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Features Live Action Movies

Blue Film

Blue Film

Director – Elliot Tuttle – 2025 – US – Cert. 18 – 85m

*****

As a gay cam performer visits an older punter to discover they have a shared past, their encounter breaks many taboos – out in UK cinemas on Friday, September 11th

Somewhere in L.A., Aaron Eagle (Kieron Moore) appears in his underwear on cam to web audiences. His platform of choice allows punters to tip him cash tokens as and when either he encourages them or they like what they see. And, who knows, at the end of the night, if you pay the right amount, he might come round to your house…

One of his punters tonight is a much older man (Reed Birney) whose face is concealed by a balaclava mask. Who tips, then turns him off and lies back to relax to music. Later, Aaron will come round for this one night to this punter’s house. Unaware that they have a shared connection from their past lives.

Disturbingly, there are also snippets in the mix of home video footage of a small boy. Wholly innocent footage – or it would be were it not for its one-way communication sex cam context – which renders this footage quite upsetting as your mind starts to make connections warranted or unwarranted. … Read the rest

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Features Live Action Movies

Leviticus

Leviticus

Director – Adrian Chiarella – 2025 – Australia – Cert. 15 – 88m

*****

Following treatment by a faith healer, two gay teen lovers are stalked by a being that for each of them resembles the other – out in UK cinemas on Wednesday, September 2nd

This is at once a drama and a supernatural horror movie made from a gay perspective. At no point (unless I missed it) does the film refer to anyone or anything called Leviticus. Perhaps that’s the name of the monster (who is not named in the film). Perhaps it’s a reference to the Book of Leviticus in the Bible – possibly not such a stretch since key plot elements involve a local, fundamentalist Christian church community – and such gathered groups tend to believe the Bible to be true word for word (rather than, say, using it as a text to be read and engaged with, taking into account its historical context and trying to make sense of it in today’s world).

Naim (Joe Bird from Talk to Me, Danny & Michael Philippou, 2022) and Ryan (Stacy Clausen) hang out together in the area around their small outback town. Naim is unnerved by the sight of a snake digesting a toad.… Read the rest

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Animation Features Movies

Bouchra

Bouchra

Directors – Orian Barki, Meriem Bennani – 2025 – Italy, Morocco, US – Cert. 15 – 83m

***1/2

A queer artist and filmmaker jackal living in New York desperately wants to come out to her mother back in conservative Morocco – out in UK cinemas on Friday, August 7th

This opens with a lengthy, bravura shot framing a section of a moving carriage on an urban, New York train. Inside, passengers include our main protagonist, the eponymous, anthropomorphised, leather jacket-clad, female jackal Bouchra, standing. The shot is static in the sense that the camera and the train are moving completely in sync, so that the moving carriage, although clearly moving, is motionless relative to the viewer (apart from the occasional judder caused by the travelling of the train).

As the train travels its route, our moving view of the moving carriage is constantly interrupted by objects between us and the carriage – grids of cabling, sections of barrier and other trackside features. This momentarily recalls the similar urban carriage interior early on in Perfect Blue (Satoshi Kon, 1997), although there are no reflections here, merely levels, and any similarity between the two films stops beyond this point.

Bouchra is very different from Perfect Blue in intent, with a narrative – such as it is – that feels as if someone is shooting a documentary within New York’s queer subculture, capturing footage on camera and seeing what turns up, then trying to turn the resultant footage into a film.… Read the rest

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Features Live Action Movies

All of Us Strangers

All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – plays one night only, Sunday, February 8th, 6.45pm, as part of Film Tottenham

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over.… Read the rest

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Features Live Action Movies

London Korean
Film Festival
(LKFF)
2025

LKFF, the London Korean Film Festival 2025 runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

The London Korean Film Festival, now celebrating its 20th year, kicks off tonight with its Opening Gala, a World Premiere of Frosted Window (Kim Jong-Kwan, 2025), followed by a Q&A with director Kim and actor Yeon Woo-jin.

It bows out in two weeks time with its Closing Gala, Harbin (Woo Min-ho, 2024), starring Hyun Bin, with cinematography by Hong Kyeong-pyo who shot Parasite (Bong Joon Ho, 2019).

In between these two events comes a Special Screening of Hi-Five, a superhero comedy by Kang Hyoung-chul (Swing Kids, 2018; Sunny, 2011).

Also, this year the Festival launches its first-ever LKFF Audience Award, giving festival-goers the chance to vote for their favourite film and help shape this 20th anniversary edition. Of the four films made available to press in advance, my vote would go to the enigmatically titled 3670 (Park Joon-ho, 2025), a compelling drama about a gay man who has defected from North to South Korea. The film, which picked up four awards at the 26th Jeonju International Film Festival, transcends Korean, gay and religious demographics to speak to a much wider audience, and in this writer’s opinion deserves a proper UK release.… Read the rest

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Features Live Action Movies

3670
(3670)

Director – Park Joon-ho – 2025 – South Korea – Cert. 15 – 124m

*****

A gay man who has defected from North to South Korea must get to grips with Seoul’s gay scene and his own sexual and religious identity – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Sexually active, gay Seoul resident Cheol-jun (Cho You-hyun) grapples with the fact that his partners don’t stick around after physical interaction. Cheol-jun has recently escaped from North to South Korea. He works at a local store counter and attends a class to help defectors adapt to their new way of life. After class, rather than hang out with fellow defectors such as Hak-min (Jeon Du-sik), who is trying to pair him off with pretty class girl Ji-ye (Choi Yun-seol), he follows phone directions to a mixer, a club night to help gay men make friends.

Numbers are assigned. Asked why he is dressed so formally – is he from North Korea, or something – he responds candidly, “I am.” After drinking “love shots” – two men drink with arms intertwined – guests are invited to write “love notes” to the number they fancy.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Michelangelo
Love and Death

Exhibition on Screen: Michelangelo – Love and Death

Director – David Bickerstaff – 2017 – UK – Cert. U – 91m

*****

Sixteenth Century Renaissance sculptor Michelangelo remains one of the greatest artists of all time, yet his overreaching ambition frequently proved his undoing – back out in UK cinemas to tie in with the 550th anniversary of Michelangelo’s birth from Tuesday, May 20th

“From a fountain of mercy… my suffering is born.” These words (voiced by James Faulkner as Michelangelo) accompany images of a present day sculptor (Marco Ambrosini) working away at a piece of marble in his studio. The writings of Vasari (voice: Lawrence Kennedy) take up the story. A boy was born to a noble family in 1475. Art Critic and Author Jonathan Jones places Michelangelo among the greats, like Leonardo da Vinci, Rembrandt, Picasso. He deals with the strangest, darkest and most difficult stuff. He is the original famous artist. He had two biographies written about him in his lifetime, and took great interest in them, helping bring them to fruition. He painted, sculpted, built architecture, wrote poetry, even built military fortifications. This was the time when artists started being regarded as creative geniuses, according to Art Historian Jennifer Sliwka.… Read the rest

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Features Live Action Movies

Blue
is the Warmest Colour
(La Vie d’Adèle)

Director – Abdellatif Kechiche – 2013 – France – Cert. 18 – 180m

UK release date 22/11/2013;

Review originally published in Third Way magazine, November 2013.

A loose adaptation of Julie Maroh’s graphic novel Le Bleu est une Couleur Chaude, this is one of the most touching films about romantic love (and physical passion) ever. Be warned, it contains some pretty explicit, real rather than simulated, sex scenes (there’s good reason for the 18 certificate) but these appear in a wider, character-driven context.

Adèle (Adèle Exarchopoulos) and her mainly girl peer group at school spend much time discussing boys. She sleeps with but feels no real connection to a boy who’s a “sure thing”. While this romance is going nowhere, she exchanges glances with an unknown blue-haired girl on the arm of another woman on the street and is completely smitten. Seeing her emotional turmoil, she’s dragged off for a drink by her confidant, a boy she’s unaware is gay until they’re together in a gay bar, from which she makes her excuses and somehow winds up alone in an all-girl bar where Emma (Léa Seydoux), the girl with blue hair, chats her up. From there, to the confusion of her straight peers, a relationship slowly blossoms into full-blown passion.… Read the rest

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Features Live Action Movies

Streets of Glória
(Ruas da Glória)

Director – Felipe Sholl – 2024 – Brazil – 103m

****

A man mourning his late grandmother but estranged from the rest of his family embarks on a gay relationship with an escort – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Gabriel (Caio Macedo) arrives in Rio de Janeiro with his late grandmother’s ashes in a box. He is not short of money, and rents a hotel room. He wanders around during the day talking to his grandmother, who he clearly misses a great deal. At night, he finds a club named Glória, fronted by an area with tables where style queen Monica (Diva Menner) hangs out with her small entourage of friends. She explains she is the owner. Further inside is the dance floor where he spots Adriano (Alejandro Claveaux) and attempts but fails to pick him up, instead spending the night with another man.

However, a spark has been lit, and the next night Gabriel is more successful. He and Adriano embark on a passionate relationship. Adriano is an escort, and shows Gabriel the park benches where escorts pick up clients; he takes servicing his male clients in his stride, occasionally persuading the hesitant Gabriel to join him in a paying threesome.… Read the rest

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Features Live Action Movies

Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest