Director – Tim MacKenzie-Smith – 2022 – UK – Cert. 12a – 90m
How a promising, innovative black 1970s band failed to crack the UK music business, only for their music to take on a life of its own through various later, popular musical movements – out in UK cinemas on Friday, February 16th and out on BFI Blu-ray, BFI Player Subscription, iTunes and Amazon Prime on Monday, 26 February
Film critics have their blind spots (there are films you’d assume I’ve seen which I never have) and so too do serious music listeners, among whom I number myself. Prior to this film, I had never heard of Cymande. That’s surprising to me, actually, because I started seriously listening to music in the 1970s and have never stopped (although, significantly, rap and hip-hop, which came later, never really did it for me). And Cymande, it turns out, were a band of the early 1970s. It’s not mentioned in this film, but they played a couple of sessions for legendary UK Radio One DJ John Peel where it’s likely I would have heard them, had I started listening regularly to his show earlier than 1974, after they recorded a session.
The narrative in MacKenzie-Smith’s documentary runs something like this: in the 1950s and 60s, Britain invited numerous Commonwealth citizens from Caribbean islands like Jamaica, St.… Read the rest