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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies (and more, excluding re-releases) 2022

Work in progress – subject to change. Because I am still watching movies released in 2022, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/22 and 31/12/22. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). It has been an amazing year for re-releases including one or two incredible, old movies being released in the UK for the first time on Blu-ray. This is the year I get to rank all 25 Eon Bond movies, and why not? A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2022.… Read the rest

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Features Live Action Movies

Hunt (Heon-teu, 헌트)

Director – Lee Jung-jae – 2022 – South Korea – Cert. – 121m

****1/2

Two top KCIA operatives, each heading up his own department, both come to believe that the North Korean mole they are hunting is the other out in cinemas Friday, November 4th; opened the London East Asia Film Festival (LEAFF) as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) which ran in cinemas from Wednesday, October 19th to Sunday, October 30th

Two Korean intelligence men are sitting in a car. One asks the other riddles.

What’s a war in space? Star Wars.

What’s a war in winter? Cold War.

What’s a neverending war? Korean War.

A little background history will add to your enjoyment of this fictional thriller set against the backdrop of actual historical events.

In 1979, a South Korean coup d’état established the country’s fourth dictatorship since WW2. In 1980, with martial law declared, the Gwangju Uprising saw a battle between the military and ordinary citizens in the town of Gwangju in which at least 200 civilians were killed. In 1987, student protests lead to the overthrow of the Fifth Republic Of South Korea (1981-87) and free elections.… Read the rest

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Features Live Action Movies

Return To Dust (Yin Ru Chen Yan, 隐入尘烟)

Director – Li Ruijin – 2022 – China – Cert. PG – 133m

***1/2

When two misfits are put into an arranged marriage by their respective, concerned families, a kindly, gentle relationship blossomsout in UK cinemas Friday, November 4th following its screening in the 2022 Edinburgh Film Festival

His family are worried about Iron Ma (Wu Renlin), also known as fourth brother. He seems content to live off his little piece of land tilling it with his donkey to grow crops, and raising pigs and chickens. He is less ambitious than third brother, who runs the local market and sets the prices for which crops are bought off local farmers. Third brother has done well for himself, and drives around in a flashy car. By way of contrast, Ma gets around by walking, or donkey and cart if he has produce to transport.

Her family are likewise worried about Cao Guiying (Hai Qing), a shy woman who can’t control her bladder. Both Ma and Cao’s respective families view their offspring as a liability and want to get them married off as soon as possible, not least to get out of being responsible for them. So they arrange a marriage for the pair of them to get them off their hands.… Read the rest

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Features Live Action Movies

Red Angel (Akai Tenshi, 赤い天使)

Director – Yasuzo Masumura – 1966 – Japan – Cert. 15 – 95m

An army nurse is sent to China – as a slogan in one of the film’s trailers puts it, “on the battlefield where life and death is decided.”

*****

Full Blu-ray review published at All The Anime.

In 1939, for her first posting, Nurse Sakura Nishi (Ayako Wakao) is sent to Tianjin Army Hospital. A number of the male patients appear to be faking medical conditions so as to escape the front line, where Japanese casualties are heavy. When she first does her rounds, Private Sakamoto (Jotaro Senba) and a number of the other men are very forward and ask her a lot of personal questions.

Much worse is to come, however, because when she does her night rounds, she finds herself trapped in the men’s dorm and raped by Sakamoto while the others hold her down. Reporting this incident to the head nurse (Ranko Akagi), Nishi learns she’s this soldier’s third victim. The head nurse resolves to have Sakamoto sent back to the front.

As if all this wasn’t bad enough, Nishi is then posted to a front-line hospital where medics go through the incoming wounded, pronouncing them dead or designating them for surgery, for which read amputation.… Read the rest

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Features Live Action Movies

Breakout Brothers (To Yuk Hing Dai, 逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

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Animation Features Movies

Boonie Bears: Back To Earth (Xiong Chu Mo: Chong Fan Di Qiu, 熊出沒·重返地球)

Director – Lin Huida – 2022 – China – Cert. PG – 100m

****

The latest movie in this long-running, animated Chinese franchise, hugely successful at the Chinese (and therefore global) box office, is the first to get a UK cinema release in a dubbed format for family audiences – out in UK cinemas on Friday, May 27th

Urban bear superhero Bramble (voiced in the English language version by Joseph S. Lambert) successfully battles and defeats a monster formed from the garbage that people in the city have failed to properly throw away, lapping up the ensuing admiration from local child and cute animal residents until rudely awakened from his urban daydream by the human Vick (voice: Paul ‘Maxx’ Rinehart), who wants him to clean up the litter in the rest area of the forest / national park where they live.

Motivated by the promise of an ice cream on completion, Bramble speedily undertakes the task by racing around gathering the detritus in his arms only to come a cropper at the very end, spilling all the collected rubbish at its allotted bins. Although he has the best intentions and tries hard, Bramble is not the smartest bear in the woodlands.… Read the rest

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Features Live Action Movies

Master Cheng (Mestari Cheng)

Director – Mika Kaurismäki – 2019 – Finland – Cert. PG – 114m

*****

A Chinese chef turns up at a restaurant in a remote Finnish village and impresses the locals with his cooking – charming romantic drama is out in cinemas on Friday, March 11th

A restaurant in a remote part of the Finnish countryside. Cheng (Chu Pak Hong from My Prince Edward, Norris Wang, 2019) and small boy Niu Niu (Lucas Hsuan) walk into the local restaurant where the former asks for Fongtron. The owner Sirkka (Anna-Maija Tuokko) hasn’t heard of Fongtron and can’t help. He asks customers the same question, but they don’t know either. Cheng barely speaks Finnish, which scarcely helps. He doesn’t look like he’s going away, and when he asks if there’s a hotel, Sirkka points him towards a room that’s available. She attempts to feed the pair before closing up, but the mobile phone-obsessed Niu Niu won’t touch her Finnish sausage and mash.

And he’s not the only one: When a day or so later, a coachload of Chinese tourists turn up, they’re not very interested either. Cheng, sitting at a table, immediately springs to Sirkka’s aid and parleys with the Chinese.… Read the rest

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Features Live Action Movies

The Battle At Lake Changjin II aka Water Gate Bridge (Zhang Jin Hu, 长津湖之水门桥)

Director – Tsui Hark – 2022 – China – Cert. 15 – 153m

**

Ill-considered sequel to box office barnstorming, Chinese war movie fails to match the emotional engagement and excitement of the original – out in cinemas on Friday, February 11th

After the exciting and energetic original, this sequel is a disappointment. It has the same expertise of CG special effects as its predecessor. However the cast is cut down, many of the memorable characters having died heroically in the first film, and there’s no attempt to replace them. Similarly, the spectacular locations are fewer in number because there’s no journey from home through different regions, so this has a smaller geographical palette to play with.

The cast of characters issue would be easy enough to fix within the war genre: members of a military unit die, others come to the fore to replace them in the vacuum created. But no, here all we get are People’s Volunteer Army (PVA) 7th Company commander Wu Qianli (Wu Jing) and his younger brother Wu Wanli (Jackson Lee) and no real attempt to further develop their relationship under fire. The two characters are just there, and the audience is expected to carry over their emotional investment from the first film without the second one providing any reason for doing so.… Read the rest

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Features Live Action Movies

A Chinese Odyssey (Sai Yau Gei, 西遊記)

A Chinese Odyssey: Part One – Pandora’s Box (Sai Yau Gei: Yut Gwong Bou Haap, 西遊記第壹佰零壹回之月光寶盒)

A Chinese Odyssey: Part Two – Cinderella (Sai Yau Gei: Sin Leui Kei Yun, 西遊記大結局之仙履奇緣)

Director – Jeffrey Lau – 1995 – Hong Kong – 87 + 98m

***

The Monkey King is banished to earth with loss of memory for a series of encounters with monsters and romantic interludes – screened as part of Focus Hong Kong 2022 Chinese New Year on Saturday January 29th

These two films are the first and second parts of the same story, so it makes sense to screen them together as a double bill. The starting point is the 16th century Chinese novel Journey To The West, which has also spawned such productions as the seminal Chinese animation The Monkey King (Wan Laiming, Cheng Tang; Part One, 1961; Part Two, 1964) and the long-running Japanese TV series Monkey (1978-80). The novel’s plot concerns a monk and his three assistants Pigsy, Sandy and Monkey who journey to the West (i.e. Central Asia and India) to obtain Buddhist texts.

Less an adaptation of the novel than a tangential story that uses the novel’s framework as its starting point, the films are bookended by two sequences, one at the start of Part One, the other at the end of Part Two, which start the tangential story rolling and wrap it up respectively.… Read the rest

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Features Live Action Movies

Detective Chinatown 3 (Tang Ren Jie Tan An 3, 唐人街探案3)

Director – Chen Sicheng – 2021 – China – Cert. 15 – 136m

****

The Chinese franchise’s super-sleuth and bumbling sidekick join forces with their Japanese and Thai counterparts in Japan – out in cinemas on Tuesday, January 25th and 26th only

No sooner have the brilliant crime-solving sleuth Qin Feng (Liu Haoran) and his likeable if barely competent sidekick Tang Ren (Wang Baoqiang) flown in to Tokyo and met their contact there, the sharp and colourful Hiroshi Noda (Satoshi Tsumabuki), than they find themselves embroiled in one of the most seriously bonkers action sequences in the movies in recent years when members of (at least) two gangs suddenly attack in the airport to the inspired accompaniment of the pop song ‘Welcome To Tokyo’ (which gets rolled out again for a cheerful, cast of thousands, song and dance routine accompanying the end credits). Extensive mayhem ensures. A man rolls down a long flight of steps in an oil drum. Two groups of smartly uniformed and skirted women do battle (one group in red, one in blue – stewardesses from rival airlines, perhaps?). Workmen in hard hats and overalls descend from scaffolding to join the melee.

Knowing this will be an impossible act to follow, the film then throws in a pursuer Jack Jaa (Thai martial arts sensation Tony Jaa from Ong-bak, Prachya Pinkaew, 2003) on the Tokyo subway before having the trio flee him on go-karts while he comes unstoppably and hilariously after them by stealing a child’s bicycle with tiny wheels.… Read the rest