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Art Exhibitions Features Live Action Movies

Exhibition on Screen
James McNeill Whistler

Exhibition on Screen: James McNeill Whistler

Director – David Bickerstaff – 2026 – UK – Cert. U – 90m

*****

A look at the work of 19th Century painter Whistler, seen through the lens of the 2026 Tate Britain exhibition – out in UK cinemas from Tuesday, 15th September

Before watching this latest Exhibition on Screen feature, I was able to visit Tate Britain’s stunning James McNeill Whistler show, which sits very much at the film’s core. The film had the effect of making me want to go back for further visits.

Exhibition on Screen’s film opens with shots of a Victorian concert hall interior where the unseen Whistler (voice: Bret Jones) is addressing the room with his spoken lecture on art, something the film will return to towards its close. After a montage of brushes, painting surfaces and palettes, establishing shots of Tate Britain take us straight into the current Whistler show. “People sometimes think of Whistler as being based in French art, and sometimes as being based in British art,” explains Carol Jacobi, Curator of British Art 1850-1915, Tate Britain, “whereas…he was very much an independent…and very much leading the avant-garde in both those countries.”

Susan Grace Galassi, Curator Emeritas, The Frick Collection, New York, who considers Whistler one of the greatest American artists, notes that he didn’t distinguish between fine or applied art, that he was as great a painter as he was a printmaker.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
John Singer Sargent
Fashion & Swagger

Exhibition on Screen:

John Singer Sargent – Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way.… Read the rest