Tag: crowds

Riefenstahl

Post author By Jeremy Clarke
Post date 9 May 2025
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Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest

Tags 1920s mountaineering films, 30 cameramen, 35mm film, 700 artefacts, actress, Africa, Albert Speer, Andres Veiel, Andrew Bird, architect, archive, art, art and politics, artefact, artistic talent, audiocassette, blue-eyed and blonde, cans of film, carte blanche, close association with Hitler, complicity, control image of self, crowds, denial, disabled people, documentary, editing table, editor’s bench, evasive, excise from image, extremist regimes, fake news, fascism, fascists, film premier, filmmaker, filmmaking career, flying through space, forcibly sterilized, Fuhrer, furious outburst, genocide, Germany, Heil, Hitler rally, Holocaust, Horst Kettner, hospital, hospitalised, human capacity for evil, image for mass consumption, innocence, Joseph Goebbels, killing Jews, Leni Riefenstahl, live life again, locked up, media, mediation process, memoirs, memory, men and women, mistakes, mountaineering films, mountaineering picture, mountains, Natu, Nazi, Nazi ideal of beauty, Nazi legislation, Nuremberg Rally, Olympia, Olympic flame, opera, parade, perfect sync, personal archive, physical perfection, portrait photograph, precision, purity, rally, Ray Müller, Reich Ministry of Propaganda, Riefenstahl, river, rock climbing stunts, rolls of film, roses, self-reconstructed, sex abusive, sexual predators, spectacle, stealing, strips of film, stunts, Sudan, talk show, teach child to swim, theft, Third Reich, track event, turning a blind eye, twentieth century, Venice Biennale, war correspondent, Willy Zielke, worked to exhaustion, Zielke

Animation Features Live Action Movies

Where Is Anne Frank

Post author By Jeremy Clarke
Post date 7 August 2022
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Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Andrew Woodall, animation, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, Clark Gable, crowds, defeat, dentist, dissolve, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, German soldier, glass case, Greek mythology, Greek underworld, handbags, hidden, hidden attic hideout, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, Margot Frank, Michael Moloney, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, Nell Barlow, Otto Frank, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Samantha Spiro, Sebastian Croft, Second World War, sheltering, siblings, sisters, Skye Bennett, squat, Stuart Miligan, tent, the Allies, The Third Reich, thief, tourists, Tracy-Ann Oberman, trial, Tristan Oliver, UK, Van Daan, Veronica Lake, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Animation Features Live Action Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, animation, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, crowds, defeat, dentist, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, hidden, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Sebastian Croft, Second World War, sheltering, siblings, sisters, squat, the Allies, The Third Reich, thief, tourists, trial, UK, Van Daan, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2