Tag: parents and children

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Features Live Action Movies

Exit 8
(Hachiban Deguchi,
8番出口)

Director – Genki Kawamura – 2025 – Japan – Cert. 15 – 95m

*****

A commuter tries to leave the Tokyo Underground but finds himself retracing his steps within a repeating system from which there is no exit – out in UK and Ireland cinemas on Friday, April 24th

A packed carriage on the Tokyo Underground. A commuter (Kazunari Ninomiya from Letters from Iwo Jima, Clint Eastwood, 2006), heading to his first day at a new job, can’t help but notice a young mother whose baby is crying. This is not a situation anyone likes to find themselves in, least of all the young mother. One male passenger takes it upon himself to berate and belittle the woman for selfishly allowing her child to make a noise in such a crowded, public space, inconveniencing everyone present. On one level, is he simply voicing what everyone else in the carriage is thinking? On another, is he completely out of order? After all, the mother is not the child making the noise, and she is doing her best to calm it. The irate passenger is clearly not helping the situation.

Perhaps someone should intervene and tell the man to leave the woman alone.… Read the rest

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Features Live Action Movies

Father Mother
Sister Brother

© Vague Notion 2024 Yorick Le Saux

Director – Jim Jarmusch – 2025 – US – Cert. 12a – 110m

*****

Three separate stories follow visits by three separate sets of adult siblings to, respectively, an elderly father, an elderly mother, and a deceased parents’ cleared home – out in UK cinemas on Friday, April 10th

This harks back to a couple of earlier Jarmusch movies which similarly consist of a small number of stories: Night on Earth (1991) with five cabbies on one night in different cities and Mystery Train (1989) with its three linked stories set during one night in Memphis. There’s no suggestion that the three stories in Father Mother Sister Brother – set in rural North America, Dublin and Paris – are taking place simultaneously, international time differences notwithstanding, but they could well be, because all three take place in similarly good weather conditions. The first is rural, with snow on the ground, while the latter two are urban.

All three of FMSB’s stories feature similarities which link them beyond the overall siblings / parent(s) theme. These are both expected – car journeys to the home of the parent or parents, time spent in their presence or absence – and unexpected – skateboarders seen from the can en route, a Rolex watch.… Read the rest

Categories
Documentary Features Live Action Movies

Kim Novak’s Vertigo

Director – Alexandre O. Philippe – 2025 – UK – Cert. uncertificated – 76m

*****

An essential addition to the canon of work surrounding and helping audiences to understand the power of one of the cinema’s greatest works– out in UK cinemas on Friday, April 3rd

The opening black and white scene features actress Kim Novak, probably shot in the 1950s, as if through a peephole. This recalls Norman and his peephole in Psycho (Alfred Hitchcock, 1960). Novak here seems to know she is being watched, looks directly at the camera, then rolls her head so her eyes go into the darkness of shadow. Then, colour footage of present day, images that could be out of Spellbound (Hitchcock, 1945): a gate opening, a passage along a country roadway, a wooden memorial to someone. All this accompanied by the voice of Kim Novak, now in her twilight years, talking about her life on the soundtrack – her present difficulty in getting breath, how awful it must be to gasp for breath prior to dying.

All this has a Hitchcock connection. Novak is familiar to us from her twin roles in Vertigo (Hitchcock, 1958), the favourite film of director Philippe (and also, as it happens, of this critic) who specialises in documentaries about movies and made the definitive documentary about Psycho’s shower scene 78/52 (2017).… Read the rest

Categories
Animation Documentary Features Live Action Movies

D is for Distance

Director – Chris Petit, Emma Mathews – 2025 – Finland – Cert. 12A – 88m

****

A diary film about a boy with epilepsy, his interior world, and parenting – out in UK cinemas on Friday, April 3rd

Opening and closing, more or less, with one of the quieter themes from Once Upon a Time in the West (Sergio Leone, composer: Ennio Morricone, 1968), and images first of a boy / young man clambering over coastal rocks and finally of the same young man and his father looking out from atop rock formations near “the top of the world”, this fits into the personal diary school of documentary filmmaking.

The two co-directors are life partners Chris Petit (Radio On, 1979) and Emma Matthews; the subject their son Louis, who started having epileptic fits around age 12. Following various NHS misdiagnoses, the family moved to the Netherlands where they could legally get hold of medical cannabis which, it turned out, cured Louis as long as he kept taking it. 

In former times, notes the unseen narrator (Jodhi May from Dune: Prophecy, TV series, 2024; The Last of the Mohicans, Michael Mann, 1992, A World Apart, Chris Menges, 1988), people with this condition would be taken as demon-possessed and burned at the stake, or (under the Nazis) forcibly exterminated.… Read the rest

Categories
Animation Features Movies

Arco
(Arco)

Director – Ugo Bienvenu – 2025 – France – Cert. PG – 82m

French with subtitles (not in UK cinemas) *****

English dubbed version (in UK cinemas) ****1/2

A boy from the far future attempts time travel too young and gets stranded in an earlier time – animated SF feature is out in UK cinemas on Friday, March 20th

Somewhere in the distant future, above the clouds where the birds fly, in semi-spherical houses constructed on supports rising through the clouds, live the likes of Arco (English voice: Juliano Krue Valdi; French voice: Oscar Tresanini) with his mother (voices: America Ferreira; Sophie Mas) and father (Roeg Sutherland; Oxmo Puccino), and his elder sister (unknown; Joséphine Mancini). His daily routine includes feeding the hens and the pigs, but not flying because he’s not yet 12 and, as his dad constantly reminds him, that’s the law.

The house is powered at least in part by small water wheels. It would appear to be self-sustaining. The family grow a lot of plants as part of their self-sufficient diet, and the daily flights of Arco’s father, mother and sister take them to other times to gather samples of new plant species to grow as nutrients.… Read the rest

Categories
Features Live Action Movies

A Pale View of Hills
(Toi Yamanamino Hikari,
遠い山なみの光)

Director – Kei Ishikawa – 2025 – UK, Japan, Poland – Cert. 12a – 123m

From the novel by Kazuo Ishiguro

***1/2

An aspiring journalist in 1982 England delves into her mother’s past life in 1952 Nagasaki and unearths dark family secrets – out in UK cinemas on Friday, March 13th

As will be seen from the above logline description, this essentially plays out in two timelines.

One is in Nagasaki, Japan in 1952, less than a decade after the dropping of the atomic bomb, where the married and barely visibly pregnant Etsuko (Suzo Hirose from Lupin III the First, Takashi Yamazaki, 2019; The Third Murder, Hirokazu Kore-eda, 2017; The Boy and the Beast, Mamoru Hosoda, 2015; Our Little Sister, Hirokazu Kore-eda, 2015) befriends Sachiko (Fumi Nikaido from River’s Edge, Isao Yukisada, 2018; Himizu, Sion Sono, 2011), the mother of local waif Mariko (Mio Suzuki), who lives in an isolated shack near the river and plans to emigrate to the US with a man named ‘Frank’.

The other is in a town in England somewhere near Greenham Common, Berkshire, in 1982, where aspiring journalist Niki (Camilla Aiko from Dr.… Read the rest

Categories
Animation Features Movies

Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – out in UK cinemas on Friday, February 13th; previews Saturday, 7th and Sunday, 8th February

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest

Categories
Features Live Action Movies

Kaneko’s Commissary
(Kaneko Sashiireten,
金子差入店)

Director – Go Furukawa – 2025 – Japan – Cert. N/C 15+ – 125m

****

An ex-con runs a service delivering clothing, other supplies and messages from loved ones to convicted prisoners – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

A young mum, babe in arms, takes bags for her husband to a drop-off facility / creche so she can visit him in prison. The helpful assistant informs her that the commissary will be unable to accept most of the contents of the bag – basically, any clothing other than underwear. And off she goes for a prison visit with her husband, who has anger management issues and takes out on her the fact that she failed to visit last month, telling her, “it’s easy for you to abandon me.” His unabated rating and verbal abuse eventually drives her to a primal scream before she walks out, leaving him to ask, redundantly, after she’s left, if their child has been born yet.

His visit isn’t from her but the self-announced “Kaneko from Hosoda’s Commissary”, who has a deliver from his wife; divorce papers to sign.… Read the rest

Categories
Features Live Action Movies

All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – plays one night only, Sunday, February 8th, 6.45pm, as part of Film Tottenham

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

Categories
Features Live Action Movies Music

The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest