Tag: Japan

Categories
Animation Features Movies

Kiki’s Delivery Service
(Majo no Takkyubin,
魔女の宅急便)

Director – Hayao Miyazaki – 1989 – Japan – Cert. U – 103m

*****

A young witch sets up her own small business and must learn to make her way in the world – out in a 4K remaster exclusively in UK and Ireland IMAX cinemas from Friday, August 21st, then in regular UK and Ireland cinemas from Friday, August 28th

Having reached the age of 13, young Kiki (voice/1989 Japanese dub: Minami Takiyama; 1998 Disney dub: Kirsten Dunst) must leave home to do a year’s apprenticeship as a witch in a location where there isn’t one already. Loaned at the insistence of her mother (voice/1989 Japanese dub: Mieko Nobusawa; 1998 Disney dub: Cath Soucie) the latter’s tried and tested broomstick, and accompanied by her talking black cat Jiji (voice/1989 Japanese dub: Rei Sakuma; 1998 Disney dub: Phil Hartman), she flies out on a night of the full moon. An encounter with a somewhat snooty witch who has just completed her year out reminds Kiki that she needs to develop her own special skill: at this stage, she has no idea as to exactly what this skill might be.

Resting overnight in an in transit railway cattle truck, she takes off again and arrives in Koriko, a bustling city much bigger than the tiny, provincial town where she grew up.… Read the rest

Categories
Animation Features Movies

Akira
(アキラ)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen in a brand new 35mm print at BFI Southbank, London from Friday 14th August until Wednesday 19th, and will be touring in selected cities throughout 2026

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

Categories
Features Live Action Movies Music

Blow the Night
(Yoru o Buttobas,
夜をぶっとばせ)

Director Chusei Sone – 1983 – Japan – Cert. 18 tbc – 108m

****

Two teenage girls: a high school dropout who falls in with gangs, and 24 hours in the life of a girl who knows a band – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

This starts out with a rock drummer playing a fill, freeze-framed almost immediately to the title of the film, then his band The Street Sliders – whose record company Epic / Sony put ¥10m into the film’s budget – launching into a blistering Japanese Punk / R&B number with the cheerful chorus “Masturbation! Masturbation!” The film travels quite some distance with a cut to disaffected schoolgirl Takada (Namie Takada playing a younger version of herself) being told by the principal that she just needs to turn up for school while the exams are on. “Well-behaved student, my ass!” says a suited teacher after the girl’s been dismissed. “What kind of student dyes her hair and her nails red?”

Well, Namie is the kind that gets in at home without keys in the afternoon by negotiating an open window, changes schools every couple of years, and lives with her sister, grandma.… Read the rest

Categories
Features Live Action Movies

Scars of the Sun
(Taiyo no Kizu Ato,
太陽のきずあと)

Director – Chusei Sone – 1981 – Japan – Cert. 18 – 99m

***1/2

A young gang leader whose father is a successful literary figure finds himself battling against a rival – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

A dull, industrial pumping sound can be heard in the background. A man in a white raincoat and a hat waits. The wind blows his open coat. He takes out a cigarette. Down the road, another man steals a white car from a garage explaining, “I’ve a funeral to attend.” He picks up the raincoat and hat man.

Another car, red, heading in the opposite direction on the other side of the highway, U-turns and joins him. Both drive recklessly until the white one narrowly avoids a collision with a bicycle.

The other man asks Shuhei (Keniichi Kaneda), in the raincoat and hat, what they do about the now somewhat battered car. Shuhei says it can be fixed using his father’s money. When he tries to sign in for the funeral, he’s told to leave because the deceased wouldn’t have wanted him to attend.

They gather with others at a bar. His companion, Kobayashi, explains that Sugeru was so good at driving that he, Kobayashi, fell asleep.… Read the rest

Categories
Features Live Action Movies

Exit 8
(Hachiban Deguchi,
8番出口)

Director – Genki Kawamura – 2025 – Japan – Cert. 15 – 95m

*****

A commuter tries to leave the Tokyo Underground but finds himself retracing his steps within a repeating system from which there is no exit – out on digital Monday, June 8th and Blu-ray Monday, June 29th in the UK and Ireland

A packed carriage on the Tokyo Underground. A commuter (Kazunari Ninomiya from Letters from Iwo Jima, Clint Eastwood, 2006), heading to his first day at a new job, can’t help but notice a young mother whose baby is crying. This is not a situation anyone likes to find themselves in, least of all the young mother. One male passenger takes it upon himself to berate and belittle the woman for selfishly allowing her child to make a noise in such a crowded, public space, inconveniencing everyone present. On one level, is he simply voicing what everyone else in the carriage is thinking? On another, is he completely out of order? After all, the mother is not the child making the noise, and she is doing her best to calm it. The irate passenger is clearly not helping the situation.

Perhaps someone should intervene and tell the man to leave the woman alone.… Read the rest

Categories
Animation Features Movies Music

The Obsessed
(Toritsukare Otoko,
トリツカレ男,
lit. Obsessed Man)

Director – Wataru Takahashi – 2025 – Japan – Cert. PG tbc – 90m

*****

An obsessive becomes fixated on a woman he sees in a park – sweet, romantic drama plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

Giuseppe (voice: Masaya Sano) becomes obsessed with things. It’s just the way he is. His current obsession is singing. So obsessed that he messes up at work. His restaurant boss is basically a good guy who has tried over the years to look out for his employee as he has become obsessed with, in turn, insects, or ice hockey, or sunglasses. Sometimes his patience is stretched to the limit.

One day, he meets a mouse,(voice: Hayato Kakizawa), befriends him, names him Cielo, and invites the little guy into his home. One past obsession was learning languages – Giuseppe chalked up about 15 and picks up mouse language fairly easily. The mouse worries about Giuseppe, whose flights of fancy mean he’s not a particularly grounded individual.

Another day, walking in the park, Giuseppe sees a pretty girl selling balloons, and she becomes his new object of obsession. He spends days in despair as he can’t find her anywhere.… Read the rest

Categories
Animation Features Live Action Movies

Mars Express
(Mars Express)

Director – Jérémie Périn – 2023 – France – Cert. 15 – 85m

*****

In the 23rd Century, a private investigator and her resurrected robot assistant go to Mars to investigate the murder of a cybernetics student – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

The difference between humans and machines is one of the great themes of science fiction from Blade Runner (Ridley Scott, 1982) to Ghost in the Shell (Mamoru Oshii, 1995). Mars Express takes its name from an Earth-Mars shuttle which, following a bravura action / chase sequence early on, not unlike the one at the start of Ghost in the Shell, is used by private investigator Aline Ruby (voice: Léa Drucker from Custody, Xavier Legrand, 2017) and her assistant Carlos Rivera (voice: Daniel Njo Lobé) to transport a captured suspect from Earth to Mars where, it transpires on arrival, the relevant paperwork to detain their prisoner has been wiped from their on-person devices and internet-accessible office, meaning they are forced to release their prisoner. The narrative is littered with cleverly thought out ideas like this.

The setting is the 23rd Century and mostly Mars, where the pair are hired to search for a second year cybernetics student who has gone missing.… Read the rest

Categories
Animation Features Movies

Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June.

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest

Categories
Animation Features Movies

Ghost In The Shell
(Kokaku Kidotai,
攻殻機動隊)
(1995)

Director – Mamoru Oshii – 1995 – Japan, UK, US – Cert. 15 – 83m

****1/2

A cybernetically rebuilt, female, government agent and her male sidekick pursue a mysterious computer hacker known as The Puppet Master through Hong Kong – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June.

Review originally published in What’s On In London in 1996.

Ghost In The Shell is the first (and hopefully not the last) anime feature to be jointly financed by America, Japan and Britain (our very own Manga Entertainment). Although superficially pigeonholeable as teenage boy’s market material (nothing wrong with that per se), Ghost is considerably more intelligent than that implies. Its plot is highly complex: suffice it to say that cybernetically rebuilt female agent Kusanagi and male sidekick Bateau are pursuing a mysterious computer hacker known as The Puppet Master through Hong Kong.

Kusanagi, who makes her first appearance stripping off her clothing, jumping off a skyscraper roof and crashing through a window below to riddle a criminal pleading “diplomatic immunity” with bullets, employs thermoptic camouflage which renders her invisible to the naked eye in a matter of seconds. It’s an impressive touch, additionally furnishing such great moments as a fugitive ankle-deep in an urban canal suddenly finding himself hit, gripped and thrown around by an invisible assailant.… Read the rest

Categories
Animation Features Movies

Princess Mononoke
(Mononoke-hime,
もののけ姫)

Director – Hayao Miyazaki – 1997 – Japan – Cert. PG – 134m

*****

Groundbreaking, mythological, Japanese, animated epic –  plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

Originally reviewed for What’s On in London when the film appeared in the Barbican’s 2001 Studio Ghibli season. It never got a proper theatrical release in the UK at the time. The review presents a fascinating snapshot of the cinema landscape in the UK from the time when, outside of anime fandom, film journalists, and industry insiders, Studio Ghibli and Hayao Miyazaki were largely unknown.

Film critics are occasionally privileged to see incredible films that, for one reason or another, never receive proper UK release. The Barbican is currently hosting a season of 11 films by Japan’s legendary Studio Ghibli (Jib-Lee), an animation company as familiar in Japan as Disney is here, that fall into exactly this category. They include Ghibli director Hayao Miyazaki’s legendary masterpiece My Neighbour Totoro (1988) and his imaginative fantasy epic Princess Mononoke (1997). Both took the Japanese box office by storm, the latter topping $150m putting it second only to Titanic (James Cameron, 1997). Miyazaki’s latest Spirited Away (2001) has topped the Japanese box office for weeks.… Read the rest