Director – Gary Hustwit – 2023 – UK – 83m
**** (on this occasion)
Musician, artist and activist Brian Eno has been at the cutting edge of creativity for 50 years, and this generative, AI-programmed film plays in a different version every time it is shown – out in UK cinemas on Friday, July 12th
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Disclaimer: This film is being touted as a film that’s different every time it screens: thus, I need to declare that I saw the version shown to press in London on 03.07.2024 (which was prepared as a file for viewing on 26.04.2024). Things included in that version might or might not be in the one you see. So, in a sense, you have to take this review with a pinch of salt. The version I saw ran 83 minutes. Officially, it’s supposed to be 90, so that exact running length may vary too. Or not. I really don’t know.
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Brian Eno hasn’t made the film himself, yet clearly he’s the perfect subject for it. He talks about “accidentally” getting involved with Roxy Music after being asked by band member Andy Mackay to help them record (as in, do the work required to record them at a recording studio) some pieces and realising that recording and performing with the band would help him pursue his interest in exploring emerging new technologies and their creative possibilities.… Read the rest
