Categories
Animation Features Movies

Teenage Mutant
Ninja Turtles
Mutant Mayhem

Directors – Jeff Rowe, Kyler Spears – 2022 – US – Cert. PG – 99m

*****

The much loved comic-generated franchise gets a remakable reboot in animation that breaks the filmmaking mould to really get under the skin of the teenage experience – out in UK cinemas on Monday, July 31st

Hollywood animated children’s films since the advent of computer animation. They all look the same. Okay, that’s not entirely fair, but with notable exceptions like the Laika films and the recent Spider-Verse films there’s a definite homogeneity to this output overall, industry wisdom dictating the production parameters and the overall look and feel. There’s a mould there, the films make money and producers are terrified to break that mould. Not so here.

The irony is that the Teenage Mutant Ninja Turtles property, born out of a late night joke between two comic book artists who never expected to sell more than a one-off issue, has spawned numerous spin-offs in comics, animated TV series, video games and movies. Somehow, the previous six movies – three in the 1990s (including Teenage Mutant Ninja Turtles, Steve Barron, 1990; Teenage Mutant Ninja Turtles II: The Secret Of The Ooze, Michael Pressman, 1991), one in 2007, and two more in the last decade following a reboot in 2014 – never quite delivered on the promise of the franchise, as if everyone concerned was too focused on the moneymaking potential and trying to play everything safe, an approach completely at odds with that of the two artists who originated the property and simply thought of it as a fun idea worth developing.… Read the rest

Categories
Features Live Action Movies

Teenage Mutant
Ninja Turtles
(UK: Teenage Mutant
Hero Turtles)

Director – Steve Barron – 1990 – US, UK – Cert. PG – 91m 38s (cut) – 93m 25s (cuts waived for 2003 reclassification) BBFC info here

** 1/2

What can you say about four turtles who accidentally wandered into radioactive material, which caused them to grow unnaturally large and speak strange words? Like “pizza!” Or who serve a ninja master in the form of a giant, talking, four foot rat named Splinter (voice and performer: Kevin Clash)?

Whatever else they might be, the turtles are certainly different. While they might well fight for Truth, Justice and the American Way, they certainly know where their priorities lie, and never give up their other, equally important aims – to party and to seek out that essential slice of pizza.

This is the final film on which the late, great puppet master Jim Henson (The Muppets TV series, 1976-81; The Dark Crystal, 1982) worked. Here, his directorial protégé Steve Barron brings to life not only Leonardo (voice: Brian Tochi, performer: David Foreman), Michelangelo (voice: Robbie Rist, performer: Michelan Sisti), Raphael (voice and performer: Josh Pais) and Donatello (voice: Corey Feldman, performer: Leif Tilden), but also the crazy, teen crime-ridden city under which they live.… Read the rest

Categories
Features Live Action Movies

Smoking
Causes Coughing
(Fumer Fait Tousser)

Director – Quentin Dupieux – 2022 – France – Cert. 15 – 77m

*****

Saving the world is taking its toll on the group of superheroes known as the Tobacco Force, so their leader sends them on a week-long retreat to rebuild their team spirit – out in UK cinemas on Friday, July 7th

An ordinary family are on a car journey when the boy (Tanguy Mercier) asks his parents (David Marsais and Julia Faure) to stop. Again. They stop, He gets out to pee, but looking over the fence at which he’s about to do the deed, he can’t believe his eyes and rushes back to the car to ask if he can borrow dad’s binoculars. It’s only the start of the film, we’ve still no idea of what it’s about, and already director Quentin Dupieux (Deerskin, 2019) is upending whatever expectations we might have had to hilarious effect.

What is beyond the fence is this: a drop down to a beach. And on that beach, the group of superheroes known as the Tobacco Force is battling a giant turtle. This probably conjures in your mind an image of expensive, Hollywood CG effects. But no. What we have here is extremely low budget.… Read the rest

Categories
Animation Art Movies Shorts

Where is Mama?
(Xiao Ke Dou Zhao
Ma Ma,
小蝌蚪找妈妈)

Director – Te Wei – 1960 – China – Cert. N/C U – 15m

*****

The watercolour paintings of Qi Baishi are brought to life as a group of newly-born tadpoles search for their mother – available to rent online from Friday, February 12th to Wednesday, May 12th in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021

This has a fairly simple plot which small children might enjoy as much as adults. A frog births some tadpoles, but while it is away they hatch and go around searching for her, not knowing what she looks like. Each creature they encounter – two chicks, two crayfish, three goldfish, a crab, a turtle and, finally, a catfish – gives them a slightly more accurate description than the one before. Eventually – spoiler alert! – they find mama. “But we don’t look like you!”

On some level it works as a children’s story which you can imagine being turned into a picture book for the very young. (There’s a long tradition of animated shorts which fit this bill, some of them are even adapted from already existing children’s picture books.) But that’s not really the film’s strength. Nor is it the Chinese actress’ voice-over which seems to be squarely aimed at little kids.… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

The story functions as an effective fable about adulthood and life. Michaël Dudok De Wit and his team brilliantly develop the character of the man through the various challenges he must face… [Read the rest]

Review originally published in DMovies.org, May 2017, to coincide with the film’s UK theatrical release.