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Features Live Action Movies

The Wicker Man:
The Final Cut

Director – Robin Hardy – 1973 – UK – Cert. 15 – 94m

*****

A Christian police sergeant investigating a missing child on a remote Scottish island meets a terrible fateout as a Collector’s Edition UHD / Blu-ray /DVD from Monday, September 25th following its release in UK cinemas in a 4K restoration from Wednesday, June 21st, 2023

(Originally reviewed for cinema release in a 2K restoration on Friday, September 27th, 2013)

Originally released forty years ago in the UK in a cut down version its director disliked, The Wicker Man now reaches our cinema screens in a longer, restored version which he says fulfils his original vision. Its plot is deceptively simple. A Christian police sergeant flies to a remote Scottish island in response to a letter about a missing child. But when he arrives on Summerisle, no-one seems to have heard of that child. It gradually emerges that the policeman has stumbled into an intricate web of lies and deceit wherein a terrible fate awaits him….

Using material from a recently discovered, longer US release print – rechristened The Final Cut by Hardy who assembled this cut in 1979 – it’s a provocative work on a number of levels.… Read the rest

Categories
Live Action Movies Shorts

Two Strangers
Who Meet
Five Times

Director – Marcus Markou – 2022 – UK – Cert. 12a – 12m

****

A profound meditation on our common ground, our differences, and the factors which apparently come out of nowhere to can drive us apart or bring us together – out in UK cinemas on Friday, March 10th

Life. Paths that unexpectedly cross. While cleverly doing exactly what it says on the title, this achieves a meditation on those meetings with other people that prove cathartic, those moments in which our lives can turn on a knife edge.

The first meeting we see, which is actually the second time they meet, involves two men at a cashpoint, one (Laurence Spellman, who is also one of the leads in the same director’s new feature The Wife And Her House Husband, 2022) losing it while the one in front of him (Sargon Yelda) takes what seems like a ridiculously long time to perform what should be a simple task of withdrawing some money. (Of course, there can be a reasonable explanation for this – the machine isn’t working, it swallowed the card, it’s been tampered with by fraudsters – but none of that applies on this occasion – the ATM appears to be working properly.)… Read the rest

Categories
Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

Categories
Animation Movies Shorts

A Mind Sang
(A Mãe
De Sangue)

Director – Vier Nev – 2019 – Portugal – 6m 11s

****

In the programme Annecy Awards 2020 – 8 Short Films #2 from the Annecy 2021 Animation Festival hybrid and online editions

This is not a film to watch once. It’s a film to watch over and over and over again. It comprises a series of hugely affecting double images, double meanings. Am I looking at an eye or a person swimming / drowning? A man descending from the sky of a hand pulling a pencil out of water? The profile of a face with eyes and nose of the full length figure of a man sleeping, his head on a pillow?

Double images like this have always worked well in static art or illustration (there’s a famous one of Sigmund Freud’s face which can be read equally easily as a naked woman) while animation – in this case, 2D animation, but it applies to other forms of the medium as well – has a long tradition of portraying transformation of one object or physical state into another. This clever and subtle little film combines the two legacies.

A woman’s hand drawing becomes a person sitting in a bathtub becomes a woman lying prone (in water?… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

The story functions as an effective fable about adulthood and life. Michaël Dudok De Wit and his team brilliantly develop the character of the man through the various challenges he must face… [Read the rest]

Review originally published in DMovies.org, May 2017, to coincide with the film’s UK theatrical release.