Tag: Japan

Categories
Features Live Action Movies

Exit 8
(Hachiban Deguchi,
8番出口)

Director – Genki Kawamura – 2025 – Japan – Cert. 15 – 95m

*****

A commuter tries to leave the Tokyo Underground but finds himself retracing his steps within a repeating system from which there is no exit – out in UK and Ireland cinemas on Friday, April 24th

A packed carriage on the Tokyo Underground. A commuter (Kazunari Ninomiya from Letters from Iwo Jima, Clint Eastwood, 2006), heading to his first day at a new job, can’t help but notice a young mother whose baby is crying. This is not a situation anyone likes to find themselves in, least of all the young mother. One male passenger takes it upon himself to berate and belittle the woman for selfishly allowing her child to make a noise in such a crowded, public space, inconveniencing everyone present. On one level, is he simply voicing what everyone else in the carriage is thinking? On another, is he completely out of order? After all, the mother is not the child making the noise, and she is doing her best to calm it. The irate passenger is clearly not helping the situation.

Perhaps someone should intervene and tell the man to leave the woman alone.… Read the rest

Categories
Animation Features Movies

Akira
(アキラ)
4K
(IMAX)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen – back in over 350+ UK and Ireland cinemas, plus every IMAX screen from Friday, April 17th!

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

Categories
Documentary Features Live Action Movies

Kinaesthesia

Director – Gerald Fox – 2026 – UK – Cert. 15 – 97m

**1/2

A journey through the dream imagery of silent cinema and its cinematographic effects, augmented by present day stagings before the camera – out in UK cinemas on Friday, April 17th

Long fascinated by dream imagery in cinema, director Fox attended the Harvard course run by its Professor of Film Studies Vlada Petrić (1928-2019) to which this documentary essay is dedicated, being based on and quoting intensely from the latter’s theories.

Additionally, it just about works as a useful primer in silent cinema for the uninitiated provided you’re aware of its inherent biases and limitations. These may well be linked to the films (or film libraries) for which producer-director Fox secured rights, because there’s a far greater amount of French movies than you might expect. Or, these may may simply reflect Petrić’s theories and tastes.

Either way, the selection of movies here also leans towards the avant-garde in not only France but also the US. Then it throws in specific films from Griffifth (Edgar Allan Poe, 1909; The Avenging Conscience / Thou Shalt Not Kill, 1915) and Hitchcock (The Ring, 1927), China’s Romance of the Western Chamber (Hou Yau, 1927) and Japan’s A Page of Madness (Teinosuke Kinugasa, 1926).… Read the rest

Categories
Features Live Action Movies

Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – streaming on UK VoD from Friday, April 17th

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

Categories
Animation Features Live Action Movies

The Last Blossom
(Housenka,
ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest

Categories
Animation Features Movies

Scarlet
(Hateshinaki Sukaretto,
果てしなきスカーレット,
lit. Endless Scarlet)

Director – Mamoru Hosoda – 2025 – Japan – Cert. 15 – 111m

****

Trapped in the Otherworld, a limbo preceding the afterlife, Princess Scarlet seeks revenge on her uncle who has killed her father the King – anime reimagining of Hamlet is out in UK cinemas on Friday, March 13th

Walking across a vast desert and dying of thirst, a redhead recalls how she came to be there. Those were happier times in sixteenth century Denmark, when Scarlet (voice: Mana Ashida from Lonely Castle in the Mirror, Keiichi Hara, 2022; The House of the Lost on the Cape, Shinya Kawatsura, 2021; Poupelle of Chimney Town, Yusuke Hirota, 2020; Pacific Rim, Guillermo del Toro, 2013) – for it is she – spent time with her father King Amleth (voice: Masachika Ichimura from Giovanni’s Island, 2014), drawing his portrait outdoors. Amleth always had the best interests of his people at heart.

Yet there was always a dark foreboding in the background – Scarlet’s severe mother Gertrude (voice: Yuki Saito from The Third Murder, Hirokazu Kore-eda, 2017) who ripped up her drawing, her power-hungry, warmongering Uncle Claudius (voice: Koji Yakusho from Perfect Days, Wim Wenders, 2023; Belle, Mamoru Hosoda, 2021, The Third Murder; Cure, Kiyoshi Kurosawa, 1997; Shall We Dance, Masayuki Suo, 1996) with his greedy eyes on the throne.… Read the rest

Categories
Features Live Action Movies

A Pale View of Hills
(Toi Yamanamino Hikari,
遠い山なみの光)

Director – Kei Ishikawa – 2025 – UK, Japan, Poland – Cert. 12a – 123m

From the novel by Kazuo Ishiguro

***1/2

An aspiring journalist in 1982 England delves into her mother’s past life in 1952 Nagasaki and unearths dark family secrets – out in UK cinemas on Friday, March 13th

As will be seen from the above logline description, this essentially plays out in two timelines.

One is in Nagasaki, Japan in 1952, less than a decade after the dropping of the atomic bomb, where the married and barely visibly pregnant Etsuko (Suzo Hirose from Lupin III the First, Takashi Yamazaki, 2019; The Third Murder, Hirokazu Kore-eda, 2017; The Boy and the Beast, Mamoru Hosoda, 2015; Our Little Sister, Hirokazu Kore-eda, 2015) befriends Sachiko (Fumi Nikaido from River’s Edge, Isao Yukisada, 2018; Himizu, Sion Sono, 2011), the mother of local waif Mariko (Mio Suzuki), who lives in an isolated shack near the river and plans to emigrate to the US with a man named ‘Frank’.

The other is in a town in England somewhere near Greenham Common, Berkshire, in 1982, where aspiring journalist Niki (Camilla Aiko from Dr.… Read the rest

Categories
Animation Features Movies

All You Need is Kill
(Oru Yu Nido izu Kiru)

Directors – Kenichiro Akimoto, Yukinori Yakamura – 2025 – Japan – Cert. 15 – 86m

***1/2

A woman trapped in a repeating time loop dies fighting alien plant monsters, joins forces with a man in a similar time loop – animated science fiction tale is out in UK cinemas on Friday, February 27th

This began as a science fiction novel first published in Japan in 2004. Ten years later, as is the way of things in Japan, it appeared as a manga. It also formed the basis of the Tom Cruise / Emily Blunt vehicle Edge of Tomorrow (Doug Liman, 2014). The novel is about a cowardly military man killed in a skirmish with unexpected invading aliens who wakes up and realises he’s reliving that first day of the alien invasion. He gets killed over and over again, and wakes up and relives the same day over and over again. Similarly trapped in a time loop is a brave military woman fighting the aliens. It’s a military hardware alien action movie using the looped repeating day structure of Groundhog Day (Harold Ramis, 1993).

While I recommend the 2014 movie, and have no issue mentioning it in terms of contextualising the new film, I also recommend you put it firmly to one side and don’t try and base whatever expectations you might have about the new film on it.… Read the rest

Categories
Animation Features Movies

LUPIN THE IIIRD
The Movie
The Immortal Bloodline
(RUPAN SANSEI ZA MUBÎ
Fujimi no Ketsuzoku,
LUPIN THE IIIRD
THE MOVIE
不死身の血族)

Original comic books created by Monkey Punch © Monkey Punch All rights reserved. © TMS All rights reserved.

Director – Takeshi Koike – 2025 – Japan – Cert. 15 – 93m

***

Lupin and his friends are lured to a zombie-populated island run by an immortal being where a toxic gas kills people after 24 hours – out in UK cinemas on Saturday, February 21st

Lupin III (or LUPIN THE IIIRD as he’s called here) has been around in Japan a very long time, first in the manga created by artist Monkey Punch in 1967 and later in live action movies, animated TV series, animated features and various other media formats.

© MP / T

You be forgiven for thinking that makes the franchise inaccessible for the newcomer, but this latest instalment opens with a burst of fuzz guitar and black and white images of ink clouds in liquid and drawings of the five main characters, who are helpfully introduced one by one, invaluable to the newcomer but equally, given the stylish drawings and the rapid pace at which they are introduced, a pleasure also for the viewer already familiar. Thus, we meet master thief (and narrator) Arsène Lupin III (voice: Kenichi Kurita) (“the cops are always after me”), his gunslinging partner Daisuke Jigen (voice: Akio Otsuka), his friend Goemon the swordsman (voice: Daisuke Namikawa), his friendly rival the curvaceous Fujiko Mine (voice: Miyuki Sawashiro), briefly zipping up cleavage that appears have been considerably enlarged for this particular film, and his nemesis Inspector Zenigata (voice: Koichi Yamadira) who has failed to apprehend him for decades, here introduced as an ace even though elsewhere in the franchise he’s pretty hapless.… Read the rest

Categories
Animation Features Movies

Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – out in UK cinemas on Friday, February 13th; previews Saturday, 7th and Sunday, 8th February

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest