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Features Live Action Movies Music

Köln 75
(Köln 75)

Director – Ido Fluk – 2025 – Germany – Cert. 15 – 112m

*****

How an 18-year-old girl came to stage what would become the biggest selling jazz album in history – narrative feature is out in UK cinemas on Friday, June 5th

At a party honouring her career as a music promoter, 50-year-old Vera Brandes (Suzanne Wolff) is upbraided by her dentist father (Ulrich Tukur from The White Ribbon, Michael Haneke, 2009; The Lives of Others, Florian Henckel Von Donnersmarck, 2006; Solaris, Steven Soderbergh, 2002; Lulu, George Moorse, Peter Zadek, TV movie, 1991) that she never amounted to anything. In a quasi-documentary sequence, she intervenes as narrator to talk about this being a really bad start, and proceeds to play, like a presenter in a music documentary, some music takes abandoned by bad starts from, among others The Cramps and Bob Dylan.

The film starts again, this time with 18-year-old Vera Brandes (Mala Emde) who enjoys hanging out with friends at jazz venues, such as the one where English club owner Ronnie Scott (Daniel Betts from September 5, Tim Fehlbaum, 2024; Alien Romulus, Fede Alvarez, 2024; Allied, Robert Zemeckis, 2016) is playing. Getting his attention by buying him an ice cream cone, Vera chats with him and, by the time she has walked her bicycle with him to his hotel has been commissioned to book him a European tour “because I can’t imagine anyone saying no to you.”… Read the rest

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Features Live Action Movies Music

Power Ballad

Director – John Carney – 2025 – Ireland – Cert. 15 – 98m

*****

A rock musician reduced to playing weddings but happy with his lot meets a former boy band star who steals one of his songs – out in UK cinemas on Friday, May 29th

High heeled feet head for the dance floor. “Cel – e – brate Good Times – Come On.” The happy couple are enjoying themselves. You seem like a good crowd, says the frontman Rick (Paul Rudd from Teenage Mutant Ninja Turtles: Mutant Mayhem, Jeff Rowe, Kyler Spears, 2023; Ghostbusters: Afterlife, Jason Reitman, 2021; Ant-man, Peyton Reed, 2015), of the standards band (Rory Keenan from The Guard, John Michael McDonagh, 2011; Ella Enchanted, Tommy O’Haver, 2004; Reign of Fire, Rob Bowman, 2002; Keith McErlean from Flora and Son, 2023, Sing Street, 2016, both John Carney; Paul Reid from Flora and Son). Here’s a song from my last album.

In Rick’s mind, he and his band are on a night stage at a music festival playing to a vast, enthusiastic and indeed magical crowd holding smartphone torch lights. The wedding party don’t share his enthusiasm, however, and the floor is clearing as he inadvertently brings the evening to an end.… Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is on Disney+ from Wednesday, March 13th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

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Documentary Features Live Action Movies Music

Broken English

Directors – Iain Forsyth, Jane Pollard – 2025 – UK – Cert. 15 – 96m

*****

Musician and cultural icon Marianne Faithfull is interviewed at length, and her life and artistic achievements examined from several angles – compelling documentary is out in UK and Ireland cinemas on Friday, March 20th

Who is Marianne Faithfull? Given that, sadly, she died during the making of this documentary about her, we should ask another question. Who was Marianne Faithfull? 

Marianne appears extensively here as a real life, a 78-year-old interviewed by actor George MacKay (from The Beast, Bertrand Bonello, 2023; Femme, Sam H. Freeman, Ng Choon Ping, 2023; 1917, Sam Mendes, 2019) for The Ministry of Not Forgetting, an institution created specially for this film narrative where it is run by Tilda Swinton (from Memoria, Apichatpong Weerasethakul, 2021; SnowpiercerBong Joon Ho, 2013; Orlando, Sally Potter, 1992) in a suit and tie who delivers all manner of fascinating pronouncements about Marianne’s life and work, and at one point even explores that territory by choreographing a dancer’s movements.

While The Ministry of Not Forgetting provides a structure within which Faithfull’s humanity and legacy can be explored, this latest film from Forsyth and Pollard (20, 000 Days on Earth, 2014; The Extraordinary Miss Flower, 2024) is characteristically kaleidoscopic.… Read the rest

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Features Live Action Movies

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The AssassinHou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium MamboHou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate BridgeTsui Hark, 2022; The Battle at Lake ChangjinChen Kaige, Dante LamTsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Documentary Features Live Action Movies

Dark Star

Director – John Carpenter – 1974 – US – Cert. PG – 83m (71m Directors Cut)

*****

Let There Be Light: The Odyssey of Dark Star

Director – Daniel Griffith – 2010 – US – 118 mins

*****

A bored crew of astronauts travel through space blowing up unstable planets – out now as a 4K Ultra-HD and Blu-ray Box Set, and a standalone Blu-ray

Carpenter’s 71-minute cut of his extraordinary debut feature is a lean, if tacky, sci-fi comedy that succeeds because of clever characterisations in the script and exemplary use of minimal resources in its production. Begun as a student film at USC, it preceeds his more polished, widescreen thriller efforts of the 1970s starting with Assault on Precinct 13 (1976) and Halloween (1978) with their relentless, pounding scores which he also composed and which would enable him to reinvent himself as a performing musician much later in his career. With no driving beat, Dark Star’s keyboard tones merely hint at what is to come musically.

The spaceship interiors are deceptively simple. One is a small room with four seats crammed side to side alternately facing from which four crew members operate the ship. Or, rather, three – Lt.… Read the rest

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Features Live Action Movies

I, the Song
(Dzongkha, 
མོ་གི་གསང་བའི་ཞབས་ཁྲ)

Director – Dechen Roder – 2024 – Bhutan, Norway, Italy, France – 112m

*****

A woman fired from her teacher’s job for appearing in an online sex video she claims is of someone else sets out to find her doppelgänger and clear her name – winner of Best Director in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival; plays Tyneside Cinema, Newcastle at 7.30 pm, Tuesday, July 15th 2025 as part of GemArts Masala Festival

This starts off deceptively with singing children’s voices, cutting into accompanying images of a school play with the children costumed as various types of flowers. The camera moves slowly to the back of the school hall where watching teacher Nima (Tandin Bidha) is told she is urgently needed in the office of the principal (Kezang Dorjee aka Kazee), where she finds herself being fired because of the video, now widely seen online, in which she appears. She protests that the person in the video isn’t her, but the principal says he can’t have her seen on school premises with so many parents about today.

She phones her boyfriend Penjor (Dorji Wangdi), who is in the middle of a gig hosting traditional Bhutanese folk plays.… Read the rest

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Animation Movies Shorts

Little Shrew
(Snowflake)

Director – Kate Bush – 2024 – UK – Cert. PG – 4m

*****

As modern warfare decimates a landscape, a shrew crosses countryside and town as a small, spirit-like light falls towards it – short accompanies the UK cinema release of From Hilde, With Love on Friday, June 27th

Musician / songwriter Kate Bush originally recorded the song Snowflake, which appeared on her album 50 Words for Snow (2011), in part to record her young son Albert’s voice before it broke. The creative process is such that people don’t always know exactly why they do what they do, and that is clearly the case with this song, since Kate has returned to it after the event to direct an animated film around it. Animation being a painstakingly slow production process, the soundtrack for the short is an edit of the song, pulling it down from almost 10 minutes to 4 minutes. The 4-minute edit is surprisingly coherent and seems to distil the essence of the piece.

Most of the lyrics are sung by Albert, yet Kate sings the haunting refrain:

The world is so loud

Keep falling

I’ll find you

It’s impossible to listen to this without thinking she is the mother somehow waiting for her falling son, whatever that means.… Read the rest

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Features Live Action Movies Music

The Ballad
of Wallis Island

Director – James Griffifths – 2025 – UK – Cert. 12a – 99m

***1/2

An emotionally clueless lottery winner living on a remote British island attempts to reunite his favourite singer / songwriting duo for a gig on his local beach – out in US cinemas on Wednesday, May 28th and UK cinemas on Friday, May 30th

When musician Herb McGuyer (Tom Basden) arrives by boat to play a gig on a remote island somewhere off the UK coast, he’s a little shocked when met by promoter Charles (Tim Key) that he’s required to wade through water on the beach – so shocked, in fact, that he drops his mobile phone in the water. There follows a lengthy walk up a steep track to the hotel where he’ll be staying – actually Charles’ house. Further surprises are in store. The intimate gig of less than a hundred turns out to be just Charles himself, a lottery winner who is a huge fan.

These days, Herb has a solo musical career, however Charles is particularly keen on Herb’s earlier work with McGuyer Mortimer in which he partnered with Nell Mortimer before that duo split and went their separate ways. Charles has neglected to mention to Herb that this is to be a reunion gig for the duo, and Mortimer will be joining them on the island shortly.… Read the rest

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Features Live Action Movies

Tokyo Pop

Director – Fran Rubel Kuzui – 1988 – US, Japan – Cert. 18 – 99m

****

A girl singer, fed up with being sidelined by the music business in New York, relocates to Tokyo and falls in with local rock band hopefuls there – select UK cinema screenings from Friday, April 25th prior to its Blu-ray release on Monday, May 5th

“Hey, Mike, when do I get to use my song?” asks the band’s disgruntled, leather-clad back-up singer, feeling redundant as she stands on stage holding a tambourine. Her music career in New York stalling fast, Wendy (Carrie Hamilton from Cool World, Ralph Bakshi, 1995; Shag, Zelda Barron, 1989) receives a “Wish you were here” postcard from her friend Jane in Japan and shoots back a reply: “Hope you meant it – ‘cos I’m coming.”

In Japan, a band does an English language cover of Blue Suede Shoes. When Wendy arrives in Tokyo, her girlfriend has moved on to Thailand. Barely speaking any Japanese, Wendy winds up in a cheap hotel in Itabashi the space of a small Japanese apartment where footwear is removed on entering and, as an Aussie resident tells her, everything operates on credit card and a shower is Y100 for ten minutes.… Read the rest