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Features Live Action Movies

Born To Fly
(Chang Kong
Zhi Wang,
长空之王,
lit.
King Of The Sky)

Director – Liu Xiaoshi – 2023 – China – Cert. 12a – 128m

***1/2

Genuinely thrilling action movie about Chinese test pilots owes much to US movies Top Gun and The Right Stuff, even as it attempts to justify current expansionist Chinese views – out on Blu-ray and Digital from Monday, February 5th

From above the clouds. Two stealth jets. Down towards the sea surface and an oil platform flying a Chinese flag. Coffee in a cup vibrating Jurassic Park (Steven Spielberg, 1993) style to indicate the imminent approach of the monster. Sonic boom. Aircraft fly past. Oil rig windows blow out. Faces are cut to ribbons. In one cockpit, the pilot radios his colleague and, presumably, anyone else listening (in US English): “we can come and go anywhere we want.”

Then, a Chinese plane after them. In their sights. But, before the American can shoot it down, the Chinese loops the loop, transforming from target to shooter. Vowing, like that villainous Hollywood icon The Terminator (James Cameron, 1984) to be back, the US pilots leave Chinese airspace.

The Chinese aircraft, meanwhile, clearly inferior to its US counterparts, suffers flameout requiring its ace pilot to make a forced landing during which its drogue parachute fails to open.… Read the rest

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Features Live Action Movies

Are You
There God?
It’s Me,
Margaret.

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest

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Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest

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Features Live Action Movies

Reality

Director – Tina Satter – 2023 – US – Cert. 12a – 83m

*****

A young woman working in US security services is questioned in her home by two FBI interrogators who believe she’s leaked classified documents to The Intercept – out in UK and Irish cinemas on Friday, June 2nd

This film is based on a true story. That commonly used phrase can encompass everything from attempts at verisimilitude through to extreme misrepresentation. This film, however, is something different from most films bearing that legend.

The true story on which this film is based is an interview of a woman by two FBI agents. That organisation’s protocols dictate that such incidents, planned ahead of their execution, must be recorded in transcription form. So the film is not based on the incident so much as it is based on the official transcript of it. That includes not only the verbal words, but also pauses or gaps on the parts of those speaking them.

Writer-director Satter was hooked by the transcript and has already turned it into the critically acclaimed Broadway play Is This A Room. Theatre and cinema, while they often share certain elements, are essentially two different media; a successful play has an immediate attraction to movie producers who believe its proven theatrical track record will sell cinema tickets, yet the cinema is littered with stagebound adaptation of plays which worked far better on stage than screen.… Read the rest

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Features Live Action Movies

Vampire
Vs
Vampire
(Yi Mei Dao Ren,
一眉道人)

Director – Lam Ching-ying – 1989 – Hong Kong – Cert. 15 – 87m

***1/2

A Taoist priest must defeat various supernatural forces including a Western-style vampire occupying a coffin in an old church – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

Turned into a star by playing the Taoist priest who fights off jiangshi (hopping corpses) in the Mr. Vampire films, Lam went on to play similar characters in films and TV for the rest of his career until his death at age 44 in 1997. He directed this particular film himself, and while it sits easily alongside the ‘official’ Mr. Vampire entries, it’s a little bit different.

Once again, Lam’s Taoist priest and two bumbling assistants Hoh (Chin Siu-ho) and Fong (Lui Fong) battle with ghosts and other supernatural forces. First up is a ghost made up of excrement and teeth which escapes from imprisonment in a jar exposed to too much moonlight, which trope inverts Western vampire lore about burning up in sunlight.

Given directorial reins, Lam shows surprisingly little interest in jiangshi, their presence consisting of one friendly child (Lam Jing-wang) inspired by Mr.Read the rest

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Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest

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Mr. Vampire III
(Ling Wan
Sin Sang,
靈幻先生)

Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m
***1/2
Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.

Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest

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Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest