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Features Live Action Movies

Jackie Chan’s
Police Story
Trilogy

Police Story (Ging Chaat Goo Si, 警察故事)

*****

Director – Jackie Chan – 1985 – Hong Kong – Cert. 15 – 100m

Police Story II (Ging Chaat Goo Si Juk Jaap, 警察故事續集)

***1/2

Director – JackieChan – 1988 – Hong Kong – Cert. 15 – 101m

Police Story 3 Supercop (Ging Chaat Goo Si III: Chiu Kup Ging Chaat, 警察故事3超級警察)

*****

Director – Stanley Tong– 1992 – Hong Kong – Cert. 15 – 96m

The Police Story trilogy is a landmark of Hong Kong action cinema. As David West points out in his informative essay in the accompanying booklet to Eureka’s welcome 4K UHD release of the three films, the first one was the point in Jackie Chan’s career where he broke with period dramas to make a vehicle for himself that was totally modern, set in contemporary Hong Kong rather than an historic Chinese past or even the early twentieth century of his own Project A series of films. Action films set in the present started to emerge in Hong Kong in the early 1980s, with a couple of them directed by Chan’s fellow former Peking Opera schoolmate Sammo Hung, who managed to secure roles for Jackie some way down the cast list in Winners And Sinners (1983) and My Lucky Stars (1985).… Read the rest

Categories
Features Live Action Movies

In The Mood For Love
(Fa Yeung Nin Wah,
花樣年華 )
/ 2046

In The Mood For Love

Director – Wong Kar-wai – 2000 – Hong Kong – Cert. PG – 94m

*****

2046

Director – Wong Kar-wai – 2004 – Hong Kong – Cert. 12 – 123m

*****

In the Mood For Love is a romantic drama set in 1962 with 2046 a sequel which follows what happened to the man some time after – out now on BFI Player Rental in 4K restorations as part of a wider Wong Kar-wai season. (Originally reviewed for Third Way on both films’ UK DVD release in the mid-2000s when they were available both separately and as a double pack).

On the same day in 1962, two couples move into neighbouring apartments in Hong Kong. The husband of secretary Su Li-zhen (Maggie Cheung) is away on business in Japan, while the wife of journalist Chow Mo Wan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, Hard Boiled, John Woo, 1992; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021) is often absent for similar reasons. It gradually dawns on Su and Chow that their respective spouses are having an affair.… Read the rest

Categories
Features Live Action Movies

Green Snake
(Ching Se,
青蛇,
lit. The Teal /
Green Snake)

Director – Tsui Hark – 1993 – Hong Kong – Cert. 12 – 99m

****1/2

Two sister snake spirits, the white snake and the green snake, enter our world to discover the mystery of human sexual love – from the London East Asia Film Festival (LEAFF)

China’s White Snake legend has spawned numerous adaptations including the recent, animated White Snake / Baishe: Yuanqi (Amp Wong, Ji Zhao, 2019) which boasts fast paced action and state of the art CG visuals. Tsui Hark is from another era: the legendary Hong Kong director who almost single-handedly bought Hollywood-style special effects to Hong Kong movie production in such epics as Zu Warriors From The Magic Mountain (1983) and the Once Upon A Time In China films (1991 onwards) alongside period romps like Peking Opera Blues (1986). For Green Snake, Tsui turned to Lillian Lee’s novel based on the White Snake legend which she adapted into a screenplay for him. Rather than tell the story from the perspective of the white snake as the original legend does, Lee shifts her narrative to the perspective of the younger, less experienced green snake.

In appearance, the two spirits start off as female humans down to the waist and snakes below, not dissimilar to Harryhausen’s half woman/half snake Medusa in Clash Of The Titans (producer and effects: Ray Harryhausen, 1981) but using full size puppetry/animatronic effects rather than stop frame animation.… Read the rest