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Features Live Action Movies

Ken Russell’s
The Devils

Ken Russell’s The Devils

Director – Ken Russell – 1971 – UK – Cert. 18 – 114m

*****

Restored. Remastered. Uncensored. Ken Russell’s notorious masterpiece finally reaches the big screen as he originally intended it to be seen – from the BFI London Film Festival 2026 which runs from Wednesday, October 7th to Sunday, October 18th in cinemas and on BFI Player, a new 35mm film print previews at BFI Southbank from Friday, October 23rd to Thursday 29th, and the film is out in UK and Ireland cinemas Friday, October 30th

NSFW.

To anyone who has seen the version of The Devils released theatrically in the UK with an X certificate in 1971, and put out on DVD by the BFI about ten years ago, watching this new version has about it the sensation of tasting forbidden fruit. (If you’ve never seen that version, all I can say is, start with this one: this is the version that Russell intended.) It’s perhaps instructive to look at what has changed, in other words those scenes which were considered by the BBFC and / or distributor Warner Bros. too shocking for inclusion back in the day.

Writing about the X certificate version on its DVD release, I noted that the four areas in which the film didn’t hold back were sex, religion, politics and torture.… Read the rest

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Animation Features Movies

Rogue Trooper

Rogue Trooper

Director – Duncan Jones – 2026 – UK – Cert. 15 tbc – 90m

*****

In the ongoing war between the North and the South, a small elite fighting unit is dropped onto the planet to clear the way for advancing forces – plays in the BFI London Film Festival 2026 which runs from Wednesday, October 7th to Sunday, October 18th in cinemas and on BFI Player

To the uninitiated, Rogue Trooper was one of the staple strips of groundbreaking British comic 2000 A.D. I mention this because to a critic coming in cold to the script, where main characters are confusingly named as numbers like 19 or 27, it’s a near-impossible film to synopsise.

Which is not to say that there isn’t a plot – there most definitely is one – more that it’s difficult to sort out what’s going on from the get-go. Although this is essentially science-fiction, it may also represent one of the strongest, on-the-ground portrayals of the fog of war the cinema has given us, with much of the battlefield action quite literally shrouded in a permanent haze of smoke from gunfire and explosions.

In addition, wider shots of views of the planet deliver impressive vistas which hark back to background painting effects in movies Forbidden Planet (Fred M.… Read the rest

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Features Live Action Movies

The Uprising
(2026)

The Uprising (2026)

Director – Paul Greengrass – 2026 – UK – Cert. 15 – 128m

****

A farmer, a priest and an ex-soldier lead a march on London that will later become known as the Peasants’ Revolt of 1381 – out in UK cinemas on Friday, October 9th

1381. South East England. Ploughman (Andrew Garfield) stands, a lone figure in a desolate landscape. A commoner.

At a local village, backed up by a small retinue of soldiers representing the Crown, a tax collector is collecting annual revenue from each and every adult male, which has increased to a point where ordinary people who work the land can no longer afford to pay it.

It comes out that Ploughman has lost his wife and kids to the recent outbreak of the Black Death, and he loses his composure and gets into a fracas with a soldier over the latter’s inappropriate treatment of a woman. You expect at this point for Ploughman to get carted off and imprisoned, but somehow his act inspires others to stand up to the soldiers, and he comes through the experience rather better than the official, who is forced to leave.

Meanwhile, the 14-year-old King (Woody Norman) is a spiritually troubled young man beset with nightmares and doubts.… Read the rest

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Animation Art Immersive Movies Shorts

Water Body

Water Body

Artists / Directors – Barney Steel, Ersin Han Ersin, Robin McNicholas – 2026 – UK – 25m

*****

A sensory experience centred around a moving image of the Thames as part of the global water network based on data sets – installation at St. Martin-in-the-Fields crypt 12:30-21:00 hours from Saturday, October 3rd to Sunday, October 18th as part of the London Film Festival’s LFF Expanded strand

A little waiting area shows a series of hand-crafted hangings by artist Elena Landinez showing various river tributaries before you enter the experience space proper. Before entering that space, you are alerted to the fact that the experience includes a total blackout section, also that there are pottery vessels handmade by ceramicist Ludmilla Balkis inside the space for you to take containing water that was cloud some two weeks ago, from which you can drink. Seating is mostly bean bags on the floor, and a single row of conventional seating at the back.

So I’m sitting on a seat at the back – or is it the back? – not really knowing what to expect. The lights go down: total blackout. All around me, sounds. (These started, I think, before the blackout, as if little rivulets of water were running somewhere.)… Read the rest

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Dance Features Live Action Movies Music

Take It or Leave It
starring Madness

Take It or Leave It, starring Madness

Director – Dave Robinson – 1981 – UK – Cert. 12a – 86m

*****

Struggling with their day jobs, some friends get together and form a band, which becomes the ascendant ska / dance band Madness – previews on Wednesday, September 30th, out in cinemas in the UK on Thursday, October 1st, and on Blu-ray from Monday, October 19th

The band Madness occupy a unique place in British pop music history. They first appeared In the brief space following the punk and new wave movements of the late 1970s which embodied the idea that anyone could learn to play a musical instrument from scratch and any group of people could put together a band. It was very much a DIY aesthetic.

What Madness had is different, however. Like the title of their debut album One Step Beyond and its iconic cover photograph capturing the seven band members one pressed behind the other walking forward in a synchronised movement, they embodied, as their promotional catchphrase would have it, “that nutty sound”.

Very much a dance band, albeit one unlike any previous combo that had coined that term, they built their songs on ska rhythms and incorporated saxophones into the overall sound.… Read the rest

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Features Live Action Movies

A Better Tomorrow II
(Yingxiong Bense 2,
英雄本色2)

A Better Tomorrow II (Yingxiong Bense 2, 英雄本色2)

Director – John Woo – 1987 – Hong Kong – Cert. 18 – 105m – Workprint cut 140m

The first half **

The second half *****

Workprint cut *****

To continue the franchise, Chow Yun-fat returns playing the brother of his character in the first film, a New York restaurateur – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

There’s something hugely endearing when Chow Yun-fat appears here, playing the brother of his character in the first film, insisting his name is not Mark but Ken. Nevertheless, he has on hand his late brother’s coat, with a few holes from bullets, to don in the closing scenes. Mark can’t possibly return having died at the end of the first film, and yet, to all intents and purposes, he’s back for this sequel!

The film as it appeared in release prints feels like little more than an excuse to have another big shoot out with Chow Yun-fat and others at the end, and you can feel Woo struggling as he tries to find a way of getting there without completely losing interest.

(Update: for struggling read; struggling with the editing required to get the film down to 105 minutes for cinema release.… Read the rest

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Features Live Action Movies

A Better Tomorrow
(Yingxiong Bense,
英雄本色)

A Better Tomorrow (Yingxiong Bense, 英雄本色)

Director – John Woo – 1986 – Hong Kong – Cert. 18 – 94m

*****

The seminal gangster movie that crystallised John Woo’s now-trademark style of brotherhood, bullets and blood and catapulted Chow Yun Fat to Oriental, big screen stardom – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

After a decade directing comedies and kung fu movies (many for Golden Harvest), Woo’s last two films had been box office flops when producer Tsui Hark gave him the opportunity to make A Better Tomorrow, loosely based at least in plot and character terms on the gritty The Story of a Discharged Prisoner / Yingxiong Bense (Kong Lung, 1967).

Hong Kong’s cinema owners had no problems with two of the three proposed leading men – Ti Lung (from Drunken Master II, Liu Chia-Liang, 1994; Shaolin Temple, Chang Cheh, Wu Ma, 1976) had achieved great success in director Chang Cheh’s martial arts epics at Shaw Brothers (Woo had worked as assistant to Chang early in his career) and Leslie Cheung (from Happy Together, Wong Kar-wai, 1997; Once a Thief, John Woo, 1991; A Chinese Ghost Story, Tsui Hark, 1987) was a successful singer – but Tsui and Woo had to fight hard for third lead Chow Yun Fat, a big TV star lacking any box office clout.… Read the rest

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Features Live Action Movies

Colony
(Gunche,
군체)

Colony

Director – Yeon Sang-ho – 2026 – South Korea – Cert. 15 – 123m

*****

A scientist wreaks revenge on his former corporation in a bioterrorist attack which turns its victims into zombies – out on 4K UHD, Blu-ray and Digital on Monday, 28th September

Inside the Doongwoori building, CEO of the Chains Bio corporation Kang Woo-chul (Kim Jong Tae) gives a speech about mass communication via networks. Her ex-husband Professor Han Kyu-seong (Go Soo) urges Professor Kwon Se-jeong (Gianna Jun) to speak to CEO Kang following his speech, but Kang is called away for a phone call regarding one Suh Young-chul and a possible bioterrorist attack.

Encouraged to find Kang and leave her card, Kwon witnesses him assault another man behind the frosted glass walls of his office. That other man is the aforementioned Suh Young-chul (Koo Kyo-hwan), who fights back, injecting Kang with a serum which makes him vomit, writhe and turn into a zombie. Pretty soon, Kang is biting others, giving rise to a local zombie outbreak.

Despite witnessing the initial stages of the assault, Kwon is unaware of the injection and everything that follows, stopping at a cafe with her ex to quiz him as to why he left her.… Read the rest

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Features Live Action Movies

Hope
(Hopeu,
호프)

Hope (Hopeu, 호프)

Director – Na Hong-jin – 2026 – South Korea – Cert. 15 – 160m

*****

A cop and various groups of hunters track then confront a monster wreaking havoc in a small town and the woodlands nearby – out in UK cinemas on Friday, September 25th

Patrolling local cop Bum-seok (Hwang Jung-min from Deliver Us From Evil, Hong Won-chan, 2020; The Wailing, Na Hong-jin, 2016; New World, Park Hoon-jung, 2013; Shiri, Kang Je-Gyu, 1999) and his second cousin Sung-ki (Zo In-sung from Escape From Mogadishu, Ryu Seung-wan, 2021; A Dirty Carnival, Yoo Ha, 2006) arrive at the scene of a tragedy where four men are waiting. Further down the road, initially in the distance and later seen in close up like so much in this film, lies the slaughtered bull, huge slashes on its flank.

The slashes are too big to have been made by a bear. One of the men suggests it’s the tiger that comes down from Siberia every few years. The men head to the woods where the tiger has been spotted. The cop’s route takes him into a nearby town of Hope Harbor, where huge holes in shop fronts suggest the presence of a creature much bigger than a tiger.… Read the rest

Categories
Documentary Features Live Action Movies

Palimpsest
The story of a name
(隱蹟之書：重寫自我)

Palimpsest: The story of a name (隱蹟之書：重寫自我)

Director – Mary Stephen – 2025 – France – Cert. – 108m

*****

Exploring her family history, Hong Kong-born Mary Stephen delves into the mystery behind her surname being British rather than Chinese – plays at the Barbican as is the opening film of the UK’s Hong Kong Film Festival which runs from Friday, September 25th to Sunday, 4th October at various venues

The director narrates her film in the first person, talking about the fact of her father’s name being Henry Stephen on his birth certificate, while her mother retained her Chinese name on the document. Mary Stephen herself was born in Hong Kong in 1953, the same year as Queen Elizabeth II’s coronation in Britain. Archive images of Hong Kong from that year show a strange dislocation, with images of the new English monarch jostling side by side with Chinese words on buildings. A British built clock tower looks strangely out of place.

She worked for years with celebrated New Wave director Eric Rohmer as his editor. His name, too, was a palimpsest.

Her father died and was buried in Canada in 1979, alongside her mother. When the family first moved there, she was a teenager.… Read the rest