Tag: road movie

Categories
Features Live Action Movies

Civil War

Director – Alex Garland – 2024 – US – Cert. 15 – 109m

*****

Four journalists travel across the war-torn US to interview the President before he resigns or flees the country – out in both UK and US cinemas on Friday, April 12th

The US President (Nick Offerman) is rehearsing a speech, But he can’t seem to work out how to deliver the words.

Seasoned photojournalist Lee Miller (Kirsten Dunst) and journalist colleague Joel (Wagner Moura) are on the front line in the war-torn US. She is in the thick of it, taking photographs, when she spots a twentysomething woman Jessie Colin (CaIlee Spaeny from Priscilla, Sofia Coppola, 2023) doing the same thing, and gives the young woman her hi-vis jacket to help her chances of staying alive.

The girl is so preoccupied with taking pictures that she cradles the jacket in an arm while shooting images with her stills camera. Later, she runs into Lee in their hotel where all the journalists are staying, among them the grizzled veteran Sammy (Stephen McKinley Henderson from Dune, Denis Villeneuve, 2021) who, despite mobility issues which require him to walk with a cane, insists on being in the thick of it as far as possible.… Read the rest

Categories
Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

Categories
Features Live Action Movies

Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

Categories
Features Live Action Movies

Typist Artist Pirate King

Director – Carol Morley – 2022 – UK – Cert. 12a – 106m

****1/2

Road movie in which her psychiatric nurse drives an artist with mental health issues from London to an open entry exhibition in the North – in cinemas from Friday, October 27th following premieres in the 2023 Raindance Film Festival (UK premiere) and 2022 Tallinn Black Nights Film Festival (world premiere)

In these days of US-style promotion, branding and media, it’s easy to think of artists as high profile, rich and successful. While some are, that’s not what an artist is: an artist is, quite simply, someone who makes art. (If they’re a good artist, they make good art. Whatever that is.) The subject of Morley’s new road movie is the artist Audrey Amiss (1933-2013) who, although she exhibited her work a number of times during her lifetime, received scarcely any recognition in that period. She suffered from mental health issues and was in and out of mental hospitals throughout her life.

Audrey (Monica Dolan) is regularly visited in her London flat by psychiatric nurse Sandra (Kelly Macdonald). One day, she asks Sandra to drive her to an exhibition which has an open call for artists, as she’s never exhibited and feels the time has come.… Read the rest

Categories
Features Live Action Movies

Monsters

Director – Gareth Edwards – 2010 – UK – Cert. 12 – 90m

*****

Gareth Edwards’ remarkable feature debut is like nothing you’ve ever seen – out on DVD Monday, April 11th 2011 following its release in UK cinemas on Friday, December 3rd, 2010

An extraordinary film defying easy classification, Monsters looks from the outside like a cheap District 9 (Neill Blomkamp, 2009) but is actually something else entirely: a sci-fi road movie, a romantic drama, radical and inventive like nothing you’ve ever seen. Made on a shoestring in and around Mexico with a four-man crew and a two-man cast (plus anyone else who was around at the time), it’s the brainchild of former BBC CG FX maestro Edwards, who added all the creature effects himself in post-production in his living room. A remarkable, transcendent work, it hits DVD with scads of extras.

Pre-emptive titles inform us that a returning space probe broke up over Mexico scattering alien samples gathered during its voyage, resulting in part of that country’s being declared an ‘Infected Zone’, a no-go area for mankind populated by giant monsters. Some years later, Mexico-based photojournalist Kaulder (Scoot McNairy from In Search Of A Midnight Kiss) gets a call from his US-based boss to bring home the latter’s daughter Sam (Whitney Able).… Read the rest

Categories
Features Live Action Movies

Joy Ride

Director – Adele Lim – 2023 – US – Cert. 15 – 95m

***1/2

A Chinese-American corporate lawyer visiting China to close a business deal for her boss finds herself on a road trip with three friends which turns into a search for her birth mother – raunchy, gross-out comedy is out in UK cinemas on Friday, August 4th

TL;DR: good fun and occasionally hilarious – provided you don’t watch the trailer first.

White Hills, Seattle. Little girl Audrey Sullivan (Lennon Yee), a Chinese adoptee with white parents, hits it off with new girl in town of the same age Lolo Chen (Chloe Pun) when at a local playground, the latter sees off a white racist boy bully on her behalf. Growing up, the pair become inseparable, yet they are very different characters, with Audrey being the school yearbook’s “most likely to succeed” while Lolo is “most likely to be arrested”. Five minutes into the film, Audrey (Ashley Park) is a highly regarded and highly paid corporate lawyer on the verge of being while Lolo (Sherry Cola) is a struggling artist making sex-positive art (i.e. it centres around representations of male and female genitalia). Audrey is letting the impoverished Lolo stay at her upmarket house.… Read the rest

Categories
Animation Features Movies

Suzume
(Suzume
No Tojimari,
すずめの戸締まり,
lit. Suzume’s
Locking Up)

Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m

***1/2

Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes – anime feature is out in UK and Irish cinemas on Friday, April 14th

Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.

At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.… Read the rest

Categories
Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

Categories
Features Live Action Movies

Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

Categories
Animation Features Movies Shorts

Memories
(Memorizu,
メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – out on Blu-ray from All The Anime, Monday, 12th September, details below review

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest