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Fjord
(Fjord)

Fjord (Fjord)

Director – Cristian Mungiu – 2026 – Romania, Norway, France, Denmark, Finland, Sweden – Cert. 15 – 146m

*****

A Romanian-Norwegian family encounters insurmountable cross-cultural issues when they move to Norway – out in UK cinemas on Friday, November 13th

The Gheorgious, a couple comprising a Romanian man Mihal (Sebastian Stan from A Different Man, Aaron Schimberg, 2024; I, Tonya, Craig Gillespie, 2017; Captain America: The Winter Soldier, Anthony and Joe Russo, 2014) and his Norwegian-born wife Lisbet (Renate Reinsve from Backrooms, Kane Parsons, 2026; Sentimental Value, 2025; The Worst Person in the World, 2021, both Joachim Trier) move with their five kids, including their eldest, young teenagers Elia (Vanessa Ceban) and Emmanuel (Jonathan Ciprian Breazu), and their youngest, a baby, move to a picturesque, town in Norway when Mihal takes up a job there as an engineer. Lisbet too takes on a job at the local old folks care home. The town is surrounded by breathtaking mountain scenery and a beautiful lake. It’s a small town where everybody knows everybody else.

The family, who practice daily Bible-reading and prayer, right down to their kids who completely buy into their parents’ religious values, immediately plug in to the local church community, opening their home for bring and share meals and hymn-singing round the piano.… Read the rest

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Features Live Action Movies

The Accordion Door
(아코디언 도어)

The Accordion Door (아코디언 도어)

Director – Son Kyeong-su – 2025 – South Korea – Cert. 12a tbc – 115m

*****

A boy loses his memories at age nine, wins prizes as a writer, and falls for the new girl at school who plays football – from LKFF, the London Korean Film Festival 2026 which runs in cinemas from Monday, November 2nd to Tuesday, November 16th

A high school drama of sorts, this starts and ends with the national youth essay competition on the subject of ‘waves’. The lad at the back of the class writes, “I was destined to be unremarkable anyway.” On his paper, he adds, am I a cloud? As a child in a flashback, Lee Ji-soo can barely master the simplest of concepts. His mother (Ok Ji-young) pays attention to him while his dad (Park Jong-hwan from Concrete Utopia, Eom Tae-hwa, 2023) is on his mobile phone.

The teenage Ji-soo (Moon Woo-jin) wipes his eyes and repeats, from the exercise he failed, “rain, river, ocean, clouds.” A cloud hovers near him, sprouts a tendril, and pokes him in the eye against a gentle guitar lament that turns into a thundering rock lament.

In the present, at the back of the class, Ji-soo adds on his paper, the day I went missing.… Read the rest

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The Gorals
(산양들)

The Gorals (산양들)

Director – Yoo Jae-wook – 2025 – South Korea – Cert. – 107m

****

Four problem high school girls bunk off their special college application class to start a zoo in the woods with the school zoo’s animals – from LKFF, the London Korean Film Festival 2026 which runs in cinemas from Monday, November 2nd to Tuesday, November 16th

In danger of failing to secure themselves college places, four high school girl students are put in to a special class to help them get in somewhere. In-hye (indie director “Grace” Park Hye-jin) is busy delivering vaccinations to the ducks, rabbits and chickens in the school zoo. She likes the solitude of the job, but on this occasion, Seo-hee (Lee Seung-yeon) is watching from outside the enclosure, having been sent to find her along with two other girls, Lee Jung-ae (Park Hyo-eun) in class 2 and Kim Soo-min (Choi Soo-in from The House of Us, 2019; The World of Us, 2016, both Yoon Ge-eun) in class 1, by teacher Miss Kim Ah-tae (Kim See-eun from The Handmaiden, Park Chan-wook, 2016).

Teacher Kim wants the four of them to work on their interview skills so they can apply for a college – any college – and get in.… Read the rest

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Deadline
(Tzu Sha Tung Kao,
自殺通告)
(2025)

Deadline (Tzu Sha Tung Kao, 自殺通告) (2025)

Director – Kiwi Chow – 2025 – Hong Kong, Taiwan, UK – Cert. 15 tbc – 118m

****

A secondary school focused on maximising exam results is upset by pending suicide and use of performance-enhancing drugs – out in UK cinemas from Friday, October 16th

The students of En-Shan Secondary School, clad in distinctive uniforms of purple shirt with militaristic shoulder boards and dark grey tie, perform aggressive workout moves as they chant their school litany extolling hard work leading to success. Principal Kung (Anthony Wong Chau Sang from Infernal Affairs, Andrew Lau, Alan Mak,2002; Hard Boiled, John Woo, 1992; My Name Ain’t Suzie, Angie Chen, 1985 – this latter showing in this year’s HKFF) encourages them in the idea that present suffering leads to later success.

The ubiquitous iSmart system contains a database of vocabulary the students must master to game the exam system; its latest 2.3 iteration uses eye-tracking software to record how much time the pupil is taking in direct eye contact with the teacher. It makes the surveillance technology of Happyend (Neo Sora, 2024) sound amateurish by comparison, even if, overall, Deadline is the more satisfying viewing experience.… Read the rest

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Bad Apples

Bad Apples

Director – Jonatan Etzler – 2025 – US, UK – Cert. 15 – 100m

***

A teacher deals with a disruptive student by kidnapping him and locking him in her basement – out in UK cinemas on Friday, September 18th

A school trip to an apple processing factory goes badly wrong when a trainer shoe appears among the apples on the system of conveyor belts. While the other children tour the factory premises in a comparatively orderly manner under their teacher Miss Spencer (Saoirse Ronan), loner Danny (Eddie Waller) stands at the railing with one trainer missing.

The setting is Somerset. Not that you’d know. A whole potential Somerset metaphor about apples and bad apples and brewing sits in waiting, but that either never occurred to screenwriter Jess O’Kane when adapting the film from the Swedish source, the novel by De Oönskade / The Undesirables by Rasmus Lindgren (2020), or it got abandoned in an early draft. Or perhaps the director Etzler threw it out during shooting. A pity either way, because that idea has real potential.

Back at school, Miss Spencer is hauled over the coals by her superior Sylvia (Rakie Ayola).

At home, Maria Spencer plays video games – her refuge from her job.… Read the rest

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Animation Features Movies Music

The Obsessed
(Toritsukare Otoko,
トリツカレ男,
lit. Obsessed Man)

The Obsessed
(Toritsukare Otoko, トリツカレ男, lit. Obsessed Man)

Director – Wataru Takahashi – 2025 – Japan – Cert. PG tbc – 90m

*****

An obsessive becomes fixated on a woman he sees in a park – sweet, romantic drama plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

Giuseppe (voice: Masaya Sano) becomes obsessed with things. It’s just the way he is. His current obsession is singing. So obsessed that he messes up at work. His restaurant boss is basically a good guy who has tried over the years to look out for his employee as he has become obsessed with, in turn, insects, or ice hockey, or sunglasses. Sometimes his patience is stretched to the limit.

One day, he meets a mouse,(voice: Hayato Kakizawa), befriends him, names him Cielo, and invites the little guy into his home. One past obsession was learning languages – Giuseppe chalked up about 15 and picks up mouse language fairly easily. The mouse worries about Giuseppe, whose flights of fancy mean he’s not a particularly grounded individual.

Another day, walking in the park, Giuseppe sees a pretty girl selling balloons, and she becomes his new object of obsession.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Dongji Rescue (Dong Ji Dao, 東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – streaming on UK VoD from Friday, April 17th

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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Kaneko’s Commissary
(Kaneko Sashiireten,
金子差入店)

Kaneko’s Commissary (Kaneko Sashiireten, 金子差入店)

Director – Go Furukawa – 2025 – Japan – Cert. N/C 15+ – 125m

****

An ex-con runs a service delivering clothing, other supplies and messages from loved ones to convicted prisoners – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

A young mum, babe in arms, takes bags for her husband to a drop-off facility / creche so she can visit him in prison. The helpful assistant informs her that the commissary will be unable to accept most of the contents of the bag – basically, any clothing other than underwear. And off she goes for a prison visit with her husband, who has anger management issues and takes out on her the fact that she failed to visit last month, telling her, “it’s easy for you to abandon me.” His unabated rating and verbal abuse eventually drives her to a primal scream before she walks out, leaving him to ask, redundantly, after she’s left, if their child has been born yet.

His visit isn’t from her but the self-announced “Kaneko from Hosoda’s Commissary”, who has a deliver from his wife; divorce papers to sign.… Read the rest

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October Sky

October Sky

Director – Joe Johnston – 1999 – US – Cert. PG – 97m

****1/2

Coming-of-age drama based on the teenage years of Homer Hickam who went on to become a NASA rocket scientist – out in UK cinemas on Friday, June 26th 1999

1957 was the year Sputnik became the Earth’s first man‑made satellite. This first of two December releases set in small town America against the backdrop of that event (the second is next week’s The Iron Giant, Brad Bird, 1999) is a coming-of-age drama based on the real life teenage years of Homer Hickam who went on to become a NASA rocket scientist. Homer (Jake Gyllenhaal) is initially inspired by the sight of the Sputnik flying over his hometown through 1957’s October skies, a tiny moving dot amidst the stars.

Hickham starts experimenting with home-made rockets – blowing up his mother’s picket fence, sending potentially lethal projectiles hurtling through the air towards the local pithead and, ultimately, becoming something of a local celebrity. Aided by his two best mates and the school nerd, a stereotype likely to infuriate anyone who wears spectacles, he receives support from admiring teacher Miss Riley (Laura Dern) but not his own mine superintendent father John (Chris Cooper) who regards him as an idealistic fool wasting his time.… Read the rest

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That Burning House
(Shi Le Yuan,
火宅之犬)

That Burning House (Shi Le Yuan, 火宅之犬)

Director – Tsai Yin-chuan – 2025 – Taiwan – 133m

****1/2

Teachers in a juvenile care home attempt to break the cycle of violence among their charges – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This is one of those films that takes place in several different times in the characters lives, including when they are children, teenagers and adults. That means that you need more than one actor to play each character at different times in their lives, and if you’re going to attempt that, you’d better get your casting right, so that when you see the second actor playing an older or younger version of the character, you instantly recognise that character.

I wanted to rate this compelling film as five stars, but it has severe problems in this area – it’s really hard working out which character is which in the various different times in which events take place. Studying the end credits helped somewhat in this regard, but that information really ought to be expressed more clearly within the film narrative itself. (To see an example of a film that tackles this multiple character casting brilliantly, see Moonlight (Barry Jenkins, 2018).… Read the rest