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Features Live Action Movies

Hit The Road (Jaddeh Khaki)

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest

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Features Live Action Movies

Pulse (Kairo)

Director – Kiyoshi Kurosawa – 2001 – Japan – Cert. 15 – 119m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also, currently streaming on BFI Player as part of the BFI Japan 2021 programme

Pulse aka Kairo (2001) has long been considered one of the key J-Horror films of the late 1990s and early 2000s alongside Ring (1998) and The Grudge (2002). It remains one of the two films for which director Kiyoshi Kurosawa is most highly regarded, the other being his earlier Cure (1997).

In a fascinating forty minute-odd interview on Arrow’s new, extras-stuffed release Kurosawa describes Pulse as a rehash of Ring. That observation doesn’t spring immediately to mind. Ring is about a VHS videotape, a death threat by phone and a deadly ghost named Sadako who crawls creepily out of a TV set. Pulse is about internet and mobile phone images before present day smartphones with their image-sending capabilities became commonplace. People seeing these images slowly lose their grip on reality and vanish into thin air by for example turning into a stain which then falls off the wall as little particles to be blown away on an air current.… Read the rest

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Features Live Action Movies

Intimate Strangers (Wanbyeokhan tain, 완벽한 타인)

Director – Lee Jae-kyoo – 2018 – South Korea – Cert. 15 – 115m

****

Four couples attend a dinner party where a game with mobile phones threatens to revel all their intimate secrets – online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Special Focus: Friends and Family strand of the London Korean Film Festival (LKFF) taking place right now

A group of male friends since childhood and their wives and girlfriends meet for a house-warming of one of their number. One of the wives suggests a game. Why don’t they all put their mobile phones on the table and share any call, text, email or data that comes in?

Actually, it turns out there are some very good reasons why not – as they will all discover during the course of the evening. Indeed, the film’s final five minutes or so (and, strangely, this is not a spoiler) shows the couples driving home separately and contentedly after a pleasant evening where they wisely declined to play the game. All’s right with the world.

However, in between that coda and the opening, 34 years earlier prologue in which the four men’s childhood selves catch fish through a hole in the ice of a frozen river then spend the evening together round a camp fire in the dark, the four couples do indeed play this game at the present day house-warming.… Read the rest