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Raging Fire (Nou Fo, 怒火)

Director – Benny Chan – 2021 – Hong Kong – Cert.15 – 126m

***1/2

A cop comes up against his former disillusioned protégé who is now the mastermind behind a criminal gang – in cinemas from Friday, November 12th

A big deal is about to go down. Uber-honest cop Cheung Sung-bong (Donnie Yen) heads a unit constantly in trouble with his superiors owing to his refusal to take pay offs and play their corruption game. They consequently repeatedly block him from accessing supplies and equipment he and his men need to properly do their job. This has gone on for years, with officers cracking under the inevitable strain from time to time. One such is his protégé Yau Kong-ngo (Nicholas Tse), booted off the force for beating a suspect to death. Cheung has kept in touch with him in the interim.

The night of the big deal, Cheung is denied his team’s required equipment and consequently arrives late to the scene of the incident. The absence of Cheung’s expertise on site causes a fellow police colleague to be killed along with various gang members. Unbeknownst to Cheung, the second gang involved in the deal – which double-crosses the first – is headed up by the disillusioned Yau.… Read the rest

Categories
Features Live Action Movies

Still The Water (Futatsume no Mado, 2つ目の窓)

Director – Naomi Kawase – 2014 – Japan / France – Cert. 15 – 119m

*****

Two childhood sweethearts living on an island beset by storms must come to terms with the mortality and fallibility of their mothers – on BFI Player (rental) and MUBI.

The ocean roars and then, just as suddenly, is quiet. The wind howls through the trees, then sunlight is glimpsed through tranquil branches. Welcome to the sleepy yet storm-battered island of Amami Oshima, part of the Southern Japanese Archipelago, a place of paradox and contradiction seen through the eyes of two teenaged friends and their families.

Kyoko (Jun Yoshinaga aka Junko AbeSamurai Marathon, Bernard Rose, 2019) loves swimming in the sea. Her friend Kaito (Nijiro MurakamiIsle Of Dogs, Wes Anderson, 2018, Destruction Babies, Tetsuya Mariko, 2016) is less keen – he’d rather be in the safety of a swimming pool. She uses him and his bicycle to get around the island if and when he’s nearby. She is rather keen on him and would happily have sex. He can’t explain why, but is less enthusiastic about the idea.

Once we move on to their parents, there are fascinating observations regarding motherhood – especially in the light of adoption / unwanted pregnancy outing True Mothers (Naomi Kawase, 2020) – and, to a lesser extent, fatherhood.… Read the rest