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Features Live Action Movies

The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th, and is out in UK cinemas on Friday, May 31st

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film.… Read the rest

Categories
Features Live Action Movies

Lust, Caution
(Se, Jie,
色, 戒)

Director – Ang Lee – 2007 – China, Taiwan, US – Cert. 18 – 158m

*****

A Chinese student joins an assassination plot against a high-up Japanese collaborator, for which she must sleep with him – originally published in Third Way, to coincide with 4th January 2008 UK cinema release.

Some will consider this erotic espionage thriller a no-go area, while others will want to see it for its director. Mandarin Chinese language outing Lust, Caution is based on a short story which highly regarded Chinese author Eileen Chang spent decades honing. Taiwanese-American director Ang Lee (award winner for both Brokeback Mountain, 2005, and Crouching Tiger, Hidden Dragon, 2000) claims he hasn’t so much adapted Chang’s tale as, in collaboration with his cast, re-enacted it. Given her story concerns the activity of a troupe of actors, perhaps this isn’t so surprising.

Shanghai 1942. Mrs Mak, waiting for a rendezvous in a café, is not who she appears. She recalls how in China 1938 she was shy Wong Chia Chi (Tang Wei) who as a university student got involved with a drama group to encourage patriotism under Kuang Yu Min (Wang Leehom). Acting before an enraptured audience, she realises she has found her métier.… Read the rest