artefacts as the Patterson-Gimlin film, amateur footage of a Bigfoot female walking through a forest. It’s far from conclusive, and could well be a man in an ape suit.

There is, however, no doubt whatsoever that the four Sasquatches in Sasquatch Sunset are human beings wearing ape suits. The film doesn’t try to pass itself off as anything other than actors playing a family of the creatures, and uses no narration voice-over to tell the audience what to think. Rather, it follows its creatures through a year of their existence in the wild, from Spring through Winter. It isn’t attempting to prove the existence of these creatures one way or the other; rather, it’s an attempt to imagine what they might look like and how they might behave if they were (or are) real.… Read the rest

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Features Live Action Movies

Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Animation Art Features Movies

Kubo
and the Two Strings

Director – Travis Knight – 2016 – US – Cert. PG – 101m

*****

The following review originally appeared in Funimation UK; republished to coincide with the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

A Hollywood film inspired by the Far East.

Western cinema in general and animation in particular has long held an interest in all things Oriental. Every so often, a film made in the West pays homage to one aspect or another of Eastern culture. The animated fantasy Kubo and the Two Strings is the latest entry in this curious Western sub-genre. It’s a dark fairytale about the quest of a boy named Kubo for his late father’s long-lost suit of armour to protect himself from the evil spirits of his grandfather and two aunts.

The company behind the production are US stop-frame outfit Laika who previously made Coraline, ParaNorman and The Boxtrolls. All three like Kubo are dark visions far removed from the upbeat fare that constitutes much contemporary Hollywood animation.… Read the rest

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Animation Features Movies

Coraline (3D)

Director – Henry Selick – 2009 – US – Cert. PG – 100m

UK release date 08/05/2009

Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His The Nightmare Before Christmas suggested leanings towards horror and the macabre; Coraline goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of Dr. Who.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.… Read the rest

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Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

Pic: Toby Lewis Thomas, courtesy LAIKA and BFI

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
… Read the rest
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Features Live Action Movies

Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic is out in UK cinemas on Friday, August 23rd

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest

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Widow Clicquot

Director – Thomas Napper – 2023 – UK – Cert. 15 – 90m

****

A nineteenth century French widow innovates in the male-dominated world of champagne production – out in UK cinemas on Friday, August 23rd

In the early nineteenth century, Veuve Clicquot established itself as something of an innovation in the world of champagne. You would imagine that if anyone were to make a period picture about it, it would be the French, but as may well be guessed from the English language translation title here, this is a British production using English actors speaking English.

There’s nothing whatsoever wrong with that, but given that France has a sizeable movie industry which, among other things, often makes period costume dramas, watching a film about an historical period in that country in English feels decidedly odd. Perhaps if there were more of an epic sense of scale (think: Napoleon, Ridley Scott, 2023) it might feel less so. The screenplay is based on a book by North American writer Tilar J. Mazzeo.

Perhaps it’s explained with greater clarity in the book, but the film assumes a familiarity on the part of the audience with the ins and outs of the Napoleonic Wars, which take place in the backdrop of the film and on the edge of the narrative, affecting it from a distance, as it were.… Read the rest

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Animation Features Movies

Noah’s Ark
(Arca de Noé)

Directors – Alois di Leo, Sergio Machado – 2024 – Brazil, India – Cert. U – 96m

**

Two musical performing mice attempt to board Noah’s Ark, where a despotic lion and his thuggish entourage attempt to lord it over the other animals in a singing contest –animated feature is out in UK cinemas on Friday, August 23rd

Two mice – Tommy (voice: Marcelo Adnet) who sings and his accompanist pal Vini (voice: Rodrigo Santoro) who plays a four-string guitar – appear to be at the pinnacle of success, but when the lights go down, they are revealed to be playing the empty bar of Mrs Ferret (voice: Rachel Butera), from which they’re unceremoniously ejected.

On the lam, one of them overhears an old man in the desert wilderness remonstrating with a voice in the sky at its wits end – “I tried my best, it says, but what’s a God to do?” – and being instructed as per the Biblical myth to build an ark and fill it with male and female members of each animal species. “How do I tell the animals?”, asks the bewildered Noah (voice: Ian James Corlett), for it is he. “Well,” says God (voice: Luis Bermudez) in a rare moment of wit uncharacteristic of the screenplay overall, “I can get the invitations out.”… Read the rest

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Documentary Features Live Action Movies

Hollywoodgate

Director – Ibrahim Nash’at – 2023 – US, Germany – Cert. 12a – 89m

****

A Western documentary shot with the approval of the Taliban showing the eponymous air base in which the Americans abandoned large stocks of military hardware – out in UK cinemas on Friday, August 16th

An extraordinary exercise in both journalism and historical, socio-political filmmaking. A few days after the US military pulled out of Afghanistan in 2021, fearless, former journalist Nash’at entered the country as, to all intents and purposes, a one-man film crew. At first, it was a fruitless exercise, but then he somehow managed to get in with a soldier about to be deployed on a big airport.

Negotiating with Afghanistan’s airforce to be allowed to shoot documentary footage, Nash’at secured himself permission to follow and shoot not just the lieutenant, M.J. Mukhtar, but also the new head of the airforce, Mawlawi Mansour, with the proviso that anything Nash’at was told not to film, he was not to film and anytime he was ordered to stop filming, he had to stop filming. Refusal to do either would have meant big trouble. He played along, shooting whatever he could without breaking the air force head’s trust, knowing that the Taliban would have no control whatsoever over the footage when he left the country to edit what he’d shot.… Read the rest

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Only the River Flows
(He Bian de Cuo Wu,
河边的错误,
lit. Mistake (or Mistakes)
By the River)

Director – Wei Shujun – 2023 – China – Cert. 15 – 101m

**

A cop must solve a complex murder mystery his chief believes to be an open and shut case – out in UK cinemas on Friday, August 16th

A small boy with a toy gun plays cops and robbers in a deserted building, He opens doors like the protagonist of a Hollywood cop movie, looking for an armed criminal. And then he opens the door at the end of the corridor to reveal… a drop. The edge of a half demolished building, a building site with diggers.

This bravura opening is the high point of a film that combines a number of disparate elements in an attempt to construct a gritty police procedural murder mystery. However, it gets rather too caught up in many of these elements, and they swamp the narrative, which becomes incredibly tough to follow as a result. (This reviewer went back a second time to see if he liked it more on second viewing. He didn’t.)

A police chief (Tianlai Hou), who is also a keen table tennis player, encourages his force to get their merit recommendations in. This offers a fascinating glimpse into Communist China’s concept of community – you point out those who are making a useful contribution so that they can be rewarded.… Read the rest

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Animation Features Movies

Ozi
Voice of the Forest

Director – Tim Harper – 2023 – US – Cert. PG – 87m

**

An orangutan girl becomes a social media influencer to stop corporate exploitation of palm oil after her forest habitat is burned in a forest fire – out in UK cinemas on Friday, August 16th

The fate of orangutans in countries such as Borneo is dire in the sense that, to facilitate the extraction of palm oil, rainforests are being cleared and burned (in some cases leading to forest fires removing further areas of rainforest). The problem is that the rainforest is the habitat of the orangutan, and they are being left with their natural home severely depleted. It’s a disaster for this species and needs addressing urgently.

Enter this film, which laudably seeks to place that idea in front of family audiences.

Don’t get too excited, though, because having set out to raise consciousness, it attempts to do so with a script that’s overly simplistic and laughable. It starts off well enough, with carefree, small orangutan girl Ozi (voice: Amandla Stenberg) leaping from branch to branch, pulling old orangutan’s tails to knock them off their branches and being rescued from falling into the expectantly gaping jaws of a hungry crocodile by her watchful dad (voice: Djimon Hounsou).… Read the rest

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Documentary Features Live Action Movies

Heart
of an Oak
(Le Chêne)

Directors – Laurent Charbonnier, Michel Seydoux – 2022 – France – Cert. U – 80m

****

The life of an oak tree, and the community of animal life which surrounds it, through the four seasons of a year – out in UK cinemas on Friday, July 12th and then on Digital Download from Monday, August 12th

This French movie is narrated almost entirely in sounds and images: no voiceover narration, no voices added to the animals.

A Pedunculate Oak tree, born in 1810 according to the (subtitled) caption at the end, sits on the edge of a large lake. The opening shots move towards and onto the tree and its branches, introducing us to the wide variety of wildlife present. Acorns hang in abundance, Acorn Weevils buzz and make their way through furrows in the bark, a Eurasian Jay looks at them quizzically, a Eurasian Red Squirrel runs around branches near its nest, and a Great Spotted Woodpecker prepares to do its thing.

I’m cheating slightly here: there are no titles to identify which creatures are which until the list at the end, at which point I made extensive notes. That doesn’t matter as you’re watching, though, as it’s pretty easy to follow the continuity.… Read the rest

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My Neighbour Totoro
(Tonari no Totoro,
となりのトトロ)

Director – Hayao Miyazaki – 1988 – Japan – Cert. U – 86m

*****

Two young girls, whose mother is hospitalised, move to the country with their dad, where they encounter a friendly tree spirit – one of the greatest movies ever made, animated or otherwise, is back out in UK and Ireland cinemas on Friday, August 2nd

There’s something about rewatching and reviewing a favourite film you’ve watched numerous times because it’s coming out again in the cinema. And so it is that I dug out my Japanese release DVD (containing those all important, on/offable English subtitles), from those far off days when those seemingly few of us who knew about extraordinarily talented filmmaker Miyazaki thought none of his films would ever see a UK release, and rewatched his wonderful film for the umpteenth time.

The deceptively simple storyline involves two girls, Satsuki (10 – Japanese voice: Noriko Hidaka; English voice: Dakota Fanning) and Mei (5 – Japanese voice: Chika Sakamoto, English voice: Elle Fanning) who move with their father (Japanese voice: Shigesato Itoi, English voice: Tim Daly) to the countryside to be near the hospital which is looking after their mother (Japanese voice: Sumi Shimamoto, English voice: Lea Salonga).… Read the rest

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Sky Peals

Director – Moin Hussain – 2023 – UK – Cert. 12a – 91m

****

When his estranged father dies after leaving him an answering machine message, a motorway service station employee starts to question the identity of his father and, by extension, of himself – out in UK cinemas on Friday, August 9th

Adam (Faraz Ayub) receives an answerphone message from his father Hassan (Jeff Mirza) who he’s not seen for years; his father hasn’t much time left, is currently near Adam’s home and wants to meet up and talk. Like the answerphone message left by her soon-to-be deceased husband for the heroine of After Love (Aleem Khan, 2020) – is a British subgenre emerging here with Muslims and bereavement? – the recording plays on Adam’s mind at his workplace, the Sky Peals motorway service station, where he does the night shift preparing burgers in the kitchen and keeps himself pretty much to himself. He complains to his superior that the system isn’t working and customers aren’t getting served their orders, but the old manager has left, and the new one doesn’t start ’til Monday. Meanwhile, people aren’t getting their orders.

The police find a dead body in a car in the service station car park.… Read the rest

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Duchess

Director – Neil Marshall – 2023 – UK – Cert. 15 – 113m

**1/2

A low life, female criminal falls for a gangster diamond smuggler, then attempts to take back control after a rival gang ousts him – out in UK cinemas on Friday, August 9th and on digital DL from Monday, August 12th

From an opening where a too good to be true sex bomb lures a man into a room then violently assaults his exposed (albeit not to the camera) genitals, revealing herself in a voice-over to be Scarlett (Charlotte Kirk, also a co-screenwriter, who worked in the same capacities on director Marshall’s The Lair, 2022, and The Reckoning, 2020), London-born and bred, and her victim Nacho, who “totally has it coming” from her friend Danny Oswald (Sean Pertwee). After a struggle, we “have to go back a bit” via a series of fast-reverse images.

Thus, this is one of those movies with a framing device which starts in the middle of the film, goes back to the beginning of the story and then at some point arrives at the opening scene before proceeding to tell the rest of the story. Which points out its major flaw: just before that opening frame story scene in the middle of the film comes a scene which completely changes what the film is, from a woman criminal’s romantic involvement with a gangster who gets to know his world to a woman wronged revenge thriller.… Read the rest

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Borderlands

Director – Eli Roth – 2024 – US – Cert. 12a – 102m

*

A ragtag collective of misfits must outwit their pursuers on a hostile planet– videogame adaptation is out in UK cinemas on Friday, August 9th

Intergalactic bounty hunter Lilith (an orange-haired Cate Blanchett) is hired by the universe’s most powerful industrialist Atlas (Edgar

Ramírez) to find his missing teenage daughter Tiny Tina, last seen on Lilith’s home planet Pandora, famed for an ancient civilisation of the Eridians and their much sought after vault which can only be opened by a member of that race. The planet is a renowned hell-hole, and while Lilith knows her way around there, she has no intention of going back.

Atlas, however, makes her an offer she can’t refuse, so it is that Lilith finds her way to Pandora where she is soon united with Tiny Tina (Ariana Greenblatt) who turns out to have a love of using children’s cuddly toys as explosive missiles. Tina is accompanied by a soldier on the lam (Kevin Hart) and a sympathetic if none-too-bright muscleman (Florian Munteanu). Her entourage soon expands to include an irritating motormouth robot (voice: Jack Black) programmed by an unknown client to protect Tina and a cynical scientist (Jamie Lee Curtis).… Read the rest

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Animation Features Live Action Movies

Hundreds
of Beavers

Director – Mike Cheslik – 2022 – US – Cert. 12 – 108m

***1/2

A ruined drinks purveyor reduced to hunting beavers (played by actors in onesies) attempts to kill the amount required to buy a trader’s daughter’s hand in marriage – visually astonishing slapstick comedy is out in UK and Ireland cinemas on Tuesday, July 9th and on Blu-ray from Monday, August 5th

Opening with what is essentially a music video extolling the bibulous virtues of the booming, farm home of Jean Kayak’s Acme Applejack, this shows a simplistic caricature of a prosperous nineteenth century business when the wooden supports of one of Kayak’s gigantic barrels of beverage is nibbled by a beaver causing it to roll down a hill on which it’s situated into his house at the bottom of the hill, causing it to burn down his hillside apple orchard.

Leaving aside such questions as, why store the huge barrel on top of a hill above your house? – the answer, so it can roll down a hill, catch fire and burn down your orchard to get the plot going, proving less than satisfactory – this leaves the ruined Jean Kayak (co-writer Ryland Brickson Cole Tews) homeless in midwinter and forced to survive by hunting animals.… Read the rest

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DÌDI (弟弟,
translates as
‘little brother’)

Director – Sean Wang – 2023 – US – Cert. 15 – 94m

*****

A young, Taiwanese-American teenager must deal with issues of ethnicity, family and love in 2008, when social media has become a significant element of growing up – out in UK cinemas on Friday, August 2nd

2008. California. Summer. 13-year-old Taiwanese-American Chris (Izaac Wang), who prefers to go by the nickname Wang Wang, is rebelling. Mandarin is spoken at home by Nai Nai (‘grandma’; Chang Li Hua) and mum (Joan Chen), but that doesn’t stop mega-sweary English language shouting contests at the supper table between Wang Wang and elder sister Vivian (Shirley Chen) who is due to attend UCSD later in the year. When she’s out, Wang Wang hangs out in her room and posts as her on her Facebook (about which, amazingly, she never comes back to him). In the bathroom, he pees into her moisturising cream (leading to her threatening to period him in the mouth if he ever does it again).

Outside the house, he hangs out with his peers Farhad Mahmood (Raul DIal) and Jimmy Kim aka SOUP (Aaron Chang). Egged on by them in the manner of pubescents everywhere, he attempts to hang out with Madi (Mahaela Park), the girl he fancies.… Read the rest

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Kensuke’s Kingdom

Directors – Neil Boyle, Kirk Hendry – 2023 – UK – Cert. PG – 85m

***1/2

A British boy and his dog are stranded on a desert island alongside a Japanese man looking after a colony of apes – animated adaptation of Michael Morpurgo’s book is out in UK cinemas on Friday, August 2nd

With his parents having lost their jobs, Michael (voice: Aaron McGregor) is sailing round the world with his family. They are somewhere in the Pacific. Mum (voice: Sally Hawkins) is the skipper, with dad (voice: Cillian Murphy), Michael’s elder sister Becky (voice: Raffey Cassidy) and Michael himself as crew. He is homesick, missing his dog Stella. Well, not missing her, actually, because he’s secretly smuggled her on board and has her holed up in the cupboard at the front of the deck. Which is why the ship’s supplies appear to be dwindling – he is sneaking her food out of them.

Michael is the misfit of the crew; you sense that the other three family members are enjoying the experience of the trip, but he’d rather be back at home. Mum and dad try to make him feel better – mum ordering him about as skipper but giving him time with her as “mum” to talk about anything that might be bothering him.… Read the rest

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Documentary Features Live Action Movies

Mountain Queen:
The Summits
of Lhakpa Sherpa

Director – Lucy Walker – 2023 – US – Cert. 12a – 103m

***1/2

A Sherpa woman climbs Everest ten times and escapes an abusive marriage to one of her fellow climbers – out in UK cinemas on Friday, July 26th and on Netflix from Wednesday, July 31st

Amazing what you can learn from documentary movies. From this one, I learned that all of Nepal’s Sherpa people have the same surname: Sherpa. One of them, a woman named Lhakpa Sherpa, had always wanted to climb Mount Everest. A series of meetings led her to the Nepalese Prime Minister, who, impressed with her determination, put her in charge of a year 2000 expedition to conquer the summit. Unfortunately, she was not the greatest of leaders, preferring to go on ahead at her own pace. Many of her fellow climbers gave up or returned to camp, but she kept going and became the first woman to both make it to the Summit and return alive.

Bitten by the Everest-scaling bug, she went back on her own the following year and did it again. This time, she went with a Romanian climber named Gheorghe Dijmărescu, who she had met the previous year. A romance ensued, and she went back with him to Connecticut and had a child by him before the couple married in 2002.… Read the rest

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Love Hotel
(Rabu Hoteru,
ラブホテル)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 88m

***1/2

After violently taking out the stress of yakuza business debts on a call-girl, a man finds her two years later and attempts to rekindle a relationship – roman porno is out on UK Blu-ray on, Monday, July 22nd

NSFW.

Tokyo. Muraki (Minori Terada) phones Milky Way from room 301, all dark suit and shades, obviously a gangster, to be is told a girl, Yumi, will be with him in 10 minutes. Only, a flashback reveals him as the owner of a publishing office, his stairwell to his small office premises blocked by a yakuza, another of whose number, he discovers on entering, is forcibly having sex with Muraki’s wife (Kiriko Shimizu) while two further fellow yakuza look on approvingly. Later, he considers throwing himself out of the third storey window of his unfurnished office with “for rent” signs, but swats a fly and thinks better of jumping.

When Yumi (Noriko Hayami) arrives at 301, her initial euphoria at Y100 000 for two hours is dispelled when Muraki unexpectedly slaps handcuffs on her, pulls a knife, slashes at the bedsheets and her clothing to undress her than violates her with a dildo, later cutting the skin between her breasts as she writhes orgasmically.… Read the rest

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Shayda

Director – Noora Niasari – 2023 – Australia – Cert. 15 – 117m

*****

An Iranian mother and her young daughter, holed up in a women’s refuge in Australia, live in fear of the girl’s estranged father who wants to take them both back to Iran – out in UK cinemas on Friday, August 2nd

A woman is with a mum and her little girl in a shopping mall. The woman tells the little girl to remember the counters, because if daddy brings her here, she must find them and tell the security man nearby who she is. The girl’s mother reminds her that daddy said he’d take her on a plane. The woman tells the mother, she’s done the right thing.

Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022) and her young daughter Mona (Selina Zahednia) are separated from Shayda’s husband. The other woman is Joyce (Leah Purcell), who runs a woman’s refuge house catering for residents from a variety of ethnic groups. Shayda and Mona, for example, are Iranian. Shayda’s photo album tells the story of her life. In the mid-1980s, she graduated and got married in Iran; in the early 1990s, the couple moved to Brisbane, Australia.… Read the rest

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Twisters

Director – Lee Isaac Chung – 2024 – US – Cert. 12a – 117m

Film ***1/2

Special Effects (the twisters themselves) *****

A young woman attempts to compensate for failed “twister taming” which caused the tragic deaths of three of her friends, by further pursuing tornadoes – out in UK cinemas on Wednesday, July 17th

In the very first moments, Kate (Daisy Edgar Jones from Where the Crawdads Sing, Olivia Newman, 2022) stands in a field of tall grass. It’s an image that could almost have come out of director Chung’s previous film, the intensely personal Oscar-winner Minari (2020). Almost, but not quite: apart from one briefly seen-child, this is not a film populated with Korean-Americans. It doesn’t attempt any kind of ethnic statement, but then, why should it? People either come to this because they saw Twister (Jan de Bont, 1996) and want a rerun or, if they’re younger, because they want the same thing that pulled audiences into the first film: mayhem caused by the awe-inspiring, unstoppable force of nature that is a tornado, aka a twister.

The title implies there are more than one, and there are indeed, but then, there were in the first film too.… Read the rest

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Twister

Director – Jan de Bont – 1996 – US – Cert. PG – 108m

Film **

Special Effects (the twisters themselves) *****

1996 review for long defunct website London Calling Internet

A twister, as lovers of The Wizard of Oz (Victor Fleming, 1939) will know, is a tornado that snatches up objects in its path into the air and then dumps them down again. The one that snatched Dorothy into the air was a cheap special effect in a wonderful film. The current movie, on the other hand, is the other way round: basically, it’s a rotten movie with awe-inspiring special effects. The cast here is not so much the workmanlike group of American actors playing uninspired characters as the incredible series of tornadoes which appear one after another, each seemingly darker and by inference more evil than its predecessor.

This may also be one of those rare movies that requires a big (cinema) screen, with all the resolution that a projected celluloid image can give these tornadoes, to really work its magic.

Approaching Twister with the usual criteria, it fails abysmally. The feeble plot, such as it is, concerns Bill Paxton and ex-wife Helen Hunt coming together, leaving the former’s wife-to-be Jami Gertz out in the cold.… Read the rest

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Janet Planet

Director – Annie Baker – 2023 – US – Cert. 12a – 113m

**

Over the Summer, an 11-year-old girl abandons her idealised view of her mother as the latter traverses a series of relationships – out in UK and Irish cinemas on Friday, July 19th

11-year-old Lacy (Zoe Ziegler) isn’t enjoying summer camp. So much so, that she phones home from the payphone (it’s 1991) to ask her mother Janet (Julianne Nicholson) to come and get her. That sets us up for the rest of the film, in which Lacy shares her mother’s house over the remainder of the Summer. During this time, her mother embarks on a series of short-term relationships, with the body of the film split into three sections, one for each.

First up is war veteran Wayne (Will Patton), a damaged individual who is around long enough to briefly introduce Lacy to his own daughter Sequoia (Edie Moon Kearns). But then, before you’ve really got a handle on him, or his daughter, they’re gone from Janet’s life and so from Lacy’s.

Mother takes daughter to witness an open air performance by a bizarre theatre collective involving weird, archetypal, human-sized characters from homegrown hippie folklore (these scenes prove a high point in a largely uninspiring film).… Read the rest

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Shayda

Muslim limbo

Shayda
Directed by Noora Niasari
Certificate 15, 117 minutes
Released 19 July

An Iranian woman, Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022), is staying with her young daughter Mona (Selina Zahednia) in a woman’s refuge house in Brisbane run by Joyce (Leah Purcell). Shayda’s husband Hossain (Osamah Sami) came to Australia with her before they separated and has been granted visiting rights for Mona. Even though Hossain talks of taking Mona on a plane back to Iran, if Shayda wants full custody, Joyce recommends she allows Hossain the allotted time alone with his daughter in the local shopping mall.

Outside of these handovers, Shayda rarely leaves the women’s refuge… [Read the full review at Reform]

Read my longer review for this site – coming soon.

Trailer:

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Sting

Director – Kiah Roache-Turner – 2024 – Australia – Cert. 15 – 91m

***1/2

A girl traps a venomous spider and cares for it as a pet, but as she feeds it, it grows… and grows… and gets out… – onto UK Home Premiere on Monday, July 15th

Helga (Noni Hazlehurst) is hearing strange noises in her Brooklyn apartment. She doesn’t remember so good, however, helpfully pinned to the wall by the phone is her name and address. So when she phones Frank the pest exterminator (Jermaine Fowler), she can read those details to him. It’s probably a rat, he tells her. Soon he is at the door of the block, asking her to buzz him in. But inside the apartment, he realises this particular bug may be more than he bargained for.

Flash back to four days earlier. A hand-sized meteor plunges to Earth to crash through a window into a doll’s house in the same apartment block. It is a tiny pod not unlike the ones in Alien (Ridley Scott, 1979). It opens, hatching a small spider, which looks huge until we realise it’s in a small scale doll’s house, not outside in the apartment proper. The spider is found by Charlotte (Alyla Brown from Furiosa: A Mad Max Story, George Miller, 2024) who empties out her money jar, the one with the screw lid, to make a home for it, feeding it with the roaches that infest the apartment.… Read the rest

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Longlegs

Director – Oz Perkins – 2023 – US – Cert. 15 – 101m

*****

An FBI hunt for a serial killer becomes embroiled in occult and Satanic practices, and the past history of the FBI agent involved – out in UK cinemas on Friday, July 12th

There’s a peculiar flashback, denoted by a 4:3 rounded-edge frame within the wider letterboxed image, at the start of Longlegs involving a young girl (Lauren Acala) who comes out of her family house and a mysterious, white-feminine-haired stranger (Nicolas Cage) who explains the mystery of his arrival with the phrase, “I’ve got my long legs on today”, an indelible apparition and images that conjure fairy tales and nightmares. Although Cage isn’t on the screen all that much, when he intermittently appears, he delivers one of his most arresting performances in years.

The protagonist, who is onscreen pretty much all the time, is FBI Agent Lee Harker (Maika Monroe) who, with her FBI partner, has been charged with the job of investigating serial killer Longlegs. When early on she accurately picks out a house where he’s hiding with apparent ease, her psychic abilities are revealed to the Bureau and her FBI boss Agent Carter (Blair Underwood), changing the course of the Bureau’s investigations.… Read the rest

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Sleep
(Jam, 잠)

Director – Jason Yu – 2023 – South Korea – Cert. 15 – 95m

***1/2

A pregnant woman becomes convinced that her husband is possessed when he starts sleepwalking and otherwise behaving oddly in his sleep at night – out in UK cinemas on Friday, July 12th

One night, a wife wakes up and looks at her husband. He’s sitting on the end of the bed and says, calmly, “someone’s inside”. She hears banging. She gets up, and we see she is pregnant. Fearing an intruder, she goes into the next room, household drill in hand. It’s the door to the verandah banging, wedged open with his flip-flop. She finds their dog, Pepper, a Pomeranian, hiding behind the box container with the laundry liquid. Returning to the bedroom, she sees him wearing one flip-flop.

Sleep is a horror thriller about both a sleep disorder and intermittent possession by a ghost. The wife Soo-jin (Jung Yu-mi) is a former film executive, the husband Hyun-Su (Lee Sun-kyun) a struggling actor in whose career she believes. On their wall, a wooden plaque proclaims, “Together, we can overcome anything”. Their new downstairs neighbour Min-jung (Kim Guk-hee), who moved in after the difficult old man who used to complain to the couple about the noise moved out, pops round to say hello and complain about the banging that’s been going on for the last week.… Read the rest

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Agent
of Happiness

Directors – Arun Bhattarai, Dorottya Zurbó – 2023 – Bhutan, Hungary – 94m

****

A civil servant travels around Bhutan assessing individual people’s happiness even as his personal life begs the questions whether he, himself, is truly happy – out in UK cinemas on Friday, July 12th

Judging by the opening montage of cloudy and hilly scenery here, Bhutan may not be the sunniest place on the planet, but it looks fabulously beautiful. In their house, a fortysomething man clips and files his mother’s fingernails. He puts on his uniform (which includes a traditional type of robe), says goodbye to her, and goes out to work. He has a job as one of 75 agents who travel the kingdom conducting surveys assessing people’s happiness. We will only lean his name fortysomething minutes into the film.

The surveys have 148 questions and nine categories. The King of Bhutan has instigated a Happiness Index, to measure Gross National Happiness (GNH), which serves as the basis of future policy to improve his subjects’ lot and make them as happy as they can be.

The agent and his colleague drive around in his car meeting people and asking them the questions. At the end of each interview, a chart overlays the image of the person (sometimes it’s more than one family member) showing marks from one to ten for each category, plus another mark for their overall Happiness Level.… Read the rest

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Riddle of Fire

Director – Weston Razooli – 2023 – US – Cert. 12a – 115m

****

Two siblings and their friend get caught up in a quest through the great hills and woods of Wyoming on their bikes to find a speckled egg so they can bake the boys’ sick mother a blueberry pie – out on Blu-ray and DVD on Monday, July 8th

Wyoming. Young siblings Hazel (Charlie Stover) and Jodie A’Dale (Skyler Peters) along with their slightly older friend Alice (Phoebe Ferro) break into the Otomo warehouse to steal a videogame console so they can play on the TV during the Summer holidays. Alas, they’ve reckoned without the two boys’ mother (Danielle Hoetmer) password protecting the TV. She currently has the worst cold she has ever had and isn’t going to relent on the password for the foreseeable future – it’s a beautiful day, and she wants them outside enjoying themselves, not cooped up in the house – unless the kids go to the store and get her a blueberry pie, the one thing that would make her feel better.

So the three kids set out for the local store on their pushbikes, but on arrival find the place has run out of blueberry pies and the cook is off sick (perhaps there’s a bug going around).… Read the rest

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The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. 15 – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction is out on MUBI from on Friday, July 12th

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film. However, Bonello plays it as a curious introduction to the whole, rather than part of the story proper.… Read the rest

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Kill

Director – Nikhil Nagesh Bhat – 2023 – India – Cert. 18 – 105m

***1/2

Trying to prevent the love of his life from becoming trapped in an arranged marriage, a commando finds himself on a train fighting a violent gang of bandits – out in UK cinemas on Friday, July 5th

Commando Amrit (Lakshya aka Laksh Lalwani) returns from active duty for a clandestine meeting with his true love Tulika (Tanya Maniktala), who is being forcibly engaged to another man by her family. Her father owns the railway, and her family take her on board the sleeper train for New Delhi where her arranged marriage to her fiancé is to take place, unaware that also on board the train are a party of bandits who plan to rob all the passengers.

The bandits are equally unaware that also on board the train are Amrit and his friend and fellow commando Viresh (Abhishek Chauhan) who intend to remove Tulika and take her away from her family’s plans which threaten Amrit and Tulika’s love. Among the bandits, firebrand Fani (Raghav Juyal) has an unfortunate tendency to kill the wrong opponent or prisoner at the wrong time…

The boy / girl romance element is fairly syrupy and over the top, and features heavily in Amrit’s motivation, especially once Tulika and her beloved younger sister Aahna (Adrija Sinha) are taken prisoner.… Read the rest

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Hoard

Director – Luna Carmoon – 2023 – UK – Cert. – 126m

****

A young girl’s strange relationship with her rubbish-hoarding mother, cut short in childhood, leads to an equally bizarre bond in adult life – out in UK cinemas on Friday, May 17th, with previews from Friday, May 3rd and exclusively on MUBI from Friday, July 5th

When I first stumbled across the title of this film, and the image used to promote it of a young couple staring into what I took to be a circular hole, which, I realised after seeing the film, was in fact the outline of a communal bin of the type commonly found on an English housing estate, I guessed it was a thriller – two people stumble upon a hoard: a bag of money or otherwise valuable contents. A noun. However, after viewing, I now realise the title could equally well suggest an activity, a verb. To hoard. The act of hoarding. The state of being which is hoarding. The film isn’t really a thriller. To describe it as a drama might be closer to the mark, but that doesn’t prepare the viewer for how utterly strange and alien the experience of watching this is.… Read the rest

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A Quiet Place
Day One

Director – Michael Sarnoski – 2024 – US – Cert. 15 – 100m

*****

A terminally ill woman returns to the New York of her childhood as hostile aliens land and start wreaking havoc – franchise prequel is out in UK and Ireland cinemas on Friday, June 28th

Another attempt to duplicate the success of A Quiet Place (John Krasinski, 2018), this time by showing us the first day of the alien invasion in New York City, the sort of thing that couldn’t be done on the small budget of the original. Which sounds like more of the same – and on one level, that’s exactly what this is (so admirers of the original – among whom I number myself – wanting more aliens who hunt by sound, and more terrifying games of hide and seek with them, should find themselves more than satisfied).

There’s a curious attempt by the Studio’s marketing department to offer the chance to find out “why the world went quiet”, which is a great idea but bears no relation whatsoever to this film. Once you know that the aliens hunt by sound, so you must keep quiet to survive – revealed in the original film – this new film offers no further explanation as to why the world went quiet.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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the G

Director – Karl R. Hearne – 2023 – Canada – Cert. 15 – 106m

*****

A 72-year-old conned out of her home and assets calls up someone from her past to exact revenge – gripping thriller is out in UK and Ireland cinemas on Friday, June 21st

After a brief opening in which two men complete the task of burying a third alive, this switches to a hospital appointment of Mrs. Hunter (Dale Dickey from Hell or High Water, David MacKenzie, 2016; Winter’s Bone, Debra Granik, 2010), 72 years old and gruffly describing herself as “socialite, retired”. She is accompanied by her grown-up granddaughter (Romane Denis), photogenic legs in tight shorts, and giving the middle finger to men who come on to her. The elder drives the younger home, deliberately missing the turn-off so they can spend more time together talking in the car.

Then Hunter returns to her condo to care for her bedridden partner Chip (Greg Ellwand from February, Oz Perkins, 2015), hit a bottle of vodka and perch precariously on a stepladder on her balcony to fix a dicky light. She is watched by a man from a car parked in the street. Next morning, there’s a knock at the door, and men including “your legal guardian Rivera” (Bruce Ramsay) and his assistant (Jonathan Koensgen) come into the apartment bearing a court order to move the couple to a facility.… Read the rest

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The Count of Monte Cristo
(Le Comte de Monte-Cristo)
(2024)

Directors – Alexandre de La Patellière, Matthieu Delaporte – 2024 – France – Cert. 12a – 173m

*****

An innocent Frenchman framed and imprisoned as a Napoleonic partisan escapes to impose justice on his false accusers – new Dumas adaptation is out in UK cinemas on Friday, August 30th

There have been numerous adaptions of The Count of Monte Cristo for the screen, not to mention radio and other media, over the years; this latest one is directed by the screenwriters of The Three Musketeers: D’Artagnan and The Three Musketeers: Milady (both Martin Bourboulon, 2023), who clearly have a strong feel for Alexandre Dumas’ works.

Much of what’s here is familiar: shortly after the fall of Napoleon, on the day of his wedding to sweetheart Mercédès (Anaïs Demoustier from The New Girlfriend, François Ozon, 2014), ship’s crew member Edmond Dantès (Pierre Niney from Frantz, François Ozon, 2016) is arrested for Bonapartism, falsely accused by another crew member Danglars (Patrick Mille from the two 2023 Three Musketeers movies and Love Crime, Alain Corneau, 2010). Neither the crown prosecutor Villefort (Laurent Lafitte) nor Dantès’ friend Fernand de Morcef (Bastien Bouillon from Jumbo, Zoé Wittock, 2020) refute these allegations, although both know them to be untrue, since both have their own reasons for doing so: the prosecutor because Dantès could unwittingly ruin him, Fernand because he too is in love with and wishes to marry Mercédès.… Read the rest

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Creation
Of The Gods
I:
Kingdom
Of Storms
(Feng Shen
Di Yi Bu:
Zhao Ge Feng Yun,
封神第一部
朝歌风云,
lit.
Investiture
Of The Gods
Part I:
Zhaoge Turmoil)

Director – Wuershan – 2023 – China – Cert. 15 – 148m

****

A king’s infatuation with a beautiful woman possessed by a vixen demon threatens to bring down a terrible curse upon his kingdom – first part of epic, period, mythological adventure trilogy is out on Blu-ray and DVD from Monday, June 24th

This first trilogy instalment of an adaptation of the Xu Zhonglin-attributed novel Investiture Of The Gods, written towards the end of the Ming dynasty (1368-1644), deals with the downfall of the Shang dynasty (which existed well before a thousand years BC). While the tale may well contain elements of historical truth, it also mixes in supernatural deities and creatures to cover an awful lot of ground in its two and a half hours’ running length.

The novel is known by a number of titles in Chinese, one of which is Fengshen Bang, an artefact of which name turns up in this film as a sort of MacGuffin, here a mystical scroll endowing its owner with great power which at least one major character seeks to possess, others seek to help him do so and immortals want to make sure it gets into the right (i.e. righteous or deserving) hands rather than his.… Read the rest

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New Life

Director – John Rosman – 2023 – US – 85m

***1/2

Neither the widow nor the assassin pursuing her towards the Canadian border are quite what they seem – genre-bending thriller is out on digital in the UK

The sound of a distressed woman. Now we see her (Hayley Erin) – her head is bleeding as she walks. Away from – what? She makes it down the street in a very normal-looking, small town somewhere in Middle America, into her very ordinary, well-kept, no frills, suburban house. She washes the blood off her head, switches a hoodie for a sweater. Constantly checking around her, she sees the armed men in the hallway and exits through a window.

Another woman (Sonya Walger) puts down her handgun on the edge of a bathroom sink. She looks tired. The yellow post-it notes on her mirror read “I have unlimited opportunities to succeed” and “I am in the process of becoming the best version of myself”. She takes a pill from the ‘M’ compartment of a little circular dispenser marked in letters for days of the week. On her mobile, she hits Play on Bob Dylan’s Highway 61 Revisited, specifically the song Like a Rolling Stone.… Read the rest

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Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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Animation Documentary Features Live Action Movies

Wilding

Isabella Tree, as played by Rhiannon Neads

Director – David Allen – 2023 – UK – Cert. PG – 75m

*****

How Isabella Tree and Charlie Burrell closed down their failing farm and instead let nature run wild to regenerate the land’s depleted biodiversity – inspiring documentary is out in UK cinemas on Friday, June 14th

Charlie Burrell and Isabella Tree (Lady Burrell) inherited the Knepp farm in West Sussex from his parents in the early 1980s. They kept it going for some 17 years. However, by the late 1990s, they were in debt to the tune of one and a half million pounds. Realising that agro-chemical pesticides and contemporary industrial farming practices were destroying the topsoil necessary for biodiversity and a healthy ecosystem, the couple then took the bold decision to stop farming and, with a little initial, minor tinkering, set about rewilding the land (i.e. letting nature take its course) and, hopefully, repair the damage done. They faced considerable opposition from the local farming community for the first five years or so. Then things began to happen which brought public opinion onto their side. In 2018, Isabella Tree wrote a book about the whole experience: Wilding: the return of nature to a British farm.

This documentary feature adaptation of Isabella’s eponymous 2018 book about their experience was shot during the pandemic and uses actors to portray the couple’s younger selves, so seamlessly cast that you actually don’t notice.… Read the rest

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Sorcery (Brujería)

Director – Christopher Murray – 2023 – Chile, Mexico, Germany – Cert. 15 – 100m

*****

When the father of an indigenous Christian convert is murdered by her German Christian employer’s dogs, her thirst for justice leads her to employ occult folk magic against his family – out in UK cinemas on Friday, June 14th

1881. Chiloé, the Northernmost island of an archipelago off the coast of Chile. Indigenous, 13-year-old Rosa (Valentina Véliz Caileo) works as a maid for German immigrant Stefan (Sebastian Hülk from All Quiet on the Western Front, Edward Berger, 2022; Little Joe, Jessica Hausner, 2019; The White Ribbon, Michael Haneke, 2009) who together with his wife (Annick Durán) runs a sheep farm. The couple have two young boys, Thorsten (Matías Bannister) and Franz (Iker Echevers). The family are Christians, and Rosa is a convert to that religion.

One day, Stefan’s sheep lie dead in his field, with woven garlands of vegetation round their necks. With tensions understandably high, Rosa’s father approaches Stefan holding a knife, and Stefan releases his two dogs upon him, killing the man. Rosa later places a makeshift cross of two sticks bound together on his basic grave, which she and Stefan’s family visit, Stefan’s wife pointing out that the man wasn’t a Christian.… Read the rest

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Animation Features Live Action Movies

àma GLORIA

Director – Marie Amachoukeli – Co-Director (Animation) – Pierre Emmanuel-Lyet – 2023 – France – Cert. 12a – 84m

Live Action **** / Animation *****

After her beloved nanny returns to Cape Verde, six-year-old Cléo visits her for the Summer – out in UK cinemas on Friday, June 14th and on BFI Player from Monday, July 22nd

Six-year-old Cléo (six-year-old Louise Mauroy-Panzani) lives with her dad (Arnaud Rebotini) in France, but is mostly cared for by her nanny Gloria (Ilça Moreno Zego). One day, Gloria gets a phone call informing her that her mum has died, so she has to return to her home island in Cape Verde. Cléo is distraught, and makes Gloria promise that they will see each other again.

Gloria makes arrangements for the little girl to spend the Summer with her on her island. She meets the family from whom Gloria was separated by being in France – the pregnant Fernanda (Abnara Gomes Varela), the alienated ten-year-old César (Fredy Gomes Tavares) and, in due course, Fernanda’s baby Santiago. Gloria spends some considerable amount of time mothering the newly-born Santiago, causing Cléo to experience extreme sibling rivalry for Gloria’s attentions. Eventually, these emotions come to a head in the little girl…

This is one of those sadly all too rare films which in the process of telling a story from a child’s point of view completely gets inside their head.… Read the rest

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Freud’s Last Session

Director – Matthew Brown – 2023 – UK – Cert. 12a – 108m

****

Celebrated psychoanalyst Sigmund Freud is visited in the last month of his life, living in Britain, by young Oxford don and Christian apologist CS Lewis – out in UK cinemas on Friday, June 14th

September 1939. Chamberlain has issued his ultimatum to Hitler, and Britain waits to find out whether it will shortly be at war with Germany. Celebrated psychoanalyst Sigmund Freud (Anthony Hopkins), recently moved to Britain from Vienna to escape the Nazis, keeps turning the radio on and off in the hope of an update from the BBC. He is also expecting a visit from a young Oxford don, CS Lewis (Matthew Goode), “the Christian apologist”, with whose views he profoundly disagrees. 

Lewis has written books including a parody of Bunyan’s The Pilgrim’s Progress called The Pilgrim’s Regress, which is mentioned here, and the first book in his science fiction trilogy Out of the Silent Planet, which isn’t. He has however yet to either give his BBC broadcasts about the Christian faith, which will later form the basis of his most celebrated apologetic work Mere Christianity, or write his Narnia children’s fantasy novels.… Read the rest

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Perfect Days

Director – Wim Wenders – 2023 – Germany, Japan – Cert. PG – 123m

*****

A cleaner for The Tokyo Toilet Company takes great pleasure in his everyday routine – out on UK Blu-ray and DVD from Monday, June 10th

There is a pecking order in society. Right at the lowest level is anything to do with human waste. Nowhere is this more evident than towards the end of this film when his sister, who drives a large, impressive looking car and is making a rare visit to her sibling, asks, incredulously, “are you really cleaning toilets?”

In this remarkable film, Wenders turns this notion on its head. Welcome to the world of Hirayama (Koji Yakusho), employee of The Tokyo Toilet Company, who has been doing the job for five or six years and takes great pride in it. He is part of a two-person detail, however his young co-worker Takashi (Tokio Emoto) doesn’t share his enthusiasm, often arriving late for his shift and looking at his mobile phone on the job.

Hirayama drives a small van and has invested in various tools to help him carry out the job; Takashi rides a motor scooter. Hirayama takes great pleasure in his audio cassette collection (The Animals, Lou Reed, Patti Smith) which he listens to on his van’s cassette player driving to and from work.… Read the rest

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Animation Documentary Features Live Action Movies

Wilding

Good Stewardship

Wilding

Directed by David Allen

Certificate PG, 75 minutes

Released 14 June

After they inherited the Knepp farm in West Sussex from his parents in the early 1980s, Charlie Burrell and Isabella Tree (Lady Burrell) kept it going for some 17 years until the late 1990s, when they were one and a half million pounds in debt. The agro-chemical pesticides and industrial farming practices that they and other UK farmers use were destroying the land. The pair decided to stop running the estate as a farm and to see if there was a way of repairing or regenerating the depleted land. [Read the rest at Reform magazine.]

[Read my longer, alternative review for this site.]

Trailer:

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Animation Features Live Action Movies

The Matrix

Directors – Larry and Andy Wachowski – 1999 – US – Cert.15 – 136 mins

*****

The Matrix combines tropes of Japanese animation with live action Hong Kong stunt choreography and groundbreaking ‘bullet time’ special effects.

25th Anniversary UK rerelease (4k remaster): Friday, June 8th, 2024;

UK release: June 11th 1999;

Article originally published in Manga Max, Number 8, July 1999.

—

1999. The Matrix is about to E.X.P.L.O.D.E.

Technically, a matrix is a multidimensional array of locations, with each cell uniquely addressable. Contents not specified. Back in late April, when Hollywood blockbuster The Matrix was first screened for UK press, Warners’ line beneath the film’s title on the publicity flier ran, Blockbusting futuristic thriller with ground-breaking special effects. Perhaps it should have read, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action. Or even, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action reconceived in terms of anime. Okay, it’s a bit of a mouthful, but it’s closer to the truth.

Ostensibly a megabudget Joel Silver (Lethal Weapon / Die Hard / Predator / Speed / Road House / Assassins) SF actioner well beyond the extremities of this magazine’s remit, directed by the Wachowski Brothers (writer‑directors of Bound, screenwriters for Assassins), The Matrix opens with an incredible sequence wherein Trinity (Carrie‑Anne Moss, who looks for all the world like a Westernised version of a Hong Kong starlet in cat burglar get up… Black Cat’s Jade Leung or Irma Vep’s Maggie Cheung, perhaps?)… Read the rest

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The Dead Don’t Hurt

Director – Viggo Mortensen – 2023 – US – Cert. 15 – 129m

***1/2

An independently-minded woman whose partner is away fighting a war struggles to survive in the Old West – out in UK and Ireland cinemas on Friday, June 7th

While there is much to admire in this Western, it suffers from unclear flashbacks and parallel editing. Both the trailer (below) and the UK press handouts circumvent this problem by describing a straightforward, chronological narrative (and a fascinating narrative at that). For anyone who doesn’t try to follow plot, this may not be a problem. For those who do, it most definitely is.

Two things happen at the start. One is a shoot out in which Weston Jeffries (Solly McLeod), a nasty bit of work with scant disregard for either decency or law and order, rides away into the evening after shooting various people inside and outside the town’s saloon, including the deputy sheriff. The town is apparently called Elk Flats, Nevada – something I gleaned not from the film (where, if that information is there, it’s easy to miss, and I missed it) but from the production notes.

This is indicative of a problem with the film overall: there are certain key bits of information it needs to tell the audience, which it fails to deliver in a clear, comprehensible way.… Read the rest

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Animation Features Live Action Movies

Deep Sea
(Shen Hai,
深海)

Director – Tian Xiaoping – 2023 – China – Cert. PG – 112m

Subtitled ***1/2 / Dubbed **

A girl on a cruise, who never got over her mother leaving, falls overboard into fantastical worlds – out in UK cinemas on Friday, June 7th

A red child’s coat with a hood lies abandoned on the sea bed. A girl’s feet stagger through a blizzard. She calls out for her mama. But her mama (voice: Ji Jing), a swirling mass of dark hair and eyes, is leaving. And now, the girl is lifted above the sea bottom (as we now realise this location to be) by what appears to be swirling red paint. She wakes, in her coat, on the bus. It was a dream.

Her stepmum (voice: Yang Ting) tells Shenxiu (voice: Wang Tingwen) not to mess around on the bus as she starts pulling faces at her little brother (voices: Dong Yi, Fang Taochen). She boards a big cruise ship, looking at texts from her absent mum, who is separated from her dad (voice: Teng Kuixing). Mum told her about the Hyjinx – if you made a wish on your birthday, it would come and make your wish come true.… Read the rest

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Animation Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest

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The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest

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Do Not Expect Too Much
from
the End of the World
(Nu Astepta Prea Mult
de la Sfârsitul Lumii)

Director – Radu Jude – 2023 – Romania, Croatia, France, Luxembourg – Cert. 18 – 163m

*****

The daily, working life of an overworked production assistant on a corporate film about victims of industrial accident – out on digital from Monday, June 3rd

Angela (Ilinka Manolache) wakes in her mess of an apartment. Another busy day of overwork. She drives to the homes of serial, prospective interviewees for the corporate film on which she is currently working as a production assistant to evaluate their suitability for the film and take mobile phone videos of them herself.

Whenever she gets a spare moment, she posts on TikTok using a filter that changes her head into that of a man, and under the name Bobita posts colourful and sweary, verbal rants about the British Royal family and other topics. Suffering from sleep deprivation, she dozes during the afternoon production meeting and keeps the radio on while driving to prevent sleeping at the wheel.

Towards the end of the day, she finds time for an in-car assignation with her lover, but that doesn’t last long as she has to go and pick up the production’s corporate commissioning marketing person Doris Goethe (Nina Hoss), direct descendant of the famous writer, from the airport.… Read the rest

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Animation Features Live Action Movies

Stopmotion

Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m

***1/2

The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st

Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another Mad God (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or Junk Head (Takahide Hori, 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.

Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)… Read the rest

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Features Live Action Movies

The Beast
(La Bête)
(2023)

A Fatal Belief

The Beast
Directed by Bertrand Bonello
Certificate 15, 146 minutes
Released 31 May

As satisfying as it is infuriating, this French genre-bender is part science fiction, part period costume drama and part literary adaptation. It’s based on Henry James’ 1903 novella The Beast in the Jungle, in which a man refuses to marry the woman he loves to spare her from the attack he believes will be perpetrated upon him at some point by a horrible beast.

About a third is, as you might expect, a period costume drama, sumptuously shot on film. However, the co-writer and director Bonello introduces two more separate timelines set in 2014 and 2044 and shot on harsher digital technology for a more modern feel.

He also switches the gender roles round, so that… [Read the full review in Reform]

[Read my longer review on this site]

Trailer:

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Furiosa
A Mad Max Saga

Director – George Miller – 2024 – Australia – Cert. 15 – 148m

*****

Kidnapped by a biker gang she attacks, young Furiosa must make her way in the desert wasteland populated by despots, bikers, and gas truck drivers – out in UK cinemas on Friday, May 24th

In the forest where fruit is plentiful near her home, young Furiosa (Alyla Browne, the lead in the upcoming Sting, Kiah Roache-Turner, 2023) spots a group of bikers who capture her as she tries to cut their bikes’ fuel lines. Her mother Mary Jabasa (Charlee Fraser) sets off across the desert in pursuit, stealing a bike from one of their number, only to be captured and crucified. Furiosa is taken to the biker’s despotic and nomadic leader Dementus (Chris Hemsworth), later escaping and falling in with gas truck driver Praetorian Jack (Tom Burke). Furiosa becomes a young woman (Anya Taylor-Joy) who as Jack’s protégé learns everything he knows.

The desert economy, where gasoline is the most precious commodity, consists of a wasteland in which are situated three strongholds: Gas Town, The Citadel and The Bullet Farm.

This prequel to Mad Max: Fury Road (George Miller, 2015) was essentially written at the same time as that film as part of the process of understanding the backstory of Imperator Furiosa (Charlize Theron).… Read the rest

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Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

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The Goldfinger
(Jin Shouzhi,
金手指)

Director – Felix Chong – 2023 – Hong Kong – Cert. 15 – 126m

*****

Director Felix Chong reunites his two Infernal Affairs stars for a lavish, if frequently incomprehensible, 1980s tale of cops and robbers, corruption and fraud – out on Blu-ray, DVD & Digital in the UK on Monday, May 20th

The experience of watching The Goldfinger is a lot like watching the classic Hollywood private eye movie The Big Sleep (Howard Hawks, 1946). There, you know that the hero is investigating a string of murders, and the narrative is completely engrossing, even for the viewer watching the film for the umpteenth time, yet it’s also impenetrable and incomprehensible. And so it is with The Goldfinger, which is based not on a novel but on a real life financial scandal.

Real life Hong Kong conglomerate The Carrian Group, founded in 1977 by one George Tan, expanded rapidly and made huge profits until it was declared bankrupt in 1983. The whole operation turned out to be mired in fraud. In the film, set in the late 1970s / early 1980s, the central character Ching (Tony Leung Chiu-wai) is modelled on Tan, starting off penniless but wearing suits that look like a million dollars and blessed with an understanding of what’s required to gain people’s confidence, secure deals and make money.… Read the rest

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Documentary Features Live Action Movies

Big Banana Feet

Director – Murray Grigor – 1976 – UK – Cert. 12 – 77m

****1/2

The camera follows comedian Billy Connolly to Dublin and Belfast for the final dates of his 1975 tour – 2K restoration is out in UK cinemas on Friday, May 10th, and on BFI Blu-ray/DVD (Dual Format Edition) and digital from Monday, May 20th

This played the Scala Cinema a few times back in the day. I always thought there must be a reason why, and now, with its release in a restored form by the BFI, I get to find out. I must admit to mixed feelings prior to viewing – I’m not someone who particularly enjoys stand-up comedy; indeed, watching videos of comedians doing their material onstage has been known to bore me to tears, even as it enthralls fans.

Although this has clips of Billy Connolly performing on stage – comic routines, songs with banjo and guitar – it’s essentially a fly-on-the-wall piece that captures his personality as he, with the help of his seemingly tireless road manager Billy Johnson, plays dates in Dublin and Belfast on the final leg of his 1975 tour. Watching it, you feel you get to know Connolly well, at least at the period of his career being filmed.… Read the rest

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Animation Features Live Action Movies

IF

Director – John Krasinski – 2024 – US – Cert. U – 104m

****

A 12-year-old staying with her grandma in New York meets many imaginary friends forgotten by the adults who befriended them as children – out in UK cinemas on Friday, May 17th

This follows the time-worn children’s story template of a child whose father in hospital and is worried that they might not ever come home. In this instance, the child’s fear is grounded in her previous experience of this happening to her mother, who went into hospital and never came out.

Thus, 12-year-old Bea (Cailey Fleming) is sent to stay with her grandmother (Fiona Shaw) in New York while her single-parent dad (John Krasinski) goes to the hospital for what he assures Bea will be a routine operation. Dad is an inveterate practical joker of a gentle sort, performing impromptu song and dance routines with his treatment drip on a stand or staging a tableau of his escape out of the window via a rope made of knotted bedsheets. As you can probably tell, director Krasinski is clearly having a lot of fun playing this role, and fortunately for us that fun translates onto the screen. As a bonus, likeable child actor Alan Kim (Minari, Lee Isaac Chung, 2020) plays the patient in a nearby ward.… Read the rest

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Documentary Features Live Action Movies

Catching Fire:
The Story of
Anita Pallenberg

Directors – Alexis Bloom, Svetlana Zill – 2023 – US – Cert. 15 – 113m

***1/2

The chaotic life of the archetypal rock chick, told through her own words and those of her children – out in UK cinemas on Friday, May 17th

After her death in 2017, Anita Pallenberg’s two surviving children Marlon and Angela discovered a manuscript; she had written an autobiography. Marlon worked his way through it as part of his bereavement process and was so taken with the articulate text that he sought out producers to turn it into a film. (He is one of the film’s executive producers himself, while both directors are credited as among the producers.) Numerous clips from an interview with him are used in this resultant documentary, along with excerpts from Anita’s manuscript voiced by an actress, along with interview footage with Angela and verbal audio from Rolling Stones band member Keith Richards, Anita’s partner for a decade and the father of her children.

Like many of the young generation who rose meteorically to cultural prominence in the swinging sixties, Anita Pallenberg was a war baby. Her first years were accompanied by the sound of falling bombs; as she puts it, she didn’t learn to walk, but to run.… Read the rest

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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Kingdom of the
Planet of the Apes

Director – Wes Ball – 2024 – US – Cert. 12a – 145m

*****

The fourth entry in the current franchise reboot takes place several generations after the previous three films when apes live in scattered communities and humans have lost the power of speech – out in UK cinemas on Thursday, May 9th

Noa (Owen Teague) has deep-seated feelings of failure. His father is the head of the Eagle Clan, a tribe of chimps who live in symbiosis with trained eagles, and Noa thinks nothing of scaling the highest local rock face to steal his own eagle egg for later bird rearing. He goes on such quests with his two loyal friends, the male Anaya (Travis Jeffery) and the female Soona (Lydia Peckham). He also values the wisdom of Raka (Peter Macon), an orangutan with considerable knowledge of the generations-old teachings of Ceasar.

Noa spots a human girl (Freya Allan) sneaking around the village and environs. A short while later, all hell breaks loose as a cavalry of masked apes attack and burn the village. Noa resolves to leave the safety of the local valley and venture into the land beyond on horseback, accompanied by Raka. They soon realise the non-speaking girl is following on foot, and no sooner have they coax her into joining their quest than they run into first a herd of humans at a small forest pool, then the mounted masked gorillas from whom they must rescue the silent girl.… Read the rest

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Documentary Features Live Action Movies

Made in England:
The Films of
Powell and Pressburger

Powell and Pressburger on the set of The Red Shoes

Director – David Hinton – 2023 – US – Cert. 12a – 129m

*****

Martin Scorsese talks about the seminal British filmmaking duo, and how they inspired his own movies – out in UK cinemas on Friday, May 10th

As a child, Martin Scorsese suffered from asthma and would constantly find himself at home while other kids were outside playing. He often found himself sitting front of the black and white TV watching a show called Million Dollar Movie. This would show a movie a week, playing it several times, and it was at a time when US producers wouldn’t sell their movie rights to TV but British producers would. Consequently, he grew up watching black and white versions of old British movies.

The ones he particularly liked opened with an arrow hitting a target: “a production of the Archers. Written, produced and directed by Michael Powell and Emeric Pressburger.” When this logo and these names appeared, Scorsese always knew he was in good hands. He watched these movies over and over again whenever they were shown, and learned much of his filmmaking craft from them. The first of these films to which he thrilled didn’t have this logo: it was the Alexander Korda production of The Thief of Baghdad (Ludwig Berger, Michael Powell, Tim Whelan, 1940) and parts of the film have the unmistakeable Powell visual stamp.… Read the rest

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La Chimera
(La Chimera)

Director – Alice Rohrwacher – 2023 – Italy – Cert. 15 – 133m

***

In an attempt to come to terms with his past, an ex-con returns to his home town, where he previously used to rob ancient artefacts from burial sites and graves – out in UK cinemas on Friday, May 10th

I wasn’t exactly sure what I was going to get in La Chimera, and after watching it, I was none the wiser. Arthur (Josh O’Connor) comes out of prison and gets the train back to Tuscany. He meets some girls on a train, and the profile of one of them reminds him of decorative Etruscan art. He has a run in with a sock salesman, who tells him he smells.

Getting off the train, he tries hard not to be picked up by an old mate, who wants to take him to see a bunch of friends. He’s been in prison for grave-robbing and doesn’t want to get back into that game. Instead, he returns to the house of his deceased (or at least presumed deceased|) girlfriend Beniamina, where her mother Flora (an unrecognisable Isabella Rossellini) refuses to believe that Beniamina has gone. While Flora welcomes him with open arms, and introduces him to her maid and singing pupil Italia (Carole Duarte), she’s happy to be there.… Read the rest

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Black Mask
(Hak Hap,
黑俠)

Director – Daniel Lee – 1996 – Hong Kong – Cert. 18 – 99m

*****

An experimentally created supersoldier without feelings revolts against his creators, even as they attempt to take control of Hong Kong’s drugs trade – on Blu-ray from Monday, April 22nd in the UK and Tuesday, April 23rd in the US and Canada

Removing the ability of human beings to feel produce an elite force of warriors known as the 701 Squad has gone horribly wrong, and the members of 701 are to be shut down. Their leader, adopting the name Tsui Chik (Jet Li), escapes to live undercover working in a library where he learns all he can by reading books. His unlucky in love co-worker Tracy (Karen Mok) is convinced by other staff members to date him.

However, Tsui is more interested in hanging out with his best friend, the policeman Inspector Shek (Lau Ching Wan) who is tracking the elimination of all the major Hong Kong drugs dealers. The reason, unbeknown to him, is that the other surviving members of the 701 Squad, under the leadership of the Commander (Patrick Lung), are trying to wipe out the gangs including the last surviving gang leader King Kau (Anthony Wong) and take control of the drugs trade themselves to gain financial security.… Read the rest

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The Fall Guy
(2024)

Director – David Leitch – 2024 – US – Cert. 12a – 126m

*1/2

A stuntman, who retired from the movies are sustaining an injury on set, is hired to trace the vanished star of the movie being directed by his former camera operator and girlfriend – out in UK cinemas on Thursday, May 2nd

Colt Seavers (Ryan Gosling) is a stunt double for big star Tom Ryder (Aaron Taylor-Johnson), who allegedly does his own stunts. Retakes are common – for instance, if Colt is showing too much face, and it can be seen in the take that it’s him, not the star. Colt is fine with that – it’s just part of the business.

Gail Meyer (Hannah Waddingham) is Tom’s regular producer and has managed his career so that his many bad habits never appear on the screen or where they can be seen by the public. He is currently the world’s most bankable action star.

Jody Moreno (Emily Blunt) is a camera assistant. Colt and Jody are a couple, although they try not to make it obvious on the set.

Colt’s work requires all sorts of safety protocols be followed. On one occasion, someone behind the scenes messes up, and Colt falls from a great height and breaks his back. … Read the rest

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Love Lies Bleeding
(2024)

Director – Rose Glass – 2024 – US – Cert. 15 – 104m

****

A small town member of staff at a gym falls hard for a bodybuilding drifter, both unaware that each has baggage which will cause the other considerable grief – out in UK cinemas on Friday, May 3rd

The 1980s. New Mexico. Night. Rising up from a crack in the Earth. Towards the stars. And looking out over the small town, over the Crater Gym. We follow a woman inside. (Who is she? We never find out.) Bodybuilders work out. As Lou (Kristen Stewart) works to unclog a lavatory blocked with something resembling small human body parts (!), she is hassled by Daisy (Anna Baryshnikov) who appears to have been sexually close to her at some time, and possibly still is now only Lou doesn’t care.

Elsewhere in the night, a couple are having sex in a car. He (Dave Franco) is definitely enjoying it; she (Katy O’Brian), it’s hard to tell. She wants to know if she’ll get that job now. He says he’ll sort it. He warns her to be careful where she sleeps; this is a dangerous town. She finds a place at the side of a bridge; in the morning, it’s hot and sunny, she gets up and does her exercises using the edge of the bridge for pull-ups.… Read the rest

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Kidnapped
(Rapito)

Director – Marco Bellocchio – 2023 – Italy, France, Germany – Cert. 12a – 135m

*****

A boy is forcibly taken from his Jewish family by the Pope to be raised as a Catholic priest because he has been baptised into the Catholic faith – out in UK cinemas on Friday, April 26th

Italy, the mid-nineteenth century. The Papal States will have disappeared by 1870 as Italy moves towards unification. In the meantime, they are still under the administrative control of the incumbent pope, Pius IX.

Bologna, 1852. A maid sees off a soldier in the night following a romantic tryst. The soldier is neither here nor there; the maid, Anna Morisi (Aurore Camatti) will play a significant part in what follows. The life of a nine-child Jewish family is about to be disrupted forever.

The home of the very ordinary Mortalo family, who are Jewish: father Momolo (Fausto Russo Alesi), mother Marianna (Barbara Ronchi) and their nine children. The parents are deeply religious and raise their offspring accordingly, teaching them, among other things, to recite the Shema prayer every night before they go to sleep. One night in 1858, they are visited by the authorities under Feletti (Fabrizio Gifuni) who have come to take away one of their children under Papist law.… Read the rest

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Animation Features Movies

Spy x Family
Code: White
(SPY x FAMILY
CODE: White)

All images © 2023 SPY x FAMILY The Movie Project © Tatsuya Endo/Shueisha

Directors – Kazuhiro Fusuhashu, Takashi Karagiri – 2023 – Japan – Cert. 12A – 111m

*****

A spy and an assassin are married to each other, each unaware of the other’s secret career, while neither of them are aware their adopted daughter is a telepath who therefore knows everything they don’t – bonkers anime deploying cookery to prevent Armageddon (!) is out in UK cinemas on Friday, April 26th

An opulent art deco ball. Couples dance. A man connives to be alone with a drunken woman so he can…photograph a file in an office desk. A woman driving a car rips off her face (in the manner of the characters in Mission: Impossible II, John Woo, 2000) to reveal… a man, the spy Loid (voice: Takuya Eguchi). Another woman, Yor (voice: Saori Hayama), is revealed as an assassin when she kills a man who sold industrial secrets. The spy and the assassin are married to one another in a pretend marriage which is a cover for their undercover operations, although neither knows the other is in the spy / assassination game. Their daughter Anya (voice: Atsumi Tanezaki) – adopted to make the bogus marriage look real – is a telepathic orphan who can read minds, so knows about the two secret identities of her ‘parents’.… Read the rest

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Boy Kills World

Director – Moritz Mohr – 2023 – Germany, US, South Africa – Cert. 18 – 111m

***1/2

Relentless, non-stop action via a deaf-mute, orphaned kid, schooled in martial arts, returning to the city as a grown man to wreak vengeance on those who killed his family – out in UK cinemas on Friday, April 26th

Elite family the Van Der Koys have taken control of the city and instigated an annual ceremony known as The Culling, a physical contest staged for television in a vast arena in which anyone who opposes the Van Der Koys and the way they run the place is killed. This was of little concern to Boy, who as a child (twins Nicholas and Cameron Crovetti from TV series Big Little Lies, 2017-19) grew up in a carefree existence eating Frosty Pops cereal every morning with his sister Mina (Quinn Copeland) and, the pair naively making insulting hand gestures at publicly displayed Van Der Koy statues during the day which gets their family onto the list of candidates for The Culling. And so his parents and sister are despatched in the ceremony, leaving Boy a traumatised deaf-mute.

All of the above comes out early on in a mixture of flashback and over-the-top interior monologue (hilariously voiced by H.… Read the rest

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Animation Features Movies

Max Beyond

Director – Hasraf Dullul – 2024 – UK – Cert. 15 – 88m

****

Leon fails to rescue his adoptive brother Max from a corporate, experimental facility, so Max starts to move around the multiverse to find the world in which he succeeds – animated SF thriller is out on digital from Monday, April 22nd in the UK and Tuesday, April 23rd in the US

Facing very specific health challenges, eight-year-old Max (mo-cap/voice: Cade Tropeano) has been signed over to the Axion corporation and is living inside their high-tech, tower block complex where he is undergoing complicated, experimental, medical treatment under the supervision of Dr. Ava Johnson (mo-cap/voice: Jane Perry). Max’s elder brother Leon (mo-cap/voice: Dave Fennoy), a dishonourably discharged war veteran, is none too happy about this and, as protesters hold placards denouncing Axion outside the building, takes it upon himself to enter the premises, find his brother and rescue him from his oppressors, as he believes them to be.

Despite warnings from Dr. Ava over the intercom that there is no way out for Leon, he at first appears to be in control of the situation, a one-man army flooring all comers, but as his corporate security adversaries, culminating a sword-wielding man or robot (it’s never clear which) called The Sync, become increasingly impossible to defeat, it becomes clear that Ava’s predicted warning is accurate.… Read the rest

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Jeanne du Barry
(Jeanne du Barry)

Director – Maïwenn – 2023 – France – Cert. 15 – 117m

***1/2

A commoner works her way into the King of France’s affections and becomes a member of the aristocracy – out in UK cinemas on Friday, April 19th

Born of the illicit union between a monk and a cook, the latter (Marianne Basler) taken in along with her daughter by the kindly M. Dumousseaux (Robin Renuchi) who ensures the child gets a decent education, Jeanne (Maïwenn) quickly realises her only viable career options are cooking, which she has no intention of pursuing, and harlotry. Before long, favoured client Compte Jean du Barry suggests to her that she should meet the King. To achieve this, she would need to become part of the King’s court for which a title is required, so she marries Jean in order to become the Countess du Barry and be presented to the King, Louis XV (Johnny Depp) .

Catching his majesty’s eye and favour, she is invited to his apartment, like many other women before or after her (although one suspects there were more before than after). Before meeting him alone, she is schooled in royal etiquette by the King’s trusted, right-hand man La Borde (Benjamin Lavernhe).… Read the rest

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Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

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If Only I Could Hibernate
(Baavgai Bolohson)

Director – Zoljargal Purevdash – 2023 – Mongolia, France, Switzerland, Qatar – Cert. 12a– 96m

****

A gifted Mongolian boy is torn between providing for his siblings and pursuing his studies – out in UK cinemas on Friday, April 19th

Teenager Ulzii (Battsooj Uurtsaikh) lives with his mum and his three younger siblings in the yurt district of Ulaanbaataar, Mongolia’s capital city, their father having long since disappeared. Mum (Ganchimeg Sandagdorj) is illiterate and struggles to find work, and there is much antagonism between her and Ulzii, who is going through the school system his mother never experienced and took money from his summer job to buy sneakers before giving the remainder to his mum, who needs it to buy coal for their yurt’s stove to keep the family warm in severe, subzero wintry conditions. Sometimes it’s all too much for their mum, who often gets drunk at night.

In class, Ulzii is the star pupil at physics, often completing complex equations using solutions his teacher wouldn’t expect from anyone less than two years older. His teacher (Batzorig Sukhbaatar), finding a prodigy on his hands, starts to coach him to do well in the National exams in order to win a free university scholarship to study physics, which the boy wouldn’t otherwise be able to afford.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
John Singer Sargent
Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way. He looked deeply at people, and some of his sitters were afraid to sit for him because of what he might see.… Read the rest

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Civil War

Director – Alex Garland – 2024 – US – Cert. 15 – 109m

*****

Four journalists travel across the war-torn US to interview the President before he resigns or flees the country – out in both UK and US cinemas on Friday, April 12th

The US President (Nick Offerman) is rehearsing a speech, But he can’t seem to work out how to deliver the words.

Seasoned photojournalist Lee Miller (Kirsten Dunst) and journalist colleague Joel (Wagner Moura) are on the front line in the war-torn US. She is in the thick of it, taking photographs, when she spots a twentysomething woman Jessie Colin (CaIlee Spaeny from Priscilla, Sofia Coppola, 2023) doing the same thing, and gives the young woman her hi-vis jacket to help her chances of staying alive.

The girl is so preoccupied with taking pictures that she cradles the jacket in an arm while shooting images with her stills camera. Later, she runs into Lee in their hotel where all the journalists are staying, among them the grizzled veteran Sammy (Stephen McKinley Henderson from Dune, Denis Villeneuve, 2021) who, despite mobility issues which require him to walk with a cane, insists on being in the thick of it as far as possible.… Read the rest

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The Teachers’ Lounge
(Das Lehrerzimmer)

Director – Ilker Çatak – 2023 – Germany – Cert. 12a – 98m

**** 1/2

A new teacher at a school where petty thefts have been taking place for some time makes some bad decisions which put her in a very difficult place – out in UK cinemas on Friday, April 12th

Schoolboy Lukas (Okar Mats Zickur) is being questioned about recent thefts in the school. Does he have any suspicions as to which of the pupils might be doing this? A girl sits beside him, a class representative, to make sure everything is being done properly. “You don’t have to speak if you don’t want to”, teacher Carla Nowak (Leonie Benesh from September 5, Tim Fehlbaum, 2024; The White Ribbon, Michael Haneke, 2009) assures him. Nevertheless, her male colleague pressurises the boy. First, he gives him a printed list of names with checkboxes and asks the child to tick any relevant boxes. When that doesn’t work, he goes down the list with his finger and asks the boy simply to nod at any suspicious name. He gets a nod.

Teaching in class, with a number of the kids stumped by the current algebra problem, star pupil Oskar Kuhn (Leonard Stettnisch) works through a proof on the blackboard, way in advance of the capabilities his age would suggest.… Read the rest

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Opponent
(Motståndaren)

Director – Milad Alami – 2023 – Sweden, Norway – Cert. 15 – 119m

***1/2

Two asylum seekers – an Iranian pro-wrestler and his pianist wife – are confronted with inhospitable Scandiniavian hotel accommodation and state bureaucracy – out in UK cinemas on Friday, April 12th.

An ominous pulsing, thumping soundtrack. Wearing training kit, an Iranian man runs until stopped in his tracks by the sight of men on the nearby road searching for someone. There is a man hiding from their sight behind a parked car. The first man goes down to the parked car and demands of him, why couldn’t you keep your mouth shut?

Hoping it will help him be seen as contributing positively to the cultural life of Sweden, thus enhancing his and the family’s chances as being accepted into citizenship, Imam joins a local wrestling team. He is clearly glad to be once again participating in the sport that was his life back in Iran, but his wife is less than happy to see him taking it up again, especially since he sometimes comes back to the hotel with a bloodied nose. Imam befriends Thomas (Björn Elgerd) at the club, who invites him out to parties where Imam spends the night rather than going home to his wife.… Read the rest

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Animation Features Live Action Movies

Some recommendations
from
Ireland’s
Japanese Film Festival
2024

Mondays: See You 'This' Week!

Runs from 11-27 April 2024.

Please click links to read reviews.

Blue Giant

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club

Evil Does Not Exist

Director – Ryosuke Hamaguchi – 2023 – Japan – Cert. 12a – 106m

**

A small, unspoiled village community is visited by two representatives of a company planning to set up a glamping facility.

The First Slam Dunk

Director – Takehiko Inoue – 2022 – Japan – Cert. 12a – 124m

*****

A high school basketball team sets out to defeat the seemingly unstoppable league champions

Nominated for Technical Achievement in Sound Design at the London Critics Circle Film Awards 2024.

Lonely Castle In The Mirror

Director – Keiichi Hara – 2022 – Japan – Cert. – 116m

*****

Seven children are sucked via mirrors in their homes into a mysterious castle perched high above a sea, presided over by a wolf queen, and prowled by a hungry wolf at night

Mondays: See You ‘This’ Week

Director – Ryo Takebayashi – 2022 – Japan – Cert. – 82m

****

A comedy in which a group of office workers must find a way to escape the week-long time loop in which they find themselves trapped

Monster

Director – Hirokazu Kore-eda – 2023 – Japan – Cert.… Read the rest

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Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

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Yannick
(Yannick)

Director – Quentin Dupieux – 2023 – France – Cert. – 67m

*****

An audience member, unhappy with the play currently being performed, hijacks it with a gun to write something more entertaining himself – on Mubi UK from Friday, April 5th

NSFW. Absolutely worth seeing.

A play, The Cuckold, is being performed at a two-thirds empty Paris theatre. In the play, the husband (Marmaï Pio from Daaaaaali!, Quentin Dupieux, 2023) had learned from his wife (Blanche Gardin from Smoking Causes Coughing, Quentin Dupieux, 2022) that she is seeing another man. Couldn’t she wait until the weekend to tell him?

Worse, the man is ill, having picked up some sort of stomach bug from Kenya. Finally, the man – Bruno (Sébastien Chassagne from Mars Express, Jérémie Périn, 2023; The Truth, Hirokzu Kore’eda, 2019; Eden, Mia Hansen-Løve, 2014) – comes back from the lavatory. The wife wants to leave with Bruno. The husband tries to talk him into staying. Perhaps a bite from the fridge? The wife doesn’t want him to open the fridge.

At this point, audience member Yannick (Raphaël Quenard from Jeanne du Barry, Maïwenn, 2023; Smoking Causes Coughing) stands up.… Read the rest

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Evil Does Not Exist
(Aku wa Sonzai Shinai,
悪は存在しない)

Director – Ryosuke Hamaguchi – 2023 – Japan – Cert. 12a – 106m

**

A small, unspoiled village community is visited by two representatives of a company planning to set up a glamping facility – out in UK cinemas on Friday, April 5th

This starts and ends with a journey on foot through a forest with a viewpoint looking up at the branches of trees as quiet, meditative and arresting music by Eiko Ishibashi plays on the soundtrack.

A young girl of about eight (was it her viewpoint?) wanders through the woods.

A man chainsaws chopped tree trunks into small logs, then takes them near to his house to chop them for firewood. He puts several big, plastic cans in his car boot and drives out to a stream to fill them with water. Kazuo drops by to help the man load the filled bottles into his car. They hear gunshots, which the first man remarks he heard they were hunting in Kunihara.

At this point the first man Takumi (Hitoshi Omika) realises he’s forgotten to pick up his daughter from daycare, and drives over there to discover she’s given up waiting and walked home along. He finds her in the forest and gives Hana (Ryo Nishikawa), for that is her name, a piggyback home.… Read the rest

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Typhoon Club
(Taifu Kurabu,
台風クラブ)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 115m

*****

A group of teenagers is trapped inside their school by a typhoon – screenings around the UK and Ireland from Wednesday, April 3rd; also available on Blu-ray from Third Window Films

A film about teenagers which uses tropical weather conditions – in this instance, an approaching and then all-encompassing typhoon – as a catalyst for exploring character. Its bravura visual style engages from the get-go, with a shot looking across a swimming pool between two ropes of a lane with a child swimmer.

Thursday. A bunch of girls in bathing costumes including Yasuko (Tomoko Aizawa) lark about outside in what is obviously hot and humid weather – one runs through a shallow pool and turns on a water spray to catch the others as they follow, but soon their tomfoolery looks like it may have dire consequences as they all but drown the boy pool swimmer Akira (Toshiyuki Matsunaga). Fortunately, Kyoichi Mikami (Yuichi Mikami), who turns up with his friend Ken (Shigeru Benibayashi) in tow, is able to sort the situation out by administering artificial respiration.

Later, Akira and Mikami, with Ken smoking between the pair of them, hang out on a bamboo scaffolding structure discussing girls, including Yasuko’s lesbian activities with another girl.… Read the rest

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Hoarder on the Border
(Danshari Paradise,
断捨離パラダイス)

Director – Takayuki Kayano – 2022 – Japan – 101m

****

A failed pianist takes on a job at a cleaning company which specialises in decluttering houses filling up with rubbish – played UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Promising young pianist Ritsuke Shirotaka (Ryo Shinoda), whose mantelpiece is adorned with prizes he won in school, can’t carry on due to hand tremors. His girlfriend pushes him towards eking out a living giving piano lessons, but that isn’t enough to stop her abandoning him.

In need of gainful employment, he interviews for and gets a job at cleaning company Danshari Paradise. (Note: Danshari is a Japanese philosophy of decluttering, based on principles that have been around in that culture a long time.)

This is a whole new world to him, and he must learn on the job. The houses or flats that the company deals with are typically places where you can’t see the floor for items of clothing and packaging that have been discarded there.

On his first assignment with such a team, Ritsuke attempts to physically pull blockages from a kitchen sink, only for a female colleague to pull him aside and pour liquid down the plughole to clear it.… Read the rest

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Restore Point
(Bod Obnovy)

Director – Robert Hloz – 2023 – Czech Republic – Cert. 15 – 113m

*****

A detective investigates the murder of a couple, one of who helped create the technology for restoring people to life after they die – thought-provoking SF thriller is out UK on digital on Monday, April 1st

In essence this is a crime movie about corporate conspiracy and murder, but with a difference putting it into the real of science fiction – although given the speed at which current technological advances are taking place, it’s the sort of thing one can imagine being reality in a matter of years. It’s set in the not too distant future of Central Europe 2041, where technology has been developed to back up people to restore them to life should they die. This has been guaranteed by the State for anyone dying a violent, unnatural death following an increase in violent crime. This in turn is the result of growing social and economic inequality (an element not explored beyond an introductory intertitle on the screen).

This allows for fascinating plot variants to the crime genre. If someone is shot dead, they can be brought back to life within 48 hours – provided they have a backup and only so far as that backup is up-to-date.… Read the rest

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Concrete Utopia
(Konkeuriteu Yutopia,
콘크리트 유토피아)

Director – Eom Tae-hwa – 2023 – South Korea – Cert. 15 – 130m

****1/2

A massive earthquake makes the residents of the sole Seoul apartment block still standing close their doors to survivors outside – out on UK digital platforms on Monday, April 1st

Concrete: a structural material made of aggregate, cement, and water. (Definition from Encyclopedia Britannica.) Harsh. Unyielding. Impenetrable. Opaque. Not alive. Commonly used in today’s world in the manufacture of buildings, and associated with Brutalist architecture.

Utopia: an ideal community whose inhabitants exist under seemingly perfect conditions. (Definition from Encyclopedia Britannica.) The English word derives from two Greek words, the compound meaning of which is nowhere. Hence, “seemingly”. Utopias tend to have some fatal flaw. If they didn’t, any story about them would lack dramatic conflict. Thus, the word carries within it a degree of irony.

The eponymous montage of these two words pits them against each other: an unyielding, dead physicality confronts the optimism of a better world. The title evokes JG Ballard’s novels Concrete Island (1974) and High-Rise (1975), the former about a stranded motorist struggling to survive on a spaghetti junction after a car accident, the latter about a newly built block of flats in which the residents descend through social breakdown towards a new order.… Read the rest

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Documentary Features Live Action Movies

Disconnect Me

Director – Alex Lykos – 2023 – Australia – Cert. 12 – 87m

***1/2

A man attempts to live for 30 days without the use of his smartphone, tablet or computer – out on digital from Monday, April 1st

This documentary opens with an advisory to keep your phone handy during the screening, as you may be required to use it at some point. In the UK, it’s only available on digital platforms… but even so, that advisory marks it out as different from most films.

Lykos, who narrates his documentary, is old enough to have grown up without a smartphone or other digital devices, but kids today handle smartphones from a younger and younger age. What would happen, wonders Alex, if I disconnected myself for an entire month? His and his wife’s home contains their two smartphones, two tablets, and a TV. Learning that Alex wakes and checks his smartphone three or four times a night, Alex’s doctor wires him for a sleep test.

Like many of us, Alex finds himself spending an hour on social media and wondering, what just happened? He and others admit to feelings of envy when others post about good things in their lives. A near-tearful divorcee talks about it being hard seeing people having a good time with partner or family.… Read the rest

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Animation Features Live Action Movies

Godzilla x Kong
The New Empire

Director – Adam Wingard – 2024 – US – Cert. 12a – 115m

*****

Godzilla must leave the surface world to team up with Kong in the subterranean Hollow Earth below to defeat a powerful enemy – out in UK cinemas on Friday, March 29th

The latest movie in the Toho / Warner Bros. Godzilla / Kong Monsterverse is globetrotting in scope, with scenes of monsters wreaking havoc in Rome and Rio; its central conceit is that Godzilla roams the surface of the Earth fighting off other monsters which humanity would be unable to see off alone, while Kong, reconceived as a similar size to Godzilla, lives in the subterranean paradise of Hollow Earth.

With one beast on the outer rim of the planet and the other in a world beneath its surface, there is no possibility one will run into the other, which fight would be devastating for mankind. To make sure the two monsters remain isolated from one another, the huge Monarch organisation monitors both constantly.

Yet a terrible force is on the ascendant in Hollow Earth, one that neither Kong nor Godzilla would be able to contain let alone defeat on their own. And so, to save humanity, they must join forces and fight it.… Read the rest

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Silver Haze

Director – Sacha Polak – 2023 – UK – Cert. 15 – 102m

*****

A young nurse – who seeks closure and revenge from being burned in a fire as a child – falls into a romantic attachment which may lead her towards a sense of community – out in UK cinemas on Friday, March 29th

This is the second collaboration between writer-director Polak and performer Vicky Knight, who in real life as a small child was burned in a fire and whose flesh is marked by the physical scars of that trauma. In Dirty God (2019), their first film together, Knight delivered a bravura performance as the victim of an acid attack.

In addition to her being compelling on the screen in that film, Knight apparently enjoyed the whole process of making and promoting it, and Polak wanted to do a further film with her, writing a twenty-page fictional treatment and then leaping into a shoot without fully knowing what she was doing. Her backers misunderstood her to be making a documentary about Knight, yet this is a work of fiction, using created characters to explore the effect of Knight’s real life trauma. If the scars are clearly visible on Knight’s body, what draws you in is something altogether beyond that, the trauma playing out in her interior life.… Read the rest

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto | Opus

Director – Neo Sora – 2023 – Japan – Cert. U – 103m

*****

Composer Ryuichi Sakamoto performs a final concert of his music in 2022, months before finally dying of cancer on March 28th, 2023 – out in UK cinemas on Friday, March 29th, 2024

Released in the UK within a day of the anniversary of his passing, Ryuichi Sakamoto’s final concert is an intimate affair, shot in a sound studio by his son Neo Sora in crisp, iconic black and white, the sound of his piano recorded with state-of-the-art equipment. Within months of this performance, cancer would have taken him from us. This is very different from concert films where the performer(s) is / are still alive. Much of Sakamoto’s music tends towards the melancholy, and watching this remarkable, musical testament, one is constantly reminded of the fact that he is no longer with us.

Caught by the camera, he is clearly aware that he doesn’t have that much time left. One of the pieces, he struggles to get right. “This is too hard”, he says, “I need a break.” Nevertheless, the camera and sound recording equipment proceed to capture him playing his 20 chosen compositions with all the considerable skill of the great player that he is / was.… Read the rest

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The Lavender Hill Mob

Director – Charles Crichton – 1951 – UK – Cert. U – 78m

*****

A Bank of England employee stumbles upon the perfect means to rob his employer of the gold bullion he transports there on a daily basis– classic Ealing comedy is back out in a new 4k restoration in UK cinemas on Friday, March 29th

Holland (Alec Guinness) has a lowly job at the Bank of England supervising the transfer of recently minted bars of gold bullion to the bank’s secure vault by security van., He rides in the back and is forever asking the harried driver to check round the corner for suspected cars lying in wait to ambush the van. He is considered an honest nobody, an appearance he has cultivated for the best part of two decades. He has a mind to rob the van, if only he could work out how to smuggle the bullion out of the country.

Fate intervenes in the form of a newly arrived tenant at the downmarket Balmoral Guest House in Lavender Hill, where he lodges. Pendlebury (Stanley Holloway) runs a business selling tourist tat, including lead models of the Eiffel Tour for selling at that Parisian monument. He melts the lead down on his London premises to cast it into the models.… Read the rest

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Drift

Director – Anthony Chen – 2023 – Singapore, UK, France, US – Cert. 15 – 93m

****

A Liberian woman and former London student from a privileged background has lost everything and lives on her wits in a Greek holiday resort until she makes a connection with a tour guide – out in UK cinemas on Friday, March 29th

A T-shirt-clad back sits on the beach, facing away from us, looking out to a calm, blue sky and sea. A figure of indeterminate gender at this point. In an isolated, unpopulated landscape. However, as this young black woman (Cynthia Erivo) starts to make her way around the place, elements of both are gradually revealed to us. She travels on a bus with white tourists to a small, sleepy town where Greek lettering on the shop signs gives us some idea of where we are. Later, she takes the return journey and is back on the beach. She washes her underwear (she appears to only have the one pair) and T-shirt in the sea, letting them dry in the sun while she shelters in a cave. She momentarily panics at the sight of a coastguard vessel before realising it’s merely a small fishing skiff.… Read the rest

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The Sweet East

Director – Sean Price Williams – 2023 – US – Cert. 18 – 104m

****

Dumping her boyfriend, a South Carolina high school student skips a class trip to Washington, DC and falls in with a series of outsiders living in their own isolated visions of America – out in UK cinemas on Friday, March 29th

Although this starts off with heroine Lilian (Talia Ryder from West Side Story, Stephen Spielberg, 2021) in bed with her boyfriend Troy (Jack Irv), and a lot of visible flesh, it’s not so much a sex scene as a scene in which two people talk about the ending of the movie they watched last night. Soon after, the pair and their classmates are piled into a coach, complete with tour guide, driving them to Washington, DC. When Troy and others lark around in hotel corridors, she doesn’t really feel part of what’s going on.

At a restaurant, she meets activist and body-piercing enthusiast Caleb (Earl Cave from True History of the Kelly Gang, Justin Kurzel, 2019, Days of the Bagnold Summer, Simon Bird, 2019), who without sexual intent shows her the piercings and metal studs encrusting his penis. Going with him and his fellow commune members to an activists’ event, she finds herself at an outdoor radicals’ fair where she meets Laurence (Simon Rex from Red Rocket, Sean Baker, 2021) to whom she gives her name as Annabelle and who kindly offers her a place to stay – his place in Delaware, no strings attached.… Read the rest

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The Shift

Director – Brock Heasley – 2023 – US – Cert. 12a – 115m

***

A former hedge fund manager is separated from his wife when a mysterious stranger ‘shifts’ him into a parallel world devoid of hope – out on digital from Monday, March 25th and Blu-ray / DVD from Monday, April 1st following its release in cinemas in the UK on Friday, December 15th

A fully clothed, bloody-handed man unexpectedly finds himself in the middle of a lake, swims to shore and, in voice-over, introduces us to a flashback as to how he got there. Fearing for his job security in a stock market crash, Wall Street hedge fund manager Kevin (Kristoffer Polaha from Jurassic World Dominion, Colin Trevorrow, 2022; Mad Men TV series, 2007-9) hits a hotel bar where he is approached by Molly (Elizabeth Tabish from The Chosen TV series, 2019-2024) who was dared to get him to date her by her three drinking companions.

To both of their surprises the pair end up going on a date, and then, in a rapid fire montage, marrying and having a child, only to later lose the child and have their relationship slowly implode as a result. One day, everything falls finally apart: he (it’s about him, not her) has failed to pay some bills, misses an important early morning meeting at the office, and is hit by another car whilst driving home talking to her on the phone.… Read the rest

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Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest

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Ghostbusters
Frozen Empire

Director – Gil Kenan – 2023 – US – Cert. 12a – 115m

****

Back in New York, running the family Ghostbusters business out of the old fire station, the Spenglers must thwart an evil entity who possesses the power to freeze things – out in UK cinemas on Friday, March 22nd

This sequel to Ghostbusters Afterlife (Jason Reitman, 2021), written by the same three-man writing team of father and son Ivan and Jason Reitman and Ghostbusters geek Gil Kenan, picks up and runs with some of the strengths of its predecessor even as it dispenses with others. One thing it dumps is the previous entry’s completely out-there originality; instead, it follows the time-honoured principle of Hollywood movie sequels: go out and make the first movie again.

It’s basically a rehash of the original Ghostbusters (Ivan Reitman, 1984) with the younger generation of Spenglers standing in for the old, and with Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Ackroyd), Janine Melnitz (Annie Potts) and Peter Venkman (Bill Murray) from the original helping the newer characters out. There is not, perhaps, as much of Bill Murray as one would like, and his heart doesn’t seem to be in it. Otherwise, though, fans of the franchise will probably be happy.… Read the rest

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Animation Features Movies

Robot Dreams

Director – Pablo Berger – 2023 – Spain – Cert. PG – 102m

*****

In need of a companion, Dog builds Robot – but then, disaster strikes – charming, dialogue-free 2D animation is out in UK cinemas Friday, 22nd March following its screenings in the 2023 London Film Festival

It originally played in the 2023 Annecy International Animation Festival.

The 1980s. Brooklyn. The East Village. Bored with endless, cook from frozen macaroni cheese meals from the fridge and channel hopping or playing both parts of computerised table tennis against himself, Dog longs for a companion. To this end, he buys a DIY self-assembly kit from which he builds Robot. For a short period, the pair are inseparable, walking and eating hot dogs together in Central Park, but then disaster strikes after Robot swims in the sea when the pair visit the beach. When it’s time to go home, his battery power is depleted, and he can’t move.

So Dog has to leave incapacitated Robot there. He buys books on robots from the local bookstore to work out how to repair his friend. Alas, on arrival at the beach, he discovers it’s closed since yesterday was the last day of the Summer season.… Read the rest

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Immaculate

Director – Michael Mohan – 2023 – US – Cert. – 89m

***

A virginal, American, novice nun cloistered in an Italian convent finds herself mysteriously pregnant – out in UK cinemas on Friday, March 22nd

A young nun attempts to flee a convent in the middle of the night, but before she can gate the gate open with a key on a large bunch is caught by mysterious nuns with red coverings over their faces, and finds herself buried alive in a coffin. This opening sequence doesn’t bode well for any new nun entering the convent such as the novice Sister Cecilia (Sydney Sweeney, also the film’s producer, from Reality, Tina Satter, 2023), a young woman from a parish in the US that closed down, forcing her to seek a position elsewhere, and who believes God wants her to enter this particular convent, which doubles as a care home for ageing nuns run by Father Tedeschi (Álvaro Morte) and the incumbent Mother Superior (Dora Romano). The premises are built over a network of catacombs.

Before taking her vows on the day she arrives – of which she is told she could opt out beforehand if she doesn’t want to go through with them – Sister Cecilia is entrusted into the care of Sister Isabelle (Giulia Heathfield Di Renzi), an embittered type who doesn’t feel anything like a woman who has given herself to the service of God.… Read the rest

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Full Time
(À Plein Temps)

Director – Eric Gravel – 2021 – France – Cert. 12a – 87m

*****

A single mum with two young kids struggles to hold her working life together in a Paris where the transport network in and out of the city is paralysed by strikes – on BBC iPlayer until end 2024 following its release in UK cinemas on Friday, May 26th 2023

The brief moment of calm at the start gives little indication of the relentless nature of what is to follow. Julie Roy (Laure Calamy) sleeps deeply, a figure at rest, as we watch parts of her face in close-ups. Suddenly, this tranquillity is shattered by the aural violation of the quiet by an alarm clock. As she gets the kids up, the radio blares out something about an increase in working hours and something else about the welfare state. The impression is of the microcosm of her life and the macrocosm of the wider world (France) in a state of crisis. She bundles her kids off to the child-minder’s and boards a pre-dawn train to Paris. The train is terminated because of an unwell passenger, so she has to switch to a bus to get to St. Lazare, and as she is trying to get to The Churchill, the luxury hotel where she works as a head chambermaid, she must fend off a mobile phone call about her mortgage repayments.… Read the rest

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Monster
(Kaibutsu,
怪物)

Director – Hirokazu Kore-eda – 2023 – Japan – Cert. 12a – 126m

****

The mother of a school pupil believes her son is being abused by his teacher, who in turn protests his own innocence, yet the truth is more complex – out in UK cinemas on Friday, March 15th

A movie at once spellbinding and infuriating, as a seemingly straightforward narrative is retold from different points of view and shifts subtly as further details emerge. It’s not a film to see if you’re tired, as it requires considerable attention on the part of the audience.

It starts off with a child’s feet walking along a patch of wasteland at night, sirens in the distance and then a blazing urban building which his single-parent mother Saori Mugino (Sakura Ando from Godzilla Minus One, 2023; Shoplifters, 2018 and Love Exposure, 2008) summons her son Minato (Soya Kurokawa) out onto their flat’s balcony to watch. Overheard conversation later suggests that not only was there a hostess bar on the third floor of the burning building, but that Minato’s teacher Mr. Hori (Eita Nagayama from Toshiaki Toyoda’s 9 Souls, 2003 and Blue Spring, 2001) used to go there.… Read the rest

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Animation Features Live Action Movies

The Lyricist Wannabe
(Tin4 Ci4 L,
填詞L,
lit. Lyrics Nerd / Dickhead)

Director – Norris Wong – 2023 – Hong Kong – Cert. 12a – 112m

****

A girl pursues her dream of becoming a Cantopop lyricist – out in UK cinemas on Friday, March 15th

The movies are full of rags-to-riches stories in which someone dreams of becoming a star, works hard to achieve that, and it ultimately all comes true. While that can happen, because in real life there are clearly stars out there, in most cases it doesn’t. This film follows a similar path: a girl gives her all to achieve her chosen dream but ultimately doesn’t make it, which is probably a far more common occurrence than the one in which the aspirant succeeds.

Law Wing Sze (Chung Suet-Ying) is a student at a church school run by nuns. She doesn’t read music, but is obsessed by Cantopop and wants to write lyrics, spending much time rewriting lyrics of old Cantopop songs such as Infernal Affairs which she rewrites as Student Affairs. For this endeavour she is summoned to Sister Che’s office where the nun / teacher helpfully gives her a crit session and suggests she change certain words to more accurately express what she’s trying to say without unintended double entendres.… Read the rest

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Features Live Action Movies

Padre Pio

Director – Abel Ferrara – 2022 – Germany, Italy – Cert. 15 – 104m

***1/2

Post-WW1, In San Giovanni Rotondo, Italy, a Catholic mystic undergoes temptation while down in the village, armed landowners and military officers attempt to halt the rising tide of socialism – out on Blu-ray, DVD & DL from Monday, March 11th

Ferrara has long been something of an outsider, working with small budgets. This current offering is highly uneven, very strong and moving in places, betrayed by a lack of planning and resources in others. Perhaps its besetting sin (to use Christian religious parlance) is that it doesn’t deliver exactly what it sets out to: this is not exactly a portrait of early 20th Century, Catholic mystic Pio (Shia LaBeouf). The friar really only forms half of the film – arguably its weaker half – dealing only intermittently with his life from arrival in the impoverished Italian village of San Giovanni Rotondo in 1916 through to his visitation by Jesus and first manifestation of stigmata some years later.

The other half of the film, running in parallel to this, deals with the aftermath of World War One in that same village, as men return from the Front to be reunited with wives and mothers.… Read the rest

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Animation Movies Shorts

Pachyderm
(Pachyderme)

Director – Stéphanie Clément – 2022 – France – 11m

*****

A nine-year-old struggles with the trauma that befalls her at her grandpa’s – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

She’s nine (voice-over: Christa Theret), and in the Summer she goes to stay with granny and grandpa. She plays on a swing, missing mum and dad, she watches a cabbage white butterfly in the garden. The house is tidy, ordered, perhaps obsessively so. It smells of polish; the kitchen smells of bleach. Tomorrow, grandpa will take her to the lake, where he likes to fish. To get to her bedroom, she must pass the big, intimidating horn mounted at the top of the stairs, a hunting trophy from a pachyderm. In her room, she can see eyes watching her from the wood grain of the ceiling timbers. She doesn’t sleep by counting sheep; she kills monsters. As the floorboards creak outside her door, she hides in the wallpaper, in the flowers, in sleep. After all, as grandma says, what could happen?

Before the trip, she accidentally pricks a finger on one of grandpa’s fishing hooks – lures, as they call them – but grandpa kisses the cut better with the kiss that heals all things.… Read the rest

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Animation Live Action Movies Shorts

Letter to a Pig

Director – Tal Kantor – 2022 – France, Israel – 17m

*****

Under the watchful eye of an authoritarian teacher, as a class of bored teenagers listens to a visiting Holocaust survivor recount his experiences, one of their number daydreams about the pig with which the survivor shared a barn – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

A figure (voice: Indra Maharik) with one shoe flees, running through a forest. “Nothing mattered”, says the old man sitting, his hands clasped together on the desk, in front of the schoolroom of bored Israeli teenagers. Haim (voice: Alexander Peleg) is recounting his experiences under the Nazi regime, but the teenagers would rather be somewhere else. Haim tells how he fled to a barn, where the pig there effectively saved his life. The severe teacher (voice: Ayelet Margalit) ejects one of them for remarking, “oink, oink”. Haim, recounting the past, talks about people capable of hate not deserving to live; he has clearly been unable to forgive those who acted on behalf of the Nazi regime.

Drifting off into a reverie, in her mind’s eye, one girl (voice: Moriyah Meerson) sees the SS send a pig to pursue the boy through the forest.… Read the rest

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Features Live Action Movies

Origin

Director – Ava DuVernay – 2023 – US – Cert. 12a – 135m

***

A US journalist researches a book reinterpreting US racist attitudes to black people through both the Nazi’s segregation of Jews and the Indian caste system’s treatment of Dalits – out in UK cinemas on Friday, March 8th

This is based on both the 2020 nonfiction book Caste: The Origin of Our Discontents and its author US journalist and Pulitzer Prize-winner Isabel Wilkerson’s journey in writing that book. Highly effective in putting the first of those elements on the screen, the screenplay, credited to both DuVernay and Wilkerson, proves much more uneven in its attempts to do so with the second.

Wilkerson’s thesis looks at the US’ historic racist treatment of black people through the lens of a caste system. The term caste system derives from the Western European analysis of Indian society, and to a lesser extent other South Asian societies, in which certain designated groups are elevated above others to produce and maintain a social hierarchy. As portrayed here in the film, the book looks firstly at the US in these terms – a caste system favouring white people over blacks – then Nazi Germany – a caste system favouring Germans over Jews, a radical use of caste as an historical analytical tool I have never come across before – and finally India – a caste system putting the Dalits, the untouchables who traditionally clean latrines, at the bottom of the pile below everyone else.… Read the rest

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Animation Features Movies

The Inventor

Directors – Jim Capobianco, Pierre-Luc Granjon – 2023 – US, France, Ireland – Cert. PG – 100m

****

Towards the end of his life, inventor Leonardo da Vinci goes to live in France under the patronage of the King – stop frame / drawn animation composite is out in the UK’s Vue cinemas on Friday, March 8th

Rome, Italy, 1516. Leonardo da Vinci (voice: Stephen Fry) happily shows off a giant optical system of magnifying glasses for observing the heavens to his assistant Francesco Melzi (voice: Angelino Sandri). Francesco retorts that Leonardo ought to be worried about the Pope who has spies everywhere (and sure enough, there are eyes watching from nearby peepholes). Leonardo’s other assistant, the hulking, mute Zoroastro sources corpses for him, on which the curious Leonardo performs dissections and studies what he finds through making drawings in his quest for find the animated spirit of man, a search which, in dreams and visions, often leads him into confrontation with a mysterious, gargantuan, dark-hooded figure.

The inventor is summoned to Pope Leo X (voice: Matt Berry) who wants to know, why can’t Leonardo just make pretty things? The arrival of a messenger whose helmet is half crushed by a cannonball leads Leo to suggest Leonardo fashion him machines of war.… Read the rest

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The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

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Features Live Action Movies

Dune Part Two

Director – Denis Villeneuve – 2024 – US – Cert. 12a – 166m

*****

A fallen dynasty fights back on a desert planet populated with giant sandworms– out in cinemas on Friday, March 1st

The second part of the adaptation of Frank Herbert’s sprawling novel Dune (1965) – the title Dune Part Two following the title Dune Part One on the print of the previous film – poses the filmmakers a greater adaptation challenge than the first in terms of the magnitude of, exactly what do you leave out to turn it into a strong, two and a half hours plus movie, and what do you keep in.

Villeneuve clearly doesn’t want to repeat himself, because he takes a very different approach adapting the second half of the book than he did for the first, which may or may not serve to make the two halves feel weirdly incongruent when viewed, as they surely will be, back to back. Indeed, it makes you wonder whether there exists a much longer cut of Dune Part Two or a much longer version of the screenplay – it all depends on whether the pruning took place at the scripting stage, the shooting stage, or the editing stage.… Read the rest

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Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

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Animation Features Movies

Lonely Castle
in the Mirror
(Kagami no Kojo,
かがみの孤城)

Director – Keiichi Hara – 2022 – Japan – Cert. – 116m

*****

Seven children are sucked via mirrors in their homes into a mysterious castle perched high above a sea, presided over by a wolf queen, and prowled by a hungry wolf at night – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Teenager Kokoro Anzai (voice: Ami Touma) can’t face going to school. Her understanding mother (voice: Kumiko Aso) takes her instead to the Classroom of the Heart at an alternative school for a session with friendly teacher Mrs. Kitajima (voice: Aoi Miyazaki). This is to be Kokoro’s new school, but in the end, she can’t face going to that one either, so her mum phones her in as sick.

Moping in her bedroom, she is attracted to lights glowing around the tall mirror there before touching its surface which, like the mirrors in Orphée (Jean Cocteau, 1950) dissolve to allow her to pass through them into another world. On the other side, she finds herself in a castle perched high on a rock above a sea along with six other kids – tall Aki (voice: Sakura Kiryu), soccer player Rion (voice: Takumi Kitamura), computer geek Subaru (voice: Rihito Itagaki), piano player Fuka (voice: Naho Yokomizo), enigmatic Masamune (voice: Minami Takayama), and dumpy Ureshiro (voice: Yuki Kaji).… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Painting
the Modern Garden
– Monet to Matisse

Director – David Bickerstaff – 2016 – UK – Cert. U – 93m

***1/2

The relationship of Claude Monet’s late water lily paintings to the history of horticulture, along with a few other artists and their gardens – out in UK cinemas for one day only on Tuesday, February 27th

Originally made to coincide with the Royal Academy’s 2016 exhibition of the same name, this basically does what it says on the tin. With Exhibition on Screen’s excellent series of documentaries about art and artists receiving brief cinema outings in recent years, this entry from the back catalogue is given a big screen outing. While the exhibition has long since been and gone, French Impressionist painter Claude Monet is one of those figures from the history of art who is incredibly popular, especially the late garden or water lily paintings, so a documentary about those late paintings ought to be a fairly easy sell.

Those Monet works and the garden he built at his house in Giverny – rented from 1893, owned from 1900 thanks to a loan from his dealer – are very much the spiritual centre of the film, along with Monet’s skill as a horticulturalist, which is explored at quite some length.… Read the rest

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The Moon Thieves
(Dou Yeut Ze,
盜月者)

Director – Yuen Kim-wei – 2024 – Hong Kong – Cert. 15 – 107m

**

A gang including a counterfeit watchmaker and an amateur safe cracker attempt to steal a watch worn by an astronaut on the 1969 moon landing – out in UK cinemas on Friday, February 23rd

This heist movie is built around three members of hugely popular Cantopop boy band Mirror: Anson Lo, Edan Lui and Keung To. Vincent Ma (Lui) is a watchmaker who builds counterfeit (i.e. non-brand name) watches out of genuine parts. He takes great pride in his work and his watches are very reliable as a result. Yoh (Lo) desperately needs money to pay for the operation that will save the ailing eyesight of his mom Ms. Hong (Luna Shaw), so he signs up to work with the ruthless young crime boss heir known simply as Uncle (Keung) despite the fact that Yoh’s elder brother was previously killed by gangsters, so he ought to know better.

Uncle has enlisted Ma to look at three watches in Tokyo that might be worth stealing – he is to take them apart, examine their insides and confirm as to whether or not they are genuine.… Read the rest

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Klokkenluider

Director – Neil Maskell – 2022 – UK – Cert. 15 – 84m

*****

A couple have seen something; two men are assigned to look after them as they wait in the middle of nowhere for a journalist to come and interview them – a subscription exclusive on BFI Player from Thursday, February 22nd

Mr. Appleby (Amit Shah) and Mrs. Appleby (Sura Dohnke) arrive at the house on the outskirts of a small village in Belgium they’ve booked for a party. Appleby is not their real surname, and nor will there be a party. He is what the Dutch call a ‘klokkenluider’ or bell ringer, slang in that language for whistleblower. He has approached a newspaper and is following instructions. They are at the house awaiting the arrival of a journalist to interview them.

Meanwhile, Brits Kevin (Tom Burke) and Ben (Roger Evans) are driving to meet them. They have guns in the boot. We don’t really see them at first. For the first few minutes, they are shown only in little details cropped or in shade so as to be almost unrecognisable – a fragment of a detail in a wing mirror here, a view beyond a car window part obscured by a reflection there – and they choose their words carefully so as not to give away anything more than they need to.… Read the rest

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Twilight Cinema Blues
(Ginpei-cho Cinema Blues,
銀平町シネマブルース)

Director – Hideo Jojo – 2022 – Japan – 99m

*****

Two homeless men find a new spiritual home at a run-down, local cinema which, like them, is struggling to survive – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Down on his luck in his home town of Ginpei-cho, Takeshi Kondo (Keisuke Koide fromShin Godzilla, Hideaki Anno, Shinji Higuchi, 2016) is napping by the riverside in daylight. Along comes another tramp Sato (Shohei Uno from A Far Shore, Masaaki Kudo, 2022; 37 Seconds, Hikari, 2019) to sell him a flier for money and, when Kondo is distracted by the arrival of his old friend Kumika, to steal his bag. After Kondo tracks Sato down and retrieves his bag – “sorry, it’s a habit”, says Sato – the two tramps respond to an ad claiming it can help them play the system and receive welfare payments. Sadly, the people behind the scheme will turn out to be, as a fellow tramp vocally suspects, crooks with a whole other moneymaking agenda.

Kondo attends welfare-claiming training sessions with Sato, but his heart isn’t in it.… Read the rest

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Mondays:
See You ‘This’ Week!
(Mondays/
Kono Taimu Ruupu,
Joshi ni Kizukasenaito Owaranai,
MONDAYS／
このタイムループ、
上司に気づかせないと
終わらない)

Director – Ryo Takebayashi – 2022 – Japan – Cert. – 82m

****

A comedy in which a group of office workers must find a way to escape the week-long time loop in which they find themselves trapped – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

A dream. A Friday night conversation with the client she’s always wanted to work for and with whom she starts a job next Monday. Monday, October 25th. Akemi Yoshikawa (Wan Marui) wakes up in the office where she and advertising her co-workers have just pulled an all-nighter to get the presentations done for the client. They are exhausted, necks in travel pillows as they kip on the floor. A hapless bird strikes the window. Their middle-aged boss Mr. Nagahisa (Sports Makita) saunters in after a restful weekend.

Now Yoshiwaka must get working on that Miso Soup Soda Tablet product launch that the client wants to sound like something out of the ordinary. But then, the two guys at the next desk try to tell her that they are trapped in a time loop. They, as in, everyone in the office. She doesn’t really have the time to listen.… Read the rest

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Features Live Action Movies

Shadow of Fire
(Hokage,
ほかげ)

Director – Shinya Tsukamoto – 2023 – Japan – Cert. 15 – 95m

****

A woman has drifted into prostitution, while a small boy struggles to survive in post-war Tokyo – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

An interior in the ruins of post-war Tokyo. A figure sleeps restlessly on a mat. A man hunts for a child who has broken in and is stealing food to survive. The man says to the waking woman (Shuri), “I approach the ones who look harmless – but who knows?” As he forces himself upon here, the image cuts away to decay on the walls. The woman’s hand, like a strange, disembodied limb, appears over a parapet fixture. The man goes out to solicit clients from the woman.

A soldier (Hiroki Kono) comes in, clearly in a bad way, drinks some Sake, pays the fee, then falls asleep. In the morning, she makes him breakfast. He asks to stay, promising to get work and pay his way, but after a day or so the young boy (Oga Tsukao), who she has taken under her wing, reports that he just sits in the same spot and does no work-hunting.… Read the rest

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Documentary Features Live Action Movies Music

Getting It Back:
The Story of Cymande

Director – Tim MacKenzie-Smith – 2022 – UK – Cert. 12a – 90m

****

How a promising, innovative black 1970s band failed to crack the UK music business, only for their music to take on a life of its own through various later, popular musical movements – out in UK cinemas on Friday, February 16th and out on BFI Blu-ray, BFI Player Subscription, iTunes and Amazon Prime on Monday, 26 February

Film critics have their blind spots (there are films you’d assume I’ve seen which I never have) and so too do serious music listeners, among whom I number myself. Prior to this film, I had never heard of Cymande. That’s surprising to me, actually, because I started seriously listening to music in the 1970s and have never stopped (although, significantly, rap and hip-hop, which came later, never really did it for me). And Cymande, it turns out, were a band of the early 1970s. It’s not mentioned in this film, but they played a couple of sessions for legendary UK Radio One DJ John Peel where it’s likely I would have heard them, had I started listening regularly to his show earlier than 1974, after they recorded a session.

The narrative in MacKenzie-Smith’s documentary runs something like this: in the 1950s and 60s, Britain invited numerous Commonwealth citizens from Caribbean islands like Jamaica, St.… Read the rest

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Features Live Action Movies Music

Bob Marley
One Love

Director – Reinaldo Marcus Green – 2023 – US – Cert. 12a – 104m

***1/2

From his childhood in poverty in Jamaica, Bob Marley rises to stardom and international fame as the bast known proponent of reggae music – out in UK cinemas on Friday, February 16th

All this movie has to do to succeed is give us lots of Bob Marley’s recordings and show us lots of images of him doing things in the process. That’s what the movie says on the tin and that’s what you find inside. It fundamentally delivers what its audience expects and will probably do very well. Although I wouldn’t describe myself as a particular fan, over the years Marley’s music has seeped inescapably into both the popular and my own consciousness: it’s good, positive stuff which genuinely hits a tangible musical groove. I watched the movie and had the good time I was expecting. And Kingsley Ben-Adir is watchable enough as Marley.

However.

Anyone who comes to this wanting to know more about Bob Marley will find this a frustrating experience. Director Green, who co-wrote the script, fails to introduce a number of characters properly. Among Marley’s entourage of musicians and friends, for instance, I couldn’t tell you which one in the film is Peter Tosh (Alex-A Game), who is something of a lesser legend in the world of reggae.… Read the rest

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The Taste of Things
(The Pot-au-Feu)
(La Passion
de Dodin Bouffant)

Director – Tran Anh Hung – 2023 – France – Cert. 12a – 145m

*****

A nineteenth century, French gastronome tries to persuade his live-in cook to become his wife – in cinemas in the UK and Ireland from Wednesday, February 14th

1885. Eugénie (Juliette Binoche) is the live-in cook for celebrated gastronome Dodin Bouffant (Benoît Magimel). Over the years, he and his male friends have enjoyed her culinary skills. They are in a relationship: some nights, her bedroom door is unlocked and he can gain admission, other nights, it’s locked. She likes things the way they are and has no plans to marry him. However, he has other ideas…

This opens with a bravura cooking sequence in a huge, French chateau kitchen as Eugénie and her assistant Violette (Galatéa Bellugi) and Violette’s younger, visiting cousin Pauline (Bonnie Chagneau-Ravoire), with a degree of assistance from Dodin, prepare the most amazing French meal you’ve ever seen. You start to think you’re in for two and a half hours of hunger-inducing food porn when the tone starts to shift, and the threads of a plot impose themselves ever so subtly on the proceedings.

Dodin accepts a challenge from a foreign prince, used to lengthy meals that last longer than 24 hours, to cook a meal the challenger will never forget.… Read the rest

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Dune
(2021)

Director – Denis Villeneuve – 2021 – US – Cert. 12a – 155m

*****

A powerful family is exiled to a desert planet populated with giant sandworms as part of an interplanetary conspiracy to end their dynasty – back out in cinemas from Friday, February 8th 2024

Frank Herbert’s sprawling novel Dune (1965) was read in the late 1960s and 1970s by any teenage boy with the slightest interest in science fiction and fantasy. It had (a little) space travel but more significantly it had alien worlds, notably the desert planet Arrakis on which 95% of the action takes place, and so ticked the SF box.

Then it had a whole ecology involving the planet’s occupants the Fremen, a drug known as ‘the Spice’, and giant sandworms, so it also ticked the fantasy box.

On top of this, it pitted dynasties – ‘Houses’ – against each other in a tale of interplanetary political intrigue.

The plot was unbelievably convoluted, spawning a lengthy series of sequels. I gave up around the fifth or sixth book. And yet, the first book possessed an almost mythic quality that my diminishing interest in the later volumes was unable to dispel.

The sheer quantity of plot was always going to be a challenge for a standalone movie.… Read the rest

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Documentary Features Live Action Movies

Fungi Web of Life
laser digital IMAX 3D

Director – Joseph Nizeti – Co-directors – Gisela Kaufmann, Paul Phelan – 2023 – Australia – Cert. U – 40m

*****

The amazing world of fungi, its place in the ecosystem and how it may be able to help solve some environmental issues; narrated by Björk, presented by Merlin Sheldrake – out at the BFI Waterloo IMAX on Friday, February 9th

Think of fungi and most of us immediately think of mushrooms or toadstools, but those are merely its above ground manifestation. In fact, the wood wide web (a phrase easily misheard as the more familiar World Wide Web) extends through forests which are, as this notes in passing, disappearing at an alarming rate through deforestation, when the mostly slow paced and marvellous imagery and peaceful sounds and music on offer are briefly interrupted by a close up of the huge drive wheel of a mechanical digger and grating sounds of machinery to match.

Innovative Icelandic musician Björk, who has referred to her 2022 album Fossora as her ‘mushroom album’, lends her voice to the English language narration here. This gives the piece a strange, unearthly feeling that’s somehow perfect for its subject matter. Also on hand is biologist, writer and speaker Merlin Sheldrake, who wanders through the proceedings to visit Kew Gardens and assorted natural areas of forest around the planet to point out pertinent items and features.… Read the rest

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Born To Fly
(Chang Kong
Zhi Wang,
长空之王,
lit.
King Of The Sky)

Director – Liu Xiaoshi – 2023 – China – Cert. 12a – 128m

***1/2

Genuinely thrilling action movie about Chinese test pilots owes much to US movies Top Gun and The Right Stuff, even as it attempts to justify current expansionist Chinese views – out on Blu-ray and Digital from Monday, February 5th

From above the clouds. Two stealth jets. Down towards the sea surface and an oil platform flying a Chinese flag. Coffee in a cup vibrating Jurassic Park (Steven Spielberg, 1993) style to indicate the imminent approach of the monster. Sonic boom. Aircraft fly past. Oil rig windows blow out. Faces are cut to ribbons. In one cockpit, the pilot radios his colleague and, presumably, anyone else listening (in US English): “we can come and go anywhere we want.”

Then, a Chinese plane after them. In their sights. But, before the American can shoot it down, the Chinese loops the loop, transforming from target to shooter. Vowing, like that villainous Hollywood icon The Terminator (James Cameron, 1984) to be back, the US pilots leave Chinese airspace.

The Chinese aircraft, meanwhile, clearly inferior to its US counterparts, suffers flameout requiring its ace pilot to make a forced landing during which its drogue parachute fails to open.… Read the rest

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Animation Features Live Action Movies

The Japan Foundation Touring Programme 2024

The Snow Flurry

This year’s Japan Foundation (JPF) Touring Programme, which runs throughout February and March and is celebrating its 21st edition, is based around one of the great theme of cinema: memories. With screening venues spread widely over the UK, it covers the following thirty UK cities or counties (six more than last year, making it the largest number of JPF venues to date):

Aberystwyth Belfast Birmingham Bristol Cambridge Cardiff Chester Chichester Colchester Coventry Derby Dundee Edinburgh Exeter Inverness Kendal Lancaster Leicester Lewes Liverpool London Manchester Newcastle upon Tyne Norwich Nottingham Orkney Oxford Plymouth Sheffield and York.

(Click on any of the cities or counties above for more information.)

Under the moniker Unforgettable: Memories, Times and Reflections in Japanese Cinema, the programme gathers together films showing how Japanese filmmakers employ memories, from those using them as a focal point to those where they subliminally drive or affect characters’ behaviour.

Highlights include:

– the UK Premiere of Shadow of Fire, the latest work from festival favourite Shinya Tsukamoto (Tetsuo: The Iron Man),

– a new entry in the Roman Porno genre, Hand, commemorating the fiftieth anniversary of Nikkatsu’s controversial line of erotic cinema,

– visually stunning anime Lonely Castle in the Mirror,

– fascinating courtroom drama Winny about a computer programmer arrested for creating a P2P file-sharing platform,

– a retrospective classic from the Golden Age of Japanese cinema in Keisuke Kinoshita’s The Snow Flurry.… Read the rest

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Features Live Action Movies

Winny
(Winny)

Director – Yusaku Matsumoto – 2023 – Japan – Cert. tbc – 127m

*****

Based on a true story; the state attempts to prosecute the software developer of the file sharing programme Winny for copyright violation – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

2003. After programmer Isamu Kaneko (Masahiro Takashide) creates a file-sharing programme Winny, the media reports that people are using it to illegally download movies. Across Japan in late November, a series of police raids on flats leads to the arrests of several Winny users, along with its creator. In custody and being questioned, Kaneko is very bad at paying attention. Believing the cops have his and society’s best interests at heart, he cooperates by copying into his own handwriting a confession they have written and signing it, on the verbal understanding that he can change or tweak the document before it is used in court. The interrogating cop, however, has deceived him into making a statement that will stand as evidence in court.

Defence attorney Toshimitsu Dan (Takahiro Miura) agrees to take on Kaneko’s case and is horrified by the computer programmer’s naivety about all things legal.… Read the rest

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The Zone of Interest

Director – Jonathan Glazer – 2023 – UK, Poland – Cert. 12a – 106m

*****

A drama about the everyday, domestic lives of the Commandant of Auschwitz, his wife, and their family – out in UK cinemas on Friday, February 2nd

How do people sleep at night? If they do bad things? Well, some people who do bad things are tormented by them. They sleep badly. Their conscience, however repressed by them, disturbs them. The others? Well, they seem to sleep soundly.

The Zone of Interest is about people who, as part of their daily routine, do or at least consent to, even inaugurate, unspeakable things. These people are a respectable married couple and their extended family. The focus here is on the ordinary, everyday activities they pursue rather than the unspeakable activities. A nice bathing trip to the river; a later panic when there might be an infection in the river and family members are bathing in it. (The bad stuff seeps into the everyday, routine, speakable stuff, it seems.) Mum taking the little one round the garden and telling her the names of the flowers. Mum running an efficient household, with an army of servants. Mum trying on a second-hand, fur coat.… Read the rest

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American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Samsara (2023)

Director – Lois Patiño – 2023 – South Korea, Spain – Cert. U –113m

*****

The story of two lives – an old woman dying in Laos and a goat born in Zanzibar – and the connection between them – is out in cinemas in the UK in the new year on Friday, January 26th following its screening in the 2023 London Film Festival

You think you’ve seen everything there is to see in movies, and then along comes a movie that does something unexpected that completely breaks the mould. In the middle of this film, we are invited to close our eyes and not open them again until asked; if we follow this instruction, something extraordinary occurs.

The word Samsara is used in a number of Asian religious systems (notably Hinduism and Buddhism) to denote the idea of a constant cycle of reincarnation: you are born, you die, you are reborn in another form, you die, you are reborn in another form, an so on. This idea is contrary to that of the Judeo-Christian religions in which you are born, you die, once only, and you are judged.

What Samsara does so brilliantly is show us the first of these two systems, showing the end of one life and the beginning of another.… Read the rest

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Jackdaw

Director – Jamie Childs – 2023 – UK – Cert. 15 – 97m

**

When ex-British army mercenary Jack Dawson – a.k.a. Jackdaw – retrieves a package from the North Sea for a client, things go horribly wrong, forcing him to go through the North East in search of answers – British action thriller is out in UK cinemas on Friday, January 26th

Jackdaw is the nickname for Jack Dawson (Oliver Jackson-Cohen from Emily Frances O’Connor, 2022; The Lost Daughter, Maggie Gyllenhaal, 2021; The Invisible Man, Leigh Whannel, 2020), an ex-army mercenary who looks after his down syndrome brother Simon (Leon Harrop). A call comes in to his answering machine for what appears to be a routine job picking up a package from the coastal waters of the North Sea, and it pays well, so might provide the much-needed opportunity for the two brothers to improve their lot. Jack is good at what he does, but the job proves to be far less routine than stated, as he finds himself first the quarry of a pursuit then discovers his brother has been kidnapped. In search of answers, he sets off on visiting a trail of contacts across the underworld of the North of England.… Read the rest

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Crazy Thunder Road
(Kuruizaki
Sanda Rodo,
狂い咲きサンダーロード)

Director – Sogo Ishii – 1980 – Japan – Cert. 15 – 97m

*****

Following on from Arrow’s superb BD of Sogo Ishii’s Burst City (1982) comes Third Window’s equally impressive BD release of its predecessor in the Ishii canon Crazy Thunder Road (1980) – on Blu-ray from Monday, February 21st 2022 and, as of January 2024, available to stream on Amazon Prime UK

This was Ishii’s Nihon University student graduation project, his first to be shot on 16mm rather than Super 8, which somehow got picked up for distribution by major Japanese Studio Toei which led to their giving him a budget for Burst City. Tom Mes, who as with Burst City supplies a commentary for the film, describes Crazy Thunder Road as “one of the Holy Grails of Japanese film releases if not the Holy Grail.”

When Toei presented Ishii with what seemed like astronomical funding for Burst City, it led him to overreach himself. In retrospect, he considers Burst City unfinished… [Read the full review at All The Anime]

Crazy Thunder Road was out on Blu-ray in the UK on Monday, February 21st, 2022 and, as of January 2024, available to stream on Amazon Prime UK.… Read the rest

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The Holdovers

Director – Alexander Payne – 2023 – US – Cert. 15 – 133m

*****

A teenage pupil must remain at school in the care of his strict and widely despised Ancient History teacher over the 1970 Christmas holidays – out in UK cinemas on Friday, January 19th

A school movie with a difference: this takes place not in term time, but in the holidays. Specifically, a New England boys’ boarding school in the 1970 Christmas holidays, when, for various reasons, five pupils – three teenage, two younger – are unable to go home for the seasonal break, so must instead be looked after by a member of staff at the school. That task falls to ancient history teacher Paul Hunham (Paul Giamatti), who is filling in for the member of staff who made up a story about a difficult family health situation to get out of being lumbered with the task. Paul is put upon for jobs like this because he’s the guy who can’t say no; he’s also a stickler for hard work and discipline who is disliked by fellow teaching staff and pupils alike.

Once the other staff and students have left, one other person remains on the premises: the head cook Mary Lamb (Da’Vine Joy Randolph) who has a connection to the institution beyond her employment.… Read the rest

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In Broad Daylight
(Bak Yat Ji Ha,
白日之下)

Director – Lawrence Kwan Chun Kan – 2023 – Hong Kong – Cert. 15 – 106m

***1/2

A woman uncovers a catalogue of abuse visited upon the residents of the Hong Kong care home in which her grandfather lives – out in UK cinemas on Friday, January 19th

This opens and closes to the strains of ‘We’ll Meet Again’ and images of Hong Kong buildings reaching towards the sky.

Ling Hu Kay (Jennifer Wu from The Shadows, Glenn Chan, 2020; Tracey, Li Jun, 2018) enters the Rainbow Bridge Care Home in search of her grandfather Chow Kin-Tong (David Chiang from Election, Johnnie To, 2005; The Adventurers, Ringo Lam, 1995; Once Upon a Time in China II, Tsui Hark, 1992; Yes, Madam!, Corey Yuen, 1985; Shaolin Temple, Chang Cheh, Wu Ma, 1976) who she hasn’t visited for a while as she’s been abroad in Canada. He doesn’t remember her. Chow’s roommate is the amiable Shui (Woo Fung). Shocked at finding a dead rat in their room, she finds the manager Cheung Kim-wah (a memorable Bowie Lam The Crossing, 2014; Hard Boiled, 1992, both John Woo) who informs her both that while they are always understaffed, the place is like a family where everyone pitches in.… Read the rest

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Mean Girls (2024)

Directors – Samantha Jayne, Arturo Perez Jr. – 2024 – US – Cert. 12a – 112m

**

A reimagining as a musical of the eponymous, 2004 US High School movie in which the new girl finds herself up against a girl clique – out in UK cinemas on Friday, Wednesday, January 17th

Raised and homeschooled on the open plains of Kenya, 16-year-old Cady Heron (Angourie Rice) is in for a shock when her mum suddenly decides the family is moving back to the US. The shock comes specifically in terms of High School, which she swiftly discovers to be a hostile world of exclusive cliques.

Two outsiders Janis (Auli’i Cravalho) and Damian (Jaquel Spivey) take it upon themselves to explain who’s who and against their advice, she falls in with the Plastics: Regina George (Reneé Rapp), Gretchen (Bebe Wood), and Karen (Avantika), a group of three rich, bitchy and style-obsessed girls who regard themselves as superior to everyone else.

Cady swiftly puts a foot wrong by falling head over heels for Regina’s boyfriend Aaron Samuels (Christopher Briney), and the narrative swiftly develops into a conflict between her and the other three Plastics, particularly Regina. It’s a musical, too: cue song and dance numbers.… Read the rest

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The Boys in the Boat

Director – George Clooney – 2023 – US – Cert. 12a – 123m

*****

Based on a true story. A group of students become the rowing team who compete in the 1936 Berlin Olympics – out in UK cinemas on Friday, January 12th

Washington State, the mid-1930s. Engineering student Joe Rantz (Callum Turner) can barely afford to live, sleeping in an abandoned, wrecked automobile at night and faced with University fees he can’t pay during the day. Desperate for some – any – work that pays enough to help him get by, he is encouraged by fellow student Roger Morris (Sam Strike) to sign up for the rowing team. Only nine people can ultimately be chosen for the team (eight plus a reserve), and to get there all applicants must undergo a rigorous trial process so that coach Al Ulbrickson (Joel Edgerton from Master Gardener, Paul Schrader, 2022, and much else) and his team can select the best men for the job.

It’s backbreaking work, and against all odds, both Rantz and Morris make it into the team. Curiously, the film starts off as being about the two of them, but as the narrative progresses, the focus on Morris fades as the emphasis shifts both to Rantz and the whole eight-man-strong team.… Read the rest

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Blank

Director – Natalie Kennedy – 2023 – UK – Cert. 15 – 94m

****

Struggling with writer’s block, a successful author checks in to an AI-controlled retreat facility only for a virus to wreak havoc on the software which runs it, turning her into a prisoner – out on UK digital download from Monday, January 8th

Successful writer of pulp horror fiction Claire Rivers (Rachel Shelley) has writer’s block. And a deadline. And is being hassled on the phone by her agent, Alice (voice: Tamsin Jeffrey). She has a month, and Alice can’t keep fobbing off her publisher. Claire needs to get round whatever the problem is. So Claire accepts that invitation to a writer’s retreat she’s been avoiding.

Now, this is now ordinary retreat – it’s run by AI. Once there, her hand is scanned to open the door. She’s met by a charming man (Wayne Brady) – or rather, a holographic projection of a charming man, who informs her that her personal concierge is being set up as he speaks. So Claire meets Rita (Heida Reid), an android who unpacks her things for her. And who almost – but not quite – interacts with her. There’s some something quite odd about Rita.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Top Ten Movies
(and more)
2023

Full Tiime

Work in progress – subject to change. Because I am still watching movies released in 2023, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add / sort.

All films received either a theatrical or an online release in the UK between 01/01/23 and 31/12/23.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Powell and Pressburger’s i know where i’m going or The Red Shoes, Powell’s Peeping Tom or Von Trier’s Melancholia.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any other UK release in 2023.

The star ratings may occasionally differ from the star rating I gave a particular film at the time of review.

Beyond the first 25 numbered titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online in the holidays.

Finally, last year’s list is here.

Top Ten Movies (and more) 2023

Please click on titles to see reviews. (Links yet to be added.)… Read the rest

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Animation Features Movies

The Boy And The Heron
(Kimitachi Wa
Do Ikiru Ka,
君たちはど
う生きるか,
lit.
How Do You Live?)

Director – Hayao Miyazaki – 2023 – Japan – Cert. 12a – 124m

*****

During WorldWar Two, a boy bereaved of his mother moves to the countryside with his businessman father where a heron lures him into another dimension to rescue his vanished stepmother – out in UK cinemas on Friday, December 26th

Directors, eh? They make their last film, then, some time later, they go and make another one. The Wind Rises (2013) was supposed to be Hayao Miyazaki’s last film, but three years later, he was working on his next one. And seven years further on, The Boy And The Heron hits cinemas. The Japanese title How Do You Live? comes from a popular children’s novel, a copy of which appears in the film, rather than the film being an adaptation of the novel.

Three years into World War Two, young boy Mahito (Japanese dub: Soma Santoki; English dub: Luca Padovan) loses his mother in a Tokyo hospital fire. Four years into the war, his father (Japanese dub: Takuya Kimura; English dub: Christian Bale) – a businessman who manufactures aircraft cockpits for the war effort – decides to move both his factory and his son out of Tokyo to the countryside where he plans to marry his late wife’s younger sister Natsuko (Japanese dub: Yoshino Kimura; English dub: Gemma Chan).… Read the rest

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Ferrari

Director – Michael Mann – 2023 – US – Cert. 15 – 130m

*****

As Enzo Ferrari’s racing team takes on a particularly tough race in 1957, the complexities of his private life prove equally challenging – out in UK cinemas on Tuesday, December 26th

You might reasonably expect a movie about legendary driver turned racing car manufacturer Enzo Ferrari to be about motor racing, and while that’s undeniably true of this film, it’s about far more. In essence, it’s a character study about a man’s life focused on a brief period of his career, in which complex professional and personal issues intersect.

Based on a script by the late, great Troy Kennedy Martin (1932-2009 – writer of The Italian Job, 1969; BBC TV series Z Cars, 1962 and Edge of Darkness, 1985), Mann’s film covers four months in 1957 building up to a particularly tough race, the Mille Miglia, the route for which covers 1 000 miles of open country roads.

Alongside the considerable challenges and demands of the race itself, the personal life of Enzo Ferrari (Adam Driver) is nothing if not complex. His marriage to business-savvy Laura Garello Ferrari (Penélope Cruz) is on the rocks thanks to the death from muscular dystrophy in 1956 of their son Dino aged 24.… Read the rest

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Next Goal Wins
(2023)

Director – Taika Waititi – 2023 – US – Cert. 12a – 104m

*

Big budget, narrative remake / reimagining of the compelling 2014 documentary about the world’s worst national football team mostly falls flat – out in UK cinemas on Tuesday, December 26th

Film productions come in all shapes and sizes: there is a valid place for both small, microbudget, independent, art house films and another for big budget, Studio based, mega-budget, mass market films. Nine years ago, Next Goal Wins (Mike Brett, Steve Jamison, 2014), a tiny, independent documentary film shot with minimal resources, emerged from a production set-up which afforded the filmmakers considerable creative freedom without which it’s unlikely their ultimately remarkable, compelling and insightful film would ever have come together in the way it did. Nine years after the original film, it has been remade as a narrative feature with name actors and a director with a proven gift for comedy.

The documentary was about the world’s worst national football team. American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. The filmmakers hit paydirt when the team hired professional football coach Thomas Rongen to turn their fortunes around: suddenly, they unexpectedly had a film pitting the chilled out, American Samoan way of life against the ruthless, competitive ethos of international team sports.… Read the rest

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Next Goal Wins
(2014)

Directors – Mike Brett, Steve Jamison – 2014 – UK – Cert. 15 – 97m

*****

DVD review for Third Way, 2014.

In 2001, American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. Ten years later, FIFA still ranked the side at the bottom of its league table. Where most football teams dream of winning, American Samoa dreamed of not conceding a goal. Sensing herein the seed of a subject for a documentary film, Brit filmmakers Mike Brett & Steve Jamison headed for the tiny, English-speaking, Pacific island and spent months there hanging out with and filming the team in the training run up to the 2014 World Cup. What they captured on camera and edited into a feature film is both remarkable and compelling, whether or not you’re interested in football.

Rather than the expected group of losers, they find the team are steeped in the culture of American Samoa which is all about community, family and (Christian) religion, a very different cultural underpinning to Brett and Jamison’s. Western capitalism – and football within it – is all about competing, pushing yourself and your team as far as you / they can go and, ultimately, winning.… Read the rest

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The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

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The Peasants
(Chłopi)

Directors – DK Welchman, Hugo Welchman – 2023 – Poland, Serbia, Lithuania – Cert. 15 – 114m

****1/2

A rural drama of romance, adultery and inheritance is expressed through the remarkable, foot-in-two-camps medium of live action filmmaking turned into animated painting – out in UK cinemas on Friday, December 8th

A small rural village in the early 20th Century. Young woman Jagna Paczesiówna (Kamila Urzędowska) is in love with Antek Boryna (Robert Gulaczyk). Unfortunately, not only is Antek already married to Hanka (Sonia Mietielica), who is fed up with his philandering, but also the latter’s father Maciej (Mirosław Baka), who is the richest person in the village, is widowed and wants Jagda to marry him – against her will but in line with that of her parents, who know a good thing when they see it. Alas, after the marriage, she carries on with Antek and things slowly go from bad to worse.

It’s gripping if harrowing stuff and would probably work well enough in live action, although it might not look that dissimilar to many other period costume dramas. It can occasionally be hard to keep track of who’s who, which I suspect is down to the script, an adaptation of a 1906 novel originally written as four volumes covering one year through the seasons Autumn, Winter, Spring and Summer, a trajectory also followed by the screenplay.… Read the rest

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Anselm
(Anselm
– Das Rauschen
Der Zeit)

Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be. The forest setting in which Wenders films them seems almost as significant as the maquettes themselves as we slowly pass by an upright tree trunk between the sculpture and us.… Read the rest

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Chicken Run:
Dawn of the Nugget

Director – Sam Fell – Co-Director – Jeff Newitt – 2023 – UK – Cert. PG – 101m

****

Which came first – the chicken or the egg? Having escaped the farm for an island paradise, the chickens must break into and wreck a food processing factory masquerading as a holiday camp to lure unwitting chickens to their doom – out in UK cinemas on Friday, December 8th and on Netflix from Friday, December 15th

More than two decades after the original Chicken Run (Nick Park, Peter Lord, 2000), its poultry return. They can hardly escape from the farm again, having established themselves on a secluded island in a lake well away from human beings. So the original’s co-screenwriter Karey Kirkpatrick, a veteran of The Rescuers Down Under (1990), James And The Giant Peach (1996), The Little Vampire (2000), Charlotte’s Web (2006), makes use of a number of very clever tricks to have the chickens break in to a facility that endangers chicken lives rather than break out of one.

He effectively redeploys the escapees from the original, but it being over two decades since its production, he races through what would be just over a decade in chicken years if their lifespans were comparable to humans and has the hero Rocky (voice: Zachary Levi) and the heroine Ginger (voice: Thandiwe Newton) get together and produce a family in the form of a daughter, Molly (voice: Bella Ramsey) , who in the opening minutes’ montage grows into a teenager.… Read the rest

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Wonka

Director – Paul King – 2023 – US – Cert. PG – 112m

Movie ****

Hugh Grant as an Oompa Loompa when he eventually appears*****

How the youthful Willy Wonka became the world’s most celebrated maker of chocolate – musical based on one of Roald Dahl’s best-known characters is out in UK cinemas on Friday, December 8th

Willy Wonka is familiar to generations of children through both the book in which he first appeared, Roald Dahl’s Charlie and the Chocolate Factory (1964) and its two film adaptations Willy Wonka & the Chocolate Factory (Mel Stuart, 1971) and Charlie and the Chocolate Factory, Tim Burton, 2005). Rather than remake the novel a third time, Warner Bros. have taken the bold step of creating a Willy Wonka origin story. Who was Wonka before he became the innovative and eccentric chocolate factory owner that book and movie audiences know and love? It’s a great idea for a film.

Paul King, who previously breathed cinematic life into another well-known figure from British children’s literature in his two Paddington movies (2017 and 2014), has, together with Paddington 2 co-screenwriter Simon Farnaby, come up with an original story which feels like a Dahl adaptation – although it isn’t.… Read the rest

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Chicken Run

Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m

*****

Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens – review originally published in year 2000

Aardman Animations’ A Close Shave (1995), the third half-hour outing for Nick Park’s popular Wallace & Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor The Wrong Trousers (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.

It’s The Great Escape reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.… Read the rest

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Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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There’s Something
in the Barn

Director – Magnus Martens – 2023 – Norway – Cert. 15 – 100m

*

An American family immigrates to Norway where a relative has died and left them a farmhouse with a barn… and there’s something in the barn – badly misjudged horror comedy is out in UK cinemas and on digital download from Friday, December 1st

I have watched this film so that you don’t have to.

Incidentally, it has some of the best film stills I’ve ever seen. They are truly great. Don’t let that fool you: it’s a rotten movie.

One year after the unpleasant death of their Norwegian relative, the Californian nuclear family of dad, step-mum, son and daughter arrive at his farmhouse and barn in Norway which they’ve inherited. The unpleasant death is intriguing and workable if unoriginal horror fare; there is indeed something in the barn, and it’s not happy. So not happy, that it kills the relative.

But once the Californian family appear, the film undergoes a huge shift of tone from straight horror to pretty embarrassing comedy. Or, more accurately, alleged comedy because the laughs (or laugh – I think I may have laughed once) are (is) few and far between. Dad Bill (Martin Starr) is a happy-go-lucky, irritating, nerdy caricature; his new wife – and therefore step-mum to his kids – Carol (Amrita Acharia) is an equally annoying, former self-help guru.… Read the rest

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Animation Features Movies

Wish

Directors – Chris Buck, Fawn Veerasunthorn – 2023 – US – Cert. U – 95m

**

The ruler of a kingdom where wishes can come true, undone by assuming the role of gatekeeper, morphs into a tyrant – latest Disney animated feature is out in UK cinemas on Friday, November 24th

A believer in the idea that wishes can come true, a man trains himself in the art of sorcery and, with his wise and faithful wife at his side, sets himself up as King Magnifico (voice: Chris Pine) of the Mediterranean island of Rosas with his wife Queen Amaya (voice: Angelique Cabral). The king wants to create a land where wishes truly can come true, and to that end he has his subjects hand over their most heartfelt wish for safekeeping on their 18th birthday, after which the wish is erased from the wisher’s mind. He examines the wishes for himself, decides which ones would benefit society, and periodically has ceremonies where a citizen is granted their wish.

It’s a heavy workload, though, and now he’s advertising for a new assistant. Soon to be 18 teenager Asha (voice: Ariana DeBose) applies, although the King is rumoured to be difficult to work with.… Read the rest

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Documentary Features Live Action Movies

Another Body

Directors – Sophie Compton, Reuben Hamlyn – 2023 – UK, US – Cert. 18 – 80m

***

A young woman discovers her face has been added by deepfake technology into porn videos, and attempts to find out the perpetrator – documentary is out in UK cinemas on Friday, November 24th

The opening five minutes show a normal, well-adjusted, young woman. Taylor Klein comes from a family of engineers, with a mother who is the hardest working person she knows, an attribute that always encouraged Taylor to work hard to become a success. So she went to a college called C-net to study engineering. She was one of two female students out of a group of around fifty. And that was fine. Or so it seemed at the time.

Some time after successfully completing her course, a friend sent her a social media message. Her first reaction has that he had been hacked – but no, he assured her, it was definitely him. And she needed to look at the link he had sent her. When she did so, her world collapsed. Because she found herself watching porn videos on PornHub starring herself. Seven in total, and one more on another site called xHamster.… Read the rest

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Animation Documentary Features Live Action Movies Shorts

The Picks that spoiled our film critic!

Tallinn viewed from the Nordic Hotel Forum.

Jeremy Clarke returns to the Tallinn Black Nights Film Festival in order to cover the Critics’ Picks section (which is now on its second year); he encounters what’s probably the strongest section of the event

Some people have a fear of flying. I don’t, but dislike of all the bureaucratic paraphernalia that surrounds airports. Not to mention London’s transport system, which is good most of the time, but not so much when it goes wrong. Coming home from the Festival last year, I got caught up in a tube strike. That didn’t happen this year. Indeed, the travel to and from the airport worked better for a number of reasons.

One was that the Festival’s hospitality team were kind enough to book my flights to and from Heathrow. This meant I could use the Elizabeth Line to travel to and from the airport. I currently live on the Victoria Line, which connects directly with three major rail terminals (Kings Cross, Euston, Victoria) but not the Elizabeth Line. The Elizabeth was all a bit too new last year, but Londoners who frequently travel into the centre of town as I do have got rather more used to it, and the Oxford Circus (Victoria Line) to Bond Street (Central Line) to Heathrow (Elizabeth Line) is reasonably easy to navigate.… Read the rest

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Features Live Action Movies

Mrs.

Director – Arati Kadev – 2023 – India – Cert. none – 111m

****

After getting married, a woman is expected to work cheerfully from dawn to dusk, waiting on the menfolk of the house hand and foot – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This is the Hindi remake of Malaysian film The Great Indian Kitchen (Jeo Baby, 2021).

It starts off cheerfully enough with a big song and dance routine with lots of percussion instruments in which the heroine Richa (Sanya Malhotra), who we later learn is a keen amateur choreographer, shows off various Bollywood dance moves in sync with her fellow dancers. You wouldn’t know it from the cleverly constructed trailer, but there are surprisingly few song and dance routines overall for a Bollywood production – the only two complete numbers take place right at the start and right at the end, with the film’s running length at just under two hours a lot shorter than your average, three hour, Bollywood epic which tends to interrupt the action for a song every five minutes. In that sense, the whole thing feels surprisingly Western.

In another sense, the first hour or so doesn’t feel Western at all.… Read the rest

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Features Live Action Movies

Fez Summer ’55
(” 55″ خمسة وخمسين)

Director – Abdelhai Laraki – 2023 – Morocco – Cert. none – 114m

****

An 11-year-old boy navigates the rooftops of a Moroccan city while insurgents plot the overthrow of French colonialists in private courtyards and sometimes confront the occupying police in the streets – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The old medina of Moroccan city Fez, a lattice of narrow streets where there is room for no more than pedestrian traffic. Or, to 11-year-old boy Kamal (Ayman Driwi), a network of rooftops and walkways allowing him to go anywhere. His freedom on the top of the city stands in sharp contrast to the country’s political reality: occupied by France, with their police patrolling the streets. The locals either keep their heads down or agitate for the return of their exiled ruler, Sultan Mohammed V.

The story is very much told from Kamal’s point of view. He is at once possessed of a child’s enthusiasm for life and from his rooftop vantage point able to see things unseen by most of the narrative’s adults most of the time. Yet, he is hampered by his immaturity and lack of understanding of what’s really going on.… Read the rest

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Features Live Action Movies

The Land
Where Winds
Stood Still
(Zhel Toqtaghan Zher)

Director – Ardak Amirkulov – 2023 – Kazakhstan – Cert. none – 108m

*****

A Kazakh mother made homeless by Soviet policy must protect her two sons in the harsh environment of the Steppes – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

An historical, period, survival movie. In the wake of the Russian Revolution, Soviet forced collectivisation polices, intended to have a levelling effect, instead forced Kazakh peasants off the land and led to the famine of the early 1930s. People were reduced to eating livestock essential for agricultural production, not to mention each other.

In a barren Steppes landscape loosely reminiscent of the Spaghetti Western, mother Jupar and her two pre-teenage sons Jolan and Boshay must survive mounted gunmen, starvation, extreme weather, wolves, and hungry fellow human beings. Jupar carries a concealed knife within her clothing and will stop at nothing to protect her kids in one of the most powerful expressions of motherhood ever to grace the screen.

Their seeming nomadic existence is however not without purpose; she has to get them to the eponymous Land, the village where she was born, and safety. Yet the dangers they face on the way are legion.… Read the rest

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Features Live Action Movies

Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest

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Nobody Leaves Alive
(Ninguém Sai Vivo Daqui)

Director – André Ristum – 2023 – Brazil – Cert. none – 86m

****

After a woman is incarcerated in Brazil’s notorious Colonia psychiatric hospital simply because she is pregnant outside of marriage, her hold on reality starts to disintegrate – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Lovingly shot in a stylish black and white that both makes the whole thing feel like a dream and detracts from any sense of reality, this opens with a young woman being bundled by two men into what looks like a cattle truck. Inside the truck are other people, and the group is clearly being sent somewhere specific.

Once off the train they are frogmarched down a country track, through some wrought metal gates of late 19th / early 20th Century design and into a hallway where they are separated into men and women and the women (since it is one woman’s story we are following here) are taken to a large, tiled room and hosed down by two women, the younger of whom is Laura.

Then the woman we are following is taken for interview with a man who denies he’s a doctor. Her name is Elisa, and she explains there’s been some sort of mix-up.… Read the rest

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Light Falls

Director – Phedon Papamichael – 2023 – Georgia, Greece, Albania, Germany – Cert. none – 90m
*****

A Greek island, a lesbian couple from L.A., migrant Albanian workers, a racist cop, and an abandoned brutalist hotel… What could possibly go wrong? – terrific thriller premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Photographer Ella (Nini Nebieridze) and her girlfriend Clara (Elensio aka Elene Makharashvili), Georgians resident in L.A., are holidaying on a Greek island. On the same island, three Albanian youths – two brothers, the older Altin (Jurgen Marku) and the younger Eddy (Juxhin Plovishti), and their cocksure friend Veton (Silvio Goskova) – hang around in the hope of running into rich Western tourists they can fleece. Certainly, when a rich English couple drive up in a nice car and ask the where the nearest pharmacy is (the three don’t speak English), it looks like the three are going to do something awful to them. But then, the man sensibly drives off. The audience is left with a sense of dread.

The three Albanian men have just been turned away from a restaurant when the two L.A. girls enter, hang out, and learn from friendly locals where they can rent a 50cc Vesper (no licence needed).… Read the rest

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Features Live Action Movies

The Milky Way
(Halav)

Director – Maya Kenig – 2023 – Israel, France – Cert. none – 94m

***

In need of income to feed her baby, a mother gets a job in a factory breast-pumping out human milk for sale to rich mother clients – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Singer-songwriter Tala (Hila Ruach) loves performing and writing, but can’t seem to make any money at it. And she needs money, having recently given birth to Sheleg (whose name means Snow), so gets herself a day job at Milky Way. It’s a company that employs mothers to pump their milk into containers so that rich mothers can buy the best quality milk – at a premium price. Each employee is given their own individual cubicle, and the women communicate with each other through and over the partition walls. It’s basically a milking factory for human women.

Tala quickly gets into trouble with the company authorities via an argument with a staff member when Tala lies down with her baby in an area filled with balls – supposedly for children only, not adults – as it is the only thing that will stop him crying.… Read the rest

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Daaaaaali! (Daaaaaali!)

Director – Quentin Dupieux – 2023 – France – Cert. none – 77m

*****

Dali, played by five actors, repeatedly stalls a journalist’s attempts to film an interview with him, and a priest describes a dream over a meal – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

There are movies about art and artists. There are documentaries. And then there is Daaaaaali!

Whatever expectations one has of a Quentin Dupieux movie (Deerskin, 2019; Smoking Causes Coughing, 2022), this fulfils them. France’s comic auteur makes movies unlike anyone else, completely bonkers and very funny.

It doesn’t start off with celebrated Surrealist artist Salvador Dali but with Judith (Anaïs Demoustier from Smoking Causes Coughing and The New Girlfriend, François Ozon, 2014), 33, a former pharmacist who decided one day to become a journalist.

Actually, it doesn’t start off with Judith but with a scenario that stages a Dali painting (Necrophilic Fountain Flowing from a Grand Piano, 1932). A piano in barren Spanish countryside with a tree-shaped, potted plant sitting on top and a continuous arc of water flowing from a hole in the side of the piano.… Read the rest

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Your Mother’s Son
(Anak Ka Ng Ina Mo)

Director – Jun Robles Lana – 2023 – Philippines – Cert. none – 100m

****

An intense cocktail of two uneasy, polyamorous relationships erupts into jealousy, betrayal and violence – sexually explicit political allegory of nepotism in Filipino politics plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

A candidate’s electoral vans belts out loud-hailer exhortations to secure votes in an upcoming election, but no-one in the poor rural locality through which they pass pays any attention. Everyone is struggling to make ends meet. Middle-aged Sarah (Sue Prado) puts all her efforts into both running a laundry business, providing ad hoc employment for much younger Amy (Elora Españo) who lives nearby, and teaching students online. Sarah’s son Emman (Kokoy De Santos) has just lost his job at a restaurant because it closed down. He doesn’t seem to share her work ethic, and would rather lounge around in bed all day than actually have to do anything of an employed nature.

Or, at least, that’s how things appear outwardly.

When his mother finally prises Emman from his bed so that he can go out looking for work – which might include a contact she has who may, possibly, be able to help him – he instead hangs out at the house of Amy who, like his mother, has a strong work ethic, to have sex with her at every opportunity, and do drugs.… Read the rest

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Animation Documentary Features Live Action Movies

Pelikan Blue
(Kék Pelikan)

Pelikan Blue (Kék Pelikan)

Director – László Csáki – 2023 – Hungary – Cert. none – 79m

****

How three friends wanting to travel to the West after Hungary opened up in 1985 stumbled onto a lucrative scam forging rail tickets – innovative documentary employing animation premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This talks about Hungary opening its borders and allowing its citizens to travel beyond the iron curtain for the first time in 1985. The problem was that for most school students and ordinary working people, travel was too expensive. 1987-90 was the best time, says one man. Owing to peculiarities in the exchange rate system, it was possible to change East German marks into West German marks and triple the value of your money.

One man was in a queue at a counter with a man named Atos who had enough to clear out that particular counter, but he took pity on the other punters behind him and only took half what he could have had. Petya and another grateful friend of his in that queue later found themselves on a plane to Berlin, then sharing a hotel room with Atos.… Read the rest

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Documentary Features Live Action Movies

Everything, Everywhere

Director – Lim Kah Wai – 2023 – Japan – Cert. none – 88m

**

A woman meets, loses then searches for a film director who makes films by travelling around finding places and people around which and whom to make films – premieres in the Rebels With A Cause Competition in the 27th Tallinn Black Nights Film Festival

Backpacking hosteller Eva returns from Japan to Belgrade, where Jay has a package waiting for her. On collecting it, she is surprised at how little it contains (he’s a film director, and it includes a hard drive containing one of his films). She wanders around the Balkans, where Jay (Shogen) shoots her with his camera before introducing himself as an independent film director currently scouting interesting places and people. He persuades her to star in his upcoming film, but when she nearly drowns in a shot where he’s telling her to go further out in a lake, she refuses to complete the shoot, saying he’s self-obsessed.

Later, she meets other people with whom he’s friends who speak of him in glowing terms, and goes in search of him. Unfortunately, he’s nowhere to be found. He has however hooked up with another woman and lived with her for some period of time.… Read the rest

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Features Live Action Movies

Her Body
(Její Telo)

Director – Natálie Císarovská – 2023 – Czechia, Slovakia – Cert. 18 – 105m

****

Olympic diving champion Andrea Absolonová, forced by injury to abandon that career, reinvents herself as a porn actress – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Based on the real life story of Olympic diving champion Andrea Absolonová (Natália Germáni), this deploys a narrative that splits readily into three separate parts. In the first, she trains for the Olympics. Until one day, in the second, after executing a seemingly perfect dive, she wakes up in hospital fitted with a neck brace to the news that she’ll never dive again. And, finally, in the third, she reinvents herself as a porn actress.

The first section – her Olympic career – takes the viewer inside the sports training regimen, all the minutiae that are required to achieve greatness and rise to the very top of the competition in the athlete’s chosen field. As the film’s title suggests, it’s all about keeping the body in perfect condition to achieve the dream.

Andrea shares a flat with her younger sister Lucie (Denisa Barešová) who is under no such pressure, and on one occasion Andrea comes home to find her sister having a party, with lots of drinks Andrea mustn’t touch if she is to maintain her Olympic diet regime.… Read the rest

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Kalman’s Day (Kálmán-nap)

Director – Szabolcs Hajdu – 2023 – Hungary, Slovakia, US – Cert. none – 72m

*****

In Kálmán and his wife’s house, another couple gather to celebrate his birthday in what turns out to be a devastating drama about relationships falling apart and coming to an end – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

NSFW. And we wouldn’t have it any other way.

This is adapted from a stage play, never a great selling point for your current scribe because it can lead so easily to stagebound cinema, but inventive camerawork ensures that doesn’t happen here.

The setting is a couple’s home in the woods, and it starts off with housewife Olga (Orsi Tóth) on the phone to a woman Zita (Nóra Földeáki) so in love with the sound of her own voice that at one point Olga leaves the room (and the screen) and drifts out of earshot, only to return some while later, and we realise that although we have missed a huge amount of verbiage, we have missed absolutely nothing in terms of significant content. To cut a long story short, Zita and her husband are coming over today as planned for Olga’s husband Kálmán’s birthday and wants him wants to sign a form saying she and her family live at the house Olga and Kálmán occupy because they want to get one of their kids into a school in its catchment area.… Read the rest

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Great Sertão
(Grande Sertão)

Director – Guel Arraes – 2023 – Brazil – Cert. none – 114m

*****

The constantly shifting relationship between a man and his friend constantly shifts against the backdrop of a war between a street gang protecting their turf and an army trying to impose law and order – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Riobaldo (Caio Blat) tells his story. As a young boy in the urban jungle of Brazil’s Sertao, he bonds with fearless kid his own age Diadorim, who shows him how to scale brutalist towers and scare off predatory adults with an effective flick of the knife.

By the time Riobaldo has grown up to become a teacher, this concrete sprawl has become the battleground for a struggle between a gang led by local, criminal warlord Joca Ramiro (Rodrigo Lombardi) and forces under the command of Colonel Zé Bebelo (Luis Miranda) determined to restore law and order to the country. They may trade in violence, but both leaders are honourable men.

Not so one of Joca’s lieutenants Hermógenes (played with great relish by the ingratiating Eduardo Sterblitch), a seemingly unstoppable force of nature who has sold his soul to the devil to advance his own ends.… Read the rest

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Lessons of Tolerance
(Uroky Tolerantnosti)

Director – Arkadii Nepytaliuk – 2023 – Ukraine – Cert. none – 95m

*****

To help pay off her family’s debt with the accompanying grant, an exasperated teacher enlists her sceptical family in a state LGBT+ awareness training course – premieres in the Critics’ Picks Competition in the 27th Tallinn Black Nights Film Festival

NSFW. And we wouldn’t have it any other way.

A typical older family with debt problems in Ukraine. The mother Nadia (Olena Uzlyuk) is the one member of the family keeping everything together, holding down a job as a teacher. From what we see of her at home, we would imagine she’s very good at it, too. Alas, the same can’t be said for the rest of the family. Husband Zenyk (Oleksandr Yarema) has always wanted his own garage, but has no head for running a business. He spends his evenings sitting around drinking beer and being waited on hand and foot by his wife and daughter, because that’s what women are supposed to do. Then he complains in bed because his wife is not interested in sex these days.

They have two grown-up kids. Daughter Diana (Karolina Mruha) is an aspiring actress who is applying for drama school despite warnings that she may lack the necessary talent.… Read the rest

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Animation Documentary Features Live Action Movies

PÖFF’s
Critics’ Picks Competition:
pick me again

Pelikan Blue

Jeremy Clarke anticipates his return visit to Tallinn to cover the second year of its Critics’ Picks strand

Last year, I was privileged to be invited for the first time by DMovies.org’s publisher-editor Victor Fraga to attend the Tallinn Black Nights Film Festival. This year I’m back again, the major difference being that I have some idea of what to expect. Superb, superfast broadband while I’m there, for a start. Clean air and near- or sub-zero weather conditions (although I confess I haven’t yet checked the weather forecast). And great hospitality.

As for the films, the titles in the Critics’ Picks section were generally an impressive lot, and it grieves me to report that apart from the one British film in there, Carol Morley’s sublime Typist Artist Pirate King – a favoured director as rising star here in the UK and an obvious shoo-in – not one of the other films in the strand has made it into UK distribution. These include Dito Tsintsadze’s superb German / Georgian gangster thriller Roxy and Çigdem Sezgin’s arresting, Turkish feminist drama Suna, both of which some enterprising UK distributor ought to snap up and put out as soon as possible.

I generally dislike writing about films before I’ve seen them: we’ve all seen those films which looked great upfront and turned out to be duds, or films which look the sort to be avoided at all costs which turn out to be masterpieces.… Read the rest

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Roxy (Roxy)

Director – Dito Tsintsadze – 2022 – Germany, Georgia, Belgium – Cert. none – 100m

*****

When a taxi driver’s latest clients retain his services, both end up getting much more than they bargained for– premieres in the 26th Tallinn Black Nights Film Festival

The eponymous Roxy is a fight dog who has so far killed 12, no, 14 dogs. We first become aware of him when, for no good reason, he bites a pedestrian’s hand, causing his walker to hand a wad of banknotes to seemingly unflappable, hired taxi driver Thomas Brenner (Devid Streisow) to straighten the situation out. Then his new fare has put Roxy on the back seat, his panting head inches away from Thomas’ face. “You have to buy a muzzle for this dog,” Thomas calmly explains to his fare. “It’s the law in Germany.”

Thomas, whose working life consists of picking up an arrival from the railway station, taking them where they want to go, and then returning to the station to pick up the next arrival, loves routine and order. In his intermittent voice-over running through the film, we learn that his grandfather was in the Wehrmacht and his father the Stasi, the latter eventually committing suicide in 1990.… Read the rest

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Suna
(Suna Kahevahel)

Director – Çigdem Sezgin – 2022 – Turkey, Spain, Bulgaria – Cert. none – 102m

*****

A fifty-year-old woman finds herself in conflict with conservative values when she moves in with a widower – premieres in the 26th Tallinn Black Nights Film Festival

In a hotel room, sitting on two beds at right angles to each other, she says to him: “you won’t be too controlling, right? I don’t want anybody interfering with my life.” Then he sets out his own stall. “I’ll eat whatever you cook me,” he says. “When necessary, I’ll take a bath immediately.” You get the impression that that might not happen all that often.

Played by Turkish singing star Nurcan Eren, Suna craves the security of a relationship without any of the male domination that so often accompanies it. The man she has chosen, Veysel (Tarik Pabuccuoglu), has recently become a widower and wants a companion and partner in life. Not only that, he seems to want someone very like his former wife. He seems a kind, gentle man.

So they have an Imam wedding, a discreet Muslim ceremony with the local Imam present, which joins them in the eyes of Allah but may not have quite the same legal force as a regular marriage in Turkish society.… Read the rest

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Silence

Director – Martin Scorsese – 2016 – US – Cert. 15 – 161m

*****

Scorsese questions and tests the unwavering faith of the hidden Christians of Japan, and our allegiance to the director remains just as steadfast – read our verdict on the director’s latest movie, out on New Year’s Day

Religion is a subject capable of arousing great emotion among both believers and non-believers. Martin Scorsese’s Silence is essentially concerned with adherents of one religion attempting to proselytise in a foreign land where the predominant religious system is so utterly alien as to be almost unassailable. To the point where even the incoming missionaries might have to abandon the faith which they seek to spread.

That land is 17th century Japan, where Christianity has been outlawed and believers practise their faith in secret as Kakure Kirishitan (“hidden” Christians). Two Jesuit priests, Father Garupe (Adam Driver) and Father Rodrigues (Andrew Garfield) are smuggled into the country in order to find the older Father Ferreira (Liam Neeson) who is rumoured to have denounced his faith. After spending time with local believers, they are captured by the authorities who proceed to torture the Japanese Christians and make the priests watch, thereby encouraging them to renounce the Jesus they adore and serve.… Read the rest

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Tinker Ticker
(Deulgae,
들개,
lit. Wild Dog)

Director – Kim Jung-hoon – 2013 – South Korea – Cert. 18 – 102m

*****

A university professor’s aide who in his spare time builds bombs and sends them to people free of charge connects with a spoiled student prepared to detonate them – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

High school student Park Jung-gu (Byun Yo-han) makes bombs as a hobby. Ten years later, he’s on the internet, sending bombs out free of charge to any interested parties. However, people who receive his bombs do nothing with them.

By day, Park works forBaek (Kim Jong-goo from Exit, Lee Sang-geun, 2019; Poetry, Lee Chang-dong, 2010; Nowhere To Hide, Le Myung-se, 1999), a lecturer in business studies at the local university, and watches arrogant, rich kid Lee Hyo-min (Park Jong-min from LKFF 2023 Closing Night Film Dr. Cheon And The Lost Talisman, Kim Seong-sik, 2023; Decision To Leave, Park Chan-wook, 2022; Deliver Us From Evil, Hong Won-chan, 2020; Netflix series Hellbound, Yeon Sang-ho, 2021) argue coherently against Baek’s pro-consumerist lecture and get failed in the course for his trouble.… Read the rest

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Live Action Movies Shorts

Scissors

Director – Lee Gi-cheol – 1998 – South Korea – 15m
***

Master sergeant Kim tells the story of the framed scissors hanging on the wall of his barber’s shop – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

A barber’s shop: seemingly a place where one comes to relax and have a refreshing haircut and / or shave. That’s not really the case in master sergeant Kim’s barber’s shop, though, as he tells his clientele about the pair of scissors framed on the wall. Among his listeners, a man gets fresh with a compliant woman, feeling her inside legs up as the Sergeant proceeds with his tale of past torture.

The short just about holds the attention on the strength of its quirky characters, but it’s pretty odd, to say the least.

Scissors plays in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th.

Categories
Live Action Movies Shorts

2001 Imagine

Director – Jang Joon-hwan – 1994 – South Korea – 31m

*****

Born on the date of John Lennon’s assassination, a man believes himself to be the former Beatle – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

On the 8th December 1980, John Lennon is shot dead by Mark Robert Chapman in New York City. That same day, a child is born in South Korea. As the child grows into adulthood, he realises that he is the reincarnation of John Lennon. He grows his hair long and wears round lensed spectacles. Looking at him, you immediately think, John Lennon.

He tries to get record companies interested in his songs, but they don’t seem to grasp that he has the talent of John Lennon. Listening to him sing, and comparing the result to recordings of the first John Lennon playing on the soundtrack, neither do we.

His mother is confined to a hospital bed. He realises that if he reveals to her his true identity, i.e. he is John Lennon, then this would offer her hope and help cure her. This turns out to be a huge error of judgement on his part when he whispers the news in her ear, and she dies of shock on the spot.… Read the rest

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Live Action Movies Shorts

Hz

Director – Bong Joon Young – 2016 – South Korea – 11m

****

Doesn’t anyone else hear those disturbing whines and explosions you do? – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

It took me a while to work out – or at least hazard a guess – that the central character here is a girl: the actress has one of those androgynous faces that you can read as either male or female, and the character’s garb if anything suggests a young man rather than a young woman. Perhaps that contributes further to the eerie narrative as the character starts hearing noises – a series of brief whines getting higher and higher, which presage later sounds like fireworks or bombs going off. But there’s nothing to e seen to match these sounds; only the sounds themselves, And the character appears to be the only person on the bus who can hear them.

Well, not quite. A man is wearing headphones, and when he accosts her and insist she tries them on, she discovers that they can cut the sound down to quite some degree.… Read the rest

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Live Action Movies Shorts

Love Glitch

Director – Lee Kwang-ho – 2019 – South Korea – 26m

*****

On their wedding day, a bride attempts to remove he groom’s memory of a previous girlfriend– in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

In a large van presumably on her way with her groom to the wedding reception, the bride has him rendered unconscious, so a device can be placed upon his head that will allow her, guided by representatives of the firm she’s hired, to tamper with his brain and erase what she considers undesirable memories, i.e. the memories of the previous girlfriend with whom he spent six years.

Her assistant has a handgun; she is given what appears to be a blue toy pistol. Entering her groom’s memories in this armed state, she is able to, for instance, enter a scenario in a restaurant and shoot at the woman who turns into increasingly large square blocks of pixels before vanishing from sight altogether. It turns out that the hardest image to erase is the final parting when they split up because this image carries with it more emotional pain and trauma than the previous ones.… Read the rest

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Animation Movies Shorts

Giant’ Room

Director – Kim Si-jin – 2012 – South Korea – 11m

***1/2

A man enters a mysterious room and eats a cooked chicken… – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

A man enters a room he should probably not have entered. Inside, on a table, is a cooked chicken under a protective metal lattice net. Periodically, the net rises and he eats some of the tasty chicken. He’s devoured maybe 80% of it in several binges of consumption when it starts moving of its own volition, recalling the moving chicken dinner in Eraserhead (David Lynch, 1977).

Then the situation changes as a giant arrives and sits at the table, and our protagonist finds himself under the protective metal lattice net.

All this gains a strange, otherworldly, surreal quality through being wrought in stop-frame animation with striking puppets.

Giant’ Room plays in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th.

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Live Action Movies Shorts

The Distance
Between Us

Director – Lee Junggon – 2016 – South Korea – 27 m

**

Dating becomes a problem when your co-ed school implements a rule prohibiting physical contact between boys and girls – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Seondeok Arts High School confronts the problem of co-ed schooling head on by implementing a rule prohibiting physical contact between boys and girls. Consequently, pupil Byung-chan is to be transferred to another school since he has been dating Seo-hyun for quite some time, causing the pair of them some considerable trauma.

Perhaps the school is intended to stand as a microcosm of wider society. Whatever it’s trying to say, at getting on for half an hour, this spends rather too long saying it and has a hard time holding the viewer’s attention.

The Distance Between Us plays in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th.

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Love Life
(LOVE LIFE)

Director – Koji Fukada – 2022 – Japan, France – Cert. 12a – 123m

*****

A tragedy involving a woman’s six-year-old child, abandoned by his birth father, wreaks havoc on her already strained relationship with the husband she has recently married – on BFI Player from Monday, November 6th following its release in UK cinemas on Friday, September 15th

A terrific drama about family relationships.

Recently married, young couple Jiro (Kento Nagayama from Villain, Lee Sang-il, 2010) and Taeko (Fumino Kimura) have a six-year-old, deaf boy Keita (Tetta Shimada), a national champion at the board game Othello, which he plays constantly with his mother or with players online. Several of his trophies are displayed in the family’s typical, small, apartment. Jiro’s parents Makoto (Tomoro Taguchi from Fukushima 50, Setsuro Wakamatsu, 2020; Dead Or Alive, Takashi Miike, 1999; Tetsuo: The Iron Man, Shinya Tsukamoto, 1989) and Akie (Misuzu Kanno from 37 Seconds, Hikari, 2019) live in a nearby apartment five or so minutes away across a park and a car park.

Jiro and Taeko invite them over, ostensibly to celebrate Keita’s latest victory but actually for a surprise 65th birthday party for Makoto.… Read the rest

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Open The Door
(Opeun Deo Do-eo,
오픈 더 도어)

Director – Chang Hang-jun – 2022 – US, South Korea – Cert. 15 – 72m

*****

Serial bad decisions in five reverse chronology episodes of a New Jersey, Korean migrant family’s life suggest terrible consequences – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Chi-hoon (Seo Young-joo from The Age Of Shadows, Kim Ji-Woon, 2016; Moebius, Kim Ki-duk, 2013) drives over to the house of his sister and brother-in-law Moon-suk (Lee Soon-won). Moon-suk is alone, and invites him in, digging out a bottle of whiskey and the best food that can be eaten with it, kimchi. In the ensuing conversation, as the pair get more and more inebriated, various unpleasant family truths emerge. Their mother has severe health issues, the couple are in financial trouble, and Moon-suk casts doubt on his wife’s character, suggesting that she’s not the good person her brother believes her to be and accusing her of wanting to murder their mum.

However, Chi-hoon has a different agenda: he wants to know why Moon-suk has been regularly hitting his sister. At one point, Moon-suk goes into the bedroom, retrieves a revolver and hides it on his person.… Read the rest

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One Fine Spring Day
(Bomnaleun Ganda,
봄날은 간다)

Director – Hur JIn-ho – 2001 – South Korea – Cert. 15 – 113m

*****

The romance between a sound engineer and a radio DJ from winter through spring to its falling apart in summer – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Winter. Twentysomething sound recordist Sang-woo (Yoo Ji-tae) lives at home with his family including his grandmother, to whom he’s completely devoted. He is hired by a radio station in a nearby town and finds himself working alongside DJ and talk radio host Eun-su (Lee Young-ae), travelling there in his van. They spend time in the local countryside recording sounds such as the wind across the tall grass and she invites him to her flat for the night. One thing almost leads to another, but woken by his trying to kiss her as she lies on a mattress on the floor after she let him use her bed, she tells him, let’s wait until we know each other better.

They quickly become inseparable, with much walking together, holding and hugging, although she won’t shout about it from the rooftops because, as she explains to him, if the radio station found out they were in a relationship, he’d get the sack.… Read the rest

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Gurkha Warrior

Director – Milan Chams – 2022 – Nepal – Cert. 15 – 115m

**

A small Gurkha unit is dropped into the Malayan jungle by helicopter on a search and rescue mission to save a number of the comrades who have been captured – previews in UK cinemas on Saturday, November 4th, out in UK cinemas on Friday, November 10th

There’s a very sweet frame story bookending Gurkha Warrior in which an old man takes his young and curious grandson to a hilltop in Nepal with mountains in the background for his annual ritual of laying a commemorative wreath at its foot and saluting in memory of fallen war comrades. When he explains this to his grandson as they walk away along the ridge, the latter picks a flower off a nearby bush and runs back to leave the flower beside the old man’s wreath. His grandfather is deeply moved by this.

That very much sums up this film, the director and star of which both served as Gurkhas. The narrative takes place against the backdrop of the Malaya Emergency (1948-1960), but since that’s never explained and given that audiences are likely to be unfamiliar with the historical background, the film floats in an unfortunate war film netherworld lacking any sort of context.… Read the rest

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A Normal Family
(Bo-tong-ui Ga-jog,
보통의 가족)

Director – Hur Jin-ho – 2023 – South Korea – Cert. – 116m

***

Lacking any moral sense of right and wrong, the teenage children of two brothers, a lawyer and a doctor, kick a homeless man to death – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

After a road rage incident in which an out of order, rich twentysomething wilfully runs down an irate baseball player who objects to his driving, and puts the baseball player’s young daughter in a coma, the twentysomething hires defence lawyer Jae-wan (Sol Kyung-gu from The Boys; Chung Ji-young, 2022; 1987: When That Day Comes, Jang Joon-Hwan, 2017; Memoir Of A Murderer, Won Shin-yeon, 2017; Peppermint Candy, Lee Chang-dong, 2000) who is motivated not by justice but by doing everything he can to get his client off scot-free. Jae-wan has a new, young wife Ji-su (Claudia Kim from Fantastic Beasts: The Crimes Of Grindelwald, David Yates, 2018; The Dark Tower, Nikolaj Arsel, 2017; Avengers: Age Of Ultron, Joss Whedon, 2015) with a small baby and a teenage daughter Hye-yoon (Hong Yi-ji) by his late first wife.… Read the rest

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#Manhole
(#マンホール)

Director – Kazuyoshi Kumakiri – 2023 – Japan – LEAFF Cert.15 – 99m

***

A man falls down a manhole following his stag night and turns to social media to get help and, hopefully, escape – plays in the Official Selection at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th.

The opening minutes of #Manhole resemble any number of Japanese movies you can think of as Shunsuke Kawamura (Yuto Nakajima) attends a surprise party put on by work colleagues at his local watering hole. It’s a good night, suggesting he’s well loved (albeit on a fairly superficial level) and he leaves extremely drunk, briefly saying goodbye to best mate Etsuro Kase (Kento Nagayama from Love Life Koji Fukada, 2022; Villain, Lee Sang-il, 2010) whose well-intentioned present – a lighter – may not be so much use to Kawamura now that he’s given up smoking. Or so it would seem at that point in the proceedings.

Kawamura must have drunk a good deal more than he realised because as he staggers home, he falls down a manhole off of which someone, by accident or design, has left the cover. His upper leg is badly cut.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Gustav Klimt

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

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National Security
(Namyeong-dong 1985,
남영동 1985)

Director – Chung Ji-Young – 2012 – South Korea – LEAFF Cert. 15 – 106m

*****

An activist is arrested and tortured into making a confession, although it’s unclear whether his torturers have any interest in getting him to spout truth rather than lies – plays as part of a strand showcasing director Chung Ji-Young at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th

In 1985, South Korea was a right-wing military dictatorship (in contrast to North Korea, which was then and remains today a left-wing military dictatorship). Determined to build a prosperous economy, the authorities would stop at nothing to quell any form of dissent, and this repression included torture. Activists fighting for a more liberal society were considered to be in league with North Korea, and thus any means of suppressing them could be used.

The film is based on the experiences of later Minister of Health and Welfare Kim Geum-tae (here played by Park Won-sang), who as a pro-democracy activist in 1985 complied with a request to visit the local police station only to find himself bundled into a car and driven to a torture facility (later revealed to be the eponymous Namyeong-dong) where he would spend the best part of a month.… Read the rest

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Typist Artist Pirate King

Director – Carol Morley – 2022 – UK – Cert. 12a – 106m

****1/2

Road movie in which her psychiatric nurse drives an artist with mental health issues from London to an open entry exhibition in the North – in cinemas from Friday, October 27th following premieres in the 2023 Raindance Film Festival (UK premiere) and 2022 Tallinn Black Nights Film Festival (world premiere)

In these days of US-style promotion, branding and media, it’s easy to think of artists as high profile, rich and successful. While some are, that’s not what an artist is: an artist is, quite simply, someone who makes art. (If they’re a good artist, they make good art. Whatever that is.) The subject of Morley’s new road movie is the artist Audrey Amiss (1933-2013) who, although she exhibited her work a number of times during her lifetime, received scarcely any recognition in that period. She suffered from mental health issues and was in and out of mental hospitals throughout her life.

Audrey (Monica Dolan) is regularly visited in her London flat by psychiatric nurse Sandra (Kelly Macdonald). One day, she asks Sandra to drive her to an exhibition which has an open call for artists, as she’s never exhibited and feels the time has come.… Read the rest

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One Of Our Aircraft
Is Missing

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1942 – UK – Cert. PG – 103m

*****

Forced to bail out following an otherwise successful mission in which one engine is disabled, a British bomber crew must find their way across occupied Holland to return to the safety of Britain – part of major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger from Monday, October 16th at BFI Southbank, also on BFI Blu-ray; other films in the season can be found on BFI Player

Made at the height of World War II, the first Powell and Pressburger / The Archers movie to deploy that verbal credit as such – but without their later trademark opening shot of an arrow striking its target – is in essence a propaganda exercise in the guise of a narrative feature film made to bolster wartime morale at home. However, the pair pull the whole thing off with such verve and inventiveness that it feels less an exercise in propaganda and more a rattling good yarn (without compromising either way).

It opens like a bizarre ghost story (as bizarre as the curse upon the Lairds of Kiloran in the castle ruins of “i know where I’m going!”… Read the rest

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Beyond Utopia

Director – Madeleine Gavin – 2023 – US – Cert. 15 – 115m

*****

North Koreans flee their repressive country over the Chinese border and through several communist countries, where repatriation would mean imprisonment, torture and possibly death – heartstopping documentary is out in UK cinemas on Friday, October 27th

Whether you’re coming to the subject of North Korea cold or whether you already know a little about the subject from the documentary Camp 14: Total Control Zone (Marc Weise, 2012), the animated feature True North (Eiji Han Shimizu, 2020) or Korean War movies like Operation Chromite (John H. Lee, 2016) or Nambugan: North Korean Partisan In South Korea (Chung Ji-Young, 1990), this contemporary take on the North Korean refugee experience throws much fresh light on the subject.

To augment its twin central narratives – two entirely separate stories of North Koreans attempting to escape their country – director Gavin helpfully breaks them up with an intermittent primer on North Korea. Much of this comes from Hyeonseo Lee, who fled the country over 20 years ago and has subsequently talked about it in TED and other public speaking forums. Lee was the producer’s original intended subject for the film, which changed considerably as director Gavin began researching the subject.… Read the rest

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20,000 Species
Of Bees
(20.000 Especies
De Abejas)

Director – Estibaliz Urresola Solaguren – 2023 – Spain – Cert. 12a –128m

**

An eight-year-old assigned male at birth struggles with their gender identity while mum struggles with her artistic identity as a sculptress – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 27th

This is one of those films that’s picked up lots of prizes at various international film festivals, which means that lots of people rated some aspect of the film highly or possibly that it was the best of a bad lot (although if a film wins awards over a number of festivals, that latter scenario is less likely).

I didn’t know any of that going in, and I didn’t like the film very much coming out – I found it difficult to follow who was who, a problem scarcely helped by the fact that one of the main characters is initially called by one name, then by a nickname they don’t like very much, then finally by the name by which they wish to be known. The film credits the eight-year-old character played by Sofia Otero as Lucía, but at the start of the film, they are called by their given name Aitor, although the character uses the nickname Cocó.… Read the rest

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Documentary Features Live Action Movies

Rock Hudson:
All That
Heaven Allowed

Rock on vacation in Puerto Vallarta (Photo courtesy of Lee Garlington).

Director – Stephen Kijak – 2023 – US – Cert. 15 – 104m

***1/2

Matinée idol Rock Hudson epitomised the Hollywood dream until he died of AIDS in 1985 – documentary portrait available on digital platforms from Monday, 23 October

It was only when Rock Hudson tragically died of AIDS in 1985 that the fact that he was gay entered into the consciousness of the American, movie-going public.

He originally came to Hollywood to pursue an acting career after a stint in the US Navy in the final years of World War Two, signing up with agent Henry Willson. Willson had a knack for renaming actors, and it was he who gave the young Roy Fitzgerald the name Rock Hudson with which he was to achieve stardom. Even so, the twentysomething spent the best part of a decade playing roles in Westerns and adventures before director Douglas Sirk cast him in the romantic melodrama Magnificent Obsession (1954) opposite Jane Wyman. Sirk clearly saw a quality in the actor that no-one else had identified, and a screen legend was born.

Rock Hudson, 1954

Hudson was to prove the perfect fit for the onscreen romantic lead and would play similar roles for much of his career which included not only further roles for Sirk in All That Heaven Allows (1955), again with Wyman, and Written On The Wind (1956), opposite Lauren Bacall, but also starring with James Dean in what was to be the latter’s final film Giant (George Stevens, 1956).… Read the rest

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Nambugun:
North Korean Partisan
In South Korea
(Nambugun,
南部軍 / 남부군)

Director – Chung Ji-Young – 1990 – South Korea – LEAFF Cert. 15 – 157m

*****

Gritty account of the Korean War based on the memoirs of a North Korean soldier – plays as part of a strand showcasing director Chung Ji-Young at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th

Based on the Korean War memoirs of Lee Tae (Ahn Sung-ki), a former North Korean news agency correspondent who fought for the North Korean partisans, this is a long and gruelling account of the Korean War, a South Korean production exploring a North Korean perspective. We rarely see inside the ranks of the South Korean forces. The partisans are all ‘comrades’ and women as well as men number among their ranks.

Inevitably, romantic attachments occur, although these are frowned upon and quickly quashed by superior officers. Which leaves separated parties desperate for news of their transferred objects of affection.

One particularly arresting sequence has Northern partisans shooting at Southern soldiers across an area of farmland until a child, seemingly oblivious to the very concept of warfare, wanders into the crossfire area. Both sides halt their shooting and come to a recognition of the humanity of the other.… Read the rest

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“i know
where i’m going!”
(IKWIG)

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1945 – UK – Cert. PG – 92m

*****

A London banker’s daughter’s determined to marry her wealthy fiancé on an Hebridean island has reckoned without the weather and other local factors preventing her from doing so – engaging romantic drama is out in UK cinemas on Friday, October 20th while major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger opens Monday, October 16th at BFI Southbank and on BFI Player

You wouldn’t expect a film which is essentially a romantic comedy to open with its leading lady at age one, but that’s exactly what The Archers do here. Joan crawls, going (as the male voice over would have it) neither right nor left but straight on. By age five the male voice has her asking Santa for silk stockings (real, not artificial, a request that will have chimed with austerity-pressed, British audiences in 1945 after six years of war), by 12 she’s the one schoolgirl getting a lift home in the milk van. She’s accustomed to getting her own way and by her mid-twenties Joan (Wendy Hiller) is surprising her banker father, who she has wrapped around her little finger, with the news that she is going to marry the lucrative Consolidated Chemical Industries, specifically their ageing owner Sir Robert Bellinger.… Read the rest

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The Latent Image

Director – Alexander McGregor Birrell – 2022 – UK – Cert. 15 – 82m

***1/2

A mystery thriller writer working alone in a secluded cabin in the woods is interrupted by the arrival of a stranger – out in UK cinemas and on digital platforms from Sunday, October 8th

Developed from his 20 minute, 2019 short of the same name and starring the same two leads, Birrell’s debut feature is a curious mixture of innovation and genre cliché. Yet, enough of what’s going on here works sufficiently to hold the viewer’s attention.

Ben (Joshua Tonks, who co-wrote the screenplay with director Birrell), who isn’t named until quite some way into the film, has rented a cabin in the woods in order to write his latest novel, “if you can call it that” – he’s working in horror, thriller fiction. Tonight, he becomes engrossed in writing about his antagonist – a mysterious stranger – he suddenly becomes convinced that there is someone lurking outside the cabin. When he looks, he can see no-one. Nevertheless, his gut instinct is correct: someone is watching the cabin from the darkness.

What follows skilfully walks a knife edge between someone writing or imagining a story about being terrorised by a stranger whilst staying at a cabin in the woods and someone actually being terrorised by a stranger whilst staying at a cabin in the woods.… Read the rest

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Killers
of the Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Art Features Live Action Movies

Twin Peaks
Fire
Walk With Me

Director – David Lynch – 1992 – US – Cert. 18 – 135 mins

****

Movie prequel to Lynch’s Twin Peaks TV series.

David Lynch appears early on in his Twin Peaks prequel Twin Peaks: Fire Walk With Me as FBI chief Gordon Cole. The TV series’ ubiquitous Agent Cooper (Kyle MacLachlan) is soon wandering up and down a nearby corridor before rushing to check himself in the security video monitor, when a crazed David Bowie (as a long disappeared Bureau operative) turns up from what appears to be another dimension.

If you’re one of those who didn’t make it to the end of the TV series, you might just enjoy the apparent wackiness in itself; however, if you stayed with the series, you’ll know all about The White Lodge and The Black Lodge and a lot of other stuff without which this movie doesn’t make half as much sense.

For example, the mutilated body which briefly materialises in Laura’s bed is Cooper’s true love Annie Blackburn (Heather Graham). Twin Peaks: Fire Walk With Me isn’t so much a straightforward movie as a movie springing from a successful TV series, which makes it a rather different animal altogether.

As demented as – but more structured than – Wild At Heart (1990), the opening three-quarter hour segment investigates a pre-Laura Palmer murder through an FBI Agent who subsequently vanishes and is punctuated by a riot of typically quirky Lynchian detail.… Read the rest

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Documentary Features Live Action Movies

20 Days
In Mariupol
(20 днів
Y Маріуполі)

Director – Mstyslav Chernov – 2023 – Ukraine – Cert. 18 – 94m

*****

A Ukranian-born, Associated Press video journalist and his stills photographer go to Mariupol where they report on Russia’s assault and invasion of that city – out in UK cinemas on Friday, October 6th

There are some films that are incredibly tough to watch which you nevertheless know you need to watch. This documentary is one of those films. The experience of watching it clearly pales beside the actual experience of being in the Ukranian city of Mariupol during the first 20 days of the attack and subsequent siege by Russian armed forces, more so beside the actual experience of being trapped there. And I am British, so Ukraine is not my country; I find it almost incomprehensible to imagine what it would be like if what has happened to Mariupol were to happen in my home town. (If you’re an urban Brit, insert the name of your city at this point.)

I’m not convinced that the credited director Mstyslav Chernov, a Ukranian-born, Associated Press video journalist who has reported on conflicts around the globe since joining AP in 2014, set out to make a feature film. He was just (just!)… Read the rest

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The Ex-Files 4:
Marriage Plan
(Qian Ren 4,
前任4：英年早婚)

Director – Yusheng Tian – 2023 – China – Cert. PG – 129m

****

A man in a trial marriage attempts to help his best friend, on the rebound from a failed relationship, navigate the process of finding a new partner – out in UK cinemas on Friday, October 6th

Chinese writer-director Tian’s romantic franchise, now on its fourth entry, has built its previous instalments around characters whose former partners interfere one way or another with their current, ongoing, attempts at relationships. Meng Yun (Han Geng), a character from the original The Ex-Files (2014) is single again following events in The Ex-Files 3: Return Of The Exes (2017), while the relationship of regular character Yu Fei (Zheng Kai) with girlfriend Ding Dian (Zeng Mengxue) has settled down into some sort of stability.

The latter couple are eating out when she suggests, more on a whim than from any basis in fact, that she might be pregnant. His offer to marry her were that to be the case is met with a degree of disbelief in her arguments about being an independent woman, so they agree to a trial marriage. Yu Fei juggles this with trying to help the single Meng find love, enrolling him in a dating site and offering advice as things develop.… Read the rest

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Mind-Set

Director – Mikey Murray – 2022 – UK – Cert. 18 – 90m

***1/2

A woman seeks her way out of a relationship crisis via an affair with a new work colleague – drama masked as deadpan comedy is out in UK cinemas and on demand on Friday, October 6th

NSFW

Lucy (Eilis Cahill) and Paul (Steve Oram) have grown tired of one another. She works days at an uninspiring office job, bringing in the bread and butter money. He works from home as a screenwriter, with one filmed script to his credit. The film received poor reviews because, as she charitably says, the director did a poor job. Paul is now working on another screenplay, about “a space cadet coming to terms with his sexuality”, and there is a possibility that Nick (Jason Isaacs) might just make it happen.

Hosting a party, the couple give a tour of the premises. Paul opines about the virtues of the bidet in the bathroom – it can wash your cock or your vag if, say, you were at a party – while Luce notices the new bloke from work Daniel (Peter Bankolé) has turned up, presumably invited by one of her work colleagues.… Read the rest

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Where
The Wind Blows
(Feng Zai Qi Shi,
風再起時)

Director – Philip Yung – 2022 – Hong Kong – Cert. 15 – 144m

***

The parallel careers of two dishonest Hong Kong cops plays out against the backdrop of corruption in the Hong Kong Police Force between the end of WW2 and the end of the 1960s – out in UK cinemas on Friday, September 8th

Out of the ashes of the Japanese occupation during the Second World War, two men join the Hong Kong Police Force only to discover that it is riddled with corruption, a fact of life they embrace in different ways throughout the 1950s and 60s even as the Independent Commission Against Corruption (ICAC) under George Lee (Michael Hui) attempts to investigate them and shut them down. The well-dressed Nam Kong (Tony Leung Chiu-wai from Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021; Lust, Caution, Ang Lee, 2007; Infernal Affairs, Andrew Lau, Alan Mak, 2002) is quietly building a corrupt empire with links to the triads, while Lui Lok (Aaron Kwok from The Storm Riders, Andrew Lau, 1998) attempts to eschew corruption but find its pervasive presence in the force irresistible.

The latter falls for and marries the beautiful Tsai Chan (Du Juan), subsequently taking on Siu Yin (Yixuan Zeng) as his mistress because she reminds him of former girlfriend Xiao Yu (Chun Xia aka Jessie Li) who disguised herself as a male soldier to find her lost brother, was discovered by the Japanese and pressed into service as a comfort woman.… Read the rest

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The Creator

Director – Gareth Edwards – 2023 – US – Cert. 12a – 133m

****

A widower finds himself protecting an AI in the form of a child as anti-AI North American forces wage a war on the Asian-Pacific countries where people have integrated with AI robots – out in UK cinemas on Thursday, September 28th

Over a decade ago, I was blown away by Gareth Edwards’ little indie British film marvel Monsters (2010) which broke all the accepted wisdom of film production. Based around a deceptively simple script concept, it was shot by a four-man crew and a two-man cast (plus anyone else who was around at the time) with lots of post-production VFX work added by the director himself.

That got him an agent and two big budget Hollywood franchise FX movies – the Godzilla reboot (2014) and the Star Wars movie Rogue One (2016). The former isn’t bad for a Hollywood movie, although I personally far prefer the Japanese-made Shin Godzilla (Hideaki Anno, 2016), while the latter is one of the better Star Wars films. However, neither quite possessed the quality that had got me so excited about Monsters.

I suspect Edwards feels the same way, because whilst he clearly relishes the chance to work with the palette of a huge Hollywood FX budget, on this his fourth film, as with Monsters, he has once again broken the rules – this time within a huge Hollywood FX budget film.… Read the rest

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Expend4bles

Director – Scott Waugh – 2023 – US – Cert. 15 – 103m

**

The mercenaries must prevent a nuclear bomb on a ship from blowing up in enemy waters and starting World War Three – out in UK cinemas on Friday, September 22nd

Sylvester Stallone’s star-studded, action franchise returns some nine years after The Expendables 3 (Patrick Hughes, 2014) and 13 years after the original The Expendables (Sylvester Stallone, 2010). In the heyday of the first three movies, they were appearing at the rate of one every couple of years and building a cast of returning regulars.

However, aside from Stallone himself, who is clearly getting old, and Jason Statham, for good reason one of the most popular contemporary movie action stars, and a couple of smaller names further down the cast – Dolph Lundgren (as Gunner Jensen, whose major achievement in this film is sporting an unkempt head of blonde hair) and Randy Couture (as Toll Road, the demolitions man with the cauliflower ear) – the members of the eponymous team of mercenaries are played by actors new to the series.

Gone are Jet Li and Terry Crews from all three previous films, and Arnold Schwarznegger who was in both The Expendables 2 (Simon West, 2012) and the third entry.… Read the rest

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Animation Features Live Action Movies

Tetsuo:
the Iron Man
(Tetsuo,
鉄男)

Director – Shinya Tsukamoto – 1989 – Japan – Cert. 18 – 67m

*****

On Arrow Channel from Friday, September 22nd.

Previously on BFI Player as part of Japan 2020.

This review originally appeared in Manga Mania.

A metals fetishist (played by director Shinya Tsukamoto) inserts a metal tube into his leg and the resultant infection causes him to run through the streets where he’s run over by a car. A jazz sax score and the words “new world” accompany his passage into to what appears to be another dimension, from which he proceeds to terrorise an unfortunate woman on a subway platform, possessing her hand by metallicising it with spare parts.

The car’s driver, sitting next to her on the platform – who has already discovered a miniscule electronic component on his face while shaving – is pursued by the possessed woman. Later, the driver is sodomised by his girlfriend’s mechanical penis before his own penis develops into a lethal drill.

Flashbacks reveals the pair copulating in the park just after the hit-and-run accident. As he becomes more and more metallicised, he finds himself locked in combat with his crash victim, and the two eventually become fused into one, accompanying their birth into the New World.… Read the rest

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Tetsuo II:
Body Hammer
(鉄男II
Body Hammer)

Director – Shinya Tsukamoto – 1992 – Japan – Cert. 18 – 83m

*****

The Iron Man Tetsuo is back… and this time, he’s got a wife and child – sequel to the cyberpunk classic was first released November 10th 1992, when this review appeared in Manga Mania.

On Arrow Channel from Friday, September 22nd.

Where Tetsuo: The Iron Man is shot in raw black and white, Tetsuo II: Body Hammer‘s bigger budget enables a thematic reworking with not only colour film stock but also vast improvements in special effects technique (although these retain the no-budget, hands-on quality that renders them so compelling). The sleazy sexual imagery is jettisoned, the terrorized salaryman (Tomoroh Taguchi again) paired with more respectable wife Kana (played by Nobu Kanaoka, Iron Man’s subway attacker) replacing the terminally randy girlfriend. The couple now have a young child.

Tetsuo II thus launches its attack on nuclear family rather than single salaryman, with the infant kidnapped (and subsequently rent asunder) before his eyes early on in the proceedings by muscle-bound heavies hailing from the local smelting factory (occasioning much imagery of both high fetishist body building and equally high temperature molten metal varieties). Once again, Tsukamoto himself plays one of the salaryman’s opponents, on both occasions wearing a vest marked with an “X”.… Read the rest

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Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest

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A Chinese
Ghost Story
(Sien Lui Yau Wan,
倩女幽魂)

Director – Ching Siu Tung – 1987 – Hong Kong – Cert. 15 – 95m

*****

Some of the most seminal offerings of the commercial Hong Kong cinema are the product of creative wizard Tsui Hark. The producer who first gave John Woo his niche as bullet strewn action director on A Better Tomorrow (1986) also ensured director Ching Sui Tung’s place in fantasy film’s Hall of Fame with this stunning little offering.

The Hong Kong supernatural, fantasy genre is itself defined almost single-handedly by Tsui’s groundbreaking epic Zu: Warriors From the Magic Mountain (1983). CGS both typifies the genre and proves one of its finest examples. CGS spawned two sequels for what Tsui describes as “sentimental reasons – when the ghost died at the end, we want her to come back pretty badly.” He admits the sequels weren’t as good, though.

CGS opens in a downpour as a rain sodden Leslie Cheung (known to Western audiences from such diverse fare as A Better Tomorrow and art house hit Farewell My Concubine, Chen Kaige, 1993) watches a grim, head lopping argument between two bandits as he does his cowardly best to look inconspicuous. His work as a debt gatherer suffers something of a setback as he discovers the ink in his books has run with the damp, so once he arrives in the nearby town he’s unable to collect the payments he’d expected.… Read the rest

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The Wicker Man:
The Final Cut

Director – Robin Hardy – 1973 – UK – Cert. 15 – 94m

*****

A Christian police sergeant investigating a missing child on a remote Scottish island meets a terrible fate – out as a Collector’s Edition UHD / Blu-ray /DVD from Monday, September 25th following its release in UK cinemas in a 4K restoration from Wednesday, June 21st, 2023

(Originally reviewed for cinema release in a 2K restoration on Friday, September 27th, 2013)

Originally released forty years ago in the UK in a cut down version its director disliked, The Wicker Man now reaches our cinema screens in a longer, restored version which he says fulfils his original vision. Its plot is deceptively simple. A Christian police sergeant flies to a remote Scottish island in response to a letter about a missing child. But when he arrives on Summerisle, no-one seems to have heard of that child. It gradually emerges that the policeman has stumbled into an intricate web of lies and deceit wherein a terrible fate awaits him….

Using material from a recently discovered, longer US release print – rechristened The Final Cut by Hardy who assembled this cut in 1979 – it’s a provocative work on a number of levels.… Read the rest

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A Haunting
In Venice

Director – Kenneth Branagh – 2023 – UK – Cert. 12a – 103m

**

Hercule Poirot’s exposure of a fake medium at a séance in Venice turns into a trail of mayhem and murder in which he must unmask the killer – out in UK cinemas on Friday, September 15th

Kenneth Branagh’s latest adaptation of an Agatha Christie Hercule Poirot story starts off well enough, with Poirot (Branagh) visited by old friend Ariadne Oliver (Tina Fey, who lights up the screen and is given or perhaps invents for herself all the best lines) who, like him, is convinced that all mediums who preside over séances are fakes. But the latest medium she has encountered appears to be genuine, which is to say that she’s sure the medium a fake, but can’t work out for the life of her how the medium is pulling it off. So she wants Poirot to accompany her to a séance, witness the medium first hand and work out how she’s doing it.

She gets him into a party for orphaned children at a troubled building where a young woman named Alicia drowned some time ago. She was the daughter of the current occupant, retired opera singer Rowena Drake (Kelly Reilly).… Read the rest

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Bolan’s Shoes

Director – Ian Puleston-Davies – 2022 – UK – Cert. 15 – 97m

****

Two traumatised siblings reconnect as adults years after a childhood coach crash coming back from a Liverpudlian orphanage trip to a T.Rex gig in the 1970s – out in UK cinemas on Friday, September 15th

*** SPOILER ALERT ***

Picture black. A radio DJ dedication to Bob and Sally. T.Rex’s Calling All Destroyers blasts out on the soundtrack against a sudden image of a coach travelling through the English countryside. On board: excited orphanage kids with the trip organiser Simon (Louis Emerick) plus their local vicar (Andrew Lancel) and his daughter Penny (Eden Beach). Sadie (Amelia Rose Smith) nuts Tommo (Alfie Donnahey) for, as she swearily and excitedly explains to Penny, picking on her older brother Jimmy (Isaac Lancel-Watkinson). There is blood. To the consternation of Simon, who isn’t going to let the incident get in the way of the day’s enjoyment. “You’ll thank me in later years,” he says. “You’ll be able to say, I was there.”

After the gig, Simon has fixed up a trip backstage for the kids to meet founding T.Rex member Marc Bolan, getting them past other fans waiting outside for a glimpse of their hero.… Read the rest

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My Big Fat Greek Wedding 3

Director – Nia Vardalos – 2022 – US – Cert. 12a – 91m

***

The Greek-American family from Chicago visit their late patriarch’s small village in Greece to honour his final wish – out in UK cinemas on Friday, September 8th

Once again written by and starring Vardalos as Toula, the daughter of the rumbunctious, Greek-American Portokalos family from Chicago, this third outing for the franchise is predictably another celebration of all things Greek, or, at least, Greek-American. The previous two films owed much to the character of Toula’s father Gus (Michael Constantine), the family patriarch insistent on all family members (a) getting married as soon as they come of age and (b) marrying Greek-Americans.

In the first film My Big Fat Greek Wedding (Joel Zwick, 2002), Toula had to bring him round to the idea of her marrying the non-Greek Ian (John Corbett). In the second film My Big Fat Greek Wedding 2 (Kirk Jones, 2016), Toula had become an interfering mother to teenage daughter Paris (Elena Campouris) while Gus and his wife Maria (Lainie Kazan) have another wedding celebration following the discovery that their marriage of 50 years was technically invalid.

The third instalment was to have been about Gus and the family visiting Greece to rediscover his roots.… Read the rest

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No More Bets
(孤注一掷,
Gu Zhu Yi Zhi)

Director – Shen Ao – 2022 – China – Cert. 15 – 129m

***

A rising star computer programmer and a dropped model are lured into working as forced labour for a fraudulent, foreign online gambling operation – out in UK cinemas on Friday, September 8th

Zhao Dongran (Yong Mei), the knowledgeable head of a well-equipped Chinese police team fighting internet fraud, gives a lecture in which she outlines the story of a top flight programmer lured into the shady world of gambling beyond China’s borders.

The talented Pan Sheng (Lay Zhang), after being passed over for a promotion in favour of a not-especially talented young relative of the boss, opts for his safety net – a job offer from a company in Singapore. Along with a number of other recruits, he boards the plane with company rep Cui (Sunny Sun from The Crossing, Bai Xue, 2018), who is in charge of them, but in Singapore the deal rapidly turns sour when in an alleyway the group are rounded up by thugs with baseball bats to be transported to the corporate compound which amounts to a slave labour camp from which Lu (Eric Wang) runs an online gambling company which is in fact a scam defrauding millions of people, many of them in China.… Read the rest

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Tokyo Story
(Tokyo Monogatari,
東京物語)

Director – Yasujiro Ozu – 1953 – Japan – Cert. U – 136m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 24 other Ozu films together with a much wider selection of Japanese movies.

Elderly couple the Hirayamas (Chishu Ryu, Chieko Higashiyama) live in the seaside town of Onomichi, a day’s train ride from Tokyo at the time the film was made. Of their five children, Kyoko (Kyoko Kagawa) still lives at home with them and works locally as a primary school teacher, two live in Tokyo, one in Osaka and one went missing in action during the war, presumed dead. The son and daughter in Tokyo, Koichi (So Yamamura) and Shige (Haruko Sugimura), work as a doctor and a beauty parlour owner respectively. Both are married while the missing son has left behind a widow Noriko (Setsuko Hara). The fifth child is a son Keizo (Shiro Osaki) in Osaka which is on the train between Onomichi and Tokyo. The couple want to visit their offspring and see how they are doing for themselves.… Read the rest

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Melancholia
(2011)

Director – Lars von Trier – 2011 – Denmark, France, Germany, Sweden – Cert. 15 – 135m

*****

End of the world drama concerns two sisters who must confront unspeakable disaster – original UK release date Friday, September 9th 2011 and back out again on Friday, September 1st 2023 as part of the season: Enduring Provocations: The Films Of Lars Von Trier.

There have been end of the world movies before, but this one, by Danish enfant terrible Lars von Trier, breaks the mould. It comes in three parts: a prelude of apocalyptic imagery including a view of the planet Melancholia crashing into and obliterating the planet Earth, followed by two lengthy sections concerning two sisters.

The first section has the newly-wed Justine (Kirsten Dunst) making a mess of her lavishly planned, obscenely expensive wedding party at the house of her sister Claire (Charlotte Gainsbourg) and Claire’s wealthy husband John (Kiefer Sutherland).

The second has Claire, John, their pre-teen son Leo (Cameron Spurr) and Justine awaiting what may turn out to be either the close passing by of Melancholia to the Earth or the fatal collision of the larger planet with the smaller. Depending on whether the prelude’s pictured events are actually going to happen or merely an imagined worst case scenario.… Read the rest

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Jurassic Park

(Review originally published in Third Way, May 1993.)

Director – Steven Spielberg – 1993 – US – PG – 127m

*****

A wealthy philanthropist brings dinosaurs to life from preserved fragments of their DNA to populate his island theme park – in cinemas from 16th July 1993 and back out again on Friday, September 1st 2023

“God creates dinosaurs.

God kills dinosaurs.

God creates man.

Man kills God.

Man creates dinosaurs.”

– Dr. Ian Malcolm (Jeff Goldblum), chaos theoretician.

“Dinosaurs kill man.

Women take over the world.”

– Dr. Ellie Sattler (Laura Dern), palaeobotanist.

“Creation is an act of will: next time, it’ll be flawless.”

– John Hammond (Richard Attenborough), creator of Jurassic Park.

Set to become the biggest grossing movie of all time (if it hasn’t already done so by the time you read this), Steven Spielberg’s latest offering concerns a theme park built around the dream of rich industrialist John Hammond (Richard Attenborough) to delight children with wonders come to life. The wonders are dinosaurs, cloned from dino DNA ingested by prehistoric insects subsequently drowned and preserved in amber. For more on this aspect of the story, read co-screenwriter Michael Crichton’s original (and best-selling) novel; Spielberg, who races through small chunks of plot as quickly as he can, isn’t interested in them half as much as he is in dinosaurs.… Read the rest

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Bobi Wine:
The People’s President

Directors – Moses Bwayo, Christopher Sharp – 2022 – UK – Cert. 12a – 121m

*****

Aided by his wife Barbie, Uganda’s opposition leader, the musician Bobi Wine, takes on the country’s corrupt dictator of 35 years President Museveni, in the run up to the 2021 election – out in UK cinemas on Friday, September 1st

At the start of this remarkable documentary about Uganda, a small group of people engage in impromptu Christian prayer in a car before going about their business. While few more outward religious trappings are shown, the subject is a man possessed by a desire for justice for ordinary citizens, especially the underprivileged and voiceless, facing a corrupt regime determined to stay in power by any means possible, with the army and police under their control.

Successful pop singer and musician Bobi Wine… [Read the rest at Reform magazine]

Bobi Wine: The People’s President is out in cinemas in the UK on Friday, September 1st.

Trailer:

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And Then Come
the Nightjars

Director – Paul Robinson – 2023 – UK – Cert. 15 – 81m

***1/2

The deep friendship of a Devon farmer and a local vet is tested by the UK government’s culling of herds in the 2001 Foot And Mouth outbreak – out in UK cinemas on Friday, September 1st

Michael (David Fielder) is a Devon farmer. Everyone knows everyone else in his local, rural community, and he is often visited by the vet Jeffrey (Nigel Hastings), first glimpsed in an uncharacteristic, bright red cowboy hat he won at a local village do when he turns up to help with the delivery of a calf. He’s previously tested Michael’s cows for Foot and Mouth disease, and all the results have been negative.

Later in 2001, Jeffrey visits Michael again, but this time with three other white-protective-suited colleagues and some bad news. With the Foot and Mouth outbreak reaching epidemic proportions, the government has decided to cull all cattle within a three-mile radius of any infection, regardless of whether they test negative or positive for the disease. Michael, shotgun at the ready, thinks there’s a mistake because, as Jeffrey knows, Michael’s herd has tested negative. But, as Jeffrey attempts to explain, government policy doesn’t work like that…

There are further scenes in December 2001, eight years later in 2009 and four years later still in 2013.… Read the rest

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Afire
(Roter Himmel)

Director – Christian Petzold – 2022 – Germany – Cert. 12a – 102m

*****

Two male friends’ plans to stay in his mother’s woodland house are disrupted by first a car breakdown, then a female guest of his mother’s, and finally forest fires – out in UK cinemas on Friday, August 25th

Summer. Leon (Thomas Schubert from Breathing, Karl Markovics, 2011) and Felix (Langston Uibel) are driving to the latter’s mother’s holiday home on the Baltic coast when their car breaks down. Felix knows a short cut so they go through the woods,. When they reach the cottage, after getting lost, a guest is already there, a young woman Nadja (Paula Beer from Transit, Christian Petzold, 2018; Frantz, François Ozon, 2016), the daughter of a friend of Felix’s mother. At least, her belongings – underwear strewn around the big bedroom, cereal in the kitchen – are there.

Felix phones his mother to learn there’s a double booking. Not to worry – the pair can stay in the small bedroom. Except, Leon can’t sleep at night because of the sound of Nadja enjoying sex with someone through the paper-thin walls.

He doesn’t know how to confront her about this.… Read the rest

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Mob Land

Director – Nicholas Maggio – 2022 – US – Cert. 15 – 110m

****

Needing money to pay off debts, a family man, mechanic and racer gets sucked into a robbery by his uncle, then finds himself working alongside a mob killer hired to clean up the loose ends of the crime – out in UK cinemas on Friday, August 25th

A small. rural town in the Southern States. Shelby Conners (Shiloh Fernandez) completely in love with wife Caroline (Ashley Benson) and devoted to young daughter Mia (Tina DeMartino), pops pills to get through the day and hasn’t yet told his wife about the mounting household bills. His uncle Trey (Kevin Dillon), the proud owner of an expensive, lurid lime green, Japanese car, offers him a way out in the form of a sure fire robbery about which Shelby is less than sure.

There’s this pills / meds store called the Happiness Pain Centre which, Trey explains, is turning over a huge amount of money a day and is only guarded by a couple of hicks, so it would be a pushover. And all Shelby needs to do is drive the car, something both men know he’s really good at, especially as Trey can provide the car to Shelby’s specification.… Read the rest

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The Dive

Director – Maximilian Erlenwein – 2022 – Germany – Cert. 15 – 91m

***1/2

Two women go diving near a remote stretch of coastline and find themselves in trouble – out in UK cinemas on Friday, August 25th following its UK Premiere at Frightfest on Thursday, August 24th

Opening with an image of light shining through the waves on the surface of the sea – reminiscent of nothing quite so much as light similarly shining through the title lettering at the start of sci-fi horror shocker The Thing (John Carpenter, 1982) – this promises something dark, foreboding and threatening from the get go. The talkative Drew (Sophie Lowe) plans diving trips for herself and her more taciturn sister May (Louisa Krause).

On this occasion, the pair head toward a remote stretch of coastline in a rental car listening to the radio playing Only You by The Platters, a song which clearly means a lot to both of them judging by the enthusiastic way they sing along. (It would be nice to think that the radio station plays other tunes as well, but this is all we hear, presumably because the production could only afford the movie rights to the one song.… Read the rest

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127 Hours

Director – Danny Boyle – 2010 – US – Cert. 15 – 93m

UK release date 07/01/2011, cert. 15, 93 mins

The trailer for this gives a pretty good impression of about its first third. Experienced, youthful and single outdoor explorer Aron Ralston (James Franco) mountain bikes through the Utah landscape, meets a couple of girls and shows them an incredible underground lake, continues on his merry solo way until, rock climbing, he slips down a crevasse where a falling boulder pinions his wrist…trapping him for the eponymous and subsequent 127 hours / the rest of the film.

Where Buried (Rodrigo Cortés, 2010) relentlessly encased its leading man in a coffin from opening to closing frame, 127 Hours not only starts off in wide open landscapes but also punctuates its narrative with memory flashbacks, dreams and visions. Thus, when you see Aron freeing himself, you’re not initially sure whether he’s actually doing so or merely imagining it in his head. Such devices provide space to deal with the transcendent in a way that Buried never really did.

If Buried is a horror movie (will he survive being buried alive? can he escape?), 127 Hours starts off as outdoor adventure then veers into the question of: if you knew for certain you were going to die, what would you want to do with the ever decreasing amount of time you had left?… Read the rest

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Theater Camp

Directors – Molly Gordon, Nick Lieberman – 2023 – US – Cert. 12a – 92m

****

The teachers and students at a theatre camp rehearse their annual Summer show, their unscrupulous, with the camp’s founder unconscious in hospital, while the nearby, upmarket, rival camp attempts to close them down and possess their land – faux documentary comedy is out in UK cinemas on Friday, August 25th

@searchlightuk #TheaterCampMovie

As the spelling on its title might indicate, there’s something very American about the concept of a theater camp, a variant of Summer camp for wannabe child actors and theatre people; to the best of my knowledge (and I’m not an actor or a theatre person) there isn’t really a UK equivalent. That said, even those without a strong interest in theatre are likely to have a good time with this winsome comedy. Not only has this been put together with a great deal of love and heart by actors who went through the theater camp experience as kids and have it in their DNA, it’s also very cleverly scripted in outline and makes great use of improvisation in the performances of the part-adult, part-child cast.

Theatre camp (I refuse to use the American spelling from here on) Adirond ACTS, four hours from New York, suffers a heavy blow when its beloved founder Joan Rubinsky (Amy Sedaris) suffers a heart attack whilst watching the performance of one of her students on stage, goes into a coma and is hospitalised, leaving the day to day running of the camp to social media business guru son Troy (Jimmy Tatro), who is completely clueless when it comes to theatre and fails to connect with the young students from the get go.… Read the rest

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The Innocent
(L’innocent)

Director – Louis Garrel – 2022 – France – Cert. 15 – 99m

***1/2

A trusting woman marries a soon-to-be-released convict in prison only for her suspicious son to start following him after the man’s release and soon find himself out of his depth – out in UK cinemas on Friday, August 25th

Warning: plot spoilers.

Sylvie LeFranc (Anouk Grinberg) has fallen big time for Michel Ferrand (Roschdy Zem) and is about to marry him. Her son Abel (Louis Garrel) is less than happy about this, since Michel is the latest convict serving a prison sentence for whom his mother has fallen. He grudgingly attends their prison wedding. Shortly after, Michel is released and the couple embark on their new life together, with Michel promising to go straight and Sylvie, who likes to think the best of people, taking him at his word. She has always dreamed of opening a flower shop, and he gives her the funds to make it happen. They hire premises and start doing it up, getting Abel to help.

Although he can see that the romance is genuine – at least on his mother’s side – Abel understandably doesn’t trust his mum’s judgement and doesn’t trust Michel at all.… Read the rest

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A Moment
Of Romance
(Tin Joek
Yau Ching,
天若有情)

Director – Benny Chan – 1990 – Hong Kong – Cert.18 – 92m

***1/2

When a biker and gang member on the lam from a jewel heist takes a well-to-do girl hostage then falls for her, their romance is doomed – out on Radiance Blu-ray from Monday, August 21st 2023 following its screening in the London East Asia Film Festival (LEAFF) 2021

Gang member Wah (Andy Lau) is the archetypal bad boy who, in the opening sequence, speeds through a narrow gap between two lorries and wilfully breaks a wing mirror on a stationary police vehicle as he rides past. Director Chan keeps up the mayhem with a sequence of two competing lorries on a makeshift racing circuit, each with a pretty girl standing on top – until one of them crashes into a stationery car sending the falling girl through its windscreen and scattering the onlookers as the police approach.

Ascendant gang member Trumpet seems to have it in for Wah and puts him on getaway car duty for a jewel heist. Wah must improvise when cops happen by chance to turn up outside the building while the crime is in progress and during the ensuing pursuit by car, in which he gets the robbers successfully away from the scene, and on foot, his only way of escaping the cops is to take an innocent bystander hostage.… Read the rest

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Dogme 2:
The Idiots
(Idioterne)

Director – Lars von Trier – 1998 – Denmark – Cert. 18 – 117m

*****

A woman joins a community of free-spirited, self-designated ‘spassers’ – people who pretend to be mentally handicapped in order to free their ‘inner idiot’ – back out in UK cinemas on Friday, Aug 18th

NSFW

After he had wowed the film world with Breaking The Waves (1996), von Trier in company with fellow Danish director Thomas Vinterberg set out the film making manifesto Dogme 95 and an accompanying ‘vow of chastity’ in an attempt to throw off the constraints and limitations with which conventional, commercial film production had become encumbered. The manifesto itself was a set of rules, or, if you will, constraints, aimed at freeing up filmmaking practice for the purposes of creativity. These included the direct recording of sound, shooting only in the Academy 35mm format, no set building or augmenting sound or image in post-production but only using locations, and no director’s credit. The vow of chastity eschewed good taste along with the idea of the ‘artist’ and their ‘work’ in favour of “forcing the truth out of characters”.

Some 35 films were shot and ratified under this manifesto between 1998 and 2005.… Read the rest

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Features Live Action Movies

Cross of Iron

Director – Sam Peckinpah – 1977 – UK, Germany – Cert. 15 – 132m

Movie ***1/2
4K Blu-ray *****

A German corporal on the WW2 Russian front takes exception to an aristocratic officer’s attempts to take credit (and a medal) for a dead officer’s bravery – out in a 4K restoration on UHD Steelbook, Blu-ray & DVD from Monday, July 31st

The Taman Peninsular on the Russian Front in World War II. German army Corporal Steiner (James Coburn) leads his small reconnaissance unit in a successful attack on a German position, taking captive an underage Russian recruit rather than killing him. His war-weary senior officer Colonel Brandt (James Mason) and assistant Captain Kiesel (David Warner) are joined by enthusiastic Captain Stransky (Maximilian Schell) who was previously in France and has come to Russia determined to earn an Iron Cross to impress his aristocratic, Prussian family.

In his first encounter with Steiner, Stransky orders him to shoot the teenager captive, as they have been ordered to take no prisoners. Steiner instead hides the boy among his unit, letting him go during a Russian attack on the base, hoping the boy can return to his own forces, but alas the boy is shot by advancing soldiers on his own side.… Read the rest

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Art Documentary Features Live Action Movies Music

Squaring The Circle:
(The Story Of
Hipgnosis)

Director – Anton Corbijn – 2022 – UK – Cert. – 101m

*****

The story of the visual creatives behind album sleeves, for Pink Floyd and others, who revolutionised the field from the late 1960s and through the 1970s – now out on Blu-ray/DVD combo and various streaming services plus BFI Player following its release in cinemas in the UK and Ireland on Friday, July 14th

Everyone who bought LP records from the late 1960s through to the very end of the 1970s knows the name Hipgnosis. As one interviewee points out, you would go in to the centre of your town to buy the latest album and mull over all the written information on the sleeve on the bus coming home to find out who played on it and who was responsible for the cover. Many of the most memorable sleeves were designed by Hipgnosis, the name coming from ‘hip’, meaning ‘cool’, and ‘gnosis’ meaning ‘secret wisdom’.

Director Corbijn made his name in black and white photography and album sleeves for such bands as U2 and Depeche Mode in the 1980s, so has a background in the album cover world in a later decade. He is therefore extremely well placed to tackle the subject and chooses to film many of his interviewees in trademark black and white.… Read the rest

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Features Live Action Movies

Gran Turismo

Director – Neill Blomkamp – 2023 – US – Cert. 12a – 135m

*** ½

Facebook.com/GranTurismoFilm

#GranTurismoMovie

You can with a Nissan. A Welsh, gaming obsessive is recruited by a PR executive from Japanese car manufacturer Nissan to train as a professional Grand Prix driver – out in UK cinemas on Friday, August 11th

Cardiff rail worker’s son Jann Mardenborough (Archie Madekwe) is a gaming obsessive, specifically the Gran Turismo videogame – or as he likes to describe it, racing simulator. He spends a lot of money on getting his gaming set up just right, and a lot of time either tweaking his virtual car for performance or logging hours practising his driving on the virtual set up. So real is the virtual driving experience to Jann that as he sits at the wheel, a diagrammatic drawing of his car builds itself out of thin air around him as he drives.

Alas, his father Steve (Djimon Hounsou), so supportive of Jann’s footballing brother Coby (Daniel Puig), thinks Jann needs to take stock and think about his future rather than pursuing his impossible dream of becoming a professional racer. However, his mother (Geri Halliwell Horner, former spice girl Ginger Spice and today the real life wife of Red Bull Formula One team principal Christian Horner) is far more supportive.… Read the rest

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Animation Features Movies

Puffin Rock
and the
New Friends

Director – Jeremy Purcell – 2022 – US, UK, Ireland, China – Cert. U – 92m

***1/2

The puffin and animal community of Puffin Rock is thrown into crisis by the arrival of a few refugees, the disappearance of a puffin egg and a terrible storm – spinoff feature from preschool children’s animated TV series out in UK cinemas on Friday, August 11th

Irish animation house Cartoon Saloon’s Puffin Rock TV series (2015-2016) has deservedly won awards in the world of preschool children’s television. Narrated by Chris O’Dowd, who acts as a running commentary and offers guidance to the two main characters, it centres around two preschool puffins Oona and her younger brother Baba who live on the isolated, human-free island of Puffin Rock with their kind, protective and loving parents. Through O’Dowd’s voice-over and the introduction of other animal characters, episodes deliver simple facts about natural history in a friendly and informative manner. While this educational is never allowed to get in the way of the storytelling, it’s a welcome extra. The programmes are around six minutes in length. (The series can be found on Netflix in the UK, where three six minute episodes are gathered into twenty minute batches comprising three episodes.)… Read the rest

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Features Live Action Movies

Breaking The Waves

Director – Lars von Trier – 1996 – Denmark, Sweden, France, Norway, Finland, Italy, Germany, US – Cert. 18 – 160m

*****

NSFW.

A mentally vulnerable, young woman in an austere Scots religious community marries an outsider only for her husband to be severely injured working on an oil rig – out in a 4K restoration in UK cinemas on Friday, Aug 4th

Divided into a series of chapter headings in which locked off camera shots are accompanied by popular 1970s rock songs which cut off or fade out before they reach their end, like much of von Trier’s work this is not a film for the faint-hearted.

Young woman Bess McNeill (Emily Watson) is questioned by the priest (Jonathan Hackett) of the local, austere Calvinist community before its elders as to her understanding of matrimony and warned against entering into that institution with an outsider. Nevertheless, she proceeds to marry non-religious oil rig worker Jan Nyman (Stellan Skarsgård). Their relationship is extremely carnal and she is deliriously happy until the time comes, as it must, for Jan to return to work on the rig. She finds his absence almost unbearable.

Then disaster strikes, with Jan seriously injured in a rig accident whilst trying to help an injured fellow worker.… Read the rest

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Features Live Action Movies

Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Features Live Action Movies

Joy Ride

Director – Adele Lim – 2023 – US – Cert. 15 – 95m

***1/2

A Chinese-American corporate lawyer visiting China to close a business deal for her boss finds herself on a road trip with three friends which turns into a search for her birth mother – raunchy, gross-out comedy is out in UK cinemas on Friday, August 4th

TL;DR: good fun and occasionally hilarious – provided you don’t watch the trailer first.

White Hills, Seattle. Little girl Audrey Sullivan (Lennon Yee), a Chinese adoptee with white parents, hits it off with new girl in town of the same age Lolo Chen (Chloe Pun) when at a local playground, the latter sees off a white racist boy bully on her behalf. Growing up, the pair become inseparable, yet they are very different characters, with Audrey being the school yearbook’s “most likely to succeed” while Lolo is “most likely to be arrested”. Five minutes into the film, Audrey (Ashley Park) is a highly regarded and highly paid corporate lawyer on the verge of being while Lolo (Sherry Cola) is a struggling artist making sex-positive art (i.e. it centres around representations of male and female genitalia). Audrey is letting the impoverished Lolo stay at her upmarket house.… Read the rest

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Animation Features Movies

Teenage Mutant
Ninja Turtles
Mutant Mayhem

Directors – Jeff Rowe, Kyler Spears – 2022 – US – Cert. PG – 99m

*****

The much loved comic-generated franchise gets a remakable reboot in animation that breaks the filmmaking mould to really get under the skin of the teenage experience – out in UK cinemas on Monday, July 31st

Hollywood animated children’s films since the advent of computer animation. They all look the same. Okay, that’s not entirely fair, but with notable exceptions like the Laika films and the recent Spider-Verse films there’s a definite homogeneity to this output overall, industry wisdom dictating the production parameters and the overall look and feel. There’s a mould there, the films make money and producers are terrified to break that mould. Not so here.

The irony is that the Teenage Mutant Ninja Turtles property, born out of a late night joke between two comic book artists who never expected to sell more than a one-off issue, has spawned numerous spin-offs in comics, animated TV series, video games and movies. Somehow, the previous six movies – three in the 1990s (including Teenage Mutant Ninja Turtles, Steve Barron, 1990; Teenage Mutant Ninja Turtles II: The Secret Of The Ooze, Michael Pressman, 1991), one in 2007, and two more in the last decade following a reboot in 2014 – never quite delivered on the promise of the franchise, as if everyone concerned was too focused on the moneymaking potential and trying to play everything safe, an approach completely at odds with that of the two artists who originated the property and simply thought of it as a fun idea worth developing.… Read the rest

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Animation Features Live Action Movies

Mavka
The Forest Song
(Mavka.
Lisova Pisnya,
Мавка.
Лісова пісня)

Directors – Oleh Malamuzh, Oleksandra Ruban – 2022 – Ukraine – Cert. PG – 99m

Ukrainian language dubbed version with English subtitles ****1/2

English language dubbed version ****

#Mavka

Can the love of a brave and essentially honest youth for Mavka the forest spirit succeed in the face of the enmity between humans and nature? – Ukrainian animation is out in UK cinemas on Friday, July 28th

Long ago, events flared into a terrible winter war between the Guardian (voice in Ukrainian: Nazar Zadniprovskyi; in English: Marc Thompson) of the forest beyond the Dark Mountain and a sawmill owner who initially wanted to obtain one drop of the Source of Life to heal his sick daughter but then became greedy and brought an army to seize the rest of the Source of Life for himself. Seeing the terrible devastation wrought upon the forest in the conflict, the Guardian decreed that no human should ever again set foot in the forest.

Many years later, as young forest spirit Mavka (voice in Ukrainian: Natalka Denysenko; in English: Laurie Hymes) awakens from her winter sleep to spread the new life of Spring, in the nearby village where flautist Lucas (voice in Ukrainian: Artem Pyvovarov; in English: Eddy Lee) is performing with fellow musicians, the late sawmill owner’s daughter Kilina (voice in Ukrainian: Olena Kravets; in English: Sarah Natochenny) returns promising well paid work.… Read the rest

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Features Live Action Movies

Talk To Me

Director – Danny Philippou, Michael Philippou – 2022 – Australia – Cert. 15 – 94m

**

Under peer pressure, a teenager takes her turn contacting undead spirits at a party, with devastating consequences – out in UK cinemas on Friday, July 28th

For me, this was probably always going to be an uphill struggle: people wilfully contacting undead spirits really isn’t my idea of fun (and I knew that going in). It starts off really well, with a Halloween (John Carpenter, 1978) vibe as a lengthy widescreen shot effortlessly glides around a teenage party culminating in an horrific knife murder and suicide.

After this, it switches to other characters. Mia (Sophie Wilde) hasn’t got over the death of her mother two years ago, and goes to a party with her friend Jade (Alexandra Jensen) where the host produces the embalmed hand of a psychic.

Apparently, if you grasp the hand and say first “talk to me” then “I let you in”, the first spirit in the vicinity will possess you. “It’s always different,” says the girl who produced the hand, who also informs them that it mustn’t last more than 90 seconds, because after that the possessing host can’t be sent back to the place from whence it came.… Read the rest

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Ride On
(Longma Jingshen,
龙马精神)

Director – Larry Yang – 2023 – China – Cert. PG – 126m

****

Ageing stuntman Jackie Chan must fight to retain ownership of the horse he has befriended and trained since rescuing it at birth – out on Blu-ray, DVD & Digital in the UK on Monday, July 24th following its release in UK, Irish, Chinese and US cinemas on Friday, April 7th

Why does one go to see a Jackie Chan movie? The usual reasons are the incredible stunts coupled with the likeable, knockabout comedy which is his trademark. Perhaps the star’s winsome personality also plays a part. His best films over the years have probably contained a mixture of all three. While these elements, notably Jackie’s personality, are all present to some degree here, they aren’t really its strengths – which are (1) the depiction of a career, reviewed by a person who is old, past their prime, and forced to confront the fact and (2) the relationship of a man with a horse which he has known from the time of its birth.

The day Ride On was released in both the UK and China was also Jackie Chan’s 69th birthday. While I don’t doubt he keeps himself in good condition, he is clearly no longer the young man he once was.… Read the rest

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Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest

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Documentary Features Live Action Movies

My Name Is
Alfred Hitchcock

Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m

*****

Idiosyncratic documentary is a personal journey through Hitchcock’s movies narrated by the legendary director himself – out in UK cinemas on Friday, July 21st

Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”

Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (The Story Of Looking, 2021) and key directors such as Orson Welles (The Eyes Of Orson Welles, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.… Read the rest

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The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Review originally published in Reform, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

At the end of Time Bandits (Terry Gilliam, 1981), the Supreme Being (Ralph Richardson) bumbles around in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” A similar sense of whimsy pervades the latest film from Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) who reworks God The Father as a slobbish despot. Many people in contemporary Western culture struggle with the idea of a loving, patriarchal God so if you’re going to have a crack at exploring Christian theology for the unchurched, this is not a bad place to start… [Read the rest]

Review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

See also alternative review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

Showing on BFI Player from Thursday, July 20th, 2023.

Trailer:

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Features Live Action Movies

The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

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Are You
There God?
It’s Me,
Margaret.

All stills: Dana Hawley / courtesy of Lionsgate UK

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest

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Lost In The Stars
(Xiao Shi De Ta,
消失的她)

Directors – Cui Rui, Liu Xiang – 2022 – China – Cert. 15 – 121m

*****

A man’s wife vanishes and is replaced by an imposter; when no-one believes him, he hires a hotshot lawyer to find out what’s happening and get his real wife back – out in UK cinemas on Friday, July 14th

He Fei (Zhu Yilong) walks into a police station to ask for help with finding his wife Li Muzi, who has disappeared. The desk sergeant, who has clearly heard it all before, tells him there’s nothing they can do. Outside the station, in the pouring rain, he is approached by Officer Zheng (Du Jiang) who overheard and helpfully tries to calm him. The couple are holidaying in the island of Barlandia, outside of Chinese jurisdiction. He has recurring nightmares of her (Huang Ziqi) calling out his name for help and feels helpless in the face of them.

The next morning, events take a turn for the worse when He wakes up beside his wife Li Muzi (now played by Janice Man), who is not the real Li Muzi but an imposter he’s never seen before. Yet every piece of evidence he can think of to support his story seems to have changed to support hers– her passport seems genuine and shows that she entered the country at the same time as him, she can answer all manner of questions about the couple’s personal life, she has a scar on her upper thigh that no-one but the two of them know about.… Read the rest

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Animation Features Movies

The Tunnel
To Summer,
The Exit
Of Goodbyes
(Natsu
E No Tunnel,
Sayonara
No Deguchi,
夏へのトンネル、
さよならの出口)

Director – Tomohisa Taguchi – 2022 – Japan – Cert. – 83m

****

Damaged boy meets damaged girl one summer to discover a tunnel in which time passes much faster and innermost desires are fulfilled – from the 2023 Annecy International Animation Festival in the Official Competition section and out in UK cinemas on Friday, July 14th

A rural railway platform in the rain. Puddles on the platform. The tannoy states that the train is delayed by half an hour because it has collided with a deer. The standing boy explains to the sitting girl who isn’t from around these parts that that often happens in this region and offers her his umbrella. At first, she refuses thinking him a bit of a creep, but then comes round. They swap names and numbers on their phones so that she can return his umbrella. They read each other’s names out loud: she reads Tano Kaoru; he reads Hanashiro Anzu.

Next day, Kaoru (voice: Ouji Suzuka) takes the train to high school where the class is introduced to a new girl: it’s Anzu (voice: Marie Iitoyo). Like her initial coldness towards Kaoru, she ignores various girls attempts to be sociable and has a run in with the girl class bully Kawasaki (voice: Arisa Komiya), punching the latter in the face and causing a nosebleed when Kawasaki “accidentally” drops the old manga in which Anzu is engrossed onto the floor.… Read the rest

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Features Live Action Movies

Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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Nomad
(Lie Huo Qing Chun,
烈火青春)
4K Director’s Cut

Director – Patrick Tam – 1982 – Hong Kong – Cert. 15 tbc – 92m

*****

A group of young Hongkongers fool around with sex and search for a cultural identity – plays in the UK as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

Opening with a curious conversation in a typically cramped Hong Kong apartment between a man embarrassed about being a father and his own father advising against lowering interest rates before moving swiftly through an equally cramped scene with the dour and concerned families of a young teen and the coquettish girl he has got pregnant, this freewheeling, slices of Hong Kong teenage life drama moves swiftly on to the man’s son Pong (Kent Tong), a lifeguard at the local swimming pool who in a complete switch of tone fails to get a rowdy and playful group of girl swimmers under control with the result that they throw him in the pool and humiliate him by stealing his shorts.

Before that, Pong has a run in with a confident young woman Kathy (Pat Ha) who sits in and refuses to move from his lifeguard seat unless he physically lifts her down.… Read the rest

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Features Live Action Movies

Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

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Mission: Impossible
Dead Reckoning
Part One

Director – Christopher McQuarrie – 2022 – US – Cert. 12a – 163m

*****

Tom Cruise’s seventh and director Christopher McQuarrie’s third Mission: Impossible outing delivers globetrotting action and one of the most incredible stunts ever committed to film – out in UK cinemas on Monday, July 10th

It seems almost fatuous to attempt to synopsise this latest Mission: Impossible effort because it basically boils down to various parties including Ethan Hunt (Tom Cruise) and his allies chasing after a key which most of them don’t know what it opens. I tell a lie, actually two halves of a key (this sounds a lot like the ancient artefact in this year’s Indiana Jones movie, which I’m sure is pure coincidence) each one of which can be used to verify that the other is the genuine article and not a fake. This MacGuffin, the thing all the characters want and which propels them through the story, in turn provides producer and star Tom Cruise, director Christopher McQuarrie and their collaborators with the excuse for a series of exhilarating, bravura set-pieces.

There’s also the visual pleasure of this franchise’s usual amount of people wearing photorealistic masks to disguise themselves as other people, and later ripping off (or having others rip off) their fake faces to reveal their real ones.… Read the rest

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Animation Features Movies

Elemental

Director – Peter Sohn – 2023 – US – Cert. PG – 109m

*****

Can a romance between a girl of fire and a boy of water succeed in a city populated by beings of earth, air, fire and water where entrenched separate ethnic identities run deep? – latest Pixar / Disney animation is out in UK cinemas on Friday, July 7th

In search of a better life, a young fire people couple Bernie (voice: Ronnie Del Carmen) and Cinder (voice: Shila Ommi) move to Element City, which is populated by not only fire people but also earth people, air people and water people. The couple find a cheap, rundown place to rent and Bernie turns it into The Fireplace, a store selling all manner of fire products from the fire people’s culture. Cinder gives birth to a girl Ember who grows into a twentysomething (voice: Leah Lewis). The plan is that when Ember is ready, she should take over the running of the store and let Bernie peacefully retire. Managing shop customers can be challenging, however, and while Ember is good at most aspects of the job, she has one flaw that lets her down – her fiery temper: she loses it with the most difficult customers.… Read the rest

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Features Live Action Movies

Smoking
Causes Coughing
(Fumer Fait Tousser)

Director – Quentin Dupieux – 2022 – France – Cert. 15 – 77m

*****

Saving the world is taking its toll on the group of superheroes known as the Tobacco Force, so their leader sends them on a week-long retreat to rebuild their team spirit – out in UK cinemas on Friday, July 7th

An ordinary family are on a car journey when the boy (Tanguy Mercier) asks his parents (David Marsais and Julia Faure) to stop. Again. They stop, He gets out to pee, but looking over the fence at which he’s about to do the deed, he can’t believe his eyes and rushes back to the car to ask if he can borrow dad’s binoculars. It’s only the start of the film, we’ve still no idea of what it’s about, and already director Quentin Dupieux (Deerskin, 2019) is upending whatever expectations we might have had to hilarious effect.

What is beyond the fence is this: a drop down to a beach. And on that beach, the group of superheroes known as the Tobacco Force is battling a giant turtle. This probably conjures in your mind an image of expensive, Hollywood CG effects. But no. What we have here is extremely low budget.… Read the rest

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Documentary Features Live Action Movies

Name Me Lawand

Language for the deaf

Name Me Lawand
Directed by Edward Lovelace
Certificate PG, 91 minutes
Released 7 July

Lawand, a young Iraqi boy, has been written off. He is different, he apparently doesn’t want to communicate with others. No one in his home country can help him. And that’s that.

Except, his parents don’t believe it. They are sure something can be done for their son, just not in Iraq. So, although all their friends and family are there, they leave the country believing it has nothing whatsoever to offer their son. And they move to the UK and settle in Derby.

Lawand’s issue is that he is completely deaf, and therefore can’t be taught in a school set up for those with functioning hearing. As such, he has no way of learning language from those who can hear. A different approach is required to enable him to develop basic language skills.

This documentary… [Read the rest at Reform magazine]

[Read my longer review on this site]

Name Me Lawand is out in UK and Irish cinemas on Friday, July 7th.

Trailer:

Categories
Animation Movies Shorts

Flesh Of God
(Carne De Dios)

Director – Patricion Plaza – 2022 – Argentina, Mexico, Columbia – France 16+ – 21m

*****

When a travelling monk falls prey to a fever, the folk remedy administered by an old woman causes him to experience bizarre hallucinations – from the 2023 Annecy International Animation Festival in the Official Competition section

(Warning: not suitable for work or for those of a sensitive disposition. Potentially offensive to religious i.e. Christian viewers. Also, spoilers.)

In a prologue, a young girl races through a field of crops but runs into a monk, who squishes the mushrooms she’s carrying in her bag with his foot, feels her face and checks out her teeth before she flees.

Some time later (or perhaps some time earlier), the profusely sweating monk falls off on his donkey beside his walking guide and wakes in a nearby hovel, or it might be a church, tended by an old woman muttering unintelligible rituals as she attempts to heal him. The perpendicular bars of the roof’s sole window form a makeshift cross on which hangs a Christ figure, but when mushrooms resembling the ones trampled at the start are placed in the initially reluctant monk’s mouth, glowing sprites exit his body and enter the Christ figure, which assumes a monstrous aspect and attacks him.… Read the rest

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Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Features Live Action Movies

The End Of Sex

Director – Sean Garrity – 2022 – Canada – Cert. 15 – 87m

***1/2

A married couple’s attempts to rekindle their sex life while their kids are away for a week go horribly wrong – out on digital from Monday, July 3rd

Packing their two young daughters off in the school bus to Winter Camp, Josh (Jonas Chernick) and Emma (Emily Hampshire) suddenly realise they have a week free to do…what? Drive to gymnastics and sit in the parents’ waiting area? Then it dawns on her: we don’t have to close the door. We can be as loud as we want. But while their parenting is generally successful, their sex life is much less so, with an attempt at coitus leading both of them to fake orgasm.

Sex seems to be in the air. Emily takes the opportunity of having extra time available to visit an art gallery with her best friend Wendy (Melanie Scrofano) for an exhibition which turns out to include black and white photographic print enlargements of testicles, where she runs into old art college friend Marlon (Gray Powell) who she fancies and who, it transpires, is not only the gallery owner but also fantasized about her back in their student days.… Read the rest

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Features Live Action Movies

Indiana Jones
And The
Dial Of Destiny

Director – James Mangold – 2022 – US / UK – Cert. 12a – 154m

*****

In the late 1960s, the newly-retired archaeologist is dragged by his goddaughter into a globetrotting adventure involving Nazis and ancient artefacts – out in UK cinemas on Wednesday, June 28th

In 1945 in Europe, at the close of the Second World War, whilst fighting Nazis led by archaeologist Dr. Voller (Mads Mikkelsen) both in a castle and on a train, archaeologists Henry Jones (Harrison Ford) and Basil Shaw (Toby Jones) gain possession of an ancient artefact, the Archimedes Dial aka the Antekythera mechanism.

Over two decades later in 1969 in New York, on the day of his retirement from academia, Jones is approached by his late colleague’s daughter – his goddaughter – Helena Shaw (Phoebe Waller-Bridge) who, following her research into her father’s obsession with the artefact, believes she knows the location of one half of the dial, broken into two separate pieces by its maker Archimedes to prevent it falling into unsuitable hands.

She’s wrong though: Jones has it, although possibly not for long as a cabal of Dr. Voller plus Nazis including the trigger-happy Klaber (Boyd Holbrook), the 7’2 Hauke (Olivier Richters) and a CIA agent Mason (Shaunette Renée Wilson) turn up to regain its possession.… Read the rest

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Documentary Features Live Action Movies

Hello, Bookstore

Director – A.B. Zax – 2022 – US – Cert. PG – 86m

*****

A small town US bookstore and its enthusiastic, bookworm owner are seen in good times and bad, bad being the global pandemic when it’s just getting by, profits plunge and the business is threatened with closure – out in UK cinemas and on demand on Friday, June 30th

Shot in a mixture of colour and black and white, this documentary about a bookstore (or bookshop, as we call them in the UK) in Lenox, Massachusetts – called, quite literally, The Bookstore – and its owner of 40 years Matt Tannenbaum opens with a short sequence in black and white showing the premises under pandemic lockdown, making this film an addition to that small but welcome group of movies that don’t pretend the pandemic never happened.

The genial Tannenbaum has to explain to callers that he’s not letting anyone in, “not for browsing, just for kerbside” and has lengthy conversations on the phone. He admits a masked delivery man with the latest shipment of books, but that’s all. “It’s so hard, it’s so boring, it’s so different,” he says. Clearly he prefers non-pandemic times, when people come into the store, and he can talk to them, find out what they like, and supply books suitable for their tastes.… Read the rest

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Animation Documentary Features Live Action Movies

My Extinction

Director – Josh Appignanesi – 2022 – UK – Cert. 15 – 80m

***

In which director Appignanesi chronicles both his unease at the climate crisis and what happens when he joins Extinction Rebellion to do something about it – world premiere on Thursday, June 29th at the Curzon Mayfair, out in UK cinemas on Friday, June 30th

As well as making small British narrative features (Female Human Animal, 2018; The Infidel, 2010), Aappignasi makes little diary films about his life. The previous two, in which his wife, the author and academic Devorah Baum, is credited as co-director, chart impending parenthood (The New Man, 2016) and their relationship (Husband, 2022). This third entry sees Josh hit a professional lull after a planned feature film falls apart and he wonders if his career as a film maker is over. Actually, he reiterates variants of this question at various points throughout the film.

At the same time, environmental activists Extinction Rebellion (XR) are on the TV news for bringing parts of London to a standstill. Cue a title sequence montage of collapsing ice shelf, burning tar sands, gridlocked London traffic, industrial pollution, a bewildered kangaroo with outback ablaze behind it, a flooded street with parked cars, a polar bear stranded on an ice floe, the UK government declaring a climate emergency in response to XR and Greta Thunberg’s “I want you to… act as if your house was on fire” speech.… Read the rest

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Features Live Action Movies

Small, Slow But Steady
(Keiko,
Me Wo Sumasete,
ケイコ目を澄ませて)

Director – Sho Miyake – 2022 – Japan, France – Cert. 12 – 99m

The first half hour ****

The rest ***1/2

A completely deaf, young woman trains in the boxing ring at the local gym and turns professional, but when the gym’s closure is announced, she loses the focus needed to carry on – out in UK cinemas and on Curzon Home Cinema from Friday, June 30th

Young woman Keiko (Yukino Kishii from Foreboding, Kiyoshi Kurosawa, 2017) has suffered since birth (a title tells us at the start) from sensorineural hearing loss. She and her younger brother (Himi Sato) rent a flat in Tokyo’s Arakawa neighbourhood, where she has taken up boxing at the local gym. While her brother plays music on an electric guitar for his girlfriend Hana, in the next room, Keiko scribbles obsessively writing down her progress at the gym in her notebook.

She beats an opponent by the narrowest of margins. As the old chairman of the boxing club (Tomokazu Miura from Detective Chinatown 3, Chen Sicheng, 2021; The Outrage, Takeshi Kitano, 2010; Arietty, Hiromasa Yonebayashi, 2010; The Taste Of Tea, Katsuhiro Ishii, 2004) explains to a journalist interviewing him later at the gym, Keiko can’t hear either the bell or anything the ref says.… Read the rest

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Features Live Action Movies

La Syndicaliste
(lit. The Union Rep,
US: The Sitting Duck)

Director – Jean-Paul Salomé – 2022 – France – Cert. 15 – 121m

***1/2

After a smart and tough-talking woman union rep in the nuclear power industry is attacked, tied up and raped in her own home, the police suggest she may have staged the attack herself – out in UK cinemas on Friday, June 30th

Or, as its opening title states in the English subtitled print shown to press, La Syndicaliste Based On A True Story. That title comes after an opening in 2012 in which police are called to the home of Maureen Kearney (Isabelle Huppert) where her cleaning lady has freed her from a chair to which she was tied before being raped by an intruder. The forensic team are all over the premises, taking away evidence. At the police station, she requests a pad and pencil to write down the details of what happened. The police will later accuse Kearney of fabricating the whole incident herself.

The next half an hour or so is a flashback leading up to the incident. Immediately after the titles, it sets about establishing its heroine as a tireless campaigner for employee rights at French state-owner nuclear power company Areva, standing up for ruthlessly exploited workers in an Hungarian subsidiary and well in with Anne Lauvergeon (Marina Fois), the one female executive in an otherwise male boardroom who despite her reliability and excellent track record is being forced out, with as she later tells Maureen lots of dirty tricks used against her.… Read the rest

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Features Live Action Movies

Contempt
(Le Mépris)

Director – Jean-Luc Godard – 1963 – France – Cert. 15 – 103m

*****

Review originally published in What’s On In London when the film was reissued in 1996 – out in cinemas in a 4K remaster from Friday, 2nd June and on 4K UHD, Blu-ray, DVD & digital from Monday, 26th June 2023

Made back in 1963 in the latter days of the French New Wave, Jean-Luc Godard’s Contempt (Le Mépris) anticipates J.G. Ballard’s seminal, 1973 novel Crash, subsequently and controversially filmed by David Cronenberg in 1996. Alongside a director in a film studio (Godard casts the great Fritz Lang, who famously made the silent classic Metropolis at UFA in 1926 before a subsequent career in Hollywood on westerns and crime thrillers), Contempt boasts a central protagonist obsessed by his wife’s sexual peccadilloes, not to mention bleak, domestic, modernist architecture and mythical car crash aftermaths.

The camera lingers lovingly over the latter to George Delerue’s unforgettable and heavily romantic score, but pays little attention to the actual moment of impact (even less than in Cronenberg’s Crash).

It’s one of Godard’s best films and possibly his most accessible. Director Lang struggles to film The Odyssey at CineCitta with unsympathetic producer Jeremiah Prokosh (a towering Jack Palance) who waxes lyrical about life and art while seducing Camille (a stunningly contemptuous Brigitte Bardot), wife of hired screenwriter Michel Piccoli.… Read the rest

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Features Live Action Movies

Lady Reporter
(Shi Jie Da Shai
aka
The Blonde Fury,
Righting Wrongs II,
Above The Law II)

Director – Mang Hoi – 1989 – Hong Kong – Cert. 18 – 90m

Movie ***

Action Sequences *****

Female FBI agent Cynthia Rothrock is sent to Hong Kong to put a stop to a counterfeit money scam operated by an editor out of a newspapers premises – on Blu-ray from Monday, June 26th

With New York facing a deluge of counterfeit banknotes originating in Hong Kong, and involving several felons with considerable martial arts fighting skills, agent Cindy (Cynthia Rothrock) is sent from San Francisco to Hong Kong to put the forgers out of business. She stays with her friend Judy (Elizabeth Lee) and begins working undercover as a reporter for the paper under Miss Miu. Going out to cover a fire with her camera, Cindy enters the blazing building and rescues a child, attracting the attention of rival publication photojournalist Shorty (director Mang Hoi) and his colleague (Chin Siu-ho). Shorty’s dad (Wu Ma) is the rival newspaper’s editor.

Cindy attempts to infiltrate the counterfeiting operation, but is discovered by Miu and escapes before she can see anything. Shorty, meanwhile, gets a lucky break and witnesses the abduction of Judy’s father, Prosecutor Yu (Roy Chiao), who is preparing the court case against the man behind the counterfeiting operation, newspaper editor Wang Dak (Ronny Yu).… Read the rest

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Features Live Action Movies

Asteroid City

Director – Wes Anderson – 2023 – US – Cert. 12a – 104m

***

A stage play frames a tale of various characters in a 1950s US desert town, built on the site of an asteroid impact, which becomes the centre of a cover-up after an alien appears – out in UK cinemas on Friday, June 23rd

Iconoclast Anderson’s latest is being sold as one thing by its trailer, when it’s actually something else. And watching the film, that something else completely threw me. What we are being sold via the standard letterboxed movie framed image is, a 1950s family trapped in the town of Asteroid City, USA when their car irreparably breaks down, then the entire (not very large) population including visitors imprisoned there following an incident with an extra-terrestrial spaceship and an alien. The overall tone is of whimsy, but maybe there’s something unsettling and disturbing about it too.

Anderson’s movies have never been about photorealism as much as artifice, which is part of their undeniable charm. Perhaps that’s even more true of Asteroid City than most. The costumes, the production design, have gone for a very particular, stylized look. This is fifties American desert romanticised into pastel-shaded eye candy, and if all that were required of going to a movie were to sit down in your seat and soak up the scenery, then provided you’re not the type to insist on photo-representational accuracy, this would be a winner hands down.… Read the rest

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Documentary Features Live Action Movies

Memories To Choke On,
Drinks
To Wash Them Down
(Ye Heung,
Yuen Yeung,
Sham Shui Po,
夜香・鴛鴦・深水埗)

Directors – Leung Ming Kai, Kate Reilly – 2019 – Hong Kong – Cert. N/C 15+ – 77m

**1/2

Four stories from contemporary Hong Kong comprise three dramas and a closing documentary segment – plays Focus Hong Kong 2023 on Saturday, June 24th at 3.30pm

An anthology of four stories from contemporary Hong Kong – three fiction and one documentary – showing the city’s diversity: Forbidden City, Toy Stories, Yuen Yeung and It’s Not Going To Be Fun.

Forbidden City features an old lady (Leong Cheok-mei) and her immigrant carer (Mia Mungil). The first time ‘grandma’ mentions that her son is now a big shot but used – as the not quite right subs put it –to scratch his wee-wee when he was young, it’s funny. The second and third times, it becomes obvious she has dementia and keeps repeating the same phrases over and over. Mia initially refuses to accompany her charge to a reunion in town, but after taking a video of the old lady swearing that she won’t take her carer to her son’s office (“if I do that he’ll fire me,” the carer says), she agrees to accompany her on the bus into town.… Read the rest

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Features Live Action Movies

Made In Hong Kong
(Heung Gong Jai Jo,
香港製造)

Director – Fruit Chan – 1997 – Hong Kong – Cert. 15 – 108m

****

A teenager struggles to survive in Hong Kong around 1997 – plays Focus Hong Kong 2023 on Saturday, June 24th at 6pm

This picked up prizes at film festivals in the Far East and elsewhere. Director Fruit Chan assembled an excellent cast of young unknowns, shot his film on short ends, and ultimately obtained completion funding from impressed Oriental megastar Andy Lau.

The plot, worthy of Martin Scorsese, Spike Lee or Ken Loach, concerns teenager Autumn Moon Cake (Sam Lee), living in the Hong Kong equivalent of a council high rise block with his abandoned mother, looking out for his educationally subnormal best mate Sylvester (Wenders Li), dodging the local street gangsters and constantly struggling with the ever present open invitation to start a career with the more powerful and all pervasive triads.

Obsessed with a suicide called Susan (Amy Tam Ka-chuen), who threw herself off a tall building, Moon becomes involved with another girl, the terminally ill Ping (Neiky Yim Hui-chi) who is in need of expensive medical treatment, after she pays him a fraction of the money he’s attempting to extort from her mother (Carol Lam Kit-fong).… Read the rest

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Documentary Features Live Action Movies

Name Me Lawand

Director – Edward Lovelace – 2022 – UK – Cert. PG – 91m

**** 1/2

A family leave Iraq for the UK where their deaf son can receive education appropriate to his needs, only to find themselves falling foul of the UK’s anti-immigration policies – out in UK and Irish cinemas on Friday, July 7th, with previews in Refugee Week – Monday, June 19th to Sunday, June 25th

As a Saturn V space rocket rises into the atmosphere, we hear a voice struggling to complete a word (and read it in the accompanying subtitles, which is at once weird, because this is a documentary film and in real life, you don’t get subtitles, and helpful, because without them most viewers, that is to say those viewers with fully functioning hearing capability, would have no idea as to what is going on. First come the letters… S… P… E… Then, slowly, the single words. SPECIAL. PLACE. NEED. NEED. “I think my brother was born in the wrong place,” comments Lawand’s older brother Rawa.

The soundtrack’s conversation by the hearing-abled moves on to skim over the story of how and why Lawand’s family came to the city of Derby in England, something it doesn’t cover at any great depth, instead showing us images from somewhere inside a car of travelling across Europe, then images familiar to any English person of moving past telegraph wires atop green fields seen from a train window.… Read the rest

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Features Live Action Movies

Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest

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You Can Live
Forever

Directors – Mark Slutsky, Sarah Watts – 2022 – Canada – Cert. 15 – 96m

***

A not especially religious 17-year-old sent to live with her Jehovah’s Witnesses uncle and aunt becomes smitten with a devout Witness girl her own age – out in UK cinemas and on SvoD and EST streaming platforms from Friday, June 16th

Following the breakdown of her mother (who we never see), 17-year-old Jaime (Anwen O’Driscoll), pronounced Jamie, is sent to live with her aunt Beth (Liane Balaban) and uncle Jean-Francois (Antoine Yared). She’s the sort of girl who wears Siouxsie And The Banshees or New Order t-shirts, prompting a remark by her uncle that he went to see the former many years ago, but these days he doesn’t do such things. That’s because the couple are Jehovah’s Witnesses (JWs) and consider such things worldly. Like the Witnesses in Apostasy (Dan Kokotajlo, 2017), they are waiting with eager anticipation for the Return of Christ and the establishment of the New System, when all things will be renewed and made good. The couple have decided not to have children until that state of things comes to pass, which they believe it will soon.

It’s easy enough to get time away from them, though, and Jaime hangs out on her own in the fabulous countryside, accidentally losing her portable music player when it falls off the bridge parapet on which she’s perched into the river below.… Read the rest

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Features Live Action Movies

The Flash

Director – Andy Muschietti – 2023 – US – Cert. 12a – 144m

*****

Tormented by the death of his mother, The Flash goes back in time to try and save her – out in UK cinemas on Wednesday, June 14th

Barry Allen (Ezra Miller) is running late for work again. The girl that usually makes his special sandwich at the shop near his workplace isn’t in today, so instead he has to deal with someone who needs to be talked through the order. On top of that, he gets a call from Alfred (Jeremy Irons) at the Batcave because no other Justice League superhero is available: could The Flash please attend to rescuing staff and patients from the explosives-rigged Gotham City Hospital?

So he races over there and while Batman (Ben Affleck) pursues criminals on the Batbike. Barry / The Flash, a superhero with the ability to move at incredible speed, saves falling babies and their ward sister from a collapsing, high-rise, maternity ward. The pursuit is mostly over when Wonder Woman (Gal Gadot) turns up at a fight on at a bridge to save the day and wield the Lasso of Truth.

Barry has parental issues: specifically, he is trying to get his wrongly convicted father Henry (Ron Livingstone) exonerated for the crime of killing Barry’s mother (Maribel Verdú from Pan’s Labyrinth, Guillermo del Toro, 2006; Y Tu Mamá También, Alfonso Cuarón, 2001) in their home when, as he claims, he was out buying a can of tomatoes at the time.… Read the rest

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Animation Features Movies

Chicken
For Linda!
(Linda Veut
Du Poulet !)

Directors – Sébastien Laudenbach, Chiara Malta – 2022 – France, Italy – 75m

*** 1/2

A mother’s relationship with her young daughter lurches into farce as a domestic misunderstanding spirals out of control – from the Annecy International Animation Festival 2023 in the Official Competition section

This starts off with a poem in French – which, alas, has lost its rhyming in the translation to English subtitles – about the blackness of night and the empire of memory, illustrated by images within a little circle, including a ring. Then it moves to another series of floating circles, one of which is little, yellow-coloured, toddler Linda sitting in a high chair being fed spicy chicken – her favourite – by her muted-red-coloured father (voice: Pietro Sermonti) and her orange-coloured mum (voice: Clothilde Hesme), while amidst a popping of champagne corks – the muted red lines of dad’s colour against the black background – mother calls out papa’s name Giulio in horror and little Linda is upset…

The present, years later; an image not now in small circles but filling the whole movie picture frame. Schoolgirl Linda (voice: Mélinée Leclerc) badgers her mum into letting her borrow mum’s special ring, plays with it for a day then takes it to school the next day where she hangs out with her purple-coloured friend Annette (voice: Scarlett Cholleton), whose mum had bought her a beret in the exact same colour as Linda’s yellow, which Annette lends her.… Read the rest

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John Wick
Chapter 4

Director – Chad Stahelski – 2023 – US – Cert. 15 – 169m

** The first hour or so.

***** The last hour and a half or so.

The eponymous assassin is given a path to follow that will rid him and others of his obligations to shadowy organisation The High Table once and for all – available in Collector’s Editions, Steelbook, 4K Ultra HD, Blu-ray and DVD from Monday, June 12th

The fourth episode in the John Wick franchise is not a film to come to without seeing the previous three first – and in the recent past, so they’re fresh in your memory. That was the mistake this reviewer made. Too much in the first hour or so refers back to what has gone before. Characters wander through vast urban or other sets (there’s an early sequence in the open North African desert) often spouting ponderous dialogue.

This works if you have an actor of the calibre of Ian McShane, who plays Winston, the deferential owner of the New York Continental Hotel, and, perhaps surprisingly, it also works with the franchise’s action star Keanu Reeves, who has got the delivery of grunts and one word dialogue lines (“yeah”) down to a fine art.… Read the rest

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Champions

Director – Bobby Farrelly – 2022 – US – Cert. 12a – 124m

****

A disgraced basketball coach is sentenced to community service coaching a team of people with learning difficulties – out on Blu-ray and DVD on Monday, June 12th

After spending the night with less than impressed, fortysomething, one night Tinder partner Alex (Kaitlin Olsen), assistant American football coach Marcus (Woody Harrelson) vocalises his strategy disagreement with his coach boss Peretti (Ernie Hudson from Ghostbusters) during a match on the sidelines with national TV cameras watching. Later, drunk driving and full of himself, he drives into the back of a police car. His lawyer (Mike Smith) assures Marcus he’ll be fine in court until his brief reveals the judge to be the notorious Hanging Mary (Alexandra Castillo). Despite almost talking himself into a jail sentence, Marcus is given 90 days community service.

His service consists of coaching The Friends, a team of people with learning difficulties run by Julio (Cheech Marin). There is one brilliant player on the team, Darius (Joshua Felder), who was set for basketball stardom prior to being hit by a drunk driver’s car. His immediate reaction when Marcus enters the gym is, he won’t play for him.… Read the rest

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Jackie Chan’s
Police Story
Trilogy

Police Story (Ging Chaat Goo Si, 警察故事)

*****

Director – Jackie Chan – 1985 – Hong Kong – Cert. 15 – 100m

Police Story II (Ging Chaat Goo Si Juk Jaap, 警察故事續集)

***1/2

Director – Jackie Chan – 1988 – Hong Kong – Cert. 15 – 101m

Police Story 3 Supercop (Ging Chaat Goo Si III: Chiu Kup Ging Chaat, 警察故事３超級警察)

*****

Director – Stanley Tong– 1992 – Hong Kong – Cert. 15 – 96m

The Police Story trilogy is a landmark of Hong Kong action cinema. As David West points out in his informative essay in the accompanying booklet to Eureka’s welcome 4K UHD release of the three films, the first one was the point in Jackie Chan’s career where he broke with period dramas to make a vehicle for himself that was totally modern, set in contemporary Hong Kong rather than an historic Chinese past or even the early twentieth century of his own Project A series of films. Action films set in the present started to emerge in Hong Kong in the early 1980s, with a couple of them directed by Chan’s fellow former Peking Opera schoolmate Sammo Hung, who managed to secure roles for Jackie some way down the cast list in Winners And Sinners (1983) and My Lucky Stars (1985).… Read the rest

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Transformers:
Rise
Of The
Beasts

Director – Steven Caple Jr. – 2022 – US – Cert. 12a – 127m

*

A giant, planet-eating entity comes to earth in search of a mysterious key which the Transformers must prevent him from obtaining – out in UK cinemas on Thursday, June 8th

The posters for this latest Transformers instalment promised something a little different: a group of animal robots made up, like the original Transformers, of disparate parts. What was their purpose? Would they transform into vehicles? Well, the answer is, no, they just run around like big robotic animals and never transform into cars or anything else. Why bother?, you might ask. According to the press handouts, they convert from less conspicuous animals, but if that occurred in the film, I must have missed it.

These robotic animals, who include the gorilla Optimal Prime (voice: Ron Perlman), whose name echoes that of series regular Transformer Optimus Prime (Peter Cullen, who has voiced this character through all the movies and the original TV series), the eagle Airazor (voice: Michelle Yeoh) and the cheetah Cheetor (voice: Tongayi Chirisa)…

…belong to a race whose planet is threatened by the villain of the piece, a larger than planet-sized Transformer villain named Unicron (voice: Colman Domingo) – does he transform into anything?… Read the rest

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Animation Features Live Action Movies

Spider-Man
Across
The Spider-Verse

Directors – Joachim Dos Santos, Kemp Powers, Justin K. Thompson – 2023 – US – Cert. PG – 140m

*****

Assorted Spider-Men and -Women interact across many multiverse worlds as an elite Spider force attempts to prevent their interactions causing disaster – out in UK cinemas on Friday, June 2nd

The first part of a two-part sequel to Spider-Man Into The Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) with the conclusion Spider-Man Beyond The Spider-Verse due for release next year. So be warned: Across ends mid-story with a To Be Continued… legend plastered across the screen.

Having played around with the multiverse concept in Into, Across ramps it up to overload, introducing new worlds with titles that appear on screen before you’ve worked out where you are, making you want to hit pause and stop and take it in. You can’t do that in a public cinema, where the image and sound is sharper than it is in the home but you have no personalised remote control, and that’s a defining characteristic of the theatrical cinema medium.

You can of course go back and see a movie again and again for successive viewings, and I imagine that will be happening a lot with Across during its theatrical run because its visuals are consistently amazing, but once it’s available on a home platform where you can freeze it, go back, look at bits of scenes again, this movie will take on a whole new life as the viewers interact with it at their own pace.… Read the rest

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Features Live Action Movies

Reality

Director – Tina Satter – 2023 – US – Cert. 12a – 83m

*****

A young woman working in US security services is questioned in her home by two FBI interrogators who believe she’s leaked classified documents to The Intercept – out in UK and Irish cinemas on Friday, June 2nd

This film is based on a true story. That commonly used phrase can encompass everything from attempts at verisimilitude through to extreme misrepresentation. This film, however, is something different from most films bearing that legend.

The true story on which this film is based is an interview of a woman by two FBI agents. That organisation’s protocols dictate that such incidents, planned ahead of their execution, must be recorded in transcription form. So the film is not based on the incident so much as it is based on the official transcript of it. That includes not only the verbal words, but also pauses or gaps on the parts of those speaking them.

Writer-director Satter was hooked by the transcript and has already turned it into the critically acclaimed Broadway play Is This A Room. Theatre and cinema, while they often share certain elements, are essentially two different media; a successful play has an immediate attraction to movie producers who believe its proven theatrical track record will sell cinema tickets, yet the cinema is littered with stagebound adaptation of plays which worked far better on stage than screen.… Read the rest

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Animation Features Movies

The Old Man
Movie
Lactopalypse!
(Vanamehe Film)

Directors – Oskar Lehemaa, Mikk Mägi – 2019 – Estonia – Cert. 15 – 88m

***

A farmer and his grandchildren must recapture his unmilked cow before its udders burst into lactopalypse – stop-frame epic is out in UK cinemas on Friday, June 2nd and currently screening in previews

Estonia’s answer to Britain’s Shaun The Sheep, this feature spin-off from long-running, popular, puppet animation TV comedy series Vanamehe Multikas (Old Man Cartoon) shows Estonian sensibilities to be very different from those of the British. This is aimed at not as you might expect children but rather the young adult market – it’s stuffed full of sexual innuendo and toilet or other bodily function humour. Since I can imagine it being an uproarious experience with the right audience, it’s a shame to have first seen this online rather than in a packed movie theatre owing to the COVID-19 pandemic.

Bookended by black and white newsreel of Old Milker’s disastrous failure to stop a cow’s unmilked udders exploding into a lactopolypse complete with milk mushroom cloud, the plot has three kids sent to stay with their grandpa on his farm for the summer. Their family car back seat introduction shows us teenage boy Priidik and girl Aino constantly on their mobile phones while their pre-teen boy sibling Mart has built an incredible, fully functioning, miniature robot cow for grandpa.… Read the rest

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Features Live Action Movies

Reality

Interrogating the text

Reality
Directed by Tina Satter
Certificate 12a, 83 minutes
Released 2 June

A film named after not, as you might imagine, a state of truth, but a young woman, the main protagonist Reality Winner (Sydney Sweeney). She works in a US security facility, translating documents from Farsi to English. The room in which she works separates its workers into cubicles with dual computer screens and workstations. TVs on the wall constantly play Fox News.

They say that truth is stranger than fiction. This is not one of those ‘based on a true story’ movies; it actually is a true story in that the dialogue (along with the pauses within it) is lifted from the FBI transcript of the real life interrogation of the real life Reality Winner.

So, the actors take the words, pauses and so forth, and… [Read the rest in Reform magazine]

Reality is out in cinemas in the UK and Ireland on Friday, June 2nd.

Read my review at Reform magazine.

Read my alternative review for this site.

Trailer:

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Features Live Action Movies

Vampire
Vs
Vampire
(Yi Mei Dao Ren,
一眉道人)

Director – Lam Ching-ying – 1989 – Hong Kong – Cert. 15 – 87m

***1/2

A Taoist priest must defeat various supernatural forces including a Western-style vampire occupying a coffin in an old church – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

Turned into a star by playing the Taoist priest who fights off jiangshi (hopping corpses) in the Mr. Vampire films, Lam went on to play similar characters in films and TV for the rest of his career until his death at age 44 in 1997. He directed this particular film himself, and while it sits easily alongside the ‘official’ Mr. Vampire entries, it’s a little bit different.

Once again, Lam’s Taoist priest and two bumbling assistants Hoh (Chin Siu-ho) and Fong (Lui Fong) battle with ghosts and other supernatural forces. First up is a ghost made up of excrement and teeth which escapes from imprisonment in a jar exposed to too much moonlight, which trope inverts Western vampire lore about burning up in sunlight.

Given directorial reins, Lam shows surprisingly little interest in jiangshi, their presence consisting of one friendly child (Lam Jing-wang) inspired by Mr.… Read the rest

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Features Live Action Movies

Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest

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Features Live Action Movies

Mr. Vampire III
(Ling Wan
Sin Sang,
靈幻先生)

Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m
***1/2
Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.

Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest

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Features Live Action Movies

Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest

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Animation Features Live Action Movies

Boonie Bears
Guardian Code
(Xiong Chu Mo
Ban Wo Xiong Xin,
熊出没·伴我“熊芯”)

Directors – Lin Yongchang, Shao Heqi – 2023 – China – Cert. PG – 99m

****1/2

Abandoned by their mother as children, bear siblings Bramble and Briar uncover a conspiracy involving roboticists and robots – in a dubbed format for family audiences – out in cinemas on Friday, May 26th following its premiere at the Prince Charles Cinema around midday on Saturday, May 13th

Bear cubs Bramble (voiced in the English language version by Siobhan Lumsden) and Briar (voice: Nichalia Schwartz) enjoy and idyllic life in the Pine Tree Mountain forest in the care of their loving, lullaby-singing mother Barbara (voice: Kally Khourshid). Barbara shows them her amber pendant containing a moon and a star shape, one for each of her two cubs who have those shapes in light patches of fur on their chests. (Bramble is the one with the yellowish fur and Briar the one with reddish fur.)

One day, Briar sees her walk away through the burning ruins of a house as if she never knew him. The brothers never see her again, growing up on their own and looking out for one another.

Years later, the adult Bramble (voice: Joseph S. Lambert) and Briar (voice: Patrick Freeman), disguised as robots using makeshift fridge and washing machine costumes that would give the robot performer of Brian And Charles (Jim Archer, 2022) a run for his money, are being driven by their best friend the human Vick (voice: Paul ‘Maxx’ Rinehart) along with roboticist Dr.… Read the rest

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Features Live Action Movies

Master Gardener

Director – Paul Schrader – 2022 – US – Cert. 15 – 107m

****

Order and chaos. A man works bringing horticultural order to his employer’s garden estate, but the disorder of his past threatens to catch up with him and wreak havoc upon it

Or. A man engaged in sexual relations with his female employer becomes involved with her grandniece, to whom his employer may one day leave her inheritance

Or. A man orders his employer’s garden estate until she ejects him for sleeping with her grandniece, leaving the pair to survive in the tough world beyond – out in UK cinemas on Friday, May 26th

This appears to be a double-edged sword. On the one hand, it concerns a man (the central character, the eponymous master gardener) imposing order, but he is a man coming from chaos and at some point that chaos may undo what he has achieved there. On the other, it concerns two women – one his monied, controlling, matriarchal employer, the other her grandniece, from the wrong side of the tracks, who the employer wants to learn the business. The man is initially the lover of the first and, later, becomes the lover of the second, for which the first fires him.… Read the rest

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Sisu
(Sisu)

Director – Jalmari Helander – 2022 – Finland – Cert. 15 – 91m

****

A gold miner taking time out from WW2 must get past a Nazi unit in the Lapland wilderness in order to deposit his gold at the bank – entertaining but violent gorefest is out in UK cinemas on Friday, May 26th

1944. Lapland. A man (Jorma Tommila from director Helander’s Big Game, 2014; Rare Exports: A Christmas Tale, 2010) has withdrawn from the war to search for gold in the wilderness. The retreating German army, meanwhile, is pursuing a ‘scorched earth’ policy, destroying everything in its path. The man digs. He finds a rich seam of gold. He fills his saddlebags. Now all he has to do is get them to the nearest bank in the nearest town.

He sets off with his horse and his dog. Between him and his destination is a Nazi unit with a ruthless, sadistic commander (Aksel Hennie from The Middle Man, Bent Hamer, 2021, The Martian, Ridley Scott, 2015; Pioneer, Erik Skjoldbjærg, 2013; Headhunters, Morten Tyldum, 2011), a tank and two lorries carrying German infantry and Finnish women prisoners respectively.

All this takes place in a world where everyone, Finns and Germans, speak English.… Read the rest

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Features Live Action Movies

Hypnotic

Director – Robert Rodriguez – 2023 – US – Cert.15 – 93m

**

A police detective stumbles upon a conspiracy involving people with mind-bending powers – out in UK cinemas on Friday, May 26th

An underlying insistent rhythm opens Hypnotic, the clicking of a pen in a hand. It belongs to the therapist of Danny Rourke (Ben Affleck) and disturbs his recurring memory. He’s in the park watching his seven-year-old daughter. For a moment, his attention wanders. Then he realises she’s gone. Before that, he saw a man, who he is sure must have kidnapped her. The therapist wants to know, does he feel fit enough for active duty?

Then he’s in the squad car with police partner Nicks (JD Pardo), responding to a tip off about an imminent armed robbery of a safe deposit box in a bank. From the CC TV van at the site, he spots two armed security van guys before panning over to the suspicious man (William Fichtner) speaking to a woman on a park bench. She rises and, suddenly convinced there’s a heatwave, starts peeling off layers of clothing as she walks. He says something to the two van guys. After Rourke has talked his way into the bank vault and discovered a Polaroid of his vanished daughter bearing the name Dellrayne inside the safe deposit box, the suspicious man says something to a bank teller, who admits him and the two van guys to the vault.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

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Documentary Features Live Action Movies

The Other Fellow

Director – Matthew Bauer – 2022 – UK – Cert. 15 – 80m

**1/2

The name’s Bond. James Bond. This is a look at real life people who share the name of Ian Fleming’s popular spy character – out in UK cinemas and on demand from Friday, May 19th

What’s in a name? When Ian Fleming was looking to name the secret agent he’d written a novel about, he wanted a dull, ordinary name that wouldn’t stand out. On his shelf in Goldeneye, the Jamaican retreat where he wrote the books, was Birds Of The West Indies by James Bond. It was perfect. He stole the name for his character. When the wife of the real James Bond later got in touch by letter, Fleming was concerned they were going to sue. Fleming appears in a film clip from that time, which must be used here two or three times. The author’s wife and the bird book author James Bond himself are here played by actors Tacey Adams and Gregory Itzin.

That’s just one of the stories about identity in this brilliantly conceived documentary about people named James Bond. There’s a Bond family who have been passing the name James down for generations and weren’t going to stop because of Ian Fleming’s character.… Read the rest

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Fast X

Director – Louis Leterrier – 2023 – US – Cert. 12a – 141m

*1/2

In this latest entry in the Fast & Furious franchise, the son of a crime lord killed ten years ago sets out to exact his revenge on daredevil driver Dom Toretto and his family and associates – out in UK cinemas on Friday, May 12th

The tenth installment in the Fast & Furious franchise turns out to be the first part of a two-parter, with Fast X Part 2 now in preproduction. So don’t be surprised when this ends on a cliffhanger (actually a couple of cliffhangers).

Ten years ago, in Rio de Janeiro, crime lord Hernan Reyes was pursuing along a lengthy bridge two cars which had physically ripped the vault containing all his monetary wealth out of the middle of his headquarters building before dragging it behind them, during which Dom Toretto (Vin Diesel) turned back to swing the vault on its chain to crush the crime lord to death in his car Hernan’s son Dante (Jason Momoa) survived the incident, and has sworn to inflict suffering and death upon Dom and his family. This is the move (or at least the first of two) in which he gets to work that out.… Read the rest

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A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest

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Features Live Action Movies

Plan 75

Director – Chie Hayakawa – 2022 – Japan – Cert. 15 – 113m

**1/2

Dystopian drama Plan 75 posits a plan whereby Japanese people can voluntarily have themselves terminated after age 75 and examines some of the resultant social fallout – out in UK cinemas and on Curzon Home Cinema from Friday, May 12th

Sedate classical piano music is playing on the soundtrack. The image – out of focus, could be looking down a corridor. After a long wait, a man in a T-shirt and jeans walks, in focus, into picture foreground. There appears to be blood on his arm and he is carrying a shotgun. Ahead of him, as it now comes into focus, the corridor floor is sparsely scattered with objects: a cup and a bowl, an old person’s walking stick with four legs, something else which we can’t quite make out. He washes at the sink. Another corridor – a fallen walking stick, a pair of slippers, an abandoned bathrobe or perhaps a towel, a collapsed, half-folded wheelchair, wheel still spinning. T-shirt and jeans with shotgun descends the stairs. After a contentious voice over, T-shirt and jeans waits a long while, then points the barrel of the shotgun at his head and uses his feet to pull the trigger.… Read the rest

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Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

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Lakelands

Director – Robert Higgins, Patrick McGivney – 2022 – Ireland – Cert. 15 – 100m

****

The health of an amateur player of Irish football suffers after he gets badly beaten up one night, forcing him to withdraw from playing – out in UK cinemas on Friday, May 5th

Football. Violence. This is a film that soft-soaps neither, yet it has no interest whatever in any justice / revenge plot resolution, opting instead for a very different approach.

It’s actually quite a gentle, downplayed affair focusing on the after effects of violence on a person’s life. It’s a rare foray into the landscape of masculine sensibilities, in a far more thoughtful and considered way than is usual in the cinema. For a start, it’s framed by farming, with protagonist Cian (Éanna Hardwicke) working on his dad’s farm caring for livestock, mucking out cowsheds, driving in fence posts and so forth, a slow, seasonal pace of life. And then his involvement in football (in this case, Irish football, which isn’t something this reviewer has seen much of on the screen, or, indeed, anywhere) is presented as a driving passion in marked contrast to the farming; you get the impression of a full, worthwhile existence, punctuated by nights out drinking with fellow players in the local town’s pubs and clubs.… Read the rest

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Features Live Action Movies

The Blue Caftan
(Le Bleu Du Caftan)

Director – Maryam Touzani – 2022 – Morocco – Cert. 12a – 122m

****

A love triangle between a gay dressmaker, his wife and the man’s new apprentice, a movie which deserves to be cherished for a wide variety of reasons – out in UK cinemas and on BFI Player (rental) from Friday, May 5th

Halim and Mina (Saleh Bakri and Lubna Azabal) run a traditional clothing store in the street of one of the oldest medinas in Morocco. He inherited the store from his father, a maleem or master craftsman, and laments the fact that, with the rise of modern technology, the old skilled craftsman is dying out as people can buy the same products, made instead by machines, for lower cost. He gets very excited when his new apprentice Youssef (Ayoub Missioui) turns out to possess a rare aptitude and enthusiasm to learn those skills.

At the same time, Halim has a secret: in a conservative Muslim country where homosexual acts constitute a punishable offence, he is a gay man. He loves his wife dearly and would do anything for her, but his preference is for those of his own gender. She has learned to live with the fact.… Read the rest

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Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Animation Features Movies

Blind Willow,
Sleeping Woman
(Saules Aveugles,
Femme Endormie)

Director – Pierre Földes – 2022 – France, Canada, Luxembourg, The Netherlands – Cert. 15 – 100m

*****

Three characters experience the aftermath of the 2011 Tokyo earthquake in a story based on six Haruki Murakami short stories – animated feature is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th

This is an animated feature based on six Haruki Murakami short stories which comes not, as you might expect, from Japan, but rather from one of the few other countries that can reasonably be said to have an animation industry: France. Writer-director Pierre Földes, whose father Peter is an award-winning animator, further confounds expectations by making a film of six Murakami short stories… [Read the full review at All The Anime…]

Blind Willow, Sleeping Woman is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th.

It was out in cinemas in the UK on Friday, March 31st.

Trailer:

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Lakelands

A time for reflection

Lakelands

Directed by Robert Higgins, Patrick McGivney

Certificate 15, 100 minutes

Released 05 May

We plan our lives, or not, and they proceed, and everything’s hunky dory. Or sometimes things come out of nowhere and throw us for six. And then, no matter how seemingly impossible, we have to deal with those things. As part of the whole deal of being human.

A small, Irish town. Cian (Éanna Hardwicke) is a young man in his early twenties who works on his dad’s farm. He also plays Irish football, which like many team sports demands a level of dedication, and often goes out with mates to pubs and clubs. One night, at a club, he gets into an argument with a stranger over a girl. It’s not really anything of significance; boys, as they say, will be boys.

What happens next is a whole other deal, though… [Read the rest at Reform magazine.]

Read my alternative, less religious review on this site.

Trailer:

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The Dead
And The Deadly
(Ren Xia Ren,
人嚇人)

Director – Wu Ma – 1982 – Hong Kong – Cert. 12 – 99m

*****

A couple planning an inheritance swindle convince their victim to play along then kill him, after which he comes back as a ghost to take revenge – classic and seminal HK kung fu comedy is out on UK Blu-ray in a 2K restoration.

Made three years ahead of Mr. Vampire (Ricky Lau, 1985), this puts all the elements of that film in place, apart from the vampires. Actually, they’re not so much vampires as hopping ghosts (jiangshi). There’s no hopping in The Dead And The Deadly, but there are ghosts.

Chu (Sammo Hung) becomes suspicious when best friend Ma Lucho (Wu Ma) dies, suspecting Mrs. Ma (Leung Mei Hei) and her priest companion (Chung Fat) of poisoning him. As becomes clear from an early scene in a brothel, Ma is not gifted with women, so Chu is surprised that his surviving wife is pregnant. What he hasn’t realised is that Ma is actually in on the scam and is only pretending to be dead.

But that changes about an hour in when Ma’s two co-conspirators kill him for real to get his money, as Mrs.… Read the rest

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Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

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Documentary Features Live Action Movies

Leaving To Remain

Director – Mira Erdevički – 2022 – UK – Cert. 12a – 88m

**1/2

Three Roma people who have settled in the UK after leaving the Czech and Slovak Republics must navigate life both after Brexit and during the pandemic lockdown – out in UK cinemas on Friday, April 28th

Something film does extremely well is to show people’s lives or wider social attitudes at a given point in time. This documentary was planned to explore a very specific subject matter, but when events changed, the film changed with them to take account of developments. Erdevički originally intended to study the effect on Roma people immigrating to the UK, but as she was doing so, first, the UK’s vote in favour of Brexit resulted in extra bureaucratic obstacles for these people to navigate should they wish to stay in the UK and, second, trying to deal with all that as well as facing all the challenges everybody else was facing under pandemic lockdown. During the pandemic, she had her three subjects film themselves.

Ondrej

Erdevički has chosen her three Roma subjects well: they are all go-getters. The type of people who get things done. All three have come to the UK because they or their families wanted to better their lives and make a positive contribution.… Read the rest

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Documentary Features Live Action Movies

The Creeping Garden

Directors – Jasper Sharp, Tim Grabham – 2014 – UK – Cert. E – 81m

***1/2

You wouldn’t make a documentary about slime mould unless you found it fascinating. These two filmmakers clearly do so and their enthusiasm is likely to win you over – available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Plasmodial slime mould. I have to confess that before this film came along, I’d never even heard of it. The Creeping Garden gives me the impression that I am not alone in this, since within the confines of biology, few researchers have paid much attention to the phenomenon. However, those few who have done so and are featured here – plus an artist – are clearly smitten.

To the naked eye, plasmodial slime mould is similar to fungus. There is one huge difference between the two: slime mould moves. Purposefully. Not that you’d notice in passing because it moves very, very slowly…

[read the full review at DMovies.org]

The Creeping Garden is available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Review originally published on DMovies.org on 07.03.2017.

Trailer:

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Animation Features Movies

Junk Head

All images: ©2021 MAGNET/YAMIKEN

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

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Features Live Action Movies

How to
Blow Up
a Pipeline

Collaborators – Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber – 2022 – US – Cert. 15 – 103m

****

An eco-terrorism thriller based on the manifesto by Andreas Malm – out in cinemas in the UK on Friday, April 21st.

Credited as a film by its four main collaborators (its three writer-producers and its editor) rather than (as is the usual industry practice) merely its director Goldhaber (Cam, 2018), this is based on climate change activism apologist Andreas Malm’s non-fiction treatise which argues for the destruction of property e.g. fossil fuel industry infrastructure as part of the fight against the fossil fuel industry which is causing climate change. What the book doesn’t do is tell the reader the techniques and specifics that would enable them to actually blow up a pipeline.

Likewise, this movie doesn’t provide the viewer with the knowledge and technical wherewithal that would enable them to blow up pipelines after watching it. Like Malm, it offers moral justification(s) for the act. It shows a committed group of young people who have between them carried out extensive research into everything necessary for their planned act and reached a point of moral choice where they feel they have no other option than to carry out such an action.… Read the rest

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Features Live Action Movies

Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest

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Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest

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Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Vermeer
the Greatest Exhibition

)

Director – David Bickerstaff – 2023 – UK – Cert. PG – 90m

****

A tour around the Rijksmuseum’s current, sold out Closer to Johannes Vermeer exhibition, with comments from museum staff members and an art critic – out in cinemas both in the UK and around the world from Tuesday, April 18th

The latest instalment in producer Phil Grabsky’s excellent Exhibition On Screen series about art might be seen as something of a blockbuster: its subject is at once a famous artist and the current unprecedented, likely never to be repeated, comprehensive exhibition of that artist’s work. This allows the film to navigate the painter’s entire career in a chronological journey both through his images and, in a secondary, incidental journey, through the gallery itself. The latter journey is just there, visible but never described. Visitors tends to go to an art gallery to see its contents, or as in this case, a particular exhibition, not the gallery itself.

The blockbuster is the current exhibition at the Rijksmuseum in Amsterdam, entitled Closer To Johannes Vermeer, which runs from Friday, February 10th to Sunday, June 4th 2023 and is completely sold out. Vermeer (1632-1675) lived in the Dutch town of Delft, and in his active years as an artist painted only two or three pictures a year.… Read the rest

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Features Live Action Movies

How To
Blow Up
A Pipeline

Combatting spiritual wickedness

How to Blow Up a Pipeline
Film by
Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber
Certificate 15, 103 minutes
Released 21 April

A radical film whose four makers eschew the widespread film industry notion of the film director as sole author, film production being a collaborative process. It follows a group of young eco-terrorists pursuing their eponymous goal. That title is taken from Andreas Malm’s book, which argues that the fossil fuel industry’s ‘business as usual’ approach to global warming dictates that the only effective way to fight climate change is via property destruction and sabotage.

If this sounds a long way from any concept of non-violent Christian protest, bear in mind the biblical mandate of good stewardship over God’s creation. Here lies a challenging tension. At the present time, these ideas appear to be in conflict and different believers may come to very different conclusions. The apostle Paul tells us, ‘If it is possible … live at peace with everyone.’ But has the fossil fuel industry made it impossible?… [Read the rest at Reform magazine]

This review originally appeared in Reform magazine.

Read my longer, alternative review on this site.

Trailer:

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto: Coda

Director – Stephen Nomura Schible – 2017 – Japan – Cert. PG – 100m

*****

Review originally published on All The Anime ahead of UK release on Friday, June 29th 2018; published here following Sakamoto’s death on Tuesday, 28th March 2023 – screening on MUBI as of Thursday, April 13th

Portrait of the artist at age 66. A new documentary Ryuichi Sakamoto: Coda finds musician Ryuichi Sakamoto working on a new album following a third degree throat cancer diagnosis and time off work for treatment. At the same time, it presents a select chronological appraisal of his career from Yellow Magic Orchestra and Merry Christmas Mr Lawrence up to the present day.

Like Sakamoto himself, Coda starts and ends with the piano. But not just any piano. Sakamoto had heard of one that survived the 2011 Fukushima tsunami and wanted to find out for himself what it sounded like. He is shown a tidemark on a curtain “up to which the piano floated” and another tidemark on the piano itself indicating its journey. He’s impressed with its sound…

[Read the rest at All The Anime…]

Trailer:

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Animation Documentary Features Live Action Movies Music

R.I.P. Ryuichi Sakamoto

Written a few days after his death on Tuesday, 28th March 2023.

I’m actually quite shocked by this news. There’s a story here… It’s been a long time since I interviewed film people: these days it’s mostly reviews and a few features. Ryuichi Sakamoto was the very last person I interviewed face-to-face, in 1999 around the time of his BTTB and Cinemage albums. (I have since been privileged to write a piece about him again on the film Ryuichi Sakamoto: Coda, 2017).

Before the interview took place, there was one huge problem: his interview schedule was full. “But don’t worry”, said the publicist looking after him, “if you can get yourself over to the BBC Studios in Maida Vale for 4pm, Jools Holland is due to interview him – and Jools Holland is always an hour or so late. So if you’re prepared to do that, you’ve got him for an hour or so.”

On this occasion, I knew I had the interview placed in Manga Max magazine (sadly, long since gone) via its then editor Jonathan Clements, so I went for it. Sure enough, Jools Holland wasn’t on time and I had a fascinating interview with Ryuichi Sakamoto for about an hour covering various aspects of his career up to that point in time, including his film soundtrack work and, among other things, the multimedia opera Life he’d recently been working on.… Read the rest

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Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

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Krzysztof Kieślowski
talks about
Three Colours: Red

Transcript of interview from 1994 when Kieślowski was promoting Three Colours: Red. At the time, the other two films in the trilogy had by then been screened to press.

You intend to make no more films after Red. So what do you plan to do now?

“I want to live.”

What about artistic – or other – work of any sort?

“No, I can’t say.”

When we spoke about Blue, you told me how in many ways you found literature more interesting than film making. We discussed Blind Chance in terms of the conditional imperfect tense. Red seems similar out of the whole body of his work – closer to Blind Chance than anything else.

“Yes, maybe, in a certain general way of thinking, in construction.”

Not in the sense of three parallel “what if?”s, but more – if one comes at Red from a literary perspective – as a conditional tense.

“No, I don’t think it’s conditional. In fact I think it would be quite difficult to find a literary explanation there. That sort of thing I think has been tried out and discovered by the cinema rather than literature. Of course, it has been used in literature, but it’s a very much more suited to film than it is to fiction.… Read the rest

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Animation Features Movies

Suzume
(Suzume
No Tojimari,
すずめの戸締まり,
lit. Suzume’s
Locking Up)

Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m

***1/2

Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes – anime feature is out in UK and Irish cinemas on Friday, April 14th

Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.

At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.… Read the rest

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Cairo Conspiracy,
(original title:
Boy From Heaven,
Walad Min Al Janna,
صبي من الجنة)

Director – Tarik Saleh – 2022 – Sweden, France, Finland – Cert. 12a – 126m

***

A naive, young, Egyptian student at a top Islamic university is recruited as a spy for the secret police – out in UK cinemas on Friday, April 14th

Adam (Tawfeek Barhom), a bookworm born and raised in rural Egypt where he works as a fisherman like his father before him, visits the local mosque where his trusted Imam gives him a letter informing him he’s been accepted into Cairo’s prestigious Al-Azhar University, the top seat of Sunni Muslim learning and thought. He’s worried his widowed father won’t let him go, but his father fatally accepts it as the Will of Allah. In his university dorm, Adam finds his bed taken by fellow student Raed (Ahmed Laissaoui) and winds up in the bunk below. (The university is for men only: no women. At least, we see none here.)

Unexpectedly, the Grand Imam, the head of the university, dies and a successor must be chosen. At the security forces building, the General (Mohammad Bakri) listens to the analysis by Colonel Ibrahim (Fares Fares) of the possible candidates, throwing all files on the floor except one – the one with whom the President’s views align, the candidate who must win.… Read the rest

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Renfield

Director – Chris McKay – 2023 – US – Cert. 15 – 93m

**

Guided by American self-help industry ideas of escaping toxic relationships with narcissists, Dracula‘s servant Renfield wants out of his relationship with his master – out in UK cinemas on Friday, April 14th

Renfield (Nicholas Hoult) has had enough of working for his boss, Count Dracula (Nic Cage) who gives him the ability to manifest great power from eating insects in exchange for his tending to Dracula’s every need, the main item on which list is a supply of fresh, virtuous humans on who to feast. As here portrayed, Renfield is an honourable Englishman who has changed the rules: he goes out and brings back a never ending supply of one sort or another of less than virtuous people for the Count. Unfortunately, this doesn’t really fit the bill.

Enter pampered gangster boy Tedward Lobo (Ben Schwartz) who, whilst trying to find the people who double-crossed him in a drugs deal, stumbles on the Prince of Darkness and, impressed, resolves to introduce the vampire to his ruthless crime boss mother Bellafrancesca Lobo (casting coup Shohreh Aghdashloo) to help him in his newly-formed goal of world domination.

Meanwhile, traffic cop Rebecca (Awkwafina), the only cop not on the take in the corrupt local precinct, otherwise bought to a man by the Lobos, is determined to get the evidence to put the crime family behind bars.… Read the rest

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Pirates

Director – Reggie Yates – 2021 – UK – Cert. – 80m

**1/2

Party like it’s 1999! Three 18-year-old, childhood friends from London attempt to see in the new millennium in style – on BFI Player as a Subscription Exclusive from Thursday, April 13th

They’re called pirates because in this year, 1999, they’ve made it onto the air in London pirate radio, DJ-ing and MC-ing from their flat as the ICC, the Ice Cold Crew. Well, two of them, Two Tonne (Jordan Peters) and Kidda (Redda Elazouar), have. Third member Cappo (Elliot Edusah), just back from university, never really felt he contributed much to the ICC even though he was their manager, so he’s been rehearsing his one-line speech to tell the guys he’s leaving the crew.

However, when he drops in on Two Tonne at the latter’s glue factory job, before he can say his piece, his friend spots Sophie (Kassius Nelson), the girl with whom Two Tonne is smitten and with whom he’d like to be at midnight, and the conversation goes in a whole other direction. The lads concoct a plan to get into the best party of the night, the Y2K, but to do that, they need to get tickets at this last minute.… Read the rest

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Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Animation Features Live Action Movies

Monty Python’s
Life Of Brian

Director – Terry Jones – 1979 – UK – Cert. 12a – 93m

****

An absurdist comedy about of Brian, Jesus Christ’s next-door neighbour, who falls in with left-wing activists, develops a religious following and ends up crucified – back out in UK cinemas in Glorious Standard Definition on Friday, April 7th

Like The Last Temptation Of Christ (Martin Scorsese, 1988), a Biblical epic made by a New Yorker who tries to bring first century Palestine to life on the screen by filling it with actors who speak as if they’re on the streets he knows, so too Monty Python’s Life Of Brian, made by the Monty Python team, nurtured first by Oxbridge student drama society culture then by British radio and television, attempts a comic equivalent of the Christian Gospel narrative by filling it with characters possessing such quintessentially English names as Brian and Reg and sporting English accents. For the Pythons and their audience, this strategy works because of its familiarity from Britain’s hugely popular Monty Python’s Flying Circus television show, made for the BBC. It’s what everyone attending the film in the UK expected.

The Monty Python team (Terry Jones, Terry Gilliam, John Cleese, Graham Chapman, Eric Idle & Michael Palin) all wrote the film between them and take on multiple acting roles, with Jones also directing, animator Gilliam also taking on production design, and Chapman, who had studied medicine, also taking on the role of set medic.… Read the rest

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Animation Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

The Hungarian animated epic Son Of The White Mare (1981) is one of the great, largely unknown treasures of animation, if not of cinema. Its late director Marcell Jankovics (1941-2021) made a number of shorts and commercials before his two features at the Pannoia Film Studio. Eureka!’s Blu-ray contains both features, as well as some of his most significant shorts. While Son Of The White Mare remains his indisputable masterpiece, the other films on the disc go a long way to explaining how he got there. [Read the full article at All The Anime]

See my longer review on this site

and my shorter review for Reform magazine.

Son Of The White Mare is out on Eureka! Video Blu-ray.

Trailer:

Festivals

2021

Annecy

Categories
Features Live Action Movies

Air

Director – Ben Affleck – 2023 – US – Cert. 15 – 112m

***1/2

In 1984, a Nike executive lifts the company out of its financial rut by building a line of running shoes around an unknown basketball player named Michael Jordan – out in UK cinemas on Wednesday, April 5th

A curious combination of sports movie and corporate drama, this retells the story of how, in 1984, the failing Nike corporation managed to successfully reinvent itself by signing a sponsorship deal with the then-unknown basketball player Michael Jordan and building a product line of running shoes around him. Jordan would go on to become a huge cultural icon in the US and Nike a hugely profitable multinational, due in no small part to its Air Jordan running shoes, which the player endorsed.

This is a Warner Bros. movie and that Studio already has a long-standing connection with Michael Jordan through Space Jam (Joe Pytka, 1996), the live action / animation composite feature that combined basketball with Looney Tunes characters and spawned a sequel in 2021. Air isn’t a Michael Jordan film as such: as a character, he barely appears, but there’s a sense that he’s at the centre of the events portrayed as everything here revolves around him.… Read the rest

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Animation Features Live Action Movies

The Mad Fox
aka
Love, Thy Name
Be Sorrow
(Koiya Koi
Nasuna Koi,
恋や恋なすな恋)

Director – Tomu Uchida – 1962 – Japan – Cert. PG – 109m

*****

On MUBI from Tuesday, April 4th; also Amazon Prime (rental) and Arrow Channel

The second Tomu Uchida film to receive a Blu-ray release after the black and white Bloody Spear At Mount Fuji (1955) is the colour The Mad Fox a.k.a. Love, Thy Name Be Sorrow (1962). This extraordinary and arresting Heian period (794-1185) fantasy drama involves an astrologer, his adopted daughter, her wicked stepmother, the two women’s lovers, the daughter’s identical twin sister and a family of shape-shifting fox spirits. Contrasting heavily with the earlier samurai road movie using Mount Fuji as an excuse to block a road for a picnic, The Mad Fox again invokes the iconic volcano in a far more active role as it threatens to erupt, presaging a time of great chaos. The film, meanwhile, makes judicious use of Toei’s animation wing, lending out staff to provide integrated effects.

The opening five minutes set the tone, via a lengthy voice-over detailing the plot’s setup to a calm, tranquil music score, while a scroll is unrolled and the camera pans steadily along its portrayed landscape.

I review The Mad Fox for All The Anime.… Read the rest

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Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

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Babylon

Director – Damien Chazelle – 2022 – US – Cert. 18 – 188m

***1/2

The rise and fall of stars and other talents navigating the excessive lifestyle and work ethic of the silent era US movie business – out on Digital on Tuesday, March 21st and on 4K Ultra HD™, Blu-ray™ & DVD on Monday, April 3rd, following its release in UK cinemas on Friday, January 20th 2023

Having established himself as a top A-list Hollywood director with the likes of Whiplash (2014) and La La Land (2016), Chazelle delivers a cast of thousands epic about Hollywood in the silent era and beyond, a project that’s apparently been gestating in his head for some 15 years. With its name referencing a city that grew to great heights and considerable excess before crumbling into dust, Babylon starts with Manny Torres (Mexican actor Diego Calva in his first US role) and compatriots attempting to deliver an elephant to a Hollywood party at a desert mansion in the middle of nowhere. The tone for the whole is set – or perhaps set free from audience preconception about what is to follow – when one of Calva’s compadres, walking behind the trailer containing the creature pushing it up a hill, is unexpectedly covered in elephant excrement.… Read the rest

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Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

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Krzysztof Kieślowski
talks about
Three Colours: Blue

Transcript of interview from 1993 when Kieślowski was promoting Three Colours: Blue. At the time, the other two films in the trilogy had yet to be screened to press.

How far do you consider Three Colours: Blue a separate entity in its own right, and how far the first part of a planned trilogy? “I think it’s a film in its own right.”

Did the initial inspiration come as this film, or rather as the three films? “Well, we started from ideas, from scripts – and since the original idea was such as it was, that included three films. So then we had to answer three questions because there were obviously three problems. We decided fairly early on in our working to make the three separate films, which of course have certain common elements to them. But these are quite carefully camouflaged links, representing my playing around with games for the viewer who also indulges in such games. If the viewer doesn’t like such games, then he’ll just see three entirely different stories. If the viewer likes these, then the films become something more.”

These’ll be something to look forward to later on. “Yes, a few of those feature in Blue, but there aren’t all that many of them.… Read the rest

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Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why not – on BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

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No Bears
(Khers Nist,
خرس نیست)

No Bears #freejafarpanahi

Director – Jafar Panahi – 2022 – Iran – Cert. 12a – 106m

*****

An Iranian film director banned from leaving his country rents a house close to the border with Turkey, in which country he is remotely directing a film – available on the following rental streaming services from Monday, March 27th: Amazon Prime, Google Play Movies, YouTube (all £3.49), Apple TV (£4.49), BFI Player (£4.50), and Curzon (£4.99)

In a busy, metropolitian street somewhere in Iran, woman restaurateur Zara (Mina Kavani) is greeted by her partner Bakhtiar (Bakhtiar Panjei), who has secured a fake passport for her. She has only three days to use it before the passport, stolen from a tourist, is stopped. But she doesn’t want to travel outside the country without him: he is the only thing that makes her life bearable.

Then we realise we are watching a movie shoot not in Iran but in neighbouring Turkey. The director is Jafar Panahi (playing himself) and he is not allowed out of Iran, so he is renting a room in an Iranian village not far from the Turkish border and watching the shoot remotely via his computer. He’s been assured that the local internet reception is good, but it isn’t and keeps cutting out, making his job all but impossible, although his first assistant director, cast and crew are doing a good job of getting the shots in the can even when they don’t hear from him.… Read the rest

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Blue Jean

Director – Georgia Oakley – 2022 – UK – Cert. 15 – 97m

*****

A woman attempts to keep her LGBTQ lifestyle and her day job as a PE teacher separate, but has reckoned without the widespread anti-gay prejudice of late 1980s Thatcherite Britain – previews in UK cinemas from Monday, February 6thprior to release on Friday, February 10th

“Everything is political”, says her out and proud girlfriend Viv (Kerrie Hayes) to Jean (Rosy McEwen), an LGBTQ woman who has to date managed to compartmentalise her existence so that work and private life are kept separate. She’d like to keep it that way too, because in her job as a teacher there’s an underlying assumption that heterosexuality is the norm. Which is fine if you happen to fit that model, less so if you don’t. Which Jean doesn’t. And a couple of factors are about to break down those carefully constructed compartments of her life.

It’s the late 1980s in Britain, and Margaret Thatcher’s Conservative government is trying to push through Parliament what will eventually become the Local Government Act (1988). Section 28 (or Clause 28) of that Act prohibits councils in England, Wales and Scotland from promoting homosexuality, seen as a deviant behaviour which can be cured.… Read the rest

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Infinity Pool

Director – Brandon Cronenberg – 2023 – Canada, Hungary, France – Cert. 18 – 117m

*****

WARNING: NSFW

A man holidaying abroad at a resort with his wealthy wife is lured into a series of crimes, punishable locally by death unless you’re rich enough to buy your way out – in UK cinemas from Friday, March 24th

An infinity pool is a swimming pool designed so that at least one edge appears to go on forever, blending into a seascape or waterscape such as an ocean or lake. It’s limitless. One character in this film once installed such a pool for a local hotel, but that’s really not the point. Which is, something that has no boundary, that appears to extend into infinity. Like the moral transgressions in this film, once the preventative edges of incurred punishment are removed from the perpetration of criminal acts, for which the idea of the infinity pool stands as a metaphor. This may not make sense now, but it will once you’ve watched the film and thought about it.

James (Alexander Skarsgärd) and Em (Cleopatra Coleman) Foster are holidaying at a resort. To date, he is a one-book writer: his book was published to rotten reviews and sank without trace and he can’t seem to find an idea for the second one.… Read the rest

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The Cow
Who Sang
A Song
Into The Future
(La Vaca
Que Cantó
Una Canción
Hacia El Futuro)

Director – Francisca Alegria – 2022 – Chile, France, US, Germany – Cert. 15 – 98m

***1/2

A dead woman emerges resurrected from a polluted river to reconnect with her husband, children and grandchildren – out in UK cinemas on Friday, March 24th

The banks of a river cutting through a forest, strewn with dead fish. The sound of a strange song, a mournful chorale. Bubbles. A woman (Mia Maestro) rises from the water, dripping wet and clad in overalls and a helmet as if she’s been riding a motorcycle. She makes her way to the bank, collapses, coughs up water. She feels a joy in being, being back, being on land. She walks along a leaf-covered train track. She boards a bus, paying the driver not with the money for the fare but with a touch of her hand.

She doesn’t speak a word. The whole scenario doesn’t feel quite right. Is she real? Is she an apparition? She’s certainly unexpected in town, when her decades older husband Enrique (Alfredo Castro), collapses after seeing her from the inside of a shop window. Bernardo (Marcial Tagle) phones Cecilia (Leonor Varela) with the news that their father claims to have just seen their late mother, his wife Magdalene, which is, of course, impossible.… Read the rest

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Perfect Sense

Director – David Mackenzie – 2011 – UK – Cert. 15 – 92m

*****

Love story set in a pandemic captures something of the emotions felt during the 2020 COVID-19 crisis, when this review was written (one of the first to appear on this then fledgeling site) – streaming on the Arrow Channel from Friday, March 24th to Sunday, April 30th 2023

Glasgow, Scotland. Michael (Ewan McGregor) is a chef. He likes to sleep alone, so if he takes a woman to bed, he’ll turf her out afterwards to get back his space. That changes when he meets Susan (Eva Green), who then does the same thing to him. And yet, there’s something between them. They’re drawn to one another. A relationship ensues.

Which might sound like just another boy meets girl movie, but Perfect Sense is different. Behind the foreground of walking along river banks and sleeping together lies a very different backdrop. Susan is an epidemiologist at a local hospital. A man has lost his sense of smell and is kept in isolation. There are other cases all over the country. Suddenly, people are being overwhelmed with grief and losing their sense of smell. Some time later, they eat ravenously then lose their sense of taste.… Read the rest

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Under
The Open Sky
(Subarashiki Sekai,
すばらしき世界)

Director – Miwa Nishikawa – 2020 – Japan – 126m

***1/2

A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.

The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.… Read the rest

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Ashes And Diamonds
(Popiół I Diament)

Director – Andrzej Wajda – 1958 – Poland – Cert. 12 – 103m

*****

Two resistance fighters attempt to assassinate a Communist Party official on the last day of the Second World War – plays at the Phoenix Cinema East Finchley in conjunction with the Kinoteka Polish Film Festival at 18:00 on Sunday, March 19th, also on Blu-ray as part of Wajda’s War Trilogy

Made over a decade after not only the historical setting for the events it depicts in 1945 but also the Jerzy Andrzejewski novel on which it is based which was written in 1947 and published in 1948, this condenses that novel’s two weeks into a mere – 24 hours the last day of the Second World War and the evening and night of the victory celebrations that follow plus the subsequent early dawn.

The war is over and the Nazis defeated, but Poland still finds itself the subject of conflict as opposing factions vie for power. On the one hand is the official Party trying to get everything working again and on the other members of the resistance determined to stop them.

The older Andrzej (Adam Pawlikowski) and the younger Maciek (Zbigniew Cybulski) carry out an ordered assassination on Szczuka (Waclaw Zastrzeżyński).… Read the rest

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Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough – at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

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Allelujah

Director – Richard Eyre – 2022 – UK – Cert. 12a – 98m

***

While a small NHS hospital in Wakefield, Yorkshire is in danger of being closed down by the government as inefficient, it seeks to care for its geriatric patients– out in UK cinemas on Friday, March 17th

Based on the 2018 stage play by Alan Bennett, this multiple plot- and character-drama follows the day-to-day lives of assorted, mostly terminal, geriatric patients in The Beth, or the Bethlehem Hospital to give it its full name, in Wakefield, Yorkshire. Dr. Valentine (Bally Gill) whose real Indian name no-one can pronounce (really?) provides a framing device, a man who in an engaging, opening voice-over makes it clear that he genuinely cares for the elderly and who closes the film in a couple of scenes that don’t really work. Of which, more later.

Because what follows is for the most part character- rather than plot-driven, the character of Dr. Valentine doing his rounds and grappling with the inevitable day-to-day crises as they come up provides the main structural spine of the story.

I say ‘the main’ line, but in fact there is one other character who serves a similar function not to mention several subsidiary plots, one of which is considerably weightier than the others.… Read the rest

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Plane

Director – Jean-François Richet – 2022 – UK, US – Cert. 15 – 107m

****

A commercial passenger aircraft flying through bad weather conditions gets into trouble and is forced to land on an island run by military insurgents – out on digital from Monday, March 13th

While this is unlikely to win any Oscars, it’s a shrewdly put together action movie that gets everything right, tells its audience exactly what it’s going to do and then proceeds to do it, wrapping up everything very quickly in about thirty seconds once the narrative is over. That might not sound like much, but most action movies you see fail to meet such criteria. Moreover, a lot of action movies work perfectly well on a small screen, but this one works better if you see it on as big a screen as possible.

Singapore. Scotsman Brodie Torrance (Gerard Butler from 300, Zak Snyder, 2007) is cutting it fine and may be about to be late for work again. Since he’s an airline pilot, that’s quite a big deal. Somehow, he gets to the cockpit of the plane with enough time to introduce himself to his co-pilot Samuel Dele (Yosun An from Mulan) ahead of the pre-takeoff, routine inspection by an aviation official.… Read the rest

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The Wife
And
Her House Husband

Director – Marcus Markou – 2022 – UK – Cert. 15 – 86m

****

A divorcing couple follow instructions in a document they handwrote between them back when it seemed they’d be in love forever – out in selected UK cinemas (admission only one pound) from Friday, March 10th

Cassie (Laura Bayston – smart crimson suit, smart shirt) and Matt (Laurence Spellman from the director’s earlier short Two Strangers Who Meet Five Times – cheap hoodie) are at the end of their relationship. Somewhere along the line, it was good. But then it all went wrong. And now, here they are at their final meeting in her solicitor’s offices (£250 an hour, she’s paying) sorting everything out. She’s given him the house, half her salary.

Back at the beginning of their relationship, between them, they handwrote a document to be read and acted upon should it all come to this. Each of their handwriting gives away which bits they each wrote, which is just as well because their memories aren’t that good and they don’t remember writing parts of it. Or even any of it. But she just wants the chance to say goodbye. Properly. An ending.

First item on the list: to meet up in the park where they first met 20 years ago.… Read the rest

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Two Strangers
Who Meet
Five Times

Director – Marcus Markou – 2022 – UK – Cert. 12a – 12m

****

A profound meditation on our common ground, our differences, and the factors which apparently come out of nowhere to can drive us apart or bring us together – out in UK cinemas on Friday, March 10th

Life. Paths that unexpectedly cross. While cleverly doing exactly what it says on the title, this achieves a meditation on those meetings with other people that prove cathartic, those moments in which our lives can turn on a knife edge.

The first meeting we see, which is actually the second time they meet, involves two men at a cashpoint, one (Laurence Spellman, who is also one of the leads in the same director’s new feature The Wife And Her House Husband, 2022) losing it while the one in front of him (Sargon Yelda) takes what seems like a ridiculously long time to perform what should be a simple task of withdrawing some money. (Of course, there can be a reasonable explanation for this – the machine isn’t working, it swallowed the card, it’s been tampered with by fraudsters – but none of that applies on this occasion – the ATM appears to be working properly.)… Read the rest

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Lunana:
a Yak in the Classroom
(ལུང་ནག་ན)

Director – Pawo Choyning Dorji – 2022 – Bhutan – Cert. PG – 109m

****

A young man trapped in and frustrated with a teaching career is sent to a remote village, which turns out to be the best thing that’s ever happened to him – 2022 Oscar-nominated film for Best International Feature is out in UK cinemas on Friday, March 10th

Bhutan operates a system of National Service, and for Ugyen (Sherab Dorji) this means five years working in education. His heart was never in it, and he finds it something of an ordeal. His grandmother (Tsheri Zom) constantly berates him for not getting up early enough, while the State education system is less than impressed with his record. If he had his own way, he’d give it all up, take his guitar and go to Australia to try and set himself up as a singer. He’s still required to finish his five years first, though.

That’s bad enough, but then this die-in-the-wool urbanite addicted to his mobile phone and music listening on headphones finds that the system is so fed up with him, it sends him to an unexpected Autumn term teaching placement he’s in no position to refuse, much as he might wish to do so.… Read the rest

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The Middle Man

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest

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Scream VI

Directors – Matt Bettinelli-Olpin, Tyler Gillett – 2022 – US – Cert. 18 – 123m

**1/2

The sixth entry in the Scream franchise relocates from Woodsboro to New York City as the masked killer continues to stalk and kill his victims – out in UK cinemas on Friday, March 10th

The phone rings. Someone picks up. If it’s the first time he’s called, the caller (voice: Roger L. Jackson) engages them in conversation, often about whether they like movies, in particular scary movies. This often leads to the recipient of the call being bloodily murdered shortly after. But not always. Some of the characters in the Scream movies stay alive via a judicious knowledge of the rules of horror films. The previous five films, of which the fifth film is somewhat confusingly called Scream exactly the same as the first, are set in the town of Woodsboro, California with a cast of repeating characters among the ongoing survivors.

This sixth film is set in the very different urban milieu of New York City. Which, along with a smart graphic whereby the last three quarters of the letter ‘M’ are coloured red to turn into the Roman numeral VI, may entice back viewers who had long since given up on the franchise (the ideas got tired after the first couple of films).… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

The Tea (c. 1880)

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

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Like Father, Like Son
(Soshite Chichi
Ni Naru,
そして父になる)

Director – Hirokazu Kore-eda – 2013 – Japan – Cert. PG – 121m

*****

Upper middle class couple Ryota and Midori (Masaharu Fukuyama and Machiko Ono) get a call from the country hospital where their six-year-old son Keita (Keita Nonomiya) was born. Keita might not actually be theirs, but the son of Yodai and Yukari Saiki (Lily Franky and Yoko Maki), the two babies having been switched at birth. The two families are like chalk and cheese… [Read the full review at All The Anime]

On MUBI from Saturday, February 25th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – Like Father, Like Son (2013):

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Orchestrator
Of Storms:
The Fantastique World
Of Jean Rollin

Directors – Dima Ballin, Kat Ellinger – 2022 – UK – 112m

***

The story of one of Europe’s most idiosyncratic and overlooked directors – on the Arrow Video Channel from Tuesday, February 14th

In the early 1960s when the French New Wave was taking off, the idea was to go out and make movies on the streets, an approach intended to inject them with freshness. That movement is present in the backdrop of this film, because while it was achieving a huge international profile, fledgling French film maker Jean Rollin who similarly wanted to go out and shoot movies without all the old formal constraints was being largely ignored by industry, critics and audiences.

Finance was always a struggle, and he soon found himself making features within European sexploitation cinema, where directors had a great degree of freedom provided they incorporated a certain amount of nudity and sex.

There were lean periods too where he worked directing softcore and hardcore porn to survive; aside from chronicling when these happened in his career, this documentary doesn’t go into them at any length. Overall, it takes a chronological approach to Jean Rollin to give some idea of his life, career and filmography.… Read the rest

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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

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Nocebo

Director – Lorcan Finnegan – 2022 – UK, Ireland – Cert. 15 – 96m

***

A mother and fashion designer’s stress levels increase when she hires a too good to be true Filipino au pair – on Shudder UK, US and Canada from Friday, February 24th

A nocebo is a negative placebo – a belief that some factor will cause a medical or psychological condition to get worse, which it then does.

Christine (Eva Green), a high-flying fashion designer, and her husband Felix (Mark Strong), who works in advertising, lead pressured lives, and they have a daughter Roberta, known to her friends as Bobs (Billie Gadsdon), at primary school. Deciding which of them is going to drop Bobs off at / pick her up from school is always a challenge.

Christine is in the middle of a shoot involving child models when she receives a phone call with bad news about “they’re pulling out the bodies” and has a nervous breakdown, suddenly experiencing bizarre and horrifying hallucinations, with everyone she sees on the set spouting boils, a fate also visited on a mysterious, blind dog covered in sores. A tiny beetle burrows into her neck, later resulting in an itchy sore.… Read the rest

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The Son

Director – Florian Zeller – 2022 – UK – Cert. 15 – 123m

****1/2

A man and his wife must deal with the mental illness of his son by a previous marriage when he moves in with them – in cinemas from Friday, February 17th

Peter (Hugh Jackman) is a successful New York lawyer with a wife Beth (Vanessa Kirby) and a small child Theo. One day, his ex-wife Kate (Laura Dern) turns up at his apartment door to inform him that, as she’s just found out, their teenage son Nicholas (Zen McGrath) has not been to school for one month. She has tried to talk to the boy but got no sense out of him. When Peter goes to visit them, the boy insists he’d like to come and live with his dad.

New mum Beth is understandably hesitant, but nevertheless the couple agree to have Nicholas stay. It quickly becomes apparent that he has grievances against his father and step-mother for leaving his mother and becoming involved with his married father respectively. While Nicholas has never got over his parents’ break-up, Peter has continued in a career which leaves him increasingly less time for family. That looks like getting worse, too, because he has the chance of being part of the team of an electoral candidate.… Read the rest

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Animation Documentary Features Live Action Movies

Marcel The Shell
With Shoes On

Director – Dean Fleischer Camp – Co-Creator – Jenny Slate – 2021 – US – Cert. PG – 90m

***

A man makes a documentary about tiny, stop-frame animation shell character Marcel and his granny, the rest of whose family have mysteriously disappeared – out in UK cinemas on Friday, February 17th

Expectations are a funny thing. I’m a huge admirer of both stop-frame as a medium and films which mix up animation and live action. This film does that in a fresh and original way. At its core is a cute little critter named Marcel, part extraordinary visual conceit, part improvised voice over by actress and co-creator Jenny Slate, continuing a long tradition of women voicing small boys in animation.

Slate didn’t just voice the character, though – she originally created the voice as a joke and then Dean Fleischer Camp, suddenly needing to shoot a short film quickly for a commission, threw together a shell, an eye and some tiny shoes to create a unique and, indeed, distinctive-looking character. The character and the short film in which he starred became an internet sensation.

For this feature, the pair have crafted a story in which documentary filmmaker Camp (playing himself) finds himself living in the house which tiny Marcel (voice: Slate) occupies with his ageing and vulnerable grandmother Connie (voice: Isabella Rosellini), their quite considerable extended family having mysteriously disappeared.… Read the rest

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I Wish
(Kiseki,
奇跡,
lit. Miracle)

Director – Hirokazu Kore-eda – 2011 – Japan – Cert. PG – 128m

*****

A broken family consists of father, mother and two pre-teenage boys. Each of the boys is living with one of their parents at opposite ends of Kyushu, Japan’s south-western island: the elder with his mother and grandmother in Kagoshima and the younger with their gigging rock guitarist father in Fukuoka. The two boys keep in touch by mobile phone… [Read the full review at All The Anime]

On MUBI from Saturday, February 4th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – I Wish (2011):

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Features Live Action Movies

Decision To Leave
(Heojil Kyolshim,
헤어질 결심)

Director – Park Chan-wook – 2022 – South Korea – Cert. 15 – 138m

*****

A married detective investigating the death of a climber becomes obsessed with the victim’s wife, who looks increasingly like the murderer – back in cinemas for one night only Monday, 13th February, on MUBI since Friday, 9th December

Any sexual or romantic energy that once existed between city-based detective Hae-joon (Park Hae-il from Heaven: To The Land Of Happiness, Im Sang-soo, 2021, The Fortress, Hwang Dong-hyuk, 2017, The Host, 2006, Memories Of Murder, 2003, both Bong Joon ho) and seaside town-based wife (Jung Yi-seo, bit parts in Samjin Company English Class, Lee Jong-pil, 2020; Parasite, Bong Joon ho, 2019) has long since evaporated.

Investigating the fatal fall of skilled amateur climber Ki Do-soo (Yoo Seung-mok from The Gangster, The Cop, The Devil, Lee Won-Tae, 2019, also The Host, Memories Of Murder) where the man’s Chinese-born wife Seo-rye (Tang Wei, from Lust, Caution, Ang Lee, 2007) is a murder suspect, he falls for her…
[Read the full review at Dmovies.org]

Trailer:

Decision To Leave is back in cinemas for one night only Monday, 13th February, on MUBI from Friday, 9th December.

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Features Live Action Movies

The Million Ryo Pot
aka
Tange Sazen
And The Pot
Worth A Million Ryo
(Tange Sazen
Yowa:
Hyakuman Ryo
No Tsubo,
丹下左膳余話
百萬両の壺)

Director – Sadao Yamanaka –1935 – Japan – 92m (longest available version)

***1/2

Period drama in which various characters palm a worthless pot off on others only to later discover it’s extremely valuable – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

A gorgeous restoration by Nikkatsu, this populist potboiler from 1935 is an excuse to show off the talents of chambara star Denjiro Okochi as the eponymous ronin Tange Sazen, who at one point cheerfully admits himself to be a freeloader off of archery club hostess and geisha house owner Ofuji (Kiyozo).

The equally eponymous pot, however, is in the film from the start, as after he has passed it off to his brother Genzaburo (Kunitaro Sawamura) who has married the daughter of a swordsman in Edo, a regional Yagyu Lord is informed that the pot’s glaze conceals a map to the whereabouts of a treasure chest containing a million ryo hidden by one of his ancestors shortly. Unaware of its considerable value, the latter’s wife Hagino (Hanai Ranko) is embarrassed by this piece of worthless junk and wants her husband to throw it in the shed, so she doesn’t have to look at it.… Read the rest

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Women Talking

Director – Sarah Polley – 2022 – US – Cert. 15 – 104m

*****

Should we stay or should we go? Following an incident of mass sexual abuse in an isolated religious community, its women debate the question, stay and fight – or leave? – out in UK cinemas on Friday, February 10th

Here’s a film that defies the rule that, by rights, a bunch of people talking to one another in one location ought to make for tedious cinema. (Such outings usually work very well on the stage, a medium about a bunch of people talking in one location.) Yet Sarah Polley’s adaptation of the novel Women Talking proves electrifying. It’s based on a novel by Canadian author Miriam Toews which is in turn based on horrifying real life events (although the book is “an imagined response to real events”, rather than an attempt to actually conjure or describe those events).

Between 2005 and 2009, in an isolated Mennonite community in Bolivia, over a hundred girls and women were raped in their sleep. Their discoveries were initially dismissed by the community’s menfolk until it came to light that a small group of men had sprayed the interiors of the victims’ houses with animal anaesthetic to render them and their families unconscious.… Read the rest

Categories
Animation Features Movies

Epic Tails
(Pattie
Et La Colère
De Poséidon)

Director – David Alaux, Eric Tosti, Jean-François Tosti – 2022 – France – Cert. U – 95m – English language dubbed version

****

The adventurous mouse Pattie and her cautious, adoptive parent cat Sam help an ageing Jason and his skeletal Argonaut crew in a voyage to save the city of Yolcos from the wrath of Poseidon – out in UK cinemas in an English language dubbed version on Friday, February 10th

In Greek myth, forever immortalised in the cinema in Jason And The Argonauts (1963, Stop-Frame Animation & FX: Ray Harryhausen), the heroic Jason brings the Golden Fleece to his home city of Yolcos which then enjoys the protection of the Zeus against the unruly antics of the rest of the Gods in Mount Olympus. This French, animated children’s film, in which the two lead characters are anthropomorphised animals and which is released in the UK in an English language dubbed version, begins in that city around half a century later when Jason has reached a ripe old age and all his faithful Argonauts have died.

All the voice credits in the following review refer to the English language voice cast. Animation is different from live action, where dubbing can generally ruin actors’ performances in films, since in animation, voices and visual are created separately then married together.… Read the rest

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Animation Features Live Action Movies

Sensei,
Would You
Sit Beside Me?
(Sensei,
Watashi
No Tonari
Ni Suwatte
Itadakemasenka?,
先生、
私
の隣に座って
いただけませんか？)

Director – Takahiro Horie – 2021 – Japan – 119m

****1/2

Believing her manga artist husband is having an affair with their publisher, a manga artist wifedraws a new manga in which she embarks on an affair with her driving instructor – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

When another story assignment for their editor Chika (Nao aka Nao Honda) comes to an end for wife and husband manga artists Sawako (Haru Kuroki) and Toshio Hayakawa (Tasuku Emoto), Sawako lets Toshio drive Chika to the station, listening to them talk after shutting the door behind them because she’s convinced (correctly) that the pair are having an affair. Shortly afterwards, she gets a phone call telling her that her mother (Jun Fubuki) is ill, and the urban couple drive to her home in the countryside to be there for her as she recuperates. She is walking around on a single crutch but seems in good shape.

That is, however, more than can be said for this married couple’s relationship. To keep up appearances, they share a bedroom at her mother’s place, something they haven’t done at home for years.… Read the rest

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Animation Features Live Action Movies

It Comes
(Kuru,
来る)

Director – Tetsuya Nakashima – 2018 – Japan – 133m

****

A monster relentlessly pursues its victims until one day it comes to take them away forever – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

This is basically a monster film in which the monster is a bogeyman or evil spirit who after taunting potential victims – usually children – for a long time, then turns up and abducts them from this world into its own. You never see the monster: it’s all conveyed by preparation, suggestion and effect, and the characters’ actions and reactions.

And although the monster is apparently intent on abducting the child, various adult characters who appear to be significant protagonists suddenly get abducted by it. While it’s nowhere near the same league, in this respect, the film resembles Psycho (Alfred Hitchcock, 1960) i.e. a significant character is despatched part-way through leaving another character to step into their shoes for the remainder.

The monster as such never physically appears (or, at least, we in the audience never actually see it) – its appearance is often presaged by following peculiar occult instructions, e.g. laying out multiple bowls of water on a corridor floor, or breaking all the mirrors in the house, accompanied by frenzied editing of quasi-abstract footage including camera-less animation (the sort of thing Len Lye and Norman McLaren used to make in the 1930s at the UK’s GPO Film Unit).… Read the rest

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Features Live Action Movies

Saint Omer
(Saint-Omer)

Director – Alice Diop – 2022 – France – Cert. 12a – 122m

*****

Researching a proposed book, an academic visits Saint Omer to attend the trial of a woman who murdered her own 15-month old baby – out in UK cinemas on Friday, February 3rd

Holding her baby, a woman walks into the sea.

University lecturer Rama (Kayije Kagame) plans to write a book based around a court case at the Saint Omer criminal court. Her head is full of memories of her mother, with whom her relationship could, at times, be tense. She takes the train to the town, which is in the Northernmost part of France, near the border with Belgium. The Senegalese defendant Laurence Coly (Guslagie Malanda) – the woman seen at the start of the film – is accused of the murder of her 15-month old child Elise.

In her defence, Coly, who has confessed to the murders, claims to have been cursed, that she herself therefore isn’t the party responsible for the killing. Her courtroom testimony unpacks her relationship with her separated parents: she lived with her mother but never really got on with her since they had little in common, while her father paid for her school tuition as he wanted her to study law.… Read the rest

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Animation Features Movies

Puss In Boots:
The Last Wish

Directors – Joel Crawford, Januel Mercado – 2022 – US – Cert. PG – 102m

***

As he and others search for the legendary Wishing Star, the eponymous fairy tale character fears for his own mortality after losing eight of his nine lives – out in UK cinemas on Friday, February 5th

It’s been almost two decades since Dreamworks’ Shrek (Andrew Adamson, Vicky Jensen, 2001) turned the animated fairy tale on its head, upending convention to hilarious effect. However, this trick is near impossible to repeat and in animated Hollywood, the success of such a film inevitably engenders a demand for more. Shrek 2 (Andrew Adamson, Kelly Asbury, Conrad Vernon, 2004) introduced Puss In Boots (voice: Antonio Banderas) and the character was given its own spin-off Puss In Boots (Chris Miller, 2011). Over a decade later, here’s the Puss In Boots sequel.

It starts off promisingly enough with Puss In Boots, voiced once again by Banderas, hosting a party for local townsfolk at his mansion. Only it isn’t his: in a nod to Robin Hood by way of Anti-Capitalism, he’s co-opted the lavish home of the local landowner for the people, and when the landowner turns up, he’s understandably annoyed – cue an hilarious dialogue exchange about “Su casa, mi casa”) – but no match for Puss’ skill with a rapier.… Read the rest

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The Whale

Director – Darren Aronofsky – 2022 – US – Cert. 15 – 117m

***

An obese man nearing his death must confront people from his past as well as incidental visits from the present– out in UK cinemas on Friday, February 3rd

A dysfunctional body, a dysfunctional family, a dysfunctional world. Charlie (Brendan Fraser) has so abused his body that his obesity is on the verge of killing him. He is bereaved of his gay partner for whom he left his wife and eight-year old daughter and earns his living as an online English language tutor for high school students. His nurse friend and unpaid carer Liz (Hong Chau) visits him at regular intervals, but can’t get him to go to hospital since he doesn’t have a healthcare plan and anyway resents pouring money into the healthcare system.

The healthcare element will look a little weird to anyone living in the UK with its “free at the point of need” National Health Service.

His other visitors in the course of the film are his estranged teenage daughter Ellie (Sadie Sink), his wife Mary (Samantha Morton), a suited missionary (Ty Simpkins) and fast food delivery boy (Sathya Sridharan), the latter mostly heard at the door and only finally glimpsed towards the end.… Read the rest

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The Fabelmans

Director – Steven Spielberg – 2022 – US – Cert. 12a – 151m

*****

The life and times of a young boy and amateur US movie maker whose extended family harbours an unexpected secret – out in UK cinemas on Friday, January 27th

Throughout his career, Spielberg has continued to surprise. He’s made big blockbusters which seem, very often, to be about the intimacies of family relationships. Perhaps it was inevitable that, sooner or later, he would make something like The Fabelmans.

Orson Welles once said that Hollywood was the best train set a boy could have to play with. Presented with a train set, young Sammy Fabelman (Mateo Zoryan Francis-DeFord) plays with it by staging train crashes, about which behaviour his brilliant, scientific nerd father Burt (Paul Dano) is less than pleased.

However, his mother Mitzy (Michelle Williams), after some thought, realises that her son need to see the trains crash over and over again, so secretly allows him to stage a crash and film it with the family’s Super 8 home movie camera to enable his required repeat viewing. This kindles within the boy a desire to make his own movies, and soon he’s enlisting his family, friends and neighbours in these enterprises.… Read the rest

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The Wandering Earth II
(Liulang Diqiu 2,
流浪地球 2)

Director – Frant Gwo – 2023 – China – Cert. 12a – 173m

***

Sequel – or rather prequel – wants to explain how it was that the Earth became the Wandering Earth, but instead throws convoluted plot, big budget effects and action set-pieces at us while not really explaining anything – out in UK cinemas on Friday, January 27th

Gwo’s mega-expensive, blockbuster franchise is back for a second instalment, this time at three rather than two hours in length. Surprisingly, II isn’t so much a sequel to The Wandering Earth as a prequel which attempts to explain its predecessor by exploring many of the events which take place leading up to it, including the attempt by the United Earth Government (UEG) to launch the Wandering Earth Project, the complex system of jet engines constructed around the Equator like a belt round a large man’s belly to enable the ecologically-damaged Planet Earth to be piloted through space in an attempt to find a new home for the human race.

As if aware that three hours of interpersonal drama and action sequences based around this might prove too much for even the franchise’s most ardent fans, Gwo and his screenwriters build in a second plot involving Tu Yuheng (Chinese megastar Andy Lau) whose wife and small daughter are killed in a road accident.… Read the rest

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The Wandering Earth
(Liulang Diqiu,
流浪地球)

Director – Frant Gwo – 2019 – China – Cert. 15 – 125m

**

An ecological disaster of a deep-frozen, future Planet Earth is powered through space by jets on its surface in search of an alternate living space for the endangered human race – on Netflix UK, with sequel now in cinemas

The child Liu Qi (Guo Hexuan) looks through a telescope at Jupiter with his dad Liu Peiqiang (Wu Jing from The Battle At Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) while his grandpa Han Ziang (Ng Man-tat) sits on a nearby chair. After dad leaves for the International Space Station (ISS), grandpa will be his guardian because grandpa will get dad’s place in the Underground City.

The sun will engulf the Earth in a hundred years. But the United Earth Government (UEG) has a solution: human migration to another location in space thanks to the Wandering Earth Project. Originally, all humanity was to shelter in the underground cities following the ecological disaster that turned the Earth’s surface into an uninhabitable, frozen wasteland.

17 years later, Liu Qi (Qu Chuxiao) has grown into a typically rebellious young man. Leaving a note for his grandpa guardian, he and his younger, school student sister Han Duoduo (Zhao Jinmei) depart the Underground City via a dubious deal for fake ID passes and the thermal suits necessary to survive the intense surface cold.… Read the rest

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Animation Live Action Movies

Japan Foundation Tour 2023

This year’s Japan Foundation (JPF) Touring Programme, which runs throughout February and March and is celebrating its 20th edition, contains three manga-related live-action films and one anime. With screening venues spread widely over the UK, it covers the following two dozen UK cities: Aberystwyth, Belfast, Birmingham, Bristol, Cambridge, Cardiff, Chester, Colchester, Coventry, Derby, Dundee, Edinburgh, Exeter, Kendal, Leicester, Lewes, London, Manchester, Newcastle upon Tyne, Norwich, Nottingham, Plymouth, Sheffield and York.

The JPF has a programme that uses a selection of mainly recent releases along with one or two older classics to show present-day Japanese cinema in a wider context. Hence the title of this year’s theme: Always Evolving: Japanese Cinema Then, Now, and for the Future.

The four manga-related titles are: BL Metamorphosis, Sensei, Would You Sit Beside Me?, My Broken Mariko and Blue Thermal (pictured), the only animated feature in this year’s programme.

[Read the full article at All The Anime].

This year’s programme also features several free talks on Zoom.

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Features Live Action Movies

Holy Spider
(Ankabut-e Moqaddas,
عنکبوت مقدس)

Director – Ali Abassi – 2022 – Denmark, Norway, Sweden, France, Germany – Cert. 18 – 116m

*****

An Iranian lady crime journalist poses as a prostitute in an attempt to uncover the identity of a serial killer justifying his killing spree in the name of Islam – out in UK cinemas on Friday, January 20th and on MUBI from Friday, March 10th

2000. The Holy City of Mashhad, Iran. Leaving her small daughter at home, a woman goes out into the night. She changes into high heels in a lavatory then goes onto the streets to ply her trade as a prostitute. She tells a streetcrawler to “fuck off”. In any encounter with male sexuality, violence is never far away; in a frenzied coupling in an apartment littered with the awards of a successful entrepreneur, a client tells her, “I’m going to tear your pussy apart.”

Another man refuses to pay more than half for a blow job when police are seen near the car in which she’s performing the service, preventing him from climaxing. A further man asks her onto his bike, but later in the stairwell to his apartment she thinks she may have made a mistake and tries to excuse herself.… Read the rest

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Holy Spider
(Ankabut-e Moqaddas,
عنکبوت مقدس)

In God’s name

Holy Spider
Directed by Ali Abassi
Certificate 18, 116 minutes
Released 20 January (UK cinemas), 10 March (MUBI)

The year 2000. The Holy City of Mashhad, Iran. Prostitutes are being targeted by a killer who is justifying his crimes with Islamic rhetoric. With the notable exception of her editor Sahrifi (Arash Ashtiani), the journalist Rahimi (Zar Amir-Ebrahimi) investigating the case encounters sexism wherever she goes, and it’s hard not to draw parallels between these everyday attitudes of men towards most women and the atrocities being inflicted on a small number of them on the social margins.

A number of the killings are shown, in unpleasant detail, and are difficult to watch. (This film is an 18 for a reason.) [Read the full review at Reform magazine…]

[Read my longer review on this site…]

Holy Spider is out in cinemas in the UK on Friday, January 20th and on MUBI from Friday, March 10th.

Trailer:

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Features Live Action Movies Shorts

Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more,
excluding re-releases)
2022

Work in progress – subject to change. Because I am still watching movies released in 2022, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/22 and 31/12/22. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). It has been an amazing year for re-releases including one or two incredible, old movies being released in the UK for the first time on Blu-ray. This is the year I get to rank all 25 Eon Bond movies, and why not? A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2022.… Read the rest

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Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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The Queen Of Spades

Director – Thorold Dickinson – 1949 – UK – Cert. PG – 95m

****1/2

A Russian army officer seeks the occult secret of playing cards that will earn him a vast fortune, but has not bargained for the dark, supernatural forces involved – 4K restoration is out in UK cinemas on Friday, December 23rd and on Blu-ray, DVD and Digital on January 23rd

1806, St. Petersburg. Unlike his well-connected aristocrat contemporaries in the army, Captain Goeman Suvorin (Anton Walbrook) sees no opportunity for advancement. In a bookstore, he chances upon an arcane volume which the store owner suggests will offer various opportunities for personal betterment fraught with danger. Reading up on “people who have sold their soul”, he learns that the Countess (Pauline Tennant) made her fortune in a gambling den with the secret of three unbeatable playing cards for which she agreed to sell her soul after one of her lovers stole her considerable personal allowance, taking advantage of her needing him to leave quickly in order to prevent her husband’s discovering his presence in her bedchamber, which stolen monies she then needed to find a means of replacing.

As the Countess is now an old woman (Dame Edith Evans), Goeman resolves to get close to her by romancing her ward Lizavyeta Ivanovna (Yvonne Mitchell) using words for love letters suggested by contemporary aristocratic officer Andrei Andreyonov (Ronald Howard) with neither of them aware that they are actually interested in the affections of the same girl.… Read the rest

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A Fugitive From The Past
(Kiga Kaikyo,
飢餓海峡)

Director – Tomu Uchida – 1965 – Japan – Cert. 15 – 183m

*****

Voted third in Kinema Junpo magazine’s 1999 list of the greatest Japanese film of all time, Tomu Uchida’s A Fugitive From The Past (1965) is the pinnacle of a directorial career that also includes Bloody Spear At Mount Fuji (1955) and The Mad Fox (1962). In the poll, it was beaten by Akira Kurosawa’s Seven Samurai (1954) at number one and Mikio Naruse’s Floating Clouds (1955) at number two, For the record, the fourth title was Yasujiro Ozu’s Tokyo Story (1953) while the fifth was Yuzo Kawashima’s Bakumatsu Taiyoden / The Legend Of The Sun-Tribe From The Bakumatsu Era (1957). While four of those titles were made in the mid-fifties, often considered the golden age of classical Japanese cinema, Fugitive dates from the mid-sixties, allowing it to look at Japan’s post-war period from a greater distance.

Uchida’s film, which spans the decade 1947-57, covers a colossal amount of subjects in its first 50 minutes…

[Read the full review at All The Anime.]

A Fugitive From The Past is released on Arrow Blu-ray.

Trailer:

Categories
Animation Features Movies

Guillermo del Toro’s
Pinocchio

Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest

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Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Documentary Features Live Action Movies

Doctor Who Am I

Director – Matthew Jacobs, Vanessa Yuille – 2022 – UK – Cert. 12a – 80m

****

Screenwriter Jacobs’ entry into US Dr. Who fan subculture follows his scripting of the 1996 Dr. Who TV movie that was supposed to launch the franchise Stateside but flopped – out in UK cinemas on Thursday, October 27th and Blu-ray, DVD & Digital Download Monday, November 28th

What the hilarious narrative feature Galaxy Quest (Dean Parisot, 1999) did for Star Trek, this heartfelt yet hugely entertaining documentary does for Dr. Who. Matthew Jacobs, whose work includes the screenplay for Paperhouse (Bernard Rose, 1988) and the original story for offbeat Disney cartoon The Emperor’s New Groove (Mark Dindal, 2000), also wrote the script for the US network TV movie Doctor Who (1996) which was supposed to relaunch the BBC franchise in the US, a goal it spectacularly missed when no series proved forthcoming.

In retrospect, Jacobs considers that his script made two major errors in terms of the Doctor Who legacy. One, it recast the hitherto entirely alien Time Lord as half-human, and, two, it allowed him to kiss a member of the opposite sex, something no previous version of the doctor had ever been seen to do.… Read the rest

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Animation Documentary Features Live Action Movies

Claydream

Director – Marq Evans – 2021 – US – 96m

****

The rise and fall of stop-frame Claymation pioneer Will Vinton and the Portland, Oregon animation studio that bore his name – out on digital from Monday, November 21st

Will Vinton, founder of Will Vinton Studios and the man who made Claymation a US household name, is in the middle of legal proceedings between himself and Phil Knight, founder of multimillion shoe company Nike. How could these two very different individuals have come into contact with one another? Well, they had a number of things in common. Both were residents of Portland, Oregon who had built up businesses there based on a successful brand name.

In the sixties, while studying architecture at Berkeley, Vinton discovered Gaudi’s organic sculptured shapes which were to influence his animation work. Borrowing his dad’s 16mm camera, he started shooting anything and everything going on around campus. At an experimental film community he set up tabletop clay animation sessions, which would often turn out pornographic footage. He became fascinated by the magical process which imbued this material with life.

Closed Mondays

He built a studio in his house where in collaboration with artist and sculptor Bob Gardiner he made the short film Closed Mondays (1974) as an excuse to show off the techniques developed by the pair.… Read the rest

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Documentary Features Live Action Movies

A Bunch Of Amateurs

Director – Kim Hopkins – 2022 – UK – Cert. 12a – 95m

***

The Bradford Movie Makers amateur filmmaking club struggles to survive in the modern world – out in UK cinemas on Friday, November 11th

Founded in 1932, the Bradford Movie Makers is a club for lovers of movies to make their own films. Such amateur groups were once common in parts of Britain, but now they’re dying out. As one BMM member comments, Leeds and Wakefield are gone. The BMM may be next: its accounts are in a bad shape, with various utility bills unpaid and several years’ worth of rent owing to a seemingly sympathetic landlord. The decrepit garage space at the side of the building needs clearing. It’s currently used as a local dumping ground for rubbish. And many of the members themselves are getting on in years; in the course of the two or three years covered by this documentary, some of the members’ spouses will die.

But this is Yorkshire, and life goes on. Retired carpenter Colin climbs the steps of his uphill garden to perch precariously by his fence to plant daffodil bulbs. Eventually at the club, his herculean feat of climbing the narrow stairs to the screening room is augmented by the installation of a stairlift.… Read the rest

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Features Live Action Movies

A Childless Village (Sonsuz)

Director – Reza Jamali – 2022 – Iran – Cert. – 81m

****

A village’s documentary filmmaker returns to the subject of local infertility for which the village’s women beat him up two decades ago – gentle comedy premieres in the 26th Tallinn Black Nights Film Festival

20 years ago, Kazem made a film about his village’s women being unable to bear children. As a result, they beat him up. And many of the men in the village divorced them only to feel guilty and remarry them some three times. Now he wants to make another film because the problem may lie not with the women, but the men. Who, reckons the narrator, are equally likely to beat him up. A visiting lady doctor, generally referred to by the locals as Miss Doctor, hopes to run tests on the villagers and establish the cause of childlessness.

Moslem, who is also the narrator, wants to learn how to be a director – and to just be in the film. He claims that all the women in the village are related to him, so he’ll have no problem getting them to talk on camera. But, of course, it doesn’t work out that way.… Read the rest

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Features Live Action Movies

The Road
To The Race Track
(Gyeongmajang
Ganeun Kil,
경마장 가는 길)

Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m

*****

An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.

Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest

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Hot In Day,
Cold At Night
(Naj-eneun Ddeobgo
Bam-eneun Chubgo,
낮에는 덥고 밤에는 춥고)

Director – Park Song-yeol – 2020 – South Korea – Cert. 12 – 90m

**

A young, unemployed, married Seoul couple struggle to make ends meet – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and Won Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.

Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.… Read the rest

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Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationships – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

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Documentary Features Live Action Movies Shorts

London Korean
Film Festival
(LKFF)
2022

Alienoid

LKFF, the London Korean Film Festival runs in cinemas from Thursday, November 3rd to Thursday, November 17th

The London Korean Film Festival kicks off tonight with Alienoid (Choi Dong-hoon, 2022), the first instalment of a two-part SF epic which mashes up ideas from Hollywood SF and time travel fare Alien, The Terminator and Back To The Future with epic Korean period dramas. The plot apparently involves a robot guard, prisoners trapped in human brain cells, time travel back some 600 years and a MacGuffin known as the Divine Blade. Cast includes Kim Tae-ri (The Handmaiden, Park Chan-wook, 2016).

Friday 4th sees one of the director’s earlier blockbusters, the heist movie The Thieves (Choi Dong-hoon, 2012) in which five Korean criminals head for Macao to steal another MacGuffin, a 318-carat diamond called ‘Tear of the Sun’ worth over $20 million. The latter film is presented in collaboration with the V&A’s current exhibition Hallyu! The Korean Wave. Both screenings will be followed by a Q&A with director Choi.

The Festival bows out in two weeks time with two naval warfare blockbusters, again epic historical productions, this time the first two parts of a proposed trilogy.… Read the rest

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Living

Director – Oliver Hermanus – 2022 – UK – Cert. 12a – 102m

*****

Diagnosed with stomach cancer and given only months to live, a bureaucrat searches for something – anything – to give purpose to his hitherto meaningless life in this remake of Akira Kurosawa’s Ikiru – out in UK cinemas on Friday, November 4th following its screenings in the BFI London Film Festival 2022, while Ikiru is on BFI Player subscription

For anyone who has had the privilege of seeing Ikiru (Akira Kurosawa, 1952) it is a very strange thing to watch this remake of it. On the one hand, it is exactly the same film. It has the same plot. On the other, it is completely different. Both are set in the 1950s, the original in Japan and the new one in London.

At this point, I have to say that this remake sounded to me (until I’d seen it) like a very bad idea. Cinema is littered with great films that have been remade as shadows of their former selves. Generally speaking, most ideas like this are better left well alone. To make matters worse, this is a case of an established novelist writing a screenplay: producers love this because they see a bestselling author as having a reliable track record but, in fact, the skills required for writing a novel and a movie are very different indeed.… Read the rest

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Hunt
(Heon-teu,
헌트)

Director – Lee Jung-jae – 2022 – South Korea – Cert. – 121m

****1/2

Two top KCIA operatives, each heading up his own department, both come to believe that the North Korean mole they are hunting is the other – out in cinemas Friday, November 4th; opened the London East Asia Film Festival (LEAFF) as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) which ran in cinemas from Wednesday, October 19th to Sunday, October 30th

Two Korean intelligence men are sitting in a car. One asks the other riddles.

What’s a war in space? Star Wars.

What’s a war in winter? Cold War.

What’s a neverending war? Korean War.

A little background history will add to your enjoyment of this fictional thriller set against the backdrop of actual historical events.

In 1979, a South Korean coup d’état established the country’s fourth dictatorship since WW2. In 1980, with martial law declared, the Gwangju Uprising saw a battle between the military and ordinary citizens in the town of Gwangju in which at least 200 civilians were killed. In 1987, student protests lead to the overthrow of the Fifth Republic Of South Korea (1981-87) and free elections.… Read the rest

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Return To Dust
(Yin Ru Chen Yan,
隐入尘烟)

Director – Li Ruijin – 2022 – China – Cert. PG – 133m

***1/2

When two misfits are put into an arranged marriage by their respective, concerned families, a kindly, gentle relationship blossoms – out in UK cinemas Friday, November 4th following its screening in the 2022 Edinburgh Film Festival

His family are worried about Iron Ma (Wu Renlin), also known as fourth brother. He seems content to live off his little piece of land tilling it with his donkey to grow crops, and raising pigs and chickens. He is less ambitious than third brother, who runs the local market and sets the prices for which crops are bought off local farmers. Third brother has done well for himself, and drives around in a flashy car. By way of contrast, Ma gets around by walking, or donkey and cart if he has produce to transport.

Her family are likewise worried about Cao Guiying (Hai Qing), a shy woman who can’t control her bladder. Both Ma and Cao’s respective families view their offspring as a liability and want to get them married off as soon as possible, not least to get out of being responsible for them. So they arrange a marriage for the pair of them to get them off their hands.… Read the rest

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Animation Features Movies

One Piece Film: Red
(One Piece Film: Red)

Director – Goro Taniguchi – 2022 – Japan – Cert. 12a – 115m

***1/2

A girl who wants to sing to the world and usher in an era of happiness has been possessed by a dark power which has other plans – out in UK cinemas on Friday, November 4th (IMAX, subbed), Saturday, November 5th (dubbed)

A female voice promises “a great genesis of happiness for all”. There is great anticipation at the prospect of the beloved singer Uta performing live for the first time. Like her “genesis of happiness” sound bite, this teenager’s songs are full of phrases that sound superficially attractive but, for anyone pausing for a moment to think about them, are pure, contentless fluff. As she belts out phrases like, “you can’t stop magic” to adoring multitudes that revere all this like some utopian manifesto (which perhaps is already implied by the name Uta) and the rather more cynical pirate section of the audience (for this is a world in which pirates operate) plan to kidnap her and make a pile of money, a teenager throws an organic looking rope-like extension which attaches itself to a spot near her as if it were as grappling hook and allows it to pull within a few feet of her, to the annoyance of the pirates whose plan it disrupts.… Read the rest

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Animation Art Features Live Action Movies

Hilma

Director – Lasse Hallström – 2022 – Sweden – Cert. 12a – 119m

****

Late in her life, Swedish artist Hilma af Klint, today considered the world’s first abstract painter, remembers her life – out in UK cinemas on Friday, October 28th

As Swedish artist Hilma af Klint (Lena Olin) takes a tram journey, she remembers key events and moments within it: she is haunted by the memory of her little sister Hermina (Emmi Tjernström), who tragically died when Hilma (Tora Hallström) was 18 and with whom she often played hide and seek.

Interested in drawing and painting from nature as a form of scientific inquiry – at her art school interview panel she lists mathematics, geometry, biology and astronomy as interests other than flowers – she meets up with other women studying technical painting and drawing in Stockholm, among them the wealthy Anna Cassel (Catherine Chalk) who becomes her lover and finances her as an artist – and becomes part of their group of five women artists interested in spiritism. She also studies the Theosophical writings of Madame Blavatsky and makes a particular connection to the Anthroposophist ideas of Rudolf Steiner.

Acknowledging these interests, the film infuriatingly refuses to explore them at any great depth, perhaps because it fears such ideas might prove controversial and perhaps because they might prove boring to a contemporary audience, it’s impossible to tell.… Read the rest

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Deliver Us From Evil
(Daman Akeseo
Guhasoseo,
다만 악에서 구하소서)

Director – Hong Won-chan – 2020 – South Korea – Cert. 18 – 108m

*****

An assassin trying to rescue his ex-girlfriend’s child from organ thieves discovers a rival is after him for killing his brother – Wednesday, October 26th, 20.30 at The Cinema At Selfridges as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; also available to rent on Sky Go, Sky Store, iTunes, Amazon Prime and Google Play

In a darkened building somewhere in Japan, former South Korean government agent turned professional assassin In-nam (Hwang Jung-min) surprises and pacifies then kills his terrified, Japanese-Korean mob boss target. Meanwhile, his former girlfriend Young-joo (Choi Hee-Seo) is in Thailand in the process of putting down the deposit to buy a golf course when her small daughter Yoo-min (Park So-yi) is kidnapped. Desperate, Young-joo attempts to contact In-nam through his boss over the phone, but In-nam has long since told her she must decide between her child and him and as far as he is concerned, she made her decision. He instructs his boss to inform her he is dead.… Read the rest

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New World
(Sinsegye,
신세계)

Director – Park Hoon-jung – 2013 – South Korea – Cert. 15 – 135m

***

Following a gangster boss’ murder, an undercover cop is caught in the middle of the rival factions’ battle to take over the gang – screening Monday, October 24th, 19.00 at The Cinema Museum as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also available on Eureka! Video

Lee Ja-sung (Lee Jung-jae) is the number two for Shanghai-based gangster Jung Chung (Hwang Jun-min) when someone in the organisation has a lorry drive into the car of their boss Seok (Lee Kyung-young) as he’s returning from a visit to his mistress in the rain, killing him and opening the way for someone else to take over.

When at the hospital Seok is pronounced dead to the assembled gangsters by a surgeon, he’s assaulted by one of Jung Chung’s rival candidates for the succession, Lee Joong-gu (Park Sung-woong). He makes a habit of such actions, tossing away the camera of a carload of journalists “disrespecting” Seok’s funeral only to learn that they are actually cops working for Section Chief Kang (Choi Min-sik), who has been recently promoted from Lieutenant.… Read the rest

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Emergency Declaration
(Bisang Seoneon,
비상선언)

Director – Han Jae-rim – 2021 – South Korea – 147m

*****

A rogue biochemist smuggles a deadly virus onto a commerical flight and releases it, leaving those on board fighting for survival– from the London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th

At the same time as his wife has had enough and decides to fly off to Hawaii on her own for a break, Police Sgt. Koo (Song Kang-ho from Parasite, 1019; Snowpiercer, 2013; Memories Of Murder, 2003; all Bong Joon ho) finds himself investigating an upload to the internet which is probably a hoax in which a man threatens a terrorist attack on a plane. He tracks this man to his apartment from which the open door emits the smell of putrefaction. A search of the premises reveals a corpse sealed in polythene who has died of burst blood vessels caused by a virus.

Meanwhile at Incheon Airport, the man, Ryu Jin-seok (Yim Si-wan, singer of huge K-pop band KZ-A) has a run in with a booking agent who won’t tell him what the busiest route is, insulting her. Next, he enters the toilets to open and insert a phal into his armpit but is spotted from a cubicle by young girl Soo-min (Kim Bo-min) using the wrong toilets.… Read the rest

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The Housemaid
(Hanyo,
하녀)
(2010)

Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Hopper:
an American Love Story

Nighthawks, 1942, Edward Hopper

Director – Phil Grabsky – 2022 – UK – Cert. 12a – 94m

*****

The story of American painter Edward Hopper, and how his artistic career was facilitated by his fellow artist wife Jo – originally out in UK cinemas on Tuesday, October 18th 2022, now available on home video (see bottom of review)

The latest entry in Grabsky’s generally excellent Exhibition On Screen series about art and artists covers the career of Edward Hopper to tie in with a major Hopper exhibition (Edward Hopper’s New York) at the Whitney Museum of American Art, New York. The big (and most welcome) surprise is that it charts not just Hopper’s life and work but also that of fellow artist Josephine Nivison, later his wife Josephine Nivison Hopper, whose career was largely eclipsed by his during his lifetime. To be fair, it doesn’t really go into her life before the point at which she became involved in his.

Hopper was born in 1882 and raised in the Nyack, New York house his parents had built (an enviable state, indicative of their and his time, which must surely influence one’s outlook on life). Religion and church were important to the Hoppers, but theirs was the brand of Christianity unafraid to engage with the outside world which at that time meant vast quantities of books and periodicals; the young Edward acquired a love of books from his avid reader father.… Read the rest

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No Bears
(Khers Nist,
خرس نیست)

No Bears #freejafarpanahi

A repressive Islamist regime

No Bears
Directed by Jafar Panahi
Certificate 12a, 106 minutes
Released 11 November

The Iranian director Jafar Panahi (whose son Panar made the excellent road movie Hit the Road) has been in trouble with the country’s repressive Islamist regime for some time and earlier this year was given six years in prison. The campaign to #freejafarpanahi is worth our support, and this release is timely considering what is happening in Iran now.

In No Bears, Jafar plays a fictionalised version of himself, a film director not allowed to leave Iran… [read the full review at Reform magazine]

Read my alternative, longer review here.

No Bears is out in cinemas in the UK on Friday, November 11th following its screening in the BFI London Film Festival 2022.

#freejafarpanahi

Trailer:

LFF 2022 Trailer:

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Features Live Action Movies

Emily

Director – Frances O’Connor – 2022 – UK – Cert. 15 – 130m

varies between ** and ****

An imagined account of how Emily Brontë wrote Wuthering Heights – out in UK cinemas on Friday, October 14th

The three Brontë sisters Charlotte (Alexandra Dowling), Emily (Emma Mackey), and Anne (Amelia Gething) live with their brother Branwell (Fionn Whitehead) and their chapel minister father Patrick (Adrian Dunbar) in the large parsonage in the West Riding of Yorkshire’s village of Haworth. The three girls have a lively, literary imagination, make up numerous stories for their own amusement, and spend much time outside in the landscape of the moors. A young curate Weightman (Oliver Jackson-Cohen) arrives in the village, piquing the girls’ interest, and Charlotte soon departs for a distant teaching post. Emily likes her own company and spends much time alone on the moors.

Branwell is accepted by the Royal Academy to study painting, but drops out and returns to the village, where he and Emily get into mischief together, chiefly by spying on one of the neighbours at night through their window and getting chased off the premises several times by dogs before Branwell eventually gets caught and has to endure punishment from father.… Read the rest

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Documentary Features Live Action Movies

All That Breathes

Director – Shaunak Sen – 2022 – India – Cert. – 97m

*

Set against the backdrop of heavily polluted Delhi, Muslim siblings devote their time to healing the local species of bird that seems to get injured more than most: the black kite – plays in the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player, out in UK cinemas on Friday, October 14th

Plunging the viewer right from the start into a rarely seen, night time netherworld, this contains incredible intermittent footage of life in a modern city, in this case Delhi. We are on a patch of waste ground, whether an officially designated rubbish tip or simply the place people check their waste is not clear, but the refuse is piling up and you can hear creatures scuffling around. The takes are long and soon you’re picking out rats in the darkness, and thinking that if only the rubbish was more securely contained, the rat infestation wouldn’t be a problem.

There are several similar lengthy shots that punctuate All That Breathes, and they’re absolutely mesmerising. This is in no small part due to the use of the unbroken take, coupled with complex camera moves which reminded me of last year’s pig documentary Gunda (Victor Kossakovsky, 2020).… Read the rest

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All Is Vanity

Director – Marcos Mereles – 2021 – UK – Cert. 15 – 72m

*

A photographer, an intern, a model and a make-up artist unite for a photography shoot that goes horribly wrong – out in cinemas on Friday, October 14th

What went wrong, exactly,? asks the opening voice over. He’s referring to a day, a night and a day when a photographer (Sid Phoenix) with an unpaid intern (James Aroussi) in tow, a model (Isabelle Bonfrer) and a make-up artist (Rosie Steel) gather in a London studio to do a photographic fashion shoot for the All Is Vanity clothing brand. There’s a degree of tension and drama between the four. The photographer has the intern’s introductory letter on his phone and tells him he takes himself far too seriously: no-one wants to know his internal conflicts or motivation. He doesn’t have nice things to say about he model either, noting before she arrives that she can be a bit of a bitch.

It doesn’t bode well when she arrives late and holds up the shoot. The photographer likes the clothes and the décor in the studio that the brand has chosen, but doesn’t think the two work together. Something strange is going on because at one point the power goes off and the problem doesn’t appear to be blown fuses.… Read the rest

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Girls Girls Girls
(US: Girl Picture,
Tytöt Tytöt Tytöt)

Director – Alli Haapasalo – 2022 – Finland – Cert. 15 – 100m

****

Three teenage girls’ lives are turned upside down by sex, romance and fledgeling relationships – out in UK cinemas on Friday, September 30th

Ice hockey class. In the spur of the moment, Mimmi (Aamu Milonoff) attacks another girl with her hockey stick. She and her best friend Rönkkö (Eleonoora Kauhanen) talk about it after. They are like two misfits, spurned by everyone else, but happy in each other’s company.

Elsewhere, under the watchful eye of her coach Tarja (Sonya Lindfors), Emma (Linnea Leino) is doing ice skating practice but it’s all going horribly wrong. She seems to have forgotten how to do the Triple Lutz – the build up is fine, the spin into the air is fine, but she keeps coming a cropper on the landing, falling flat on the ice. She tries to calm herself with her meditation app. She talks about it in French with her mum.

Mimmi and Rönkkö are on their shift at the health food drink stand in the local shopping mall. Mimmi takes the mick (or the mimmi) out of customer Emma while Rönkkö plays it so cool with the boy that she fancies when he tries to chat her up at the counter it’s as if nothing happened.… Read the rest

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Smile

Director – Parker Finn – 2022 – US – Cert. 18 – 115m

***

After a psychiatrist witness a patient smile then commits suicide, she finds herself stalked by a malevolently smiling presence – out in UK cinemas on Wednesday, September 28th

A patient describes her condition to Psychiatrist Dr. Rose Cotter (Sosie Bacon) who then witnesses her apparently see something which drives her to suicide, smiling malevolently as she slices half of her own face off. The patient has previously described an entity which appears as people, sometimes people she knows, sometimes strangers. She can see it but no-one else can. And it’s always smiling at her. And now Rose can see this entity smiling at her, which suggests she’s next. Especially when it starts chanting, “you’re going to die” over and over again. (Spoiler alert: you’re going to die. We all are, sooner or later. So this really isn’t such surprising news.)

Just as she herself had done to her patient, those to whom Rose attempts to explain her plight come up with psychological explanations – childhood trauma, her genes, she’s been under a lot of stress lately and so on. There’s a certain daft pleasure to be had in such films that no-one ever takes the obvious explanation (here, that this woman is being stalked by a malevolent entity) seriously.… Read the rest

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Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest

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Features Live Action Movies

In Front Of Your Face
(Dangsin Eolgul Ap-eseo,
당신얼굴 앞에서)

Director – Hong Sang Soo – 2021 – South Korea – Cert. 12a – 85m

*****

A Korean-born actress returns from the US to spend time with those close to her and attend a meeting with a director for a possible acting job – out in UK cinemas on Friday, September 23rd

A woman on a sofa. She gets up but can’t wake the woman sleeping in the bedroom. Later Sangok (Lee Hyeyoung, the sofa one) and Jeongok (Cho Yunhee, the bedroom one) talk – Jeongok had been having a really vivid dream – and go out for coffee and breakfast to a pleasant lakeside café, followed by a visit to the local café run by Jeongok’s son and his girlfriend. Sangok has a meeting with a director later at a restaurant to discuss a possible film project. Going there in the taxi, she gets a message from director Jaewon (Kwon Haehyo) on her phone that the venue changed, so changes the destination. Her admiring host makes her feel at home enough to explain her situation – and why she feels unable to do the film, which leaves him in a state of shock.

In the latter part of his career, director Hong has honed his personal filmmaking style and vocabulary into a distinctive form uniquely his own.… Read the rest

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Features Live Action Movies

After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Categories
Documentary Features Live Action Movies

My Childhood,
My Country:
20 Years
In Afghanistan

Director – Phil Grabsky, Shoaib Sharifi – 2022 – UK – Cert. tbc – 90m

**1/2

The story of a boy from his harsh childhood in a mountain cave through to his life as a husband and father of three in present day Kabul under the Taliban – out in UK cinemas on Tuesday, September 20th

Mir Hussain has already been the subject of two previous Grabsky documentaries The Boy Who Played On The Buddhas Of Bamiyan (2004) and The Boy Mir (2011). The first covers his time as an eight-year-old living in the caves of Bamiyan, beside the remains of the famous monuments which had been destroyed by the Taliban. The second documents his life from eight- to eighteen-year-old. This third film takes a longer view, following Mir’s life from that early period through to the present day.

Afghanistan has undergone huge changes in the last twenty years, from Taliban rule through occupation post 9/11 by NATO forces led by the US to the withdrawal of Western forces, the collapse of the Afghan government and the return to power of the Taliban. That story is related here via clips of various news reports from TV channels all around the globe.… Read the rest

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Animation Documentary Features Live Action Movies Music

Moonage Daydream

Director – Brett Morgen – 2022 – US – Cert. 15 – 135m

*****

David Bowie explored through his own words, accompanied by images of his life and art, many of his songs and extracts from numerous live performances – out in IMAX in the UK on Friday, September 16th and wide in cinemas on Friday, September 23rd.

In 2018, seasoned writer-director-editor Brett Morgen (Jane, 2017; Kurt Cobain: Montage Of Heck, 2015; The Kid Stays In The Picture, 2002) was granted unprecedented access to David Bowie’s personal archives and four years later we have the first film to be supported by the Bowie estate. Knowing all this, you enter the cinema wondering exactly what you’re going to get.

You’re immediately confronted by a quote about Nietzsche and God which is then revealed as a quote from Bowie 2002, the film immediately putting Bowie on a par with one of the nineteenth century’s greatest philosophers and arguably even God. The subject of Nietsche doesn’t come back up, but God does, quite a bit, with Bowie’s religious-leaning song “Word On A Wing” putting in an appearance and David’s voice-over talking about “something…a force directing the universe”. Like many of us today, he struggles with the word ‘God’ – is it the right word?… Read the rest

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Animation Features Live Action Movies

Strawberry Mansion

Directors – Kentucker Audley, Albert Birney – 2020 – US – Cert. 12a – 91m

*****

A strange and compelling tale, at once whimsical and terrifying, of a tax inspector sent to audit an artist’s dreams – out in UK cinemas and on demand Friday, September 16th

Nothing can prepare you for the experience of watching this extraordinary film. A man sits in his strawberry-coloured kitchen. In his strawberry-coloured fridge are strawberry-coloured boxes of food and strawberry-coloured cartons of drink. A knock at his door opens to reveal billowing clouds floating into the room like fog. It’s his friend who has arrived with a golden bucket container of fried chicken pieces and a bottle of cola. They eat and enjoy.

If you think this is weird, the scene turns up on the man’s video alarm clock. And the film has barely got started. Our hero’s work today involves a long drive to a lone house in the middle of a field. At the door, James Preble (Kentucker Audley) announces to the elderly occupant Arabella “Bella” Isadora (Penny Fuller) that he’s here to audit her dreams. As government legislation of seven year requires. She has over 2 000 VHS tapes, but it seems she hasn’t yet got around to fulfilling the legal requirement of the latest software.… Read the rest

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Documentary Features Live Action Movies Music

Hallelujah:
Leonard Cohen,
A Journey, A Song

Directors – Daniel Geller, Dayna Goldfine – 2021 – UK – Cert. 12 – 118m

***

The career of writer-turned-singer/songwriter Leonard Cohen, with particular emphasis on his best known song Hallelujah – out in UK cinemas on Friday, September 16th

There have been films about Leonard Cohen before, hardly surprising given his status as one of the major singer / songwriters of the twentieth century. This one falls between two stools.

Leonard Cohen

On the one hand, it’s an attempt to document his career, and as such comes across as another Leonard Cohen movie which is fine as an introduction if you don’t know his career and music and I suspect fine for Leonard completists. As someone in the middle, this aspect seemed to be all talking heads treading mostly predictable ground.

On the other, it explores Cohen’s best known song Hallelujah, his struggles in writing it and how the piece ultimately took on a life of its own. This second aspect hasn’t been explored that widely to the best of my knowledge and proves a far richer seam into the mind, workings, practices and artistry of Cohen, making you wish the filmmakers had dumped much of the other material and explored this area at greater length.… Read the rest

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Features Live Action Movies

Funny Pages

Director – Owen Kline – 2022 – US – Cert. US-R – 86m

***

A young, New Jersey comic book artist wannabe’s life becomes increasingly surreal when he leaves school and home to realise his desired career – out in UK cinemas on Friday, September 16th

Guided by his art teacher Mr. Katano (Stephen Adly Guirgis), New Jersey high school student Robert (Daniel Zolghadri) is developing his voice as a comic artist, constantly comparing notes with fellow student / aspiring comic artist Miles (Miles Emanuel). Following Mr. Katano’s tragic and untimely death, Robert finds himself in court following his breaking and entering Katano’s classroom in an attempt to rescue as much of the man’s artwork as he can salvage before its otherwise inevitable, imminent destruction.

He alienates his middle class father Lewis (Josh Pais) by rejecting the offer of a lawyer friend to be his counsel, instead getting a state defendant Cheryl (Marcia DeBonis) who successfully gets the case dismissed. He gets on well with Cheryl and after the case is over, goes to work for her as an assistant.

Responding to an accommodation advert, Robert rents half a bedroom from Barry (Michael Townsend Wright), who lives in the sleazy basement of a well-to-do house in Trenton, sharing the room with established occupant Steven (Cleveland Thomas Jr.).… Read the rest

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Features Live Action Movies

Cave Rescue

Director – Tom Waller – 2022 – Thailand – US Cert. PG-13 – 99m

****

A Thai-based dramatisation of the 2018 Thailand boys’ football team cave rescue, with some of the rescuers playing themselves – on Blu-ray (US only) Tuesday, September 13th

In 2018, the world held its breath when the 12 boys of a football team and their 24-year-old coach became trapped in a cave when rain fell unexpectedly and water levels within the cave system started to rise. Incredibly, the ensuing rescue attempt involving divers from the US, UK, Ireland and Canada got all 13 out alive. According to this film, sadly, there was one fatality among the Thai Navy SEAL divers involved in the rescue.

Quick off the mark, Thailand-based producer-director Waller made the story into a feature film The Cave (2019), aimed at the Thai market. With Netflix having already secured the rights to the boys’ stories – a miniseries Thai Cave Rescue (2022) is coming to Netflix US in September 2022 – Waller and his co-writers had to find an alternative route to telling the story. A meeting with Irish diver Jim Warny, who was involved in the rescue operation, resulted in the decision to base the narrative not around the thirteen people trapped underground but the men and women who attempted to get them out (mostly men, although there are one or two women featured among the paramedics not to mention an assistant to the local Governor).… Read the rest

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Features Live Action Movies

Crimes
Of The Future
(2022)

Director – David Cronenberg – 2022 – Canada – Cert. 18 – 107m

*****

Even as two performance artists enact bizarre public rituals exploring the unlikely boundaries between sex, surgery and mutation, a young boy who eats plastic is murdered by his mother – out in UK cinemas on Friday, September 9th

Back in 1970, underground filmmaker Cronenberg made a film called Crimes Of The Future, inspired by the title of an unseen poem in an art film he’d seen several years earlier. That 1970 film, consisting of a cast on a campus of modernist architecture shot in colour without sync sound and deploying a monologue voice-over alternating with blocks of weird, improvised sound effects, bears little relation to this new one, except that it likewise briefly and peripherally features a dancer. More significantly, it also features a character whose body produces new organs. We don’t see them in that film, we merely hear a verbal description.

Fast-forward to the present and Cronenberg has had a career from the late 1970s through the 1990s making cinema features packed with icky special effects about something called The New Flesh followed by a series of (arguably) more mainstream, arthouse movies. To those who know the whole body of work, they’re all of a piece; however, to the newcomer they can be overwhelming or potentially offensive.… Read the rest

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Animation Features Movies

Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)

Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest

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Features Live Action Movies

See How They Run

Director – Tom George – 2022 – UK – Cert. 12a – 98m

**

A barely competent Inspector and a trainee WPC investigate a backstage murder at The Mousetrap in 1950s London’s theatreland – out in UK cinemas on Friday, September 9th

London West End, 1953. Following his involvement in a fight at a party to celebrate the hundredth performance of The Mousetrap at The Ambassadors Theatre, blacklisted Hollywood film director Leo Kopernick (Adrien Brody), hired by John Woolf (Reece Shearsmith) to make a film of the play, gets into fisticuffs with the play’s leading man Richard “Dickie” Attenborough (Harris Dickinson) over the latter’s wife and co-star Sheila Sim (Pearl Shanda).

Later, Kopernick is murdered backstage by a mystery assailant. Perhaps it’s pertinent that Kopernick has ruffled numerous feathers in and around the production, not least foppish, English literary figure Mervyn Cocker Norris (David Oyelowo) who has been hired to write the script and despises everything Kopernick stands for, a feeling which proves in flashback to be mutual.

Thus begins a whodunit based around the world’s longest running play. The police are called in, with Commissioner Harold Scott (Tim Key) assigning alcoholic Inspector Stoppard (Sam Rockwell) and film buff and over-enthusiastic trainee WPC Stalker (Saoirse Ronan) to the case.… Read the rest

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Features Live Action Movies

Bodies Bodies Bodies

Director – Halina Reijn – 2022 – US – Cert. 15 – 94m

*

A make-believe party game of murder turns into horrifying reality when pretend dead bodies turn out to be really dead and the genuine body count continues to mount – out in UK cinemas on Friday, September 9th

Five women, three couples, two exes, one single. Seven people. Six twentysomethings. They gather in the house of one of their number David (Peter Davidson), whose absent parents are rich and the house and grounds reflect that. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) have been together maybe six weeks. David and Emma (Chase Sui Wonders) longer. Alice (Rachel Sennott) and fortysomething Greg (Lee Pace) a mere two weeks. Jordan (Myha’la Herrold) is not coupled.

This is a hurricane party – a party held following a hurricane warning where power outages are likely, so people gather together to pool their perishable resources e.g. food from switched off fridges and avoid the need to travel over several days. The script assumes the audience knows all this, but to people living outside the US this may be a completely new concept; the script here makes much use of power outages but completely fails to exploit the shared resources and lack of travel aspects of the phenomenon.… Read the rest

Categories
Animation Features Movies Shorts

Memories
(Memorizu,
メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – out on Blu-ray from All The Anime, Monday, 12th September, details below review

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest

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Animation Features Live Action Movies

Where Is Anne Frank

Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

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Features Live Action Movies

The Forgiven

Director – John Michael McDonagh – 2021 – UK/Ireland – Cert. 18 – 117m

****

A wealthy alcoholic driving to a rich school friend’s party in the Sahar desert accidentally kills a local and sparks a cross-cultural incident that will have profound consequences for him – out in UK cinemas on Friday, September 2nd

Wealthy married couple David and Jo Henninger (Ralph Fiennes and Jessica Chastain) travel to Tangier in what he calls “ah – l’Afrique” to attend a rich friend’s party at his isolated home in the middle of the Sahara. This involves driving some 400 miles through poorly mapped desert terrain. David is a high-functioning alcoholic (“I’ve always thought the high-functioning should cancel out the alcoholic”, he says) who indulges himself from a bottle before he starts to drive and the couple argue a great deal. Perhaps their relationship is nearing its end.

En route, they get lost, but in the middle of the night eventually find the turn off. They stop, bicker, then start up again and immediately hit local teenager Driss (Omar Ghazaoui) who has stepped out in front of the stationary car to sell them a fossil. Burying his ID, they bundle his dead body into the car hoping that their host will know what to do.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Kurt Vonnegut:
Unstuck In Time

Directors – Robert B. Weide, Dan Argott – 2021 – US – Cert. 15 – 127m

*****

A warm and compelling look at the life of writer Kurt Vonnegut, the influence upon him of the bombing of Dresden, and his decades-long friendship with director Weide – out in cinemas and on digital platforms from Friday, July 22nd, BFI Player Rental from Monday, August 22nd

Read my shorter review for Reform magazine.

The documentary Weide eventually made about Vonnegut took him the best part of four decades to complete. Weide opens with a statement about Vonnegut walking in the woods, feeling a tree and seeing the bombing of Dresden before it occurred. There seems no reason to doubt Vonnegut. He was unstuck in time, jumping around the years and decades. Weide first contacted him in 1982, never imagining that it would take him anything like as long to complete the film as it did. He starts looking at interviews of himself (“who wants to see a documentary in which a filmmaker appears as himself?”, he asks) – defined by where they were shot or what shirt Weide was wearing at the time.

Whatever else Vonnegut and his writing are, they are not conventional.… Read the rest

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Animation Documentary Features Live Action Movies

Free Chol Soo Lee

Directors – Julia Ha, Eugene Yi – 2022 – US – Cert. 12a – 83m

****

Imprisoned for a murder he did not commit, Korean American Chol Soo Lee became a figurehead for a protest movement, something he felt unable to live up to – out in UK cinemas on Friday, August 19th

In San Francisco’s Chinatown in 1973, Korean loner Chol Soo Lee was arrested and subsequently convicted for a gang murder. While it’s true he had foolishly borrowed a gun off a work colleague a few days previously and accidentally discharged it into his apartment wall giving himself a police record, he was not the murderer. He was identified on the flimsiest of premises by unreliable witnesses, possibly not helped by white cops who wanted to convict a felon for the crime and consign the case to history.

On what was to be his last journey through the outside world before many years in prison, he heard the Tower of Power song “You’re still a young man” on a car radio crossing the Golden Gate Bridge. It resonated. As the years passed in prison, his mother abandoned him. He had fallen for a Japanese American girl he’d met Jean Ranko who subsequently told him in a letter that she had no romantic interest in him.… Read the rest

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Features Live Action Movies

Mama’s Affair
(A Ma You Zuo
Di Er Ge,
阿媽有咗第二個)

Director – Kearen Pang – 2022 – Hong Kong – Cert. PG – 127m

**

A former music business exec tries to get back into the game managing a boy singer while her jealous teenage son takes his exams – out in UK cinemas on Friday, August 19th

Essentially a three-hander, this centres around middle-aged mother Mei-fung (Teresa Mo Shun-kwan from Hard Boiled, John Woo, 1992; Over My Dead Body, Ho Cheuk Tin, 2022), her son, Jonathan (Jer Lau) who is doing exams and hopes to study at the UK’s Cambridge and similarly aged youth Fang Ching (Keung To). The two teenagers are played by members of phenomenally successful Cantopop boy band Mirror, arguably the production’s main selling point. It also has an unashamed music industry focus. Mei-fung, whose marriage is on the rocks, is a former record label executive who has decided to go back to the workplace now that her son is on the verge of going abroad.

She originally got out of the business at the insistence of her husband following a miscarriage. She was something of a workaholic, necessitated by her job of looking after talent, babysitting stars to the extent that juggling career and potential motherhood was well nigh impossible.… Read the rest

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Features Live Action Movies

The Feast
(Gwledd)

Director – Lee Haven Jones – 2021 – UK (Wales) – Cert. 18 – 93m

**

The well-heeled wife of a local MP hires a maid to serve a meal for guests, but then things go horribly wrong – shot in the Welsh language and out in cinemas on Friday, August 19th

It’s unusual to see a film executed completely in the Welsh language, and for pulling that off, the makers of The Feast are to be congratulated. Unfortunately, apart from that element and its striking visual palette, this fails to engage.

In rural Wales, well-heeled Glenda (Nia Roberts) is preparing to have guests over for the evening. Unfortunately, the girl she usually hires from the pub is unavailable, so she’s taken a replacement, Cadi (Annes Elwy), another girl who works there and comes highly recommended. However, Cadi is an unknown quantity and the woman doesn’t really trust her – and won’t do so unless Cadi can do something to earn that trust.

The woman and her family don’t feel like the sort of people you’d want to have anything to do with if you could avoid them. From Cadi’s point of view, she is most definitely not trusted by the woman who hired her, and feels most definitely an outsider.… Read the rest

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Features Live Action Movies

Nope

Director – Jordan Peele – 2022 – US – Cert. 15 – 130m

Overall **

The alien in the sky finale when the film finally dumps the other stuff *****

A black Muybridge model’s ranch-owning descendants and the survivor of a TV sitcom which turned into a bloodbath encounter a dangerous alien presence that attacks from the sky – out in UK cinemas on Friday, August 12th

There appear to be three separate films here.

In the first, a descendant of the black rider photographed in Eadweard Muybridge’s studies of a horse in motion, here historically repurposed as the first piece of moving film (which is debatable), is an old man OJ Haywood Sr. (Keith David) who dies in a bizarre accident on his ranch, where he runs a horse rental service for the motion picture business, leaving behind his children OJ (Dan Kaluuya from Judas And The Black Messiah, Shaka King, 2021; Black Panther, Ryan Coogler, 2018; Get Out, Jordan Peele, 2017) and Emerald (Keke Palmer from Lightyear, Angus MacLane, 2021; Hustlers, Lorene Scafaria, 2019). The bizarre accident may be related to the third plot. Or may not be.

In the second, a wholesome, family TV sitcom is shut down after its star chimpanzee goes on a rampage during the shooting of an episode, killing all members of the cast except the young boy Ricky Park (Jacob Kim) hiding under the table, who witnesses the animal being shot.… Read the rest

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Animation Features Live Action Movies

Fortune Favours
Lady Nikuko
(Gyoko No
Nikuko-chan,
漁港の肉子ちゃん)

Director – Ayumu Watanabe – 2021 – Japan – Cert. PG – 97m

*****

A large, single parent mum continues to make bad relationship choices as her daughter tries to make her way in the Northern Japanese coastal village where they currently live– out in UK cinemas on Wednesday, August 10th

Charging in its opening minutes in rapid-fire, riotously paced colour through the love life of large lady Nikuko (voice: Shinobu Otake) – whose name given by her daughter translates roughly as Meat-lady, a reference to her size and resultant huge appetite – this details her poor, serial, romantic choices via which the various men for whom she falls scam her for money and cheat on her one after the other. Eventually, she falls for The Novelist, who is at least faithful and comes with the added bonus that he’s always spending money on books (not that he’s generating any money himself) which engenders in the story’s voice-over narrator, but not in the woman herself who doesn’t bother with books, a lifelong love of books and reading. But, one day, he unexpectedly leaves, so Nikuko follows his path up north, fails to find him and settles in a small, coastal fishing town.… Read the rest

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Features Live Action Movies

Thirteen Lives

Director – Ron Howard – 2022 – US – Cert. 12a – 147m

****

A dramatisation of the 2018 Thailand boys’ football team cave rescue, with the rescuers played by name actors– out in cinemas on Friday, July 29th and globally on Amazon on Friday, August 5th

In 2018, the world held its breath when the 12 boys of a football team and their 24-year-old coach became trapped in a cave when rain fell unexpectedly and water levels within the cave system started to rise. Incredibly, the ensuing rescue attempt involving divers from the US, UK, Ireland and Canada got all 13 out alive. According to the informational titles at the end of this film, sadly, there was one fatality among the Thai Navy SEAL divers involved in the rescue (shown in the film) and another death in that group later as the result of a contracted infection.

The story captivated the world, which held its breath as the days went by after the boys first became trapped by the water flooding the cave. For over a week, it wasn’t even known whether they were still alive. When they were located, alive and well, the question loomed large as to whether they would be able to get out alive.… Read the rest

Categories
Documentary Features Live Action Movies

Fadia’s Tree

Directors – Sarah Beddington, Susan Simnett – 2021 – UK – Cert. U – 84m

***1/2

A friendship between British artist Sarah and Palestinian refugee Fadia sparks the former into a search for a tree in the latter’s village to which she is currently unable to return – out in UK cinemas on Friday, August 5th

Sometimes less is more. This takes what is essentially a very simple idea and runs with it to its logical conclusion. Fadia Loubani is a Palestinian born and living in Beirut’s Barajneh refugee camp. Her refugee status prevents her from visiting the part of what was then Palestine and now Northern Israel from which her family originally came. Even though the village of Sa’Sa’ is only about 15 miles away, it can only be accessed by a far longer round trip, the final part of which involves crossing a border which her status won’t permit. In this village is her father’s house and a mulberry tree that sits opposite it. If Fadia could achieve one thing in her life, it would be to visit Sa’Sa’ and find both the tree and the house.

She originally struck up a friendship with Sarah Beddington in a Beirut restaurant, subsequently introducing the artist to the community in her refugee camp.… Read the rest

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Features Live Action Movies

Bullet Train

Director – David Leitch – 2022 – US – Cert. 15 – 126m

***

A man boards a bullet train in Tokyo to steal a suitcase only to be prevented from leaving the train every time he tries to get off it – lightweight action thriller is out in UK cinemas on Wednesday, August 3rd

This adaptation of mystery writer Kotoro Isaka’s 2010 novel, for which the Japanese title literally translates as Maria Beetle, concerns five assassins, each with their separate agenda, who board a bullet train. The film casts Westerners in many of these roles, repopulating the film with an international cast of Americans, Brits and Japanese. Brad Pitt as the lead obviously has box office clout, and is as watchable as ever in this film, however the film has inevitably been accused of whitewashing (even though ‘white’ here would seem to include Puerto Rican and African-American).

The producers here seem to think Japanese high speed rail journeys will draw international audiences but entirely Japanese characters will not. Whether or not they’re correct, casting the film the way they have reinforces this notion. Who else could have done it, you ask? Off the top of my head, I can think of three Hong Kong Chinese, any of whom would work: Chow Yun-fat, Jackie Chan or Tony Leung Chiu-wai.… Read the rest

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Features Live Action Movies

Paris, Texas

Director – Wim Wenders – 1984 – US – Cert. 15 – 145m

*****

A constantly inventive movie in which a man returns after four years’ absence to bond with his seven-year-old son and seek out his disappeared wife – back out in cinemas on Friday, July 29th

Travis (Harry Dean Stanton) stumbles out of the desert in Southern Texas having disappeared to Mexico for four years following the collapse of his marriage. During this time, the estranged couple’s seven-year-old son Hunter (Hunter Carson) has been living with Travis’ brother Walt (Dean Stockwell) and wife Anne (Aurore Clement) who he understandably thinks of as his parents. Walt coaxes Travis into re-establishing his paternal relationship with the boy. When Travis decides to track down disappeared wife Jane (Nastassja Kinski), who has been sending Walt and Anne money for the child from a bank in Houston, the child talks him into letting him tag along.

Although it starts with Travis walking, and much of the early part of the film takes place in and around Walt and Anne’s home, it’s very much a road movie with a great deal of the narrative taking place in cars and pickup trucks.

The film caused a sensation when it came out in the UK over 35 years ago.… Read the rest

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Features Live Action Movies

Hit The Road
(Jaddeh Khaki,
جاده خاکی)

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest

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Animation Documentary Features Live Action Movies

Fire Of Love

Director – Sara Dosa – 2022 – US – Cert. PG – 93m

The volcano footage *****
(and there’s lots of it, plus footage of the volcanologists themselves)

The brief animated inserts ***1/2

Almost everything else **

The 25-year career of the late volcanologist couple Katia and Maurice Krafft is explored through their extensive film archive of volcanic activity – out in cinemas on Friday, July 29th

There have been volcano movies before, but nothing quite like this. Most of them fall into the disaster movie category, with the better ones (The Last Days Of Pompeii, Ernest B. Schoedsack, 1935; Dante’s Peak, Roger Donaldson, 1997) delivering incredible visual effects. The force of nature that is the volcano is obviously extremely dangerous to film so you can understand why film producers would want to recreate images of the phenomenon for the big screen rather than attempt to go out and film them.

This current film, however, is not a fictional feature in that mould but something entirely different: a documentary. It perfectly fits the remit of its distributor National Geographic of “exploring, illuminating, and protecting the wonder of our world”. It’s ostensibly a film about two real life volcanologists Katia and Maurice Krafft who first met in 1966 and died in an volcanic blast in 1991.… Read the rest

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Animation Features Movies

The Deer King
(Shika No Ou:
Yuna To Yakusoku
No Tabi,
鹿の王 ユナと約束
の旅)

Directors – Masashi Ando, Masayuki Miyaji – 2022 – Japan – Cert. 15 – 113m

**

The conquerors of a foreign land succumb to a mysterious plague there – out in cinemas on Wednesday, July 27th

This starts off with clearly epic intentions by throwing line after line of convoluted plot at the viewer in rapid fire, confusing intertitles. The kingdom of Aqifa was once ravaged by the Empire of Zol until the Black Wolf Fever prevented Zol from entering Fire Horse Territory. Today, the Black Wolf Fever is believed a thing of the past. Okay, got that? If not, you’ll be in trouble because the narrative is all about Zolians, Aquafaese and wolves and while the images are often ravishingly beautiful to look at, visually arresting eye candy in background or character design is never enough of itself to propel the story forward.

It continues piling on plot information like this for about half an hour. To make matters worse, an insistent cod-Gaelic score is overlaid over the images much of the time, and it seems composed to draw attention to itself rather than advance the story in any way.

Aquafaese toil in a salt mine (someone happens to mention some time afterwards that the mineral being mined is salt, otherwise you wouldn’t know) under sadistic guards while in the depths wolves attack and infest the slave workers whose skin comes out in purple blotches before they die.… Read the rest

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Features Live Action Movies

Red Angel
(Akai Tenshi,
赤い天使)

Director – Yasuzo Masumura – 1966 – Japan – Cert. 15 – 95m

An army nurse is sent to China – as a slogan in one of the film’s trailers puts it, “on the battlefield where life and death is decided.”

*****

Full Blu-ray review published at All The Anime.

In 1939, for her first posting, Nurse Sakura Nishi (Ayako Wakao) is sent to Tianjin Army Hospital. A number of the male patients appear to be faking medical conditions so as to escape the front line, where Japanese casualties are heavy. When she first does her rounds, Private Sakamoto (Jotaro Senba) and a number of the other men are very forward and ask her a lot of personal questions.

Much worse is to come, however, because when she does her night rounds, she finds herself trapped in the men’s dorm and raped by Sakamoto while the others hold her down. Reporting this incident to the head nurse (Ranko Akagi), Nishi learns she’s this soldier’s third victim. The head nurse resolves to have Sakamoto sent back to the front.

As if all this wasn’t bad enough, Nishi is then posted to a front-line hospital where medics go through the incoming wounded, pronouncing them dead or designating them for surgery, for which read amputation.… Read the rest

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Animation Documentary Features Live Action Movies

Kurt Vonnegut:
Unstuck In Time

Transformed by an atrocity

Kurt Vonnegut: Unstuck In Time
Directed by Robert B. Weide, Dan Argott
Certificate 15
Released 22 July (cinemas and digital platforms)

Full review published in Reform magazine.

The late Kurt Vonnegut claims that after touching a tree trunk he saw the bombing of Dresden before it actually happened, and it’s easy to believe him. His whole life, he says, has been unstuck in time. Born in Indianapolis in 1922, he fought in the Battle of the Bulge in 1944 and was shipped off as a POW to Dresden, a bustling metropolis unlike anything he’d previously seen. He survived the Allied bombing of that city inside an underground meat locker and emerged to see it razed to the ground. The Germans had him and fellow prisoners search for bodies amongst the ruins.

Back in the States… [Read the rest at Reform magazine]

Kurt Vonnegut: Unstuck In Time is out in cinemas and on Altitude Film digital platform in the UK from Friday, July 22nd.

Read my longer review.

Adaptation of Vonnegut’s Mother Night (writer-producer Robert B. Weide, 1996) – review.

Never Look Away (Florian Henckel von Donnersmarck, 2018) also covers the bombing of Dresden – review.… Read the rest

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Features Live Action Movies

Where
The Crawdads
Sing

Director – Olivia Newman – 2022 – US – Cert. 15 – 125m

***1/2

A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd

The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.

As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest

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Features Live Action Movies

Bergman Island

Director – Mia Hansen-Løve – 2021 – France, Belgium, Germany – Cert. 15 – 112m

First half *****

Second half **

A working, filmmaking couple spend time on the island where celebrated director Ingmar Berman lived, now a niche tourist attraction based around his life and movies – out exclusively on MUBI from Friday, July 22nd

Two writer-directors who are also a couple Chris (Vicky Krieps) and Tony (Tim Roth) fly in to spend time and write at the Bergman Estate on Fårö Island in the Baltic Sea, just off the coast of Sweden. This is the site that legendary Swedish film and theatre director Ingmar Bergman left as a legacy to the world, where people could apply for residencies to help in their creative or academic work, watch his films on 35mm and browse his personal audio, video and book library. Chris and Tony thus find themselves alone in Bergman’s private viewing theatre watching Cries And Whispers (Ingmar Bergman, 1972).

Both are involved with screenplays: when he’s over at the Bergman Centre, she sneaks a look in his large notebook entitled ‘F’ which contains extensive notes and erotic drawings veering towards the sadomasochistic. On a later occasion, she stands him up by not joining the Bergman Safari coach tour around the island, complete with a tour guide describing the site where Through A Glass Darkly (Ingmar Bergman, 1961) plays on a screen.… Read the rest

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Features Live Action Movies

The Railway Children
(1970)

Director – Lionel Jeffries –1970 – UK – Cert. U – 109m

****1/2

After their father is arrested and the family plunged into poverty, three siblings and their mother leave London for the Yorkshire countryside – now on BBC iPlayer until around mid-August, also recently back out in cinemas for one day only on Sunday, July 3rd

E. Nesbit’s book The Railway Children, set in 1905, has been filmed several times, most notably as the BBC TV series of 1968 and Lionel Jeffries’ 1970 cinema film, both of which starred Jenny Agutter as the eldest of three children sent from the city to Oakworth in Yorkshire. What is arguably the 1968 and 1970 version’s most memorable sequence has the children stand on train tracks waving red flags to stop an oncoming train and prevent an accident after a tree falls on the line ahead.

My parents used to sit me and my younger brother down and make us watch Sunday teatime BBC classic serials, something which has engendered a deep seated dislike within me for both filmed costume drama and literature considered worthy enough to film. I found the former stodgy and suspect the latter may be more to do with BBC cultural filters than anything else.… Read the rest

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Features Live Action Movies

Run

Tramps like us

Run
Directed by Scott Graham
Certificate 15, 77 minutes
Released 13 March 2020

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes. Review first published in Reform, March 2020.

Finnie (Mark Stanley) hates his job in a fish factory in Fraserburgh, Aberdeenshire. He and his wife Katie (Amy Manson) have Springsteen’s legend ‘Born to Run’ tattooed on his chest and her ankle, but as he says to her: ‘We never did run very far, did we?’ This is a story about regret and longing, about not getting out, family and relationships.

Finnie’s older son Kid (Anders Hayward) has just got his girlfriend Kelly (Marli Siu) pregnant, isn’t talking to and has been dumped by her. Kid throws a wobbly at work, in the same plant as Finnie, and loses his job. When Katie gives Finnie the come on, he just wants to shower because he stinks of fish. Out of nowhere, he borrows Kid’s car keys and takes his son’s car out for a spot of illegal night time street racing, something he used to do when younger… Read the rest

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes.… Read the rest

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Documentary Exhibitions Features Live Action Movies

Making Waves
– Navigators of
Hong Kong Cinema

A virtual exhibition of Hong Kong movie unit photography stills

*****

Accessible from Friday, July 8th to Sunday, August 14th in the UK as part of Focus Hong Kong 2022 Making Waves

The online platform hosting the exhibition

Funny things, virtual exhibitions. Like online platforms for viewing movies, they can take a bit of getting used to. In a real life exhibition in a museum, you wander from room to room, either looking at everything or, perhaps, looking at particular exhibits that take your fancy or that you want to study in further depth.

All that happens too in an online exhibition. I guess they can be viewed on a smartphone, but I was looking at this on my PC. There are help instructions on the menu, but I, like many others I suspect, ignored them and worked out how it all worked as I was going round.

I must have seen quite a bit of the whole before I realised that the best way to proceed might well be the ‘previous’ and ‘next’ buttons taking you from exhibit to exhibit. Before that, I’d worked out that if you clicked on a photographic image hanging on the gallery wall, your viewpoint / the screen / the camera would zoom in on the exhibit and frame it perfectly.… Read the rest

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Features Live Action Movies

Chilli Laugh Story
(He Jia La,
闔家辣)

Director – Coba Cheng – 2022 – Hong Kong – Cert. 12a – 94m

****

A young man successfully markets his mother’s chilli sauce in the pandemic lockdown until the lucrative business it unexpectedly generates is taken off him– out in cinemas in the UK on Friday, July 15th and in the US and Canada on Friday, July 22nd

This starts off with a very sweet – no, make that spicy – memory of 2002 when Coba Cheng (Edan Lui Cheuk-On) was a small boy of five and visited his mum’s village where he tried her chilli sauce for the first time. It burned his mouth, but was always a part of his life from then on.

Jump to mid-2020. Hong Kong, like everywhere else, is in the middle of the pandemic. Coba is now working his job from home, and he and his parents are struggling to live with each other in the same enforced space. His dad Alan (Ronald Cheng) is engaged in a no-way forward argument with a delivery man in a surgical mask who won’t tell him what the unknown package is until dad has paid the delivery fee, which dad won’t do until he knows what it is, which Mr.… Read the rest

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Features Live Action Movies

The Railway Children
Return

Director – Morgan Matthews – 2022 – UK – Cert. PG – 98m

***1/2

Almost four decades after the events in The Railway Children, three siblings are evacuated from the wartime bombing raids of Salford to the safer Yorkshire countryside– out in cinemas on Friday, July 15th

In 1944, with Britain at war and German bombing intensifying, children are being evacuated from the cities to the countryside, leaving their parents to live with substitute parents and / or families for the duration. Thus, in Salford, their mother puts Lily (Beau Gadsdon), Angela (Jessica Baglow) and Ted (Zac Cudby) on a train to the small country town of Oakworth in Yorkshire. Arriving with many other children, they wait to be assigned to a family.

However, because there are three of them – and possibly also because Angela has got rid of the smart dress that her mother made her wear for a more comfortable outfit – no family is forthcoming. So grandmother Bobbie (Jenny Agutter, reprising her role from The Railway Children, Lionel Jeffries, 1970) persuades her daughter Annie (Sheridan Smith), the local headmistress, to take the trio even though the latter isn’t sure they can manage three, and the three children move in to their new home, The Three Chimneys.… Read the rest

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Features Live Action Movies

The Good Boss
(El Buen Patrón)

Director – Fernando León de Aranoa – 2021 – Spain – Cert. 15 – 116m

***1/2

With a prestigious business competition coming up, a factory boss must keep the judges from stumbling upon his personal and corporate dirty laundry – out in cinemas on Curzon Home Cinema on Friday, July 15th

Any day now, the local committee will descend upon the Blanco Scales factory to see if the business should receive the prize money for an upcoming good business award. No-one knows exactly when they are likely to turn up, though, least of all Blanco (Javier Bardem) himself. So, clearly everything needs to be in good order to impress the judges when they turn up. Which should be fine, because Blanco prides himself in looking out for his work force and the company is one big, benevolent, happy family.

Except that it isn’t, because although Blanco sees it that way, the reality is that he only cares for his workforce insofar as doing so will enhance their productivity. He fires dissatisfied employee Jose (Óscar de la Fuente) who promptly sets up camp outside the factory gates – on land Blanco doesn’t own so he can’t evict him – and proceeds to chant anti-Blanco slogans on a daily basis.… Read the rest

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Documentary Features Live Action Movies

Donna

Director – Jay Bedwani – 2022 – UK – Cert. 15 – 75m

***1/2

A look at the everyday life of Donna Personna, a trans activist from a Baptist background living in San Francisco – released in cinemas and on Bohemia Euphoria on Friday, July 15th

This threw me at first because it appears to be partly Welsh funded yet it’s about someone living in San Francisco. No matter. The seventysomething Donna Personna is first seen powdering her face and telling a story from her youth about getting her sister’s boyfriend to kiss him when she wasn’t around. She seems a genial person, who I would imagine is a lot of fun to be around in real life and a perfect subject for the camera who lights up the screen whenever she’s on it (which is most of the time).

What’s great about this film, for a non-trans viewer, is that it gives an idea of what it‘s like to be trans, both in terms of day to day living and upbringing. It doesn’t seem to have an axe to grind, rather it just wants to show how life is for someone like Donna. Her father was a Christian minister and her mother (not surprisingly) a minister’s wife who between them had a total of 15 kids!… Read the rest

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Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

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Features Live Action Movies

The Unbearable Weight
Of Massive Talent

Nicolas Cage and Pedro Pascal Photo Credit: Karen Ballard/Lionsgate

Director – Tom Gormican – 2022 – US – Cert. 15 – 105m

****

Down on his luck, actor Nick Cage (playing himself) accepts the job of spending time at a fan’s house for one million dollars, unaware that his host is a crime lord pursued by the CIA – on digital Friday, July 8th and SteelBook, 4K UHD, Blu-ray and DVD Monday, July 11th

This unusual entry in the ‘actor playing themselves’ genre is effectively the movie equivalent of fan fiction. That might sound disparaging, but that’s not at all what I mean.

Obsessed with the actor Nic Cage and his movies, writer-director Gormican has written this: a movie in which a character called Nick Cage (Nic Cage playing a version of himself) is an actor down on his luck, desperate to get a part for which he’s just auditioned and which he believes will revitalise his flagging career. He needs this part. He’s heavily in debt. His ex-wife (Sharon Horgan) wants him to spend more time with their teenage daughter Addy (Lily Mo Sheen), specifically, listening to her, since he spends most of his time spouting off about his own career in particular or movies in general.

When the part he’s after falls through, he decides to take the other offer from his agent Fink (Neil Patrick Harris), the one where he gets a million dollars for hanging out with a rich fan.… Read the rest

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A Far Shore
(Tooi Tokoro,
遠いところ)

Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

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Brian And Charles

Director – Jim Archer – 2022 – UK – Cert. PG – 91m

***1/2

In rural Wales, an eccentric inventor builds a robot companion out of odds and ends, contends with the local bully and finds love – out in cinemas on Friday, July 8th, previews from Wednesday, July 6th

Welcome to the reclusive world of Brian (David Earl), an inventor in rural Wales who builds things in his shed. Scouring the area for piles of discarded junk, he repurposes bits and pieces in such objects as a flying cuckoo clock – if you’re wondering what the time is, you just look up in the sky and it tells you – which has wings, is powered by a bicycle and looks like it’ll never actually fly. June (Cara Chase), the friendly owner of the local store, is perturbed to see him trailing nets behind shoes.

Finding a mannequin head, he combines it with a washing machine for a body to create an ungainly, seven foot tall robot, Charles (Chris Hayward). Charles has an insatiable habit to finding out things about the world around him, and would ideally like to go travelling. Brian doesn’t think this is a good idea because the world isn’t a nice place.… Read the rest

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Nitram

Director – Justin Kurzel – 2022 – Australia – Cert. 15 – 112m

*****

A drama re-imagining of the events in the life of a young man leading up to Tasmania’s 1996 Port Arthur Massacre – out in cinemas on Friday, July 1st

This extraordinary character study starts off with a sense of foreboding which never really lets up. Children are interviewed at the Royal Tasmania Hospital’s Burns Unit and asked how their accidents occurred. We expect cautionary tales of lessons learned. But the second child interviewed states matter-of-factly that he still plays with firecrackers, Then we see Nitram (Caleb Landry Jones) as a grown youth, some years later, doing exactly that in the garden of the house in which he lives with his parents, to the annoyance not only to his parents who have to put up with it but also to the neighbours.

His mum (Judy Davis), worn down by years of such behaviour, insists Nitram surrender the fireworks to his father (Anthony LaPaglia) who is weighed down by financial worries – he needs to get a loan off the bank – and ineffectual at discipline. She also insists he put his filthy overalls in the wash (and they are pretty disgusting) before sitting down to eat dinner with them, which he then does, returning to the table in his underpants, which she lets pass with no comment since he’s complied.… Read the rest

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Animation Features Movies

Minions:
The Rise Of Gru

Directors – Kyle Balda, Brad Ableson, Jonathan del Val – 2022 – US – Cert. U – 87m

***1/2

Three plots involving the Minions, their pre-teen, supervillain master Gru and a gang of supervillains called Vicious 6 compete with each other – out in cinemas on Friday, July 1st

This starts off bravely for a franchise entry with the introduction of a raft of six new supervillains who comprise the gang Vicious 6, their names thrown at the audience in rapid-fire vignettes too fast too absorb, suggesting the makers have half an eye on freeze-frameable, home viewing platforms and half an eye on merchandising. The fabulous, motorbiking Belle Bottom (voice: Taraji P. Henson) who appears to have wandered in from 1970s blaxploitation with enormous Afro hair and disco diva clothing is the main focus of an enthralling car chase in which she outwits the cops with incredible stunts.

Her co-villains are voiced mostly by a roster of action stars known for that rather than animation voice work: the crab-pincered Jean Clawed (voice: Jean-Claude Van Damme), the Scandinavian-sounding Svengeance (voice: Dolph Lundgren), Stronghold (voice: Danny Trejo) and nunchaku-wielding nun Nunchuk (Lucy Lawless).

(A quick aside: older readers will recall that back in the 1970s, nunchaku were a no-no for the BBFC who would prune their use or even excise them altogether, sometimes in the most innocuous of contexts.… Read the rest

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Art Features Live Action Movies

Benedetta

Director – Paul Verhoeven – 2021 – France – Cert. tbc – 131m

*****

A 17th Century nun subject to religious visions embarks on a lesbian relationship with a novice – exclusively on MUBI from Friday, July 1st

Christianity. The Church. Religion. Treat them the wrong way, and you can get into trouble. Horror The Exorcist (William Friedkin, 1973), drama The Devils (Ken Russell, 1971) and comedy Life Of Brian (Terry Jones, 1971) remain controversial. Lesbian nun relationship drama Benedetta may be about to join their ranks. Or perhaps times have moved on. The film is apparently based on a real 17th Century case.

As a young girl, Benedetta (Elena Plonka) claims to commune with the Divine – convincingly so, too, enough to suggest to a bandit gang about to rob her parents and her that a chirping bird is God’s voice, especially when said bird deposits excrement in the eye of the bandit leader who promptly returns a gold necklace to Benedetta’s mother.

On arrival at the convent in Pescia, Benedetta’s father (David Clavel) must pay the Reverend Mother (Charlotte Rampling who seems to have cornered the market in Reverend Mothers judging by Dune, Denis Villeneuve, 2021) a dowry to enable his daughter to become a novice, which suggests that the institution, like the wealthy Catholic Church under whose umbrella it exists, may have ignored Jesus’ injunction to sell all you have and give to the poor.… Read the rest

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Documentary Features Live Action Movies

The Princess

Director – Ed Perkins – 2022 – UK – Cert. 12a – 109m

**

The story of Princess Diana told entirely through archive footage – out in cinemas on Thursday, June 30th

The strange thing about watching this documentary about the fairytale turned tragedy of Princess Diana, if you’re old enough to remember it unfolding over several decades, is that it takes you back to the news coverage removed from everything else that was happening in the world (or for that matter in your own life) at the time. To some extent, that’s a necessity of both storytelling and cinematic narrative.

At this point in the review, I could rehash the story as a synopsis of greater or lesser length. However, since rehashing the story is primarily what the film itself does, there seems little point in such an exercise. If you want to see this, you want to see this and little I can say about it will deter you.

What Perkins has done is to assemble a version of the story solely from archive footage: no vox pops from the great and the good to explain what was happening (although he does include the occasional piece of archive interview footage from Diana, Charles, or both together) or offer ‘expert’ or other insight.… Read the rest

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Animation Features Movies

Pompo
The Cinéphile
(Eiga Daisuki
Pompo-san,
映画大好き
ポンポさん)

Director – Takayuki Hirao – 2021 – Japan – Cert. 12a – 94m

*****

A film buff working as a movie producer’s assistant is unexpectedly given the job of directing his first feature film– out in cinemas on Wednesday, June 29th

Much in Pompo The Cinéphile riffs off Roger Corman’s legendary working methods. It takes place in a fictional Tinseltown named Nyallywood (what’s with the name? are they worried about getting sued?) and has near its centre the eponymous Pompo (voice: Konomi Kohara from Demon Slayer the Movie: Mugen Train, Haruo Sotozaki, 2020; Sword Art Online, series, 2012-) who looks like a sprightly young girl (and is exactly that in occasional flashbacks) but is, in fact, a seasoned, teenage (!) producer of exploitation movies (sample titles: Across The 8th Dimension, Guns Akimbo, Zombizarre) starring a busty blonde named Mystia (voice: Ai Kakuma) who is currently shooting a Summer movie titled Marine with lots of girls in revealing bikinis fleeing a giant tentacled beastie at the beach with which the gun-wielding Mystia will do battle: quite literally a ‘tits and tentacles’ show “with just the right amount of sex appeal.” Director Hirao is, after all, the man behind similarly exploitative anime Gyo: Tokyo Fish Attack!… Read the rest

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Animation Features Movies

Mad God

Director – Phil Tippett – 1987-2021 – US – 83m

*****

A man in a gas mask descends into a dark, dangerous world on a mysterious mission, encountering strange creatures, humanoids and societal constructs along the way – stop-frame epic 34 years in the making – as of Tuesday, June 28th, has become the most watched premier of 2022 on Shudder, where it plays in both the UK and the US from Thursday, June 16th; also plays London’s Prince Charles Cinema Tuesday. July 5th to Friday, July 8th and from Monday, December 5th is on Blu-ray, DVD and digital

My immediate reaction after watching this was two-fold. On the one hand, wow!!! On the other, how on earth do I put the experience of watching this into words? Mad God definitely has a structure, yet what’s amazing about it is the visuals, the animation, the effects. Even though I’m familiar with the work of its director Phil Tippett (as one of the heirs apparent to stop-motion maestro Ray Harryhausen in the world of visual effects – career highlights include RoboCop, 1987; Jurassic Park, 1993, Starship Troopers, 1997) this film is something altogether different (even if its roots can be seen in his VFX work).… Read the rest

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Features Live Action Movies

Petrov’s Flu
(Petrovy V Grippe,
Петровы В Гриппе)

Director – Kirill Serebrennikov – 2021 – Russia – Cert. 18 – 145m

*****

The stream of consciousness existence of an urban, Russian comic book artist who has the ‘flu – out on VoD on Tuesday, June 28th

Despite being under the weather with the ‘flu, city dweller Petrov (Semyon Serzin) is trying his best to carry on as normal. Not so easy when you’re out of it. His nightmare starts with a bus journey. A nine-year-old girl kindly offers him her seat, but before he’s sat down, someone else seems to have taken it. A misogynist old man talks to the girl, telling her that often girls her age are married off and possibly already cheating on their husbands.

Before the old misogynist knows it, someone has had the bus stopped so the he can be thrown off, losing his false teeth in the process which Petrov picks up and which subsequently function like an intermittent Greek chorus, albeit one that doesn’t make any particular sense, throughout the remainder of the narrative. Then Petrov’s mate Igor (Yuri Kolokolnikov), who’s been pursuing the bus in a hearse, complete with coffined corpse, stops it to commandeer Petrov off the bus and into shooting an automatic rifle at victims as part of an impromptu firing squad.… Read the rest

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Features Live Action Movies

Wings Of Desire
(Der Himmel
Über Berlin)

Director – Wim Wenders – 1987 – Germany – Cert. PG – 128m

*****

Angels move around Berlin, watching over Berliners, until one of them sees a beautiful girl and decides he wants to become human and experience emotion for himself – out in cinemas on Friday, June 24th and playing on Film 4 from Wednesday, June 29th to Thursday, July 28th

This film is many things. It is, first and foremost, about angels, here captured in stunning black and white cinematography and represented as men moving invisibly among the population of Berlin, observing them, listening to their thoughts, hopes, fears and dreams, perhaps imparting some sort of spiritual comfort by a touch of the hand. And just as Henri Alekan’s camera photographs the actors playing angels, so too it photographs those Berliners they observe and comfort.

The iconic Hollywood actor Peter Falk – known to millions of TV viewers as the detective Columbo – plays himself playing a character on the set of a war film and hanging out between takes. The camera takes great pleasure in simply observing him doing what he does, for instance talking to an angel he can’t see (“I can’t see you, but I know you’re here”) which might be an attempt to communicate with invisible beings or might equally well be no more than an acting routine.… Read the rest

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Animation Features Movies

Belle
(Ryu
To Sobakasu
No Hime,
竜とそばかすの姫)

Director – Mamoru Hosoda – 2021 – Japan – Cert. PG tbc – 121m

*****

A bereaved, teenage girl starts to emerge from her shell when she signs up for a virtual world on her smartphone – out on Blu-ray and DVD from Monday, June 27th and 4K UHD Blu-ray including the soundtrack from Thursday, July 7th

‘U’ is an internet, virtual world of high tech, futuristic architecture. When you sign up, you receive your own personalised avatar built from your biometrics. You have the chance to start over in a new world.

Teenager Suzu (voice: Kaho Nakamura) could do with that chance. She lives with her dad (voice: Koji Yakusho from Mirai, Mamoru Hosoda, 2018; The Third Murder, Hirokazu Kore-eda, 2017; Pulse, Kiyoshi Kurosawa, 2001; Shall We Dance, Masayuki Suo, 1996; Tampopo, Juzo Itami, 1985) in a small town somewhere in the East of Japan. She doesn’t really communicate with people at her school – not Luka (Tina Tamashiro), the sax player in the school band, not Kamishin (Shota Sometani from To The Ends Of The Earth, Kiyoshi Kurosawa, 2019; First Love, Takashi Miike, 2019; Foreboding, Kiyoshi Kurosawa, 2017; The Boy And The Beast, Mamoru Hosoda, 2015; Himizu, Sion Sono, 2011) who set up the canoe club but hasn’t been able to attract any members, not Shinobu (Ryo Narita) who proposed to her – well, told her he wanted to protect her – when she was six.… Read the rest

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Luzzu

Director – Alex Camilleri – 2021 – Malta – Cert. 15 – 95m

****

As he repairs the small boat that’s been in his family for generations, a fisherman grapples with both his role as a new parent and the economic changes threatening his livelihood – on Curzon Home Cinema (CHC) from Monday, June 27th

While out on the sea in his small boat known as a ‘luzzu’, lone fisherman Jesmark (Jesmark Scicluna) notices water in the bottom of his boat and realises the vessel is in urgent need of repair. His friend David (David Scicluna) both helps him beach the craft in an appropriate location for doing the work and gives him work as crew on David’s more modern boat.

When they catch a swordfish out of season which must be thrown back according to EU regulations, Jes protests that it’s dead and no-one throws these fish back. David, mindful of his liability, phones the authorities to ask if they can keep it, then throws it back. Just as well, because an inspector (Anthony Ellul) checks the vessel on their return to port.

Taking their catch to market, where they are bottom of the pile, they watch the seller fail to interest buyers in their catch and then frantically hawk it around local restaurants in the hope of shifting it while still fresh, to no avail.… Read the rest

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Art Documentary Features Live Action Movies

Eric Ravilious:
Drawn To War

Director – Margy Kinmonth – 2022 – UK – Cert. PG – 87m

***1/2

The career of the British watercolour artist tragically killed while serving as an official war artist in World War Two – now available to watch online following UK cinema release on Friday, July 1st 2022

The first official war artist to be commissioned in World War Two, Eric Ravilious was on an aircraft which set out from Iceland in 1942 and never came back. There is no exact record of what took place, covered by the phrase “missing in action”, but in all likelihood the plane went down in the sea. Kinmonth finds simple images to convey the incident, which appears in both her opening introduction to Ravilious’ life and her closing reel representing his passing – a warplane descending, our viewpoint falling towards the surface of the sea, an indistinct body moving in water filled with bubbles. At the end, the cold blue of the water contrasts with the gentler, rural green of the family house and surroundings back home.

After his death, Ravilious’ art was largely ignored. Alan Bennett, an admirer of the artist’s work, puts this down to the work’s cheerful and unthreatening nature and a prevailing view that art should grapple with dark and foreboding subject matter.… Read the rest

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Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

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Documentary Features Live Action Movies

Beyond The Mask

Directors – Jane Harris, Jimmy Edmonds – 2021 – UK – 60m

****

People talk about their experiences of bereavement in the light of the COVID-19 lockdown – now free to watch (donation suggested)

In March 2020, the unthinkable happened as the world entered a global pandemic. In the ensuing year or so many people lost their lives while many more felt and indeed still feel a sense of loss for the ’normal’ life that existed beforehand. Directors Harris and Edmonds are no strangers to bereavement having lost their son unexpectedly at age 22 while he was travelling abroad in 2013 and part of their process of dealing with it was to make the excellent documentary A Love That Never Dies (Jane Harris, Jimmy Edmonds, 2018) in which bereaved parents talk about their different experiences of losing children.

Not everyone has suffered the misfortune of losing a child, but if you’re reading this you will invariably have lived through the COVID-19 pandemic, at least thus far. This latter condition is universal. So, what does the experience of bereavement have to say to our current situation of the pandemic – or, for that matter, what does our current situation of the pandemic have to say to our experience of bereavement?… Read the rest

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Between Two Worlds
(Ouistreham)

Director – Emmanuel Carrère – 2021 – France – Cert. 12a – 106m

****

A successful journalist goes undercover in Caen to pose as unemployed and get a job as a cleaner to write a book on conditions in the cleaning industry – out on BFI Player (rental) from Friday, June 24th

This opens at an unemployment office where Christèle (Hélène Lambert) insists on seeing a staff member without an appointment which swiftly develops into a full blown row as she asks, how am I supposed to feed my kids? This is a film about those at the bottom of the social pile, the women who work in the cleaning industry.

The tone shifts to something much quieter as Marianne Winckler (Juliette Binoche) is interviewed for work. She’s asked about the 23-year gap in her employment record, She was married, she explains, but then her husband moved his lover into the family home and the situation became intolerable. So she came to Caen and is now looking for work.

Given a job as a maintenance agent (i.e. cleaning lady), she finds herself on a crew with Christèle who teaches her the ropes. The amount of toilet cubicles that must be cleaned in a day requires the women work at speed, which means that the work isn’t always done to the employer’s satisfaction.… Read the rest

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Animation Features Movies

Lightyear

Director – Angus MacLane – 2022 – US – Cert. PG – 107m

**1/2

Stranded on a hostile planet, Buzz Lightyear sets out on a series of missions which eventually lead to his first confrontation with the evil Emperor Zurg – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event on Friday, June 17th, and opens in UK cinemas the same day.

A caption at the start explains that this was the favourite film of child protagonist Andy (from Pixar’s Toy Story franchise) and the reason he got a Buzz Lightyear toy in the first place. Other than that, though, this is a completely separate and self-enclosed film.

As the literal meaning of its title implies, Lightyear delivers a narrative that races through vast periods of time at a stretch, so that we and ace space pilot Buzz Lightyear (voice: Chris Evans) and his colleague Alisha Hawthorne (voice: Uzo Aduba) land their spaceship on an unexplored planet which turns out to be populated with hostile life-forms, specifically (1) plant tendrils which burst out of the planet’s surface and try to drag anything they can back under the ground and (2) giant, flying bugs.… Read the rest

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Everything Went Fine
(Tout C’est Bien Passé)

Director – François Ozon – 2021 – France – Cert. 15 – 113m

*****

An elderly man recovering from a stroke enlists his two daughters to help him achieve assisted suicide and die with dignity – out in cinemas on Friday, June 17th

Emmanuèle Bernheim (Sophie Marceau) gets a phone call to say that her dad André Bernheim (André Dussollier), 85, is in hospital recovering from a stroke. She rushes to the hospital to meet her sister Pascale Bernheim (Géraldine Pailhas) in ER where he’s having an MRI scan. When they see him on the ward, mouth elongated on on side of his face, he can’t remember what happened. He has lost many everyday functions of his body.

While a fellow stroke survivor on his hospital ward makes rapid enough progress to soon be discharged, the less fortunate and initially bedridden André is moved to another hospital for more specialist treatment. Nevertheless, he eventually improves and in due course graduates to being sat in a chair in his room. Later still, he learns to use a wheelchair. His dietary abilities improve from initial intravenous drip feed through being spoon-fed mashed veg through to eating accompanied in a restaurant.

On one occasion early on when Emmanuèle visits him in hospital, she’s horrified to discover him lying in bed in his own excrement and immediately summons the manageress, who not only makes excuses about the amount of work required to look after a patient like this and how the hospital is short-staffed but also gives a personal assurance that this won’t happen again (and, indeed, no such further incident recurs).… Read the rest

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Animation Features Movies

The House
Of The Lost
On The Cape
(Misaki
No Mayoiga,
岬のマヨイガ)

Director – Shinya Kawatsura – 2021 – Japan – 100m

*****

Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section

A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.

There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.

The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest

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Animation Features Movies

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

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Animation Features Movies

A Silent Voice
(Koe
no Katachi,
聲の形)

Director – Naoko Yamada – 2016 – Japan – Cert. 12a – 130m

****

Groundbreaking and innovative Japanese drama about school children, bullying, remorse, isolation and self-loathing – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Special Programmes section (a Special Screening for the Hard of Hearing)

Egged on by Naoka Ueno (voice: Yuki Kaneko) then later shunned by classmates for his bullying of new girl in class Shoko Nishimiya (Saori Hayami), who happens to be deaf, Shoya Ishida (Miyu Irino) stops interacting with them and withdraws. This is represented onscreen by the extraordinary graphic device of an ‘X’ over the faces of his fellow schoolmates whenever they appear. It’s a very powerful way of expressing his isolation. Five years on, wrecked with guilt about his treatment of Nishimiya, he learns sign language and decides to befriend her and to make amends…

This film may well broaden your idea of what animation is capable. It’s nothing like Disney and equally it’s light years from Japanese SF action fest Akira (Katsuhiro Otomo, 1988) although it likewise started life as a manga and concerns teenagers.… Read the rest

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Features Live Action Movies

Everything Went Fine
(Tout C’est Bien Passé)

Helping a loved one to die

Everything Went Fine
Directed by François Ozon
Certificate 15, 113 minutes
Released 17 June

France. Two daughters, Emmanuèle and Pascale Bernheim (Sophie Marceau and Géraldine Pailhas), visit their 85-year-old father André Bernheim (André Dussollier) as he recovers from a stroke. The process is slow and difficult, and he may never make a full recovery. André has lived life to the full, often looking to himself rather than those around him, and has come to a decision. Separately he tells each of them, “I want to die.”

In his current state of health, he considers life no longer worth living and wants to be able to end it while he still has the mental and physical capacity to do so. Ironically, this… [Read the rest in Reform magazine]

Read my alternative, longer review.

Everything Went Fine is out in cinemas in the UK on Friday, June 17th.

Trailer:

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Everything
Everywhere
All At Once

Director – Daniels (Daniel Kwan & Daniel Scheinert) – 2022 – US – Cert. 15 – 139m

*****

Do you know kung fu? A launderette owner in trouble with the IRS is sucked into serial, parallel worlds to defeat the being who threatens to annihilate the multiverse – available on demand in the UK from Monday, June 13th

You could describe it as a Cubist take on The Matrix. Or a mother-daughter relationship drama. Or a multiverse movie. Or a film about filing taxes with the IRS. Or a (multiple set of) romance(s). Or a Michelle Yeoh action movie. Or a Chinese American movie. Or a film put together unlike any other you’ve ever seen. All these descriptions would be accurate.

Chinese American Evelyn Wang (Michelle Yeoh) runs her own business. A launderette (or laundromat in American parlance). She sits at the table in her apartment which is covered with piles of receipts. She is sorting through them in preparation for an upcoming interview with the IRS. She isn’t sure she’s ready.

This pressing issue aside, her life is not without its challenges. Her husband Waymond (Ke Huy Quan, formerly the kid from Indiana Jones And The Temple Of Doom, Steven Spielberg, 1983; The Goonies, Richard Donner, 1985) is attempting to file for divorce and wants her to sign the papers.… Read the rest

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Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest

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Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY)

Director – Sogo Ishii – 1982 – Japan – Cert. 18 – 115m

Film ****

Cultural significance *****

Arguably the lynchpin film that brought Japanese cinema back from the brink of extinction in the early 1980s and paved the way for much of what was to follow – on Blu-ray from Monday, November 20th 2020

Looked at today through Western eyes, the opening with its breakneck, speeded up race through (presumably) Tokyo cutting between nighttime and daytime POV shots, with motorbike noises, anticipates the more demented pixillated chase scenes of Tetsuo: The Iron Man (Shinya Tsukamoto, 1989), shots of bikers recall the anti-establishment feel of Easy Rider (Dennis Hopper, 1969) and patterns caused by moving lights burning into film emulsion recall Norman McClaren and Len Lye’s early animation experiments drawing and painting direct onto film. Then it seems to turn into Mad Max (George Miller, 1979) by way of a gangster film elements (two men in a car wearing a suit and a leather jacket respectively) who avoid a near collision with two punks on a motorcycle and sidecar.

How many of these precedents Ishii had in mind (or even had seen) when he made this is impossible to say.… Read the rest

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Swan Song

Director – Todd Stephens – 2021 – US – Cert. – 105m

***1/2

Tasked with creating an open casket hairdo for his deceased, former best client, a hairdresser worn down by care home institutionalism escapes to reinvent himself – out in cinemas on Friday, June 10th

A glamourous star on a stage playing to an audience of empty chairs, Pat Pitsenbarger (Udo Kier) wakes up to the boring reality that he’s living on social security checks and wearing an old T-shirt and sweat pants in a care home in his small town of Sandusky, Ohio.

Still, he takes his pleasures where he can find them: stealing napkins from the dining room and obsessively folding them into squares a quarter of their original size, smoking ladies’ More brand cigars. The latter he lights two at once after turning the wheelchair of Gertie (Annie Kitral) – left out in the corridor – to face the window before giving her the second cigar, something in which she clearly takes pleasure despite near total paralysis.

Otherwise, though, he battles with his nurse Shaundell (Roshon Thomas) over adjusting his armchair cushion and, worse, smoking, a pleasure she forbids. He swallows a cigar to conceal the activity; she finds out and confiscates his stash.… Read the rest

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All My Friends Hate Me

Director – Andrew Gaynord – 2021 – UK – Cert. 15 – 93m

***

A thirtysomething charity worker’s birthday weekend at the country house of rich friends from his student days turns into a nightmare – out in cinemas on Friday, June 10th

Pete (Tom Stourton, who co-wrote this with Tom Palmer, with both of them producers here) heads off to the house of rich friends in Devon he hasn’t seen since university days for a weekend celebrating his 31st birthday. He doesn’t know the area well and gets lost en route. He’s a bit shocked to find a dog tied up in a field and far more shocked when he disturbs a man sleeping in a parked car who goes berserk and pursues him like a madman, causing the panicking Pete to rapidly flee in his car.

He parks by a gate and a local comes over. “Do you know the way to the manor?”, he asks. “Yes,” comes the reply. “Could you tell it me then,” he asks again. “Yes, I can,” comes the reply. Eventually, he gets the address out of the man. He later relays this story to his friends at the manor, unaware that the man, Norman (Christopher Fairbank), the local who looks after the grounds, has just come in the door behind him.… Read the rest

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Il Buco

Director – Michelangelo Frammartino – 2021 – Italy – Cert. U – 93m

**1/2

A Calabrian cowherd nears the end of his life while a group of explorers journey down a deep hole to find out how deep into the ground it descends – out in cinemas on Friday, June 10th

Literally, ‘The Hole’. Frammartino again brings to the cinema the style that made his earlier Le Quattro Volte (2010) so special. He sets up the camera, often at a great distance from the action, then leaves it there to record whatever happens. The narrative of Il Buco is actually pretty simple, a recreation of an expedition by a group of young, amateur speleologists into a hole in the ground in Calabria. (Speleology is the branch of science involved in mapping and measuring the interiors of caves, natural underground systems, and the like.)

It’s 1961. We’re first introduced to the place in a shot looking out of the ground at the edge of the hole as, eventually, the heads of two bulls come into view over the ridge. An elderly cowherd watches over the grazing cattle from a position halfway up a forty degree incline hillside. As the bus leaves the rich, urban developments of Northern Italy for the still unspoiled Southern region of Calabria, we watch it slowly make its way along rounds, through a small rural town where the party stops for the night to bed down in sleeping bags in the local, Catholic Church alongside statues of monks and the crucified Christ lying on his back, across open country until it arrives at the vast plain where the explorers will set up camp.… Read the rest

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Pickpocket

Director – Robert Bresson – 1959 – France – Cert. PG – 76m

*****

Why is a man compelled to pursue acts of petty thievery – acclaimed, arresting, existential drama is out in cinemas on Friday, June 3rd

I have just rewatched Bresson’s classic and am still not entirely sure I have its measure. Perhaps that’s the thing about great works of art. Oh, to have seen it on its original release, had I been old enough, and watch it without the baggage of it being proclaimed a cinematic masterwork.

Words on the screen proclaim at the outset that this is not the thriller its title might suggest; it’s rather a study of a man who repeatedly commits crimes which is trying to understand why he would do that.

The characters, of whom the main protagonist Michel (Martin LaSalle) is the one who gets most screen time and indeed, is scarcely if ever off the scree, are played deadpan, with Bresson doing his utmost to ensure that his cast perform the roles without acting. He doesn’t want the actors’ craft to come between us and his images of people doing, being, talking. He seeks to avoid the artificiality of acting thereby allowing his performers to realise his images without any acting technique mediating them.… Read the rest

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Men

Director – Alex Garland – 2022 – UK – Cert. 15 – 100m

***

An urban woman dealing with separation and bereavement encounters several men with the same face in an English village – out in cinemas on Wednesday, June 1st

A face passes before the eyes of Harper (Jessie Buckley) as her husband James (Paapa Essiedu) falls to his death from the balcony above their London flat. It’s the Spring. She drives to a house in the country – strictly speaking, in a small rural village – which she’s rented for two weeks to get away from it all.

There, she meets well-to-do landlord Geoffrey (Rory Kinnear) who shows her round the property and hands over the keys. He’s an affable and chivalrous sort of chap who insists of bringing her bags in from the car and can’t stop talking; he might have walked straight in from the previous century or even the one before. He mentions that the TV reception can be a bit iffy, especially when it’s raining, and also recommends a visit to the village pub.

She’s glad when he’s left and promptly calls her partner Riley (Gayle Rankin), who she will be in touch with this way on and off throughout the narrative and who will eventually drive over to see her, the only time we ever see Riley in the flesh.… Read the rest

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The Burning Sea
(Nordsjøen)

Director – John Andreas Andersen – 2022 – Norway – Cert. 12 – 104m

***

An underwater technician attempts to rescue her lover who is trapped and probably dead on an oil rig amidst impending ecological disaster – out on digital on Monday, May 30th

The Norwegian title translates literally as North Sea, so renaming the film The Burning Sea makes it sound more dramatic and ups the ante considerably. That increased selling point comes at a price, though. Instead of an oil rig disaster movie, you’re now expecting a sea on fire movie which doesn’t happen ’til the last reel. Still, director Andersen’s films include the impressive disaster movie The Quake (2018) while the writing team of Harald Rosenløw-Eeg (The Quake, 2018; The Wave, Roar Uthaug, 2015) and Lars Gudmestad (Headhunters, Morten Tyldum, 2011) looks promising enough. Unlike those films, however, this one lapses fairly quickly into cliché.

It spends its first 10 minutes largely on romantic drama with Sofia (Kristine Kujath Thorp from the wonderful Ninjababy, Yngvild Sve Flikke, 2021) content to be living her life with lover Stian (Henrik Bjelland) and his pre-teen son Odin (Nils Elias Olsen) at a distance rather than living together permanently with them.… Read the rest

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Psycho

Director – Alfred Hitchcock – 1960 – US – Cert. 15 – 109 m

*****

A woman steals some money she’s supposed to bank at work and leaves town, winding up at a motel off the highway… where terrible events ensue – back out in cinemas on Friday, May 27th

(Warning: may contain spoilers.)

Often imitated, never equalled, Psycho sits so large in the firmament of cinema that it’s impossible to write about it as if seeing it for the first time. Hitchcock reused to admit cinemagoers after the film had started – a radical idea in a time when punters would show up, go in, watch ’til the end, watch from the point where they came in, then leave. “We won’t allow you to cheat yourself” ran the foyer blurb agreed between Hitch and Universal.

By the time I first saw the film, twenty years after its initial release on a BBC TV rerun some time in the late seventies / early eighties, I had seen clips of various scenes, probably in a BBC documentary about Hitchcock. Definitely the notorious shower scene. Probably the patrol man. Probably the staircase murder. Probably the skull lit by the swinging light bulb. Probably Norman as Mother saying, “she wouldn’t even harm a fly” with the briefest of lap dissolves to the human skull.… Read the rest

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Get Carter
(1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest

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Animation Features Movies

Tokyo Godfathers
(Tokyo Goddofazazu,
東京
ゴッドファーザーズ)

Director – Satoshi Kon – 2003 – Japan – Cert. 12 – 91m

*****

Three homeless people – a drag queen, a hard drinker and a runaway teenage girl – find an abandoned baby at Christmas and resolve to return her to her parents – plays in the Anime season April / May 2022 at BFI Southbank

This opens with a nativity play to an audience of what one initially presumes to be admiring parents, a perception rapidly revised with the realisation that what is on offer is a programme of ‘nativity play, sermon, dinner’ for Tokyo’s homeless, with the first two items something to endure in order to access the much wanted third one. Any thought that the film is going to deal with religion is however swiftly dismissed with the introduction of three homeless characters holed up in an empty house containing a piles of discarded and bagged up goods, one of which turns out to contain an abandoned baby.

Teenage runaway Miyuki (voice: Aya Okamoto) has fallen in with two men old enough to be her father (if not her grandfather) who look out for her: the cross-dressing Miss Hana (voice: Yoshiaki Umegaki) and the hard-drinking Gin (voice: Toru Emori).… Read the rest

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Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

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The Worst Person
In The World
(Verdens Verste
Menneske)

Director – Joachim Trier – 2021 – Norway – Cert. 15 – 128m

*****

A young woman learns about both herself and life through two personal relationships – twice Oscar-nominated film is on MUBI from Friday, May 13th

Trying to reinvent herself, Julie (Renate Reinsve) spends her student days moving from medicine into psychology (believing she’s more interested in what’s inside than skin and bones) then photography as she decides she’s a visual person. Suddenly the world opens up to her, she’s meeting new people and before long she’s moved in with popular comic book artist Aksel (Anders Danielsen Lie from 22 July, Paul Greengrass, 2018; Personal Shopper, Oliver Assayas, 2016). He is 15 years older than her and wants to have kids (he’s the only one in his family who hasn’t yet done so). She isn’t currently ready for that.

One night, after being pictured standing on an Oslo balcony in a repeat of the shot that opens the film, she leaves early from Aksel’s latest book launch and walking home gatecrashes a wedding party where she meets Elvind (Herbert Nodrum), their conversation gets very deep very quickly and they agree that neither of them will cheat on their respective partners, but then, as Julie says, where do you draw the line?… Read the rest

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The Batman

Director – Matt Reeves – 2022 – US – Cert. 15 – 175m

****

A reinvention of the popular superhero alongside his iconic villain adversaries in a Gotham City run by corrupt elites and gangsters – out in cinemas on Friday, March 4th; home premiere available to rent from Tuesday, April 19th

The posters for Warner Bros.’ second Batman movie Batman Returns (Tim Burton, 1992) announced it with the names of three iconic characters: The Bat, The Cat, The Penguin. They could have done similar here, although The Bat, The Cat, The Penguin, The Riddler doesn’t quite work as an animal-themed slogan. However, The Batman is a very different movie – and not just because of the addition of the Riddler.

Of all the superheroes, Batman is arguably the richest in terms of raw material and its potential for reinvention. This new film is quite unlike the Nolan films which preceded it which in turn is quite unlike the Burton films which preceded them which are quite unlike the art deco animated Batman TV series which in turn is quite unlike the sixties TV series which preceded that.

In movies as in comics, Batman, Gotham City and its accompanying cast of characters appear ripe for reinvention in a way that no other superhero and their world quite does.… Read the rest

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Operation Mincemeat

Director – John Madden – 2021 – UK – Cert. 12a – 127m

*****

The British WW2 deception involving a corpse and fake documents to make Germany think the Allies are landing in Greece rather than Sicily – out in cinemas on Friday, April 15th

At the height of World War II, the Allies plan a mass landing at Sicily. They want the Germans to think it’s going to happen in Greece to reduce Allied casualties. In a Whitehall Admiralty basement operates the Twenty Committee, so-called after its initials XX (or double-cross) and its work managing double or triple agents (this work of the committee isn’t really alluded to in the film although a British triple agent appears later on and plays a fairly important part in the plot, which will include some racy if subtly understated physical sexual activity). On the floors above are top brass Admiral John Godfrey (Jason Isaacs) and his assistant Ian Fleming (Johnny Flynn), the latter devouring novels and constantly bashing out prose on his typewriter in every spare moment.

The office in the basement itself is run with a rod of iron by the fearsome Hester Leggett (Penelope Wilton) while the Committee’s top man is Ewen Montagu (Colin Firth), a former Old Bailey lawyer whose friends believe to be in charge of naval supplies.… Read the rest

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The Northman

Director – Robert Eggers – 2022 – US – Cert. 15 – 136m

*****

A 10th Century Viking prince vows revenge on his father king’s killer and sees it through to death – out in cinemas on Friday, April 15th

Young Viking Prince Amleth (Oscar Novak from The Batman) is thrilled when his warrior father King Aurvandil War-Raven (Ethan Hawke) returns with a line of prisoners in two to his fortified stronghold and Queen Gudrún (Nicole Kidman). Father and son are devoted to each other, participating in a private ritual involving bodily sounds and consumption of an hallucinogenic liquid that causes the boy to experience a vision of his family line: a tree of life where the trunk is a spine and branches are umbilical cords attached to grown kings as the viewpoint pans up reveal the boy attached to the highest cord. He is now prepared to take over the rule of the kingdom when his father dies.

He doesn’t seem to get on quite so well with his mother, who warns him never to enter her room unannounced. At a banquet in honour of Aurvandil, his dour brother Fjölnir (Claes Bang from The Square, Ruben Östlund, 2017) takes exception to court jester Heimir the Fool (Willem Dafoe).… Read the rest

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Art Features Live Action Movies

Benedetta

Sins of the flesh

Benedetta
Directed by Paul Verhoeven
Certificate 18, 131 minutes
Released 15 April

The Dutch director Paul Verhoeven revels in controversy… His latest work, Benedetta, is… sexually explicit, but also tackles religion within a historical context. It clearly has plenty of potential to offend.

Benedetta is based on the story of the 17th-century Italian nun Benedetta Carlini who had visions and exhibited stigmata. She became an abbess and was investigated and discredited by Catholic officials. There were suggestions that Benedetta’s visionary traffic was with the Devil rather than God, while various nuns’ testimonies claimed her stigmata to be faked. Her roommate Bartolomea confessed to regular sexual activity with Benedetta. Benedetta was demoted.

Verhoeven eschews historical accuracy for the spiritual, the spectacular and the carnal… [Read more…]

Full review published in Reform magazine.

See also my alternative review.

Teaser trailer:

Trailer:

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Features Live Action Movies

The Duke

Director – Roger Michell – 2020 – UK – Cert. 12a – 96m

**1/2

A man steals Goya’s painting of The Duke Of Wellingon from the National Gallery in 1961… Based on a true story – out to rent on PVoD on Monday, April 11th

1960s Newcastle. Kempton Bunton (Jim Broadbent) wages a one-man war against pensioners paying the licence fee. He removes the BBC coil so that the set will only play ITV. His wife Dorothy (Helen Mirren), a cleaner for the wife of a local councillor, just wants him to behave like every else and try and fit in. Seeing the nation pay £140 000 to stop Goya’s painting of The Duke Of Wellington being sold abroad, he can only think of how much better the money could be spent – how many pensioners’ TV licences it could cover, for example.

Thus, he takes a trip to London to deliver an unsolicited manuscript of a play to the BBC, then lobby both Parliament and the press (The Daily Express) about free licences. All of which endeavours meet with failure. However, a plan to steal The Duke from the National Gallery works and the painting is soon in his back bedroom, where son Jack (Fionn Whitehead from Dunkirk, Christopher Nolan, 2017) bills a false wall in the wardrobe to help him hide it. … Read the rest

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Compartment
No. 6
(Hytti Nro 6)

Director – Juho Kuosmanen – 2021 – Finland – Cert. 15 – 107m

*****

A student taking a long, sleeper train from Moscow to the Arctic finds herself sharing a compartment with a drunken male slob – out in cinemas on Friday, April 8th

Finnish archaeology student Laura (Seidi Haarla) lives in Moscow with her life of the party, professor lover Irina (Dinara Druckerova) in the latter’s Moscow flat where life is a constant round of social gatherings and parties. Irina’s busy schedule causes her to drop out of a proposed visit to Murmansk to see the petroglyphs, so Laura takes the Artika train (Artic train) alone and finds herself sharing her first class, two person sleeper cabin with Lhoja (Yuriy Borisov from Petrov’s Flu, Kirill Serebrennikov, 2021) who knocks back the vodka and leaves half-eaten packets of food all over the shared table. She takes an immediate dislike to him.

And that’s the setup of the film: not so much a road movie as a rail movie, the bulk of what follows taking place on the train (a fascinating location in itself) with off-train episodes at various stops en route including St. Petersburg (which places the year at 1991 or after when the city was renamed from Leningrad) and a finale in Murmansk.… Read the rest

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Features Live Action Movies

Fantastic Beasts:
The Secrets
Of Dumbledore

Director – David Yates – 2022 – UK – Cert. 12a – 142m

***

In the 1930s, Newt Scamander, Albus Dumbledore and others attempt to prevent the despotic wizard Grindlewald from seizing power in a wizard’s election in J.K. Rowling’s third Fantastic Beasts movie – out in cinemas on Friday, April 8th

It’s difficult to know where to start with the third of J.K. Rowling’s self-penned Fantastic Beasts productions. A plethora of characters who apart from a few main ones quickly get confusing, some genuinely fantastic beasts as you would hope and some truly great underlying ideas poorly served by a narrative that doesn’t seem to understand basic storytelling in cinema. Perhaps if I’d immersed myself in all the books and films and whatever else is out there, it would make more sense (and no doubt this is what much of the dedicated fan audience will do), but as a standalone film, even one that’s a part of an ongoing saga, it makes little sense, although certain sequences are terrific.

The big ideas here are built around a creature called a Qilin (pronounced chillin) – a beast borrowed from Chinese and Far Eastern mythology – specifically an orphaned newborn Qilin that looks a lot like a golden version of Bambi, a resemblance underscored by the fate meted out to its mother in the opening reel.… Read the rest

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In Fabric

Director – Peter Strickland – 2018 – UK – Cert. 15 – 118m

*****

A red dress bought from and returned to a department store wreaks terrible fates on serial owners in a film much stranger and more worthwhile than it sounds – now on MUBI and Curzon Home Cinema

A wildly inventive and unashamedly British affair, Strickland’s latest film mixes tacky 1970s aesthetics with several workplaces – a department store, a personal loans company and a washing machine repair firm. Clothing emporium Dentley & Soper is run on a series of arcane regulations, obedience to the seemingly arbitrary rules for conduct of personnel at Waingel’s Bank is encouraged by smarmy middle management types Stash and Clive (Julian Barrett and Steve Oram) while washing machine repair firm Slaverton’s Wash insists any personnel who mend their own machines must do so on the firm’s books.

Although the film is constructed on the portmanteau template used in many horror films, whether it’s a horror movie as such rather than a very strange and stylish arthouse movie is open to debate. Loosely linked narratives are woven around serial characters – Waingel’s employee Sheila (Marianne Jean-Baptiste), Slaverton’s repair man Reg Speaks (Leo Bill) and his fiancée Babs (Hayley Squires).… Read the rest

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Bad Luck Banging
or Loony Porn
(Babardeală
Cu Bucluc
Sau Porno
Balamuc)

Director – Radu Jude – 2021 – Romania – Cert. 18 – 106m

*****

A teacher becomes the subject of controversy after her husband’s private sex tape is posted online – on BFI Player Subscription from Friday, April 1st

Park your prejudices at the door! The opening three or so minutes of this will surprise or possibly even shock you – basically, hard core, live action genital sex images of a man and a woman, no holds barred. Real, not simulated. And real in other senses too – banging… knocking… (oh God, double entendres, can’t see how to avoid them here) on the door as our couple go at it… Her mother, one imagines, heard through the wall… “Emi, are you asleep” – Emi’s reply, “please leave us alone” – her mother again, “the little one hasn’t sanitised”…

Yes, it’s the world of immediate, post-lockdown pandemic, with people wearing masks and social distancing (or not, if they don’t get it). That wasn’t in the script but when director Jude was shooting in Bucharest: Romania was coming out of lockdown, and he decided to incorporate that into his film. Most contemporary films pretend we’re in a world where Covid-19 never happened or isn’t happening, so we just carry on as normal.… Read the rest

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Animation Features Movies

The Bad Guys

Director – Pierre Perifel – 2022 – US – Cert. U – 100m

****1/2

A group of criminal animals led by a wolf mastermind pretend to go straight to pull off their greatest job ever – animated feature previews Saturday and Sunday, March 26th & 27th, out in cinemas on Friday, April 1st

It sounds a near impossible feat to pull off, yet The Bad Guys manages to successfully parody the meanness and violence of the gangster movie genre in a children’s animated film without any of the meanness and violence normally associated with that genre. It opens with two guys (well, a wolf and a snake) hanging out in a restaurant shooting the breeze. Yes, there’s only the two of them, but anyone who knows their gangster movies will immediately think of the six guys sitting around a restaurant table at the start of Reservoir Dogs (Quentin Tarantino, 1993) and to underscore the point, the characters are called Mr. Wolf and Mr. Snake (along with, when we meet them shortly after, Ms. Tarantula, Mr. Piranha and Mr. Shark). They’re animals, but they could just as easily have been colours.

As his animal type suggests, Mr Wolf (voice: Sam Rockwell) is the leader of the pack.… Read the rest

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Animation Dance Features Live Action Movies Music

Coppelia

Directors – Jeff Tudor, Steven de Beul, Ben Tesseur – 2021 – Netherlands, Germany, Belgium – Cert. U – 82m

****

People in an idyllic town must thwart the nefarious plans of a mad scientist in this extraordinary amalgam of dance, live action performers and animation – out in cinemas in the UK on Friday, April 1st

This isn’t the first movie to combine live action with animation nor will it be the last and while it has numerous echoes of movies intentional or otherwise, it’s very much its own vision. First and foremost a dance piece but far from mere ‘filmed dance’, it will appeal as much to admirers of the twin arts of cinema and animation as to devotees of dance. Being entirely devoid of verbal language, it’ll attract lovers of silent cinema too. (One can imagine the film shown mute with a live orchestra playing the score.)

The lack of verbal language means that the characters are never named (just like in a ballet where you’d refer to a cast list in an accompanying programme) although tags for a number of them are obvious – several shop owners include a bicycle repair man (Daniel Camargo), a florist, a hairdresser (Jan Kooijman) and a baker of bread and cakes (Irek Mukhamedov) while a dance studio hosts a ballet teacher (Igoné de Jongh) and her child student troupe.… Read the rest

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Animation Features Live Action Movies

Sonic
The Hedgehog 2

Director – Jeff Fowler – 2022 – US – Cert. PG – 122m

**1/2

Sonic teams with Tails The Fox to battle the dastardly Dr. Robotnik and powerful, red nemesis Knuckles – out in cinemas on Friday, April 1st.

With Dr. Robotnik (Jim Carrey) trapped on a mushroom planet, Sonic The Hedgehog (voice: Ben Schwartz) is busy trying to recreate himself as Batman-modelled superhero Blue Justice, but after his attempts to stop robbers in a security van end up decimating an entire block of the city with their explosives, that doesn’t look quite such a smart career move.

Meanwhile, the dastardly Dr. Robotnik is building a device to open a portal and return himself to Earth, where he seeks the green diamond which will give its owner ultimate power. Once opened, the portal introduces Robotnik to Knuckles (voice: Idris Elba), basically a bigger and more powerful red-furred version of the blue-furred Sonic with far more physical power and far less intelligence.

Now living with human substitute parents Tom (James Marsden) and Maddie (Tika Sumpter) in homely Green Hills, Montana, Sonic although described in the press handouts as a teenager is to all purposes played as a pre-teen boy keen to go off on his own and have adventures but not quite independent enough to do so (a conundrum that doesn’t really work).… Read the rest

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Features Live Action Movies

Mouthpiece

Director – Patricia Rozema – 2018 – Canada – Cert. 15 – 91m

****1/2

Tall Cassie and short Cassie struggle to find the words for the eulogy for their mother’s funeral after she dies suddenly and unexpectedly – on MUBI from Thursday, March 24th

Christmas. Tall Cassie (Amy Nostbakken) and short Cassie (Norah Sadova) get drunk in a bar with friends, make their way home on their (one) bicycle and collapse into bed, ignoring the flood of mobile messages which they don’t pick up ‘til the next, sunny morning. They answer. It’s bad news. Their mum has died. Could she pick the flowers? Danny is going to do the speech.

But Cassie is the writer in the family and she won’t have it. She’ll do the speech herself. Danny isn’t capable of doing it. Although she doesn’t yet know what to say. And the funeral is in 48 hours.

Welcome to the world of sudden parental bereavement where things you know to be solid and true fold and crumple before your eyes. Where you are flooded with random memories as you try to make sense of it all. There are social rituals and structures supposedly to help you deal with this – ordering the flowers, choosing suitable clothes to wear, picking out the coffin, writing a eulogy for the deceased, attending a funeral service.… Read the rest

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Features Live Action Movies

I’ve Heard
The Mermaids
Singing

Director – Patricia Rozema – 1987 – Canada – Cert. PG – 84m

****

A naive, amateur photographer comes unstuck as she gets to know a sophisticated art gallery owner – on MUBI from Wednesday, March 23rd

Polly (Sheila McCarthy) – an obsessive amateur photographer with her own darkroom – is blessed with a rich imagination and accompanying fantasy life in which she walks on water and climbs up the side of buildings. Being a scatterbrained social disaster area she is unable to hold down a job. She tells confessionally how the position of temporary secretary in the svelte Gabrielle’s art gallery didn’t work out – a tale relevant to us all, especially in these days of high unemployment. Sheila McCarthy is a perfect piece of casting with her sparklingly expressive eyes.

Gabrielle (Paule Baillargeon) is everything Polly admires – beautiful, intelligent, successful and articulate. Polly falls in love with Gabrielle and dreams of the two of them dressed in fine clothes, talking about art. The reality is that Polly dresses in polyester clothing, is completely inarticulate, and has a poor employment record.

Gabrielle is secretly involved in an art world scam with her business partner; inevitably, Polly’s naive, private world comes up against the sophisticated cunning of Gabrielle’s.… Read the rest

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Hive

Director – Blerta Basholli – 2021 – Kosovo – Cert. 15 – 84m

***

A woman whose husband went missing during the war encounters prejudice when she starts a small business to support herself and her family – out in cinemas on Friday, March 18th

Kosovan woman Fahrije (Yllka Gashi) lives with her teenage daughter and younger son and her father-in-law Haxhiu (Çun Lajçi). Her absent husband disappeared during the war and is likely dead, but no-one knows for certain and she keeps looking whenever more graves are discovered, often with clothes of the victims rather than their bodies. So far she has been unable to identify him, something of an emotional nightmare. She still tends his beehives, but occasionally gets stung and wonders how he managed to avoid that. Answer: he had a way with bees that she doesn’t.

However, life must go on and in the absence of a male breadwinner, she must provide income to feed herself, her kids and her father-in-law. She meets with other women in the village, some of whom are presumably in the same situation as she, and decides to set up a food business, making and selling jars of Avjar (roasted red pepper spread).… Read the rest

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Deep Water
(2022)

Director – Adrian Lyne – 2022 – US – Cert. US-R – 115m

****

A man is jealous of the lovers of his beautiful but promiscuous wife who start mysteriously dying one by one – out on Prime Video in the UK on Friday, March 18th

Vic (Ben Affleck) is devoted to his wife Melinda (Ana de Armas from No Time To Die, 2021, Cary Joji Fukunaga) for whom he would do anything, including give her her freedom. Since she doesn’t like being tied down to just one man, this means the freedom to sleep with any man she wants. She drinks a lot too and often stays out all night, refusing to tell Vic where she’s been in the morning. The trouble is, some time ago she slept with a man named MacRae and he vanished. Disappeared. No-one knows what happened to him.

Then one night, at a party he’s hosting, Vic scares Melinda’s current lover Joel (Brendan C. Miller) by confessing to the crime, by way of a joke. Or is it? Joel is inclined to think Vic the murderer. After a job offer causes Joel to leave the area, Melinda starts meeting a piano teacher Charles (Jacob Elordi).… Read the rest

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The Handmaiden
(Ah-ga-ssi,
아가씨)

Director – Park Chan-wook – 2016 – South Korea – Cert. 18 – 155m

****1/2

Available on BFI Player from Friday, March 18th

Weighing in at a lengthy two and a half hours, this lavish, sexually-explicit, South Korean pot-boiler is based on Sarah Waters’ 2002 novel Fingersmith, but moves the location from Victorian England to Japanese colonial-era Korea.

Waters’ tale concerns a conman’s plot to marry and then defraud a wealthy English heiress by confining her to an asylum. He bribes a young London pickpocket (the titular ‘fingersmith’) to take on a job as the wealthy lady’s maid, hoping to get her to persuade the woman to marry him. However, his plan falls apart when the two women fall for each other.

When director Park Chan-wook discovered the BBC had already made a 2005 miniseries, he transposed the plot to 1930s Korea (a Japanese colony at the time), co-writing his script with regular female collaborator Jeong Seo-kyeong. Broadly speaking, it substitutes well-off Japanese for well-off English, and Koreans for everyone else. The print being released in UK cinemas helpfully subtitles Japanese dialogue in yellow and Korean dialogue in white… [Read the rest]

Reviewed for All The Anime.… Read the rest

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Tucked

Director – Jamie Patterson – 2018 – UK – Cert.15 – 80m

*****

An ageing drag queen with weeks to live takes a younger performer under his wing – British film dealing with gender fluidity and death is available on BFI Player from Thursday, March 17th

Are you straight? So is spaghetti – ’til it gets hot and sticky.

Just one of the dirty jokes in the small club stage repertoire of ageing drag queen Jackie (Derren Nesbitt), 74. One night he collapses on his kitchen floor. He has an aggressive form of cancer and only six to seven weeks left to live.

Another night. He’s asked to show the ropes to a new performer Faith (Jordan Stephens), 21. Discovering Faith sleeping in his car, he offers the boy a home (with no untoward intentions).

Jackie dresses in women’s clothes but also likes women: outrageously gay Faith is shocked to find Jackie isn’t. Faith thinks Jackie should tell his estranged daughter that he’s dying… Read the rest

Tucked is available on BFI Player from Thursday, March 10th, 2022.

Review for DMovies.org.

Tucked was out in the UK on Friday, May 17th 2018. On DVD and VoD in September 2018.… Read the rest

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Features Live Action Movies

Cyrano

Romantic self-doubt

Cyrano
Directed by Joe Wright
Certificate 12a, 124 minutes
Released 25 February

Edmond Rostand’s 1897 romantic play Cyrano de Bergerac concerns a man who, because of his long nose, considers himself too ugly to tell the girl of his dreams and childhood friend Roxanne that he loves her. This new version ditches the nose to cast Peter Dinklage (Game Of Thrones) as the hero whose dwarfism becomes his reason for thinking Roxanne (Haley Bennett) couldn’t possibly love him. Then she falls in love… with one of the men in the regiment he commands.

However… [Read more]

Full review published in Reform magazine.

See also my alternative review.

Cyrano is nominated for Best Costume Design in the 2021/22 (94th) Oscars.

Cyrano is out in cinemas in the UK on Friday, February 25th.

Trailer:

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Features Live Action Movies

Cyrano

Director – Joe Wright – 2021 – UK – Cert. 12a – 124m

*****

The short stature of Cyrano de Bergerac makes him believe that no woman could ever love him – not even his beloved friend Roxanne, who he can’t bring himself to tell – out in cinemas on Friday, February 25th

17th Century Italy. Witty and articulate Captain of the Guard Cyrano de Bergerac (Peter Dinklage) is never at a loss for words. His rapier wit defeats any opponent, as does his rapier proper should any be foolish enough to challenge him to a duel. Being short in stature, he can’t imagine that any normal sized woman could love him for who he is.

He is therefore unable to confess his love for her to the beautiful Roxanne (Haley Bennett), the woman and lifelong childhood friend for whom he would do anything. So when she falls in love at first sight with Christian (Bashir Salahuddin), a new recruit to Cyrano’s regiment, Cyrano finds himself torn between her rejection and his desire for her to be happy with the man she loves. Unfortunately, this intelligent and free-spirited young woman enjoys nothing more than the literary cut and thrust which Cyrano is able to provide but the inarticulate and out of his depth Christian is not.… Read the rest

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Animation Dance Movies Shorts

Boxballet
(Boxbalet,
БоксБалет)

Director – Anton Dyakov – 2020 – Russia – 15m 15s

*****

A pencil-thin ballerina becomes involved with a rough, stocky boxer. Some things seem destined not to be… And yet… – nominated for Best Animated Short in the 2021/22 (94th) Oscars

Olya and Evgeny live near each other’s flats. When running to catch the subway train, tall, thin ballerina Olya’s movements are grace personified, the epitome of precision timing. The world of shorter, stocky boxer Evgeny, whose face is a patchwork of scars from his career in the ring, couldn’t be more different. Should she object to the hands of her choreographer on her leg when he’s showing her the position she needs to achieve? Is he being a little overly fresh? She’s unaware of Evgeny buying booze from the local shop and drinking it at home.

Then one day, he sees her in distress and rescues her cat from a tree. She invites him in for a cup of tea, but his embarrassment there causes him to know a cup off the table, breaking it. She takes him to an art gallery, a shooting gallery, roller skating. He retrieves her bag after she’s robbed in broad daylight. He goes to watch her at the ballet, but sees her drive off with her choreographer.… Read the rest

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Belfast

Director – Kenneth Branagh – 2021 – UK – Cert. 12a – 98m

*****

1969, Belfast, Northern Ireland. The life of a young boy and his family is impacted by The Troubles as Christian sectarianism explodes into violence on their street – out in cinemas on Friday, January 21st

Bookended by colour images of contemporary Belfast, Northern Ireland, this swiftly traverses a colour montage to pan up a wall to the black and white photographed 1969 beyond. The closing moments also feature the genuinely touching legend, “For the ones who stayed, For the ones who left, And for the ones who were lost.”

Elsewhere, apart from family trips to the cinema to see the likes of Chitty Chitty Bang Bang (Ken Hughes, 1968), where the clips from the movie and light reflected from it onto the black and white audience are in colour, everything else (including other aspects of the family cinema-going experience) is entirely in black and white.

The first ten minutes are a particularly tough watch, as images of kids playing footy, hopscotch or knights in armour (wooden swords and dustbin lids) in the streets give way to nine-year-old Buddy (ten-year-old Jude Hill) returning home to find men with clubs breaking windows on his street, hurling Molotov cocktails and shouting, “get these fockers off your street.”… Read the rest

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Nightmare Alley
(2021)

Director – Guillermo del Toro – 2021 – US – Cert. 15 – 150m

****

A former carny gets deep into trouble using mind-reading trickery on a wealthy mark – out in cinemas on Friday, January 21st. Also available on Digital Wednesday, March 16th and on Blu-ray and DVD on Monday, March 21st

After burning a body in an isolated farmhouse, Stanton Carlisle (Bradley Cooper) gets work with travelling carnival showman Clem (Willem Dafoe) via midget The Major (Mark Povinelli) and strongman Bruno (Ron Perlman). He soon ingratiates himself with mind reader Zeena (Toni Collette) who lets him into some of the secrets of her trade, but romantically he’s more interested in Molly (Rooney Mara) with whom, despite opposition from her unofficial guardian Bruno, he runs away intent on working a lucrative act on a wealthier audience to make larger amounts of money.

One night, during a residency at a hotel, Stanton and Molly’s show is interrupted by a woman (Cate Blanchett) trying to expose him as a fraud. Successfully navigating her heckling, he convinces Judge Kimball (Peter MacNeill) that he is in contact with the Judge’s dead son. Going against Molly’s advice not to do “spook shows”, and offering to cut in the woman, psychoanalyst Dr.… Read the rest

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Licorice Pizza

Director – Paul Thomas Anderson – 2021 – US – Cert. 15 – 133m

****

Boy meets girl in San Fernando Valley, 1973, a bizarre, meandering tale constantly firing off in new directions – out in cinemas on Saturday, January 1st

Gary Valentine (Cooper Hoffman) is walking along an outdoor school corridor when he sees Alona Kane (Alona Haim), contriving to run into her. She’s much older than him (she’s actually there helping out with individual pupil photos) and pours scorn on his attempts to ask her out for a date. But he’s persistent and possessed of a way with words, talking her into turning up at the restaurant should she feel like it, which she duly does.

When he proclaims himself an actor with some films and TV series to his credit, she assumes he’s joking around, but, no, it’s true. Needing a chaperone for a new your gig he’d otherwise be unable to attend, he gives her the job. He also has his own PR company whose clients include a Japanese restaurant, has a good head for business, and is constantly chasing the latest coming trend as a means to make a fast buck.

To attempt more of a synopsis is difficult because the whole thing feels like scenes from a much longer script where lot of other scenes have been either edited out in the cutting room or possibly not even shot in the first place.… Read the rest

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Top Ten Movies
(and more)
2021

Work in progress – subject to change. Because I am still watching movies released in 2021, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/21 and 31/12/21. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. How 2022 and beyond will look is anyone’s guess.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2021. A link to that even longer list will be added here in due course.

Finally, last year’s list is here.

Top Ten (UK theatrical + online movie releases 2021)

Please click on titles to see reviews. (Some links yet to be added.)

1. Getting Away With Murder(s) (UK)

2.… Read the rest

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No Time To Die

Director – Cary Joji Fukunaga – 2021 – UK – Cert. 12a – 163m

*****

We have all the time in the world. The new Bond movie gives Daniel Craig’s James Bond unexpected space to deal with human relationships and mortality – out on Blu-ray and DVD in the UK on Monday, December 20th and the US on Tuesday, December 21st

With its release delayed for over a year because of the global COVID-19 pandemic, Daniel Craig’s final screen outing as James Bond 007 finally arrives in UK cinemas, a week ahead of US release. Which is as it should be: Bond is British after all.

And yet, the plot sees Bond, now retired and living (like his late creator Ian Fleming towards the end of his life) in Jamaica, help out not MI6 but the CIA in the form of Felix Leiter (Jeffrey Wright in his third outing in the role opposite Craig’s Bond.).

The snowbound opening shows a little girl’s mother killed by a man wearing a Noh mask over a disfigured face; in the space of an edit, the little girl grows up to become Madeleine Swann (Léa Seydoux), previously Bond’s love interest in Spectre (Sam Mendes, 2015) and still together with him here.… Read the rest

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Spider-Man:
No Way Home

Director – Jon Watts – 2021 – US – Cert. 12a – 150m

***1/2

With Spider-man’s identity revealed as Peter Parker, he enlists Dr. Strange’s magic to restore the world to its state before that revelation – out in cinemas on Wednesday, December 15th

Hard to remember now but there was a time before the millennium when a big screen Spider-Man adaptation was something no-one thought would ever get made. Following the hugely successful Spider-Man (Sam Raimi, 2002) there have effectively been three series of movies, with reboots The Amazing Spider-Man (Marc Webb, 2012) and the Marvel Cinematic Universe (MCU)-compliant Spider-Man: Homecoming (Jon Watts, 2107) plus three further appearances of the character in the MCU since 2016 (Captain America: Civil War, 2016; Avengers: Infinity War, 2018; Avengers: Endgame, 2019; all Joe and Anthony Russo). In the 2002-initiated cycle, the character was played by Tobey Maguire, in the 2012, Andrew Garfield and in the MCU / 2017, Tom Holland. The latter in Jon Watts’ films is particularly good at portraying Peter / Spider-Man as a gawky, insecure teenager.

There’s even a (hugely inventive) animated film Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) which sadly isn’t referenced in the current film.… Read the rest

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West Side Story
(2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Invasion
Of The Body
Snatchers

Director – Don Siegel – 1956 – US – Cert. PG – 80m

*****

The classic, paranoid SF outing about the residents of a small, American town being replaced by conformist, emotionless duplicates – on BFI Blu-ray from Monday, October 25th

This is an incomplete review, currently in progress…

Made in the middle of Hollywood’s 1950s B-movie Sci-Fi boom, this movie was made by Don Siegel who previously made hard-boiled crime thrillers after cutting his teeth as an editor of montage sequences in, among other things, Now, Voyager (Irving Rapper, 1942) with a striking script and a strong cast headed by Kevin McCarthy and, in her first starring role, Dana Wynter, which also includes Carolyn Jones who would later achieve fame playing Morticia Addams in The Addams Family TV series (creator David Levy, 1964).

Based on a Colliers Magazine serial by Jack Finney, it’s built around the highly potent idea of human beings being replaced by emotionless duplicates who operate as a communal whole rather than individual people. It’s often been read as a metaphor for the anti-Communist McCarthy witch hunts of the period, but as noted in the fascinating documentary Sleep No More, Invasion Of The Body Snatchers Revisited (2006), the left thought it was a satire on the right while the right thought it was a satire on the left.… Read the rest

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Moving On
(Nam-mae-wui
Yeo-reum-bam,
남매의 여름밤)

Director – Yoon Dan-bi – 2019 – South Korea – Cert. 15 – 105m

***1/2

A father takes his teenage daughter and her younger brother to stay with their ageing grandfather for the Summer – plays on MUBI as part of their New South Korean Cinema season

It’s the Summer, so dad (Yang Heung-joo) takes his two kids, teenage daughter Okju (Choi Jun-un) and smaller son Dongju (Park Seung-jun) off to stay with Grandpa (Kim Sang-dong). Moving location is no problem work-wise since he makes a living selling tennis shoes out of his small van on the street. It’s a precarious existence – at one point, he asks a man who runs a fabric shop whether he makes good money in that trade. And when Okju tries to sell some herself, she comes up against a buyer who has realised that the shoes are knock-offs.

There’s quite a bit of sibling rivalry – immediately on moving in, Okju refguses to let Dongju sleep in the room she has nabbed for herself after setting up her mosquito net. But as their aunt Mijung (Park Hyun-young) is later heard to remark, although the pair argue they actually get on with each other quite well.… Read the rest

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The Mauritanian

Director – Kevin Macdonald – 2021 – UK – Cert. 15 – 129m

****

A pro bono lawyer defends a post-9/11 terrorist suspect in Guantánamo Bay against his US Army prosecutor – plays Curzon Home Cinema rental from Monday, October 4th

Based on a true story, this kicks off in Mauritania, North West Africa in November 2001 – as a title tells us, two months after 9/11. Mohamedou Ould Slahi (Tahar Rahim) walks on a beach then attends a Muslim wedding in Mauritania, to which he’s returned after living in abroad in Germany. During the celebrations, two local cops turn up and want him to come for questioning about his brother, whose current whereabouts he reminds them he doesn’t know. “The Americans are going crazy since the attacks two months ago,” they tell him. Momentarily alone, changing out of celebratory robes into something more casual, he erases his mobile phone contacts before agreeing to go with them.

Three years later, New Mexico law firm partner Nancy Hollander (Jodie Foster) learns of his disappearance and that the story has just broken in Der Spiegel that Slahi is currently allegedly being detained in Guantánamo Bay as “one of the organisers of 9/11”. The US government has recently stated that inmates have the right of ‘habeas corpus’ – if the evidence against them isn’t deemed sufficient to hold them in detention, they should be released.… Read the rest

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Getting Away
With Murder(s)

State-sanctioned killing

Getting Away With Murder(s)
Directed by David Nicholas Wilkinson
Certificate 15, 175 minutes
Released 1 October

The industrial extermination of the Holocaust included most infamously some six million Jews but also smaller numbers of other groups including Poles, gay men, the disabled and political dissidents, some 11 million people in all. It remains a stark reminder of the evil of which human beings at their worst are capable.

Getting Away With Murder(s) is a consistently compelling documentary which approaches this atrocity from an angle we’ve not really seen before: why were 99% of the perpetrators never held to account for their crimes?

The filmmaker David Wilkinson takes his camera to the sites of specific events, from the Auschwitz death camps… [read more]

Full review published in October 2021 issue of Reform.

See also my alternative review on this site.

Trailer:

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Free Guy

Director – Shawn Levy – 2021 – US – Cert. 12a – 115m

***1/2

A non-player character in a mayhem-riddled video game decides to take matters into his own hands after meeting the girl of his dreams – out in cinemas on Friday, August 13th

Guy (sic) (Ryan Reynolds) works in Free City. In a bank. Every day he selects the same shirt from his wardrobe, gets a coffee from the same barista, goes to work. Where, at specific times like clockwork, there are robberies. He and his buddy, a security guard named Buddy (sic) (Lil Rel Howery) drop to the floor where they then chat about life, love and other issues.

Then, one day, he meets Molotov (Jodie Comer), a gun-carrying girl with a British accent. He feels as if he’s known her forever, like she’s the missing piece in his life. But she’s a Specs. She wears specs. People who wear specs do things people who don’t don’t. Guy decides he’s going to steal specs from the first bank robber who comes along.

What Guy doesn’t know is that he’s an NPC (non-player character) in a video game called Free City. The game is made by a company called Soonami run by Antwan (Taika Waititi).… Read the rest

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Cruella

Director – Craig Gillespie – 2020 – US, UK – Cert. 12a – 134m

****

A 101 Dalmatians prequel. How a girl named Estella unleashed her darker personality of Cruella de Vil – in cinemas from Friday, May 28th

Disney’s project of mining their pantheon of animated classics for live action feature material continues. Here it’s the turn of Cruella de Vil, the villain from 101 Dalmatians (Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman, 1961), and a very clever reimagination it is too. It commences with her birth and cleverly conceals certain significant details of her upbringing only to reveal them at the tale’s climax and give everything that went before a completely new spin.

Estella (Tipper Siefert-Cleveland) is the daughter of Catherine (Emily Beecham). Befriended at school by Anita Darling (Florisa Kamara) but picked on by bullies, Estella gives as good as she gets, fights back and gets expelled for figuratively blotting her copybook. 

So her mother pays a visit to former employer the Baroness von Hellman (Emma Thompson) seeking help. But thanks to Estella’s refusal to do as she’s told and stay in the car and her dog Buddy’s strikingly similar refusal to obey Estella this plan goes fatally wrong.… Read the rest

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Animation Movies Shorts

If Anything Happens
I Love You

Directors – Will McCormack, Michael Govier – 2020 – US – 12m

*****

A couple and their spirit selves are haunted by a tragic loss from their family’s past in this beautifully economic, drawn animated short about grief and loss – on Netflix and winner of Best Animated Short at the 2020 / 2021 (93rd) Oscars

Drawn animation. A couple eat at home. Meatballs and spaghetti. Silently. Drawn in stark, gloomy black and white lines. Behind them, in sharply outlined areas of black smudge, the shadows of their spirit selves or perhaps their memories argue. This relationship is in trouble.

They go about the business of everyday living, in empty black and white, trying to snatch moments of individual joy where they can. He wanders round the outside of the house, noticing once again that bit of plasterwork he really should get fixed. She tends the potted plants and takes the laundry out of the machine, picking up the child-sized blue t-shirt. He sits watching the TV with a can of drink. She wanders into the bedroom with the empty bed and somehow the record player and a pop song gets turned on.

Happier times, playing football with their daughter (10) in the garden, the ball taking off a chuck of the wall cladding.… Read the rest

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Better Days
(Shaonian De Ni,
少年的你)

Director – Derek Tsang – 2019 – China – 12A – 135m

***1/2

A bullied exam student is protected from her tormentors by and seeks solace in the company of a small time street criminal – from the London East Asia Film Festival (LEAFF), on now, and Hong Kong’s entry for the 2020/2021 Oscars

The combination of impending exams and bullying by her peers causes student Hu to throw herself off the rooftop of a school building. Feeling guilty because she never stood up for the girl, fellow student Chen Nian (Zhou Dongyu) covers the dead girl’s face to protect it from prying eyes and smartphone cameras. The next thing Chen knows, the late girl’s three bullies, led by the well-heeled and vindictive Wei Lai (Zhou Ye) have it in for her.

Not that Chen is having an easy time of it anyway. In the short term she’s being questioned by police about Hu’s death and like everyone else there’s the huge pressure of impending Gaokao university entrance exams, doing well in which is packaged in school rally chants as not failing the country or your parents. Her single parent mum (Wu Yue), beset with parental inadequacy as she tries to scrape a living from selling illegal goods away from home, has successfully convinced Chen that studying hard and getting excellent exam results is a way out of the poverty trap in which the family find themselves.… Read the rest

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Parasite
(Gisaengchung,
기생충)
(Black & White Edition)

Director – Bong Joon Ho – 2019 – South Korea – Cert. 15 – 132m

*****

Opens in UK Cinemas (hooray!) exclusively for a week at Curzon Mayfair from Friday, July 24th. Also available on Curzon Home Cinema.

Read my reviews of the colour version of Parasite in All The Anime and Reform too.

It’s a safe bet that as anyone going to see the black & white edition of Parasite has already seen the colour version. Possibly several times, as it seems to be a movie in which you see new things with each viewing. In my case, I’ve already reviewed it twice (for two different publications). This review assumes you’ve already seen the colour version. If you haven’t, start with one of those reviews then see the colour version first.

So the big question is, is the black & white edition a waste of space where you’re watching the film drained of its colour and wondering why you bothered? Or does it add something to viewing the film?

The answer happily is the latter. 

I must admit I struggled with the opening scenes in the Kims’ basement flat. The street seen through the window seemed to emphasise length and distance more, but somehow watching black & white takes you back to an earlier period, say film noir in the fifties, and to see the son Kim Ki-woo hunting around for a hackable wi-fi signal with his mobile held aloft jarred with that.… Read the rest

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Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest

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Opera

Director – Erick Oh – 2020 – South Korea – 9m

*****

Compelling, Oscar-nominated schematic of a self-contained society’s infrastructure behaviour and movement of groups of people within it over a day and a night – from the Annecy 2021 Animation Festival in the Short Films In Competition section – Official 4

This feels like it ought to exist as an art exhibit in a gallery playing over and over again. Watching it online, I went back and immediately rewatched bits of it until I’d seen the whole thing about five times. It’s like a massive moving painting where the camera starts at the top and slowly works its way down to the bottom before slowly panning up again. It makes me wonder if an installation version exists without the panning where visitor can just watch the whole thing on repeat until they’ve taken it all in.

It’s a picture of a self-contained society with the ruler at the top (and a deity above him/her), an elite, the workers at the bottom and several strata in between. In the space of nine minutes, we watch the sun come up and the society go through its daily ritual from morning to night then daily renewal in the morning.… Read the rest

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Sound Of Metal

Director – Darius Marder – 2019 – US – Cert. 15 – 120m

****1/2

A drummer must come to terms with a sudden loss of hearing which threatens everything he has worked to achieve – already out on Amazon Prime, in cinemas from Monday, May 17th

This is a triptych about the onset of hearing loss in the context of rock and roll, a redemptive rehabilitation to the world of deafness in an isolated rural community run by and for deaf people and an attempt after recovering one’s hearing to some extent via surgical implants to come to terms with the fact that life following hearing loss can never be quite the same again. The two hour film splits roughly into three very different sections along these three lines.

Ruben (Riz Ahmed) and Lou (Olivia Cooke) are touring the States in their RV as a two person metal band, she on guitar and vocals, he on drums. Performances on stage are loud and energetic to enthusiastic crowds. In complete contrast to those moments of adrenaline rush, Ruben’s days are comparatively quiet. His morning routine consists of getting up early while Lou is asleep, doing some push-ups, putting on the coffee, dusting the mixing console while listening to 1930s jazz, making two smoothies.… Read the rest

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Nomadland

Director – Chloé Zhao – 2020 – US – Cert. 12a – 107m

****1/2

A poor widow drives around the US in her van picking up casual work where she can get it, meeting and making friends with other vandwellers – on VoD, in cinemas from Monday, May 17th

There’s a restlessness about Nomadland. In most films, the characters live in fixed abodes – houses or flats. Perhaps parts of villages, towns or cities. Not so here.

“I’m not homeless”, explains Fern (Frances McDormand) at one point to a daughter of a friend she’s not seen for years and runs into in a hardware store, ” I’m houseless. There’s a difference.” Indeed there is. 

Following the rapid economic collapse of Empire, the town where she lived, explained in a throwaway introductory title at the start, and the death of her husband, Fern has taken off in an RV and now moves from place to place, getting paid work where she can find it, meeting people and, frankly, enjoying the freedom this mobile and rootless lifestyle affords her. 

The property was originally a non-fiction book by journalist Jessica Bruder who documented the lives of so-called vandwellers living on the road following the US economic depression of 2007-2009.… Read the rest

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True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

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Judas
And The
Black Messiah

Director – Shaka King – 2021 – US – Cert. 12 – 126m

****1/2

The FBI recruit a small-time thief to infiltrate the Chicago chapter of the Black Panthers and report on rising political leader and activist Fred Hampton – two-time Oscar winner is on digital from Monday, April 26th

This cleverly and skilfully plays out both as a terrific thriller about a smart, small time crook recruited by the FBI as an undercover agent and as a chance to take a fresh look at a piece of US social history that has been presented in an unfavourable light by its largely state-sympathetic chroniclers. That piece of history is the Black Panther Party (BPP), long presented as violent insurgents intention upsetting the US status quo. However in the #BlackLivesMatter era when the police in the US have all too often shown themselves in sync with ideas of white entitlement, maybe it’s time to look at the BPP again.

I’m not sure you can totally exonerate the BPP – they did, after all, take up arms against the police although you might argue much of that’s in self-defence – but at the same time there seems to have been a lot in the organisation that’s good: social programmes and trying to help blacks and the social underclass stand on their own two feet in a system rigged against them.… Read the rest

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Eat Drink Man Woman
(Yin Shi Nan Nu,
飲食男女)

Director – Ang Lee – 1994 – Taiwan, US – Cert. PG – 124m

*****

Originally published in Home Entertainment.

Ageing restauranteur Chu (Lung Sihung) lives in Taipei with his three daughters – Christian schoolteacher Jia-Jen (Yang Kuei-mei), high-flying businesswoman Jia- Chien (Wu Chien-lieu) and teenage fast food assistant Jia-Ning (Wang Yu-wen). His problem (as with the mother in Lee’s Sense And Sensibility/1996) is that none of his daughters are married – and the clock is ticking.

Opening (scooter) traffic shot boasts encompassing sound, later rivalled by such DS subtleties as hymn singing (on a wonky Walkman) and a playground full of kids. Better yet are the cooking noises – bubbling, frying, pouring, steaming – rendered more mouth-watering still by accompanying oriental cuisine visuals. Should be watched with a lavish meal ready for consumption by the time of (or even before) the final frame.

Film 5/5

Sound 5/5

Nominated for Best Foreign Language Film at the 1994 (67th) Oscars.

Originally published in Home Entertainment.

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Pelle The Conqueror
(Pelle Erobreren)

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

***1/2

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

—

Babette’s Feast (Babettes gæstebud)

****

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

Winner of Best Foreign Language Film at the 1987 (60th) Oscars.

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This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest

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Features Live Action Movies

Babette’s Feast
(Babettes Gæstebud)

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

****

Winner of Best Foreign Language Film at the 1987 (60th) Oscars

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Pelle The Conqueror (Pelle erobreren)

***1/2

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

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This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest

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Animation Movies Shorts

The Big Snit

Director – Richard Condie – 1985 – Canada – 10 mins

*****

Both sweet and funny. The first five minutes look like exactly where we are now under the COVID-19 lockdown. It’s basically the story of an old married couple who not only love each other dearly but also get on one another’s nerves. He looks at her Scrabble tiles while she’s out of the room. He is obsessed with sawing and tunes in to the TV Show, ‘Sawing For Teens’. She, meanwhile, compulsively removes her eyes from her face and shakes them.

Five minutes in, neither of them are watching when an emergency announcement interrupts regular TV programming. If the first five minutes are about a couple isolated in their home, the second five are an end of the world scenario with nuclear missiles flying through the sky and people panicking outside in the streets. Our central couple are, however, blissfully unaware of this, caught up as they are in their own domestic squabble. Richard Condie’s drawings, colour and overall visual sense are an absolute delight and the film is hilarious. Ten minutes well spent.

Nominated for Best Animated Short at the 1985 (58th) Oscars.

Free to watch on the National Film Board of Canada’s (NFB) channel.… Read the rest

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Features Live Action Movies

Parasite
(Gisaengchung,
기생충)

Director – Bong Joon Ho – 2019 – South Korea – Cert. 15 – 132m

*****

With Parasite (Black & White Edition) due out, I review the colour version for All The Anime. Read my Reform review too.

Kim Ki-woo (Choi Woo-sik) strikes it lucky when he hears of the rich Park family, whose teenage daughter Da-hye (Jung Ziso) needs extra tuition. Sensing Mrs Park (Jo Yeo-jeong) will be a push-over, he convinces her he is the man for the job, thanks to credentials forged by his sister Ki-jung (Park So-dam). Having successfully nailed down this position, Ki-woo sets about securing similarly lucrative openings for his family, without letting on that they are blood relatives.

He first recommends his sister as the perfect tutor for the tormented and allegedly artistic Park son (Jung Hyun-jun), a job she secures by inventing bogus pop psychology theories to establish her academic credentials. Before long, the cunning Kims have framed the chauffeur and the house-keeper to nab jobs for themselves, unaware of other secrets harboured by the Parks. [Read the rest…]

Above review: All The Anime.

More reviews: Reform, Black & White Edition.

Trailer (colour) here:

Winner: Best Foreign Language Film, 2019 (92nd) Oscars.

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Features Live Action Movies

Parasite
(Gisaengchung,
기생충)

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Poor family, rich family

Parasite
Directed by Bong Joon Ho
Certificate 15, 132 minutes
Released 7 February

With income inequality on the rise in the UK, this Oscar-winning, edge-of-the seat thriller from South Korea couldn’t be more pertinent. A poor family struggling to survive at the bottom of the country’s economic food chain stumbles on an opportunity to work for an obscenely rich family who pay very well. The poor family secure themselves this work through a series of deceits and scams, stealing existing positions from the family’s chauffeur and housekeeper in the process.

The characters are engaging. The poor family fervently want to better their economic lot and leave no stone unturned to do so. Their resourcefulness is impressive, their morality less so – and yet we find ourselves liking them. The rich family are likeable too, with no suggestion whatsoever that their income has derived from dishonest or dubious sources.

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Winner of Best Foreign Language Film at the 2019 (92nd) Oscars.… Read the rest

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Animation Art Movies Shorts

Memorable
(Mémorable)

Director – Bruno Collet – 2019 – France – 12m

*****

The techniques used in this remarkable short include both computer and puppet animation, with all the surfaces of both the puppets and the sets resembling that of a canvas painted with oils. It’s the perfect artistic form in which to express the story the film wishes to tell.

Louis is a painter suffering from dementia. Neither he nor his wife and model Michelle are coping well. He struggles to recognise different items of food by name at the dinner table – a bit of a problem when Michelle asks him to pass the pepper – and attempts to eat a banana without taking the skin off it first… [read more]

Nominated for Best Animated Short at the 2019 (92nd) Oscars.

As part of my Annecy 2019 coverage, I review Memorable (Mémorable) for DMovies.org.

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Features Live Action Movies

The Third Murder
(Sandome
No Satsujin,
三度目の殺人)

Director – Hirokazu Kore-eda – 2017 – Japan – Cert. 15 – 124m

*****

For a director usually associated with family dramas like I Wish, Like Father, Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless films about journalists in search of a story, detectives trying to solve crimes and courtroom dramas of lawyers at work.

Yet there are plenty of Kore-eda concerns evident here. Ambitious young lawyer Shigemori (Masaharu Fukuyama from Like Father Like Son and John Woo’s thriller ManHunt) is a workaholic estranged from his wife. His daughter commits petty offences like shoplifting. His client Misumi (Koji Yakusho) was imprisoned for a murder over thirty years ago, but since his release has confessed to a second murder. He, too, has a daughter, but she wants nothing to do with him.

As for the murder victim, [Read the remainder of the review at All The Anime…]

Trailer:

Categories
Animation Features Movies

When Marnie
Was There
(Omoide
No Mani,
思い出
のマーニー)

Director – Hiromasa Yonebayashi – 2014 – Japan – Cert. U – 103m

****

This second animated work by Ghibli / Arrietty director Yonebayashi is another adaptation of an English children’s author – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (dubbed)

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The following review originally appeared in Funimation UK.

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Jeremy Clarke on Studio Ghibli’s latest and possibly last theatrical movie. Now showing on Netflix

Studio Ghibli’s star director Hayao Miyazaki has suggested When Marnie Was There may be its final production. That would be a great shame since the film confirms its director Hiromasa Yonebayashi as a rising talent.

Twelve year old Anna has low self-esteem, rarely interacts with others and is prone to asthma attacks. So Anna’s foster mother sends her to stay with Aunt and Uncle Oiwa in the country. Her uncle warns her to stay away from the supposedly haunted grain storage silo on the hill. The Oiwas put her up in their daughter’s long vacated bedroom.

When she opens the window an improvement is immediately visible in Anna as if the view of trees and a lake which greets her is making her aware she is breathing pure, fresh country air for the first time.… Read the rest

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Features Live Action Movies

The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Original UK release date 25/03/2016, cert.15, 113 mins

Review originally published in Third Way, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

The idea of God being an utter bastard sounds theologically none too edifying, yet in the hands of Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) that’s not the case. It’s whimsical in the same way as Ralph Richardson playing the Supreme Being bumbling around at the end of Time Bandits (Terry Gilliam, 1981) in a lounge lizard suit mumbling, “I think it has to do with free will, or something.”

Empty, present day Brussels replaces the Garden of Eden where Adam wanders around nude save for a black rectangular special effect covering his privates to meet Eve (her name tag) behind a deserted cafeteria counter. Much begatting extends their family. Grumpy old man God (Benoît Poelvoorde) writes rules for creation on his study computer, e.g. another queue always moves faster than the one you’re in. His son, as we know, went off to garner twelve disciples and four testaments.… Read the rest

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Departures
(Okuribito,
おくりびと)

Director – Yojiro Takita – 2008 – Japan – Cert. 12a – 130m

*****

An unemployed cellist finds himself working on the encoffination of corpses prior to their cremation – in cinemas Friday, December 4th 2009

Winner of 2009’s Best Foreign Film Oscar (and numerous other awards besides), this Japanese entry is a rarity in that it deals head on with death not in its horrific or violent aspects (as in numerous horror and action movies) but in a life ritual as significant as birth. Death being the last great contemporary Western taboo, we in the West ought to pay attention.

Daigo (Masahiro Motokii – Gemini, Shinya Tsukamoto, 1999) loses his new job as a cellist when the Tokyo orchestra employing him is dissolved, leaving him with a young wife to support and repayments on an expensive cello to find. Selling the instrument, the couple move back to his small home town where Daigo’s late mother has left him a house in her will.

Seeking work, he answers an ad dealing with ‘departures’, believing it a travel agency. The ad should however have read ‘the departed’, because he’s required to deal with the encoffination of corpses prior to their cremation, preparing the bodies for entry into the next life.… Read the rest