Directors – Larry and Andy Wachowski – 1999 – US – Cert.15 – 136 mins
The Matrix combines tropes of Japanese animation with live action Hong Kong stunt choreography and groundbreaking ‘bullet time’ special effects.
UK release: June 11th 1999;
Article originally published in Manga Max, Number 8, July 1999.
1999. The Matrix is about to E.X.P.L.O.D.E.
Technically, a matrix is a multidimensional array of locations, with each cell uniquely addressable. Contents not specified. Back in late April, when Hollywood blockbuster The Matrix was first screened for UK press, Warners’ line beneath the film’s title on the publicity flier ran, Blockbusting futuristic thriller with ground-breaking special effects. Perhaps it should have read, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action. Or even, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action reconceived in terms of anime. Okay, it’s a bit of a mouthful, but it’s closer to the truth.
Ostensibly a megabudget Joel Silver (Lethal Weapon / Die Hard / Predator / Speed / Road House / Assassins) SF actioner well beyond the extremities of this magazine’s remit, directed by the Wachowski Brothers (writer‑directors of Bound, screenwriters for Assassins), The Matrix opens with an incredible sequence wherein Trinity (Carrie‑Anne Moss, who looks for all the world like a Westernised version of a Hong Kong starlet in cat burglar get up… Black Cat’s Jade Leung or Irma Vep’s Maggie Cheung, perhaps?)… Read the rest