Tag: triad

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A Better Tomorrow II
(Yingxiong Bense 2,
英雄本色2)

A Better Tomorrow II (Yingxiong Bense 2, 英雄本色2)

Director – John Woo – 1987 – Hong Kong – Cert. 18 – 105m – Workprint cut 140m

The first half **

The second half *****

Workprint cut *****

To continue the franchise, Chow Yun-fat returns playing the brother of his character in the first film, a New York restaurateur – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

There’s something hugely endearing when Chow Yun-fat appears here, playing the brother of his character in the first film, insisting his name is not Mark but Ken. Nevertheless, he has on hand his late brother’s coat, with a few holes from bullets, to don in the closing scenes. Mark can’t possibly return having died at the end of the first film, and yet, to all intents and purposes, he’s back for this sequel!

The film as it appeared in release prints feels like little more than an excuse to have another big shoot out with Chow Yun-fat and others at the end, and you can feel Woo struggling as he tries to find a way of getting there without completely losing interest.

(Update: for struggling read; struggling with the editing required to get the film down to 105 minutes for cinema release.… Read the rest

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A Better Tomorrow
(Yingxiong Bense,
英雄本色)

A Better Tomorrow (Yingxiong Bense, 英雄本色)

Director – John Woo – 1986 – Hong Kong – Cert. 18 – 94m

*****

The seminal gangster movie that crystallised John Woo’s now-trademark style of brotherhood, bullets and blood and catapulted Chow Yun Fat to Oriental, big screen stardom – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

After a decade directing comedies and kung fu movies (many for Golden Harvest), Woo’s last two films had been box office flops when producer Tsui Hark gave him the opportunity to make A Better Tomorrow, loosely based at least in plot and character terms on the gritty The Story of a Discharged Prisoner / Yingxiong Bense (Kong Lung, 1967).

Hong Kong’s cinema owners had no problems with two of the three proposed leading men – Ti Lung (from Drunken Master II, Liu Chia-Liang, 1994; Shaolin Temple, Chang Cheh, Wu Ma, 1976) had achieved great success in director Chang Cheh’s martial arts epics at Shaw Brothers (Woo had worked as assistant to Chang early in his career) and Leslie Cheung (from Happy Together, Wong Kar-wai, 1997; Once a Thief, John Woo, 1991; A Chinese Ghost Story, Tsui Hark, 1987) was a successful singer – but Tsui and Woo had to fight hard for third lead Chow Yun Fat, a big TV star lacking any box office clout.… Read the rest

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Hard Boiled
(Lat Sau San Taam,
辣手神探)

Hard Boiled (Lat Sau San Taam, 辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July, and is also out on 4K UHD and Blu-ray

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).… Read the rest

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Bullet in the Head
(Diexue Sietou,
喋血街头)

Bullet in the Head (Diexue Sietou, 喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

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Twilight of the Warriors
Walled in
(Jiu Long Cheng
Zhai·Wei Cheng,
九龙城寨之围城)

Director – Soi Cheang – 2023 – Hong Kong – Cert. 15 – 126m

*****

A refugee steals money from a Hong Kong triad then hides out in Kowloon Walled City, a place as dangerous as the triads pursuing him – out on Zavvi-exclusive Limited 4K UHD + Blu-ray Special Edition from Monday, November 11th

Never entered by those outside, an uneasy peace has reigned in Kowloon Walled City a.k.a. the City of Darkness since Cyclone defeated ‘Dragon Head’ Liu and his warlord partner Jim. It’s Hong Kong in the 1980s, when refugees were flooding into the territory. In a nightclub where women dance to Cantopop, one such refugee (Raymond Lam) wins a fist fight competition then is conned by gang boss (Sammo Hung) into paying for a shoddily made fake ID card, which he refuses to accept when he calls to collect it two weeks later. Leaving the ensuing argument, he snatches a bag from the villain’s drug warehouse and runs hell for leather into the Walled City, where the gangsters won’t follow.

Inside, he discovers to his horror that he’s snatched not a bag of banknotes as he supposed but a bag of drugs. Trying to sell it, he finds himself fighting local gangsters, who don’t want him selling drugs on their turf.… Read the rest

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Where
The Wind Blows
(Feng Zai Qi Shi,
風再起時)

Director – Philip Yung – 2022 – Hong Kong – Cert. 15 – 144m

***

The parallel careers of two dishonest Hong Kong cops plays out against the backdrop of corruption in the Hong Kong Police Force between the end of WW2 and the end of the 1960s – out in UK cinemas on Friday, September 8th

Out of the ashes of the Japanese occupation during the Second World War, two men join the Hong Kong Police Force only to discover that it is riddled with corruption, a fact of life they embrace in different ways throughout the 1950s and 60s even as the Independent Commission Against Corruption (ICAC) under George Lee (Michael Hui) attempts to investigate them and shut them down. The well-dressed Nam Kong (Tony Leung Chiu-wai from Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021; Lust, Caution, Ang Lee, 2007; Infernal Affairs, Andrew Lau, Alan Mak, 2002) is quietly building a corrupt empire with links to the triads, while Lui Lok (Aaron Kwok from The Storm Riders, Andrew Lau, 1998) attempts to eschew corruption but find its pervasive presence in the force irresistible.

The latter falls for and marries the beautiful Tsai Chan (Du Juan), subsequently taking on Siu Yin (Yixuan Zeng) as his mistress because she reminds him of former girlfriend Xiao Yu (Chun Xia aka Jessie Li) who disguised herself as a male soldier to find her lost brother, was discovered by the Japanese and pressed into service as a comfort woman.… Read the rest