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Features Live Action Movies

Smoking
Causes Coughing
(Fumer Fait Tousser)

Director – Quentin Dupieux – 2022 – France – Cert. 15 – 77m

*****

Saving the world is taking its toll on the group of superheroes known as the Tobacco Force, so their leader sends them on a week-long retreat to rebuild their team spirit – out in UK cinemas on Friday, July 7th

An ordinary family are on a car journey when the boy (Tanguy Mercier) asks his parents (David Marsais and Julia Faure) to stop. Again. They stop, He gets out to pee, but looking over the fence at which he’s about to do the deed, he can’t believe his eyes and rushes back to the car to ask if he can borrow dad’s binoculars. It’s only the start of the film, we’ve still no idea of what it’s about, and already director Quentin Dupieux (Deerskin, 2019) is upending whatever expectations we might have had to hilarious effect.

What is beyond the fence is this: a drop down to a beach. And on that beach, the group of superheroes known as the Tobacco Force is battling a giant turtle. This probably conjures in your mind an image of expensive, Hollywood CG effects. But no. What we have here is extremely low budget.… Read the rest

Categories
Features Live Action Movies

Woman Of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman Of Fire (1971) and Woman Of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest