Eddie Redmayne Archives - Jeremy C. Processing

Producer-Director: Nick Park – 2018 – UK – Cert. PG – 89m

*****

Ancient caveman Brits, rabbits, mammoths, dinosaurs, dastardly Frenchmen and football – Aardman’s prehistoric, stop-frame marvel is back out in UK cinemas on Friday, 21st August

Nick Park and Aardman Animations’ epic is set in a prehistoric world of cavemen, rabbits and mammoths. For good measure it also throws in dastardly Frenchmen and football. Park coaxes great voice performances out of his all-star cast, while physical animation is in the capable hands of Will Becher (who directed the Creature Comforts TV series) and Merlin Crossingham (Creative Director for Wallace & Gromit since 2009 and subsequently co-director with Park of Wallace & Gromit: Vengeance Most Fowl, 2024).

At one point a mallard appears in the distance. A caveman hurls a small rock at it. The rock travels an awful long way. Much farther than we expected. Eventually it reaches the mallard, revealed as a gargantuan beast on the scale of a dinosaur. The giant mallard charges towards us and the hapless tribe of cavemen.

This is very much in the spirit of Early Man’s opening sequence wherein volcanoes belch fire and a carnivorous ceratosaurus does battle with a herbivorous triceratops clearly modelled on their counterparts in Ray Harryhausen’s One Million Years B.C.… Read the rest

Fantastic Beasts:
The Secrets
Of Dumbledore

Director – David Yates – 2022 – UK – Cert. 12a – 142m

***

In the 1930s, Newt Scamander, Albus Dumbledore and others attempt to prevent the despotic wizard Grindlewald from seizing power in a wizard’s election in J.K. Rowling’s third Fantastic Beasts movie – out in cinemas on Friday, April 8th

It’s difficult to know where to start with the third of J.K. Rowling’s self-penned Fantastic Beasts productions. A plethora of characters who apart from a few main ones quickly get confusing, some genuinely fantastic beasts as you would hope and some truly great underlying ideas poorly served by a narrative that doesn’t seem to understand basic storytelling in cinema. Perhaps if I’d immersed myself in all the books and films and whatever else is out there, it would make more sense (and no doubt this is what much of the dedicated fan audience will do), but as a standalone film, even one that’s a part of an ongoing saga, it makes little sense, although certain sequences are terrific.

The big ideas here are built around a creature called a Qilin (pronounced chillin) – a beast borrowed from Chinese and Far Eastern mythology – specifically an orphaned newborn Qilin that looks a lot like a golden version of Bambi, a resemblance underscored by the fate meted out to its mother in the opening reel.… Read the rest