Tag: everyday life

Exhibition on Screen
James McNeill Whistler

Post author By Jeremy Clarke
Post date September 14 2026
No Comments on Exhibition on Screen
James McNeill Whistler

Exhibition on Screen: James McNeill Whistler

Director – David Bickerstaff – 2026 – UK – Cert. U – 90m

*****

A look at the work of 19th Century painter Whistler, seen through the lens of the 2026 Tate Britain exhibition – out in UK cinemas from Tuesday, 15th September

Before watching this latest Exhibition on Screen feature, I was able to visit Tate Britain’s stunning James McNeill Whistler show, which sits very much at the film’s core. The film had the effect of making me want to go back for further visits.

Exhibition on Screen’s film opens with shots of a Victorian concert hall interior where the unseen Whistler (voice: Bret Jones) is addressing the room with his spoken lecture on art, something the film will return to towards its close. After a montage of brushes, painting surfaces and palettes, establishing shots of Tate Britain take us straight into the current Whistler show. “People sometimes think of Whistler as being based in French art, and sometimes as being based in British art,” explains Carol Jacobi, Curator of British Art 1850-1915, Tate Britain, “whereas…he was very much an independent…and very much leading the avant-garde in both those countries.”

Susan Grace Galassi, Curator Emeritas, The Frick Collection, New York, who considers Whistler one of the greatest American artists, notes that he didn’t distinguish between fine or applied art, that he was as great a painter as he was a printmaker.… Read the rest

Tags 1855, 19th century, 2026, A. O. Koritskii, America, American, American South, aristocrats, Arrangement, art, Art Critic, art historian, art history, art lessons, artisan, avant-garde, backstreets, bars, birthplace, blue Japanese porcelain, bohemian, Boston, Bret Jones, British art, brushes, butterfly, Can-Can, Carol Jacobi, Charles Baudelaire, Charles Lang Freer, Chelsea, chief engineer, Coastal Survey, coastline, coin, collection, commission, common people, concert hall, Connecticut, countryside, critic, cult of personality, curator, dancer, dandy, Dante Gabriel Rossetti, David Bickerstaff, display, disreputable, draughtsmanship, draw, drawing, drawings of coastlines, East End, England, etch, etching, everyday life, exhibition, Exhibition On Screen, F.R. Leyland, fabric, falling out, family, feud, fine and applied art, Finette, France, freedom, French art, Gustave Courbet, Harmony, Henry Murger, house brushes, independent, interior, interior design, irascible, James McNeill Whistler, Japan, Japanese, Japanese porcelain, Kensington, La Vie Boheme, lecture on art, letters, life size photographs, London, Lowell, Manet, Massachusetts, military surveyor, Mme Gérard, modern life, Modernism, money and payment, monogram, moral, motif, New York, Nocturne, one good eye, ordinary, outsider, painter, painting, painting as painting, painting surfaces and palettes, panel, Paris, Patricia de Montfort, peacock, peasants, Phil Grabsky, poet, Pomfret, porcelain, Pre-Raphaelite, printmaker, printmaking, prostitutes, provocateur, Rachel Campbell-Johnston, railway construction, railway engineer, railways, Rembrandt, responsible male, river, river bridges, river painting, River Thames, Rotherhithe, rural and urban, Russia, Salon d’Exposition, self-portrait with a pipe, self-promotion, self-publishing, shelving, ships, smoking a cigarette, Southerner, Spanish wall coverings, St. Petersburg, St. Petersburg Academy of Fine Arts, St. Petersburg to Moscow, Stephen Calloway, sting in the tail, story, struggling artist, studies, subject, surveyor, Susan Grace Galassi, Symphony, Tate Britain, temper, Thames, The Frick Collection, The Peacock Room, UK, upbringing, urban, Velázquez, Victorian, Wapping, West Point Military Academy, Whistler, Whistler’s mother, workmen

Documentary Features Live Action Movies

Big Banana Feet

Director – Murray Grigor – 1976 – UK – Cert. 12 – 77m

****1/2

The camera follows comedian Billy Connolly to Dublin and Belfast for the final dates of his 1975 tour – 2K restoration is out in UK cinemas on Friday, May 10th, and on BFI Blu-ray/DVD (Dual Format Edition) and digital from Monday, May 20th

This played the Scala Cinema a few times back in the day. I always thought there must be a reason why, and now, with its release in a restored form by the BFI, I get to find out. I must admit to mixed feelings prior to viewing – I’m not someone who particularly enjoys stand-up comedy; indeed, watching videos of comedians doing their material onstage has been known to bore me to tears, even as it enthralls fans.

Although this has clips of Billy Connolly performing on stage – comic routines, songs with banjo and guitar – it’s essentially a fly-on-the-wall piece that captures his personality as he, with the help of his seemingly tireless road manager Billy Johnson, plays dates in Dublin and Belfast on the final leg of his 1975 tour. Watching it, you feel you get to know Connolly well, at least at the period of his career being filmed.… Read the rest

Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Post author By Jeremy Clarke
Post date April 18 2024
No Comments on Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

Tags 1828, 1930s, 2D animation, Allied cameramen, animation, Axel Danielson, bodies in motion, British, business model, camera, camera obscura, ceremony, chrono-photographer, cinematography, copyright, Death Camps, Denmark, Edweard Muybridge, emotional trigger, entertainment, escape, Étienne-Jules Marey, everyday life, evil, fake news, fantasy, first contact, France, funding films, Georges Méliès, Germany, history, horse gallop, human, human and animal, human eye, idiosyncratic, image, immorality, inverted image, Leni Riefenstahl, light, locomotion, Lumière brothers, magical, Maximilien Van Aertryck, mid-nineteenth century, MOI, moving, moving image, Nazi, Norway, optical, optics, parades, Paris, persistence of vision, pervasive, photographer, photography, pinhole, pinhole camera, pioneer, producer, rolling news channels, self-broadcasting, self-filming, show, showmanship, Sidney Bernstein, smartphone. social media, society, studio, Sweden, technology, Ted Turner, television, The Coronation of Edward VII, the home, toddler, trigger, TV series, US, viral video, Voyager spacecraft, YouTube

Features Live Action Movies

Paris Memories
(Revoir Paris)

Post author By Jeremy Clarke
Post date August 3 2023
No Comments on Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

Tags Alice Winocour, Amadou Mbow, ambulance, Anne-Lise Heimburger, apron, Benoît Magimel, bereavement, bloodstained, bursts of gunfire, cook, corridor, crutches, details, evening, everyday life, France, French, Grégoire Colin, gunman, haunting, holding hands, hospital, immigration services, injury, lavatory, lock yourself in, Mali, Maya Sansa, meal, memories, memory, migrant workers, motorbike, Nastya Golubeva), normality, parents, parents and children, Paris, Paris Metro, play dead, police, radio station, rain, recuperate, rescue, restaurant, Russian, Senegal, shooting, Sofia Lesaffre, Sri Lanka, surgeon, survivors, take for granted, terrorist, terrorist attack, time off from work, translator, underclass, undocumented, Virginie Efira, waking life, weekly meeting, workplace