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Features Live Action Movies

Revenge

Director – Coralie Fargeat – 2017 – US – Cert. 18 – 108m

****

It’s a man’s world. Or is it? A predictable male fantasy switches gear to bloody thrill ride when a woman turns the tables on a group of men perpetrating violence against her – available on VoD from Monday, September 10th following UK cinema release on Friday, May 11th 2018

Flown in by private helicopter pilot, Frenchman Richard (Kevin Janssens) takes Jen (Matilda Lutz) to his luxury home in the middle of the desert for a day or so. He is clearly rolling in money, she appears to be in love with him, but perhaps she’s play-acting: something of the gold-digger in her, maybe. She wears skimpy clothing, emphasising sexual aspects of her body. She comes on strong to him. Passion ensures. All of which is a lot less fun to watch than it sounds: the male is little more than a caricature of the sort often found in the less carefully made end of French action and gangster movie production while the girl displays every patriarchal cliché in the book in the way she moves, dresses, acts and interacts.

Director Fargeat has a very different agenda, however.Read the rest

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Features Live Action Movies

Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse…– latest SF horror franchise entry is out in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation. The mining colony is run with unethical employment practices which to all intents and purposes amount to slavery: when anyone saves the amount of credits required to buy their freedom to leave the planet, the company (or at least one of its unscrupulous counter admin staff, played by Rosie Ede) simply increase the amount to put it out of their reach for the immediate future.… Read the rest

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Features Live Action Movies

Hoarder on the Border
(Danshari Paradise,
断捨離パラダイス)

Director – Takayuki Kayano – 2022 – Japan – 101m

****

A failed pianist takes on a job at a cleaning company which specialises in decluttering houses filling up with rubbish – played UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Promising young pianist Ritsuke Shirotaka (Ryo Shinoda), whose mantelpiece is adorned with prizes he won in school, can’t carry on due to hand tremors. His girlfriend pushes him towards eking out a living giving piano lessons, but that isn’t enough to stop her abandoning him.

In need of gainful employment, he interviews for and gets a job at cleaning company Danshari Paradise. (Note: Danshari is a Japanese philosophy of decluttering, based on principles that have been around in that culture a long time.)

This is a whole new world to him, and he must learn on the job. The houses or flats that the company deals with are typically places where you can’t see the floor for items of clothing and packaging that have been discarded there.

On his first assignment with such a team, Ritsuke attempts to physically pull blockages from a kitchen sink, only for a female colleague to pull him aside and pour liquid down the plughole to clear it.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest