Tag: recording

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto | Opus

Director – Neo Sora – 2023 – Japan – Cert. U – 103m

*****

Composer Ryuichi Sakamoto performs a final concert of his music in 2022, months before finally dying of cancer on March 28th, 2023 – out in UK cinemas on Friday, March 29th, 2024

Released in the UK within a day of the anniversary of his passing, Ryuichi Sakamoto’s final concert is an intimate affair, shot in a sound studio by his son Neo Sora in crisp, iconic black and white, the sound of his piano recorded with state-of-the-art equipment. Within months of this performance, cancer would have taken him from us. This is very different from concert films where the performer(s) is / are still alive. Much of Sakamoto’s music tends towards the melancholy, and watching this remarkable, musical testament, one is constantly reminded of the fact that he is no longer with us.

Caught by the camera, he is clearly aware that he doesn’t have that much time left. One of the pieces, he struggles to get right. “This is too hard”, he says, “I need a break.” Nevertheless, the camera and sound recording equipment proceed to capture him playing his 20 chosen compositions with all the considerable skill of the great player that he is / was.… Read the rest

Categories
Features Live Action Movies Music

Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

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Features Live Action Movies

Between Two Worlds
(Ouistreham)

Director – Emmanuel Carrère – 2021 – France – Cert. 12a – 106m

****

A successful journalist goes undercover in Caen to pose as unemployed and get a job as a cleaner to write a book on conditions in the cleaning industry – out on BFI Player (rental) from Friday, June 24th

This opens at an unemployment office where Christèle (Hélène Lambert) insists on seeing a staff member without an appointment which swiftly develops into a full blown row as she asks, how am I supposed to feed my kids? This is a film about those at the bottom of the social pile, the women who work in the cleaning industry.

The tone shifts to something much quieter as Marianne Winckler (Juliette Binoche) is interviewed for work. She’s asked about the 23-year gap in her employment record, She was married, she explains, but then her husband moved his lover into the family home and the situation became intolerable. So she came to Caen and is now looking for work.

Given a job as a maintenance agent (i.e. cleaning lady), she finds herself on a crew with Christèle who teaches her the ropes. The amount of toilet cubicles that must be cleaned in a day requires the women work at speed, which means that the work isn’t always done to the employer’s satisfaction.… Read the rest

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Features Live Action Movies Music

Respect

Director – Liesl Tommy – 2021 – US – Cert. 12a – 145m

***

Biopic of legendary singer Aretha Franklin’s career up to and including her live gospel recording Amazing Grace – out in cinemas on Friday, September 10th

There is much to admire in this sprawling biopic of America’s legendary Queen of Soul Aretha Franklin. Let’s start with the opening scene in which 10-year-old Aretha (Skye Dakota Turner), known to friends and family as Ree, wanders wide-eyed through a grown-up party with its mysterious intrigues at the house of her pastor father C.L. Franklin (Forest Whitaker) to sing for the assembled guests, one of whom describes the child’s voice as “going on 30”. There’s a wondrous quality to this, a child walking through an adult world she barely comprehends where her stock is already rising on account of her incredible voice. We too are intrigued by the promise of this world then blown away by her voice.

However, there is darkness in this Detroit house too: her mother Barbara (Audra McDonald) who will leave her for the last time then be announced dead in a phone call, the boy who will shut the door behind him entering her room uninvited and the resultant shame she can’t articulate, her authoritarian father who will tour her round numerous churches from age 12 and micromanage her singing career.… Read the rest

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Music

Raf And O
as
The Kick Inside
play
the songs
of Kate Bush

Bar & Co, Temple Pier, Embankment, opposite Temple tube between Blackfriars and Waterloo Bridges, London.

2018.02.25

*****

This article was originally written as a post on Facebook 2018.02.26.

Raf And O’s debut appearance as The Kick Inside to play the songs of Kate Bush, now relaunched as online gigs, 12.00, 20.00 hrs on Saturdays from September 26th. Booking info here.

This was an amazing evening in which Raf Mantelli and O Richard Smith (aka Raf And O) performed the songs of Kate Bush under the moniker The Kick Inside launch: The Kick Inside play the songs of Kate Bush.

I can’t honestly say I really got Kate Bush back in the day when EMI first pumped lots of money into her career: I remember enjoying the Hounds Of Love album (her fifth) when it came out but I only really clicked some years later when I was given an unexpected copy of Aerial for Christmas (thanks again Sue), a fantastic (double) album.

That’s a long time after the songs represented here which covered, I think, the first five albums. The early stuff. (If there was anything later than Hounds Of Love, someone can correct me.)

Anyway, the gig itself: the venue was London’s Bar & Co.,… Read the rest