Categories
Movies Features Live Action

Wild Horse Nine

Wild Horse Nine

Director – Martin McDonagh – 2026 – US – Cert. 15 – 118m

*****

Two Santiago-based CIA operatives travel to to Easter Island prior to the 1973 coup in Chile; one of them is dying – out in UK cinemas on Wednesday, November 4th

In 1973, Shortly before the CIA’s destabilisation of Chile, two of its operatives travel from Santiago to Easter Island. The terminally ill Chris (John Malkovich) wants to see the Big Heads (the island’s famous indigenous statues) before he dies, and his colleague Lee (Sam Rockwell) – possibly his only friend – has agreed to accompany him.

Their Santiago-based boss MJ (Steve Buscemi) is concerned; Chris has a habit of shooting his mouth off and saying things he shouldn’t, as evidenced in the airport when Chris starts to chat with two attractive female Chilean students Monica (Mariana di Girolamo) and Alicia (Ailín Salas) and he states, after bringing up the subject of “destabilising your country”, that “we ARE the CIA, actually,” leading to furious denials of the fact by Lee. Both girls are horrified.

Chris has an agenda beyond seeing the Big Heads – as he later confides to Lee, when you’ve seen one Big Head, you’ve seen them all.… Read the rest

Categories
Movies Features Live Action

A Quiet Place
Day One

A Quiet Place: Day One

Director – Michael Sarnoski – 2024 – US – Cert. 15 – 100m

*****

A terminally ill woman returns to the New York of her childhood as hostile aliens land and start wreaking havoc – franchise prequel is out in UK and Ireland cinemas on Friday, June 28th

Another attempt to duplicate the success of A Quiet Place (John Krasinski, 2018), this time by showing us the first day of the alien invasion in New York City, the sort of thing that couldn’t be done on the small budget of the original. Which sounds like more of the same – and on one level, that’s exactly what this is (so admirers of the original – among whom I number myself – wanting more aliens who hunt by sound, and more terrifying games of hide and seek with them, should find themselves more than satisfied).

There’s a curious attempt by the Studio’s marketing department to offer the chance to find out “why the world went quiet”, which is a great idea but bears no relation whatsoever to this film. Once you know that the aliens hunt by sound, so you must keep quiet to survive – revealed in the original film – this new film offers no further explanation as to why the world went quiet.… Read the rest

Categories
Movies Animation Features

The King and the Mockingbird
(Le Roi et L’Oiseau)

The King and the Mockingbird (Le Roi et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

This triple review was originally published in Third Way, April 2014.

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Movies Animation Features

Wrinkles (Arrugas)

Wrinkles (Arrugas)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Movies Animation Features

The Wind Rises
(Kaze Tachinu,
風立ちぬ)

The Wind Rises (Kaze Tachinu, 風立ちぬ)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Movies Documentary Features Live Action

Beyond the Mask

Beyond the Mask

Directors – Jane Harris, Jimmy Edmonds – 2021 – UK – 60m

****

People talk about their experiences of bereavement in the light of the COVID-19 lockdown – now free to watch (donation suggested)

In March 2020, the unthinkable happened as the world entered a global pandemic. In the ensuing year or so many people lost their lives while many more felt and indeed still feel a sense of loss for the ’normal’ life that existed beforehand. Directors Harris and Edmonds are no strangers to bereavement having lost their son unexpectedly at age 22 while he was travelling abroad in 2013 and part of their process of dealing with it was to make the excellent documentary A Love That Never Dies (Jane Harris, Jimmy Edmonds, 2018) in which bereaved parents talk about their different experiences of losing children.

Not everyone has suffered the misfortune of losing a child, but if you’re reading this you will invariably have lived through the COVID-19 pandemic, at least thus far. This latter condition is universal. So, what does the experience of bereavement have to say to our current situation of the pandemic – or, for that matter, what does our current situation of the pandemic have to say to our experience of bereavement?… Read the rest