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All Is Vanity

Director – Marcos Mereles – 2021 – UK – Cert. 15 – 72m

*

A photographer, an intern, a model and a make-up artist unite for a photography shoot that goes horribly wrong – out in cinemas on Friday, October 14th

What went wrong, exactly,? asks the opening voice over. He’s referring to a day, a night and a day when a photographer (Sid Phoenix) with an unpaid intern (James Aroussi) in tow, a model (Isabelle Bonfrer) and a make-up artist (Rosie Steel) gather in a London studio to do a photographic fashion shoot for the All Is Vanity clothing brand. There’s a degree of tension and drama between the four. The photographer has the intern’s introductory letter on his phone and tells him he takes himself far too seriously: no-one wants to know his internal conflicts or motivation. He doesn’t have nice things to say about he model either, noting before she arrives that she can be a bit of a bitch.

It doesn’t bode well when she arrives late and holds up the shoot. The photographer likes the clothes and the décor in the studio that the brand has chosen, but doesn’t think the two work together. Something strange is going on because at one point the power goes off and the problem doesn’t appear to be blown fuses.… Read the rest

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Godland (Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. tbc – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – plays in the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player.

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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I’ve Heard The Mermaids Singing

Director – Patricia Rozema – 1987 – Canada – Cert. PG – 84m

****

A naive, amateur photographer comes unstuck as she gets to know a sophisticated art gallery owner – on MUBI from Wednesday, March 23rd

Polly (Sheila McCarthy) – an obsessive amateur photographer with her own darkroom – is blessed with a rich imagination and accompanying fantasy life in which she walks on water and climbs up the side of buildings. Being a scatterbrained social disaster area she is unable to hold down a job. She tells confessionally how the position of temporary secretary in the svelte Gabrielle’s art gallery didn’t work out – a tale relevant to us all, especially in these days of high unemployment. Sheila McCarthy is a perfect piece of casting with her sparklingly expressive eyes.

Gabrielle (Paule Baillargeon) is everything Polly admires – beautiful, intelligent, successful and articulate. Polly falls in love with Gabrielle and dreams of the two of them dressed in fine clothes, talking about art. The reality is that Polly dresses in polyester clothing, is completely inarticulate, and has a poor employment record.

Gabrielle is secretly involved in an art world scam with her business partner; inevitably, Polly’s naive, private world comes up against the sophisticated cunning of Gabrielle’s.… Read the rest

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Spaghetti Code Love (Supagetikodo rabu, スパゲティコード・ラブ)

Director – Takeshi Maruyama – 2021 – Japan – 96m

***1/2

The intersecting lives of several young Tokyoites suggests they don’t know how to communicate with one another – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

A young woman hangs out in an amusement arcade. Suddenly she’s aware of a young boy. Running, shouting, “why me”. He needs something. She steps into the breach and – for a moment, at least – provides it by holding him tight, a surrogate mother, an understanding human connection.

How far this understanding goes, it’s impossible to say. We never find out the source of the boy’s malaise, we never learn anything more about the woman who holds him in the arcade. However they have connected on some level – physically and emotionally. And that’s what this film seems to be about.

It’s basically a series of character study vignettes in which the characters occasionally cross paths which could well have been written or conceived as a half dozen of so short films. They connect with or become alienated from one another. It’s set in Tokyo with a title suggestive of complex networks and computer language with the catch-all ‘love’ tacked on the end.… Read the rest

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Mothra (Mosura, モスラ)

Director – Ishiro Honda – 1961 – Japan – Cert. PG – 101m

*****

Giant moth attacks Tokyo to save fairies. Someone had a meeting about that.

You’d be forgiven for assuming Mothra (1961) a typical Toho monster movie in which a giant moth attacks Tokyo. Yet the film single-handedly redefined the genre much as the original Godzilla film defined it.

With a typhoon moving towards Japan, sailors abandon ship near Infant Island where Rolisica – an amalgam of Russia and the US – has recently tested nuclear weapons. Rescued survivors are tested for radiation sickness but no symptoms found. Two members of the press, reporter Zenichiro Fukuda (Frankie Sakai) and photographer colleague Michi Hanamura (Kyoko Kagawa) sneak into the team of scientists to take pictures and ask questions, learning the natives gave them red juice to drink. They report back to their editor (Takashi Shimura).

Clark Nelson (Jerry Ito) leads an expedition to Infant Island to find a jungle like Pathé’s for King Kong (1933) with man-eating plants, hostile natives and two telepathic, singing Shobijin (lit: ‘small beauties’) about a foot tall… [read more]

Full review at All The Anime.

Blu-ray available from Eureka!

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