Categories
Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

Categories
Features Live Action Movies

Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest