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Made In Hong Kong
(Heung Gong Jai Jo,
香港製造)

Director – Fruit Chan – 1997 – Hong Kong – Cert. 15 – 108m

****

A teenager struggles to survive in Hong Kong around 1997 – plays Focus Hong Kong 2023 on Saturday, June 24th at 6pm

This picked up prizes at film festivals in the Far East and elsewhere. Director Fruit Chan assembled an excellent cast of young unknowns, shot his film on short ends, and ultimately obtained completion funding from impressed Oriental megastar Andy Lau.

The plot, worthy of Martin Scorsese, Spike Lee or Ken Loach, concerns teenager Autumn Moon Cake (Sam Lee), living in the Hong Kong equivalent of a council high rise block with his abandoned mother, looking out for his educationally subnormal best mate Sylvester (Wenders Li), dodging the local street gangsters and constantly struggling with the ever present open invitation to start a career with the more powerful and all pervasive triads.

Obsessed with a suicide called Susan (Amy Tam Ka-chuen), who threw herself off a tall building, Moon becomes involved with another girl, the terminally ill Ping (Neiky Yim Hui-chi) who is in need of expensive medical treatment, after she pays him a fraction of the money he’s attempting to extort from her mother (Carol Lam Kit-fong).… Read the rest

Categories
Features Live Action Movies

Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest