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Bad Apples

Bad Apples

Director – Jonatan Etzler – 2025 – US, UK – Cert. 15 – 100m

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A teacher deals with a disruptive student by kidnapping him and locking him in her basement – out in UK cinemas on Friday, September 18th

A school trip to an apple processing factory goes badly wrong when a trainer shoe appears among the apples on the system of conveyor belts. While the other children tour the factory premises in a comparatively orderly manner under their teacher Miss Spencer (Saoirse Ronan), loner Danny (Eddie Waller) stands at the railing with one trainer missing.

The setting is Somerset. Not that you’d know. A whole potential Somerset metaphor about apples and bad apples and brewing sits in waiting, but that either never occurred to screenwriter Jess O’Kane when adapting the film from the Swedish source, the novel by De Oönskade / The Undesirables by Rasmus Lindgren (2020), or it got abandoned in an early draft. Or perhaps the director Etzler threw it out during shooting. A pity either way, because that idea has real potential.

Back at school, Miss Spencer is hauled over the coals by her superior Sylvia (Rakie Ayola).

At home, Maria Spencer plays video games – her refuge from her job.… Read the rest

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Features Live Action Movies

Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

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A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest