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Features Live Action Movies

Monster
(Kaibutsu,
怪物)

Director – Hirokazu Kore-eda – 2023 – Japan – Cert. 12a – 126m

****

The mother of a school pupil believes her son is being abused by his teacher, who in turn protests his own innocence, yet the truth is more complex – out in UK cinemas on Friday, March 15th

A movie at once spellbinding and infuriating, as a seemingly straightforward narrative is retold from different points of view and shifts subtly as further details emerge. It’s not a film to see if you’re tired, as it requires considerable attention on the part of the audience.

It starts off with a child’s feet walking along a patch of wasteland at night, sirens in the distance and then a blazing urban building which his single-parent mother Saori Mugino (Sakura Ando from Godzilla Minus One, 2023; Shoplifters, 2018 and Love Exposure, 2008) summons her son Minato (Soya Kurokawa) out onto their flat’s balcony to watch. Overheard conversation later suggests that not only was there a hostess bar on the third floor of the burning building, but that Minato’s teacher Mr. Hori (Eita Nagayama from Toshiaki Toyoda’s 9 Souls, 2003 and Blue Spring, 2001) used to go there.… Read the rest

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The Old Man
And The Land

Director – Nicholas Parish – 2023 – UK – Cert. none – 100m

*****

As he works on the land, an aging farmer hears his two adult children argue about the future of the family farmplays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th following its premiere in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival, where it was the best film out of a superb lot

Movies. You think everything’s been done, then along comes something you’ve never seen before. Or, in this case, seen or heard before.

The Old Man in question is an English farmer (Roger Marten) whose family have worked the land for generations. He’s getting on in years, so won’t be around forever. His wife died a while ago, so he’s now running the farm on his own. He has two children who have long since grown up and left home: a son (voice: Rory Kinnear) and a daughter (voice: Emily Beecham), and the big question is, when he dies, will they take over – or will they get rid of the farm?

In recent years, the UK has produced a number of rural movies that stand in stark contrast to the urban- (Often London-) based films produced.… Read the rest

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Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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Animation Features Live Action Movies

Mars Express
(Mars Express)

Director – Jérémie Périn – 2023 – France – Cert. none – 85m

*****

In the 23rd Century, a private investigator and her resurrected robot assistant go to Mars to investigate the murder of a cybernetics student – from the 27th Tallinn Black Nights Film Festival

The difference between humans and machines is one of the great themes of science fiction from Blade Runner (Ridley Scott, 1982) to Ghost in the Shell (Mamoru Oshii, 1995). Mars Express takes its name from an Earth-Mars shuttle which, following a bravura action / chase sequence early on, not unlike the one at the start of Ghost in the Shell, is used by private investigator Aline Ruby (voice: Léa Drucker from Custody, Xavier Legrand, 2017) and her assistant Carlos Rivera (voice: Daniel Njo Lobé) to transport a captured suspect from Earth to Mars where, it transpires on arrival, the relevant paperwork to detain their prisoner has been wiped from their on-person devices and internet-accessible office, meaning they are forced to release their prisoner. The narrative is littered with cleverly thought out ideas like this.

The setting is the 23rd Century and mostly Mars, where the pair are hired to search for a second year cybernetics student who has gone missing.… Read the rest

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Animation Features Movies

The Tunnel
To Summer,
The Exit
Of Goodbyes
(Natsu
E No Tunnel,
Sayonara
No Deguchi,
夏へのトンネル、
さよならの出口)

Director – Tomohisa Taguchi – 2022 – Japan – Cert. – 83m

****

Damaged boy meets damaged girl one summer to discover a tunnel in which time passes much faster and innermost desires are fulfilled – from the 2023 Annecy International Animation Festival in the Official Competition section and out in UK cinemas on Friday, July 14th

A rural railway platform in the rain. Puddles on the platform. The tannoy states that the train is delayed by half an hour because it has collided with a deer. The standing boy explains to the sitting girl who isn’t from around these parts that that often happens in this region and offers her his umbrella. At first, she refuses thinking him a bit of a creep, but then comes round. They swap names and numbers on their phones so that she can return his umbrella. They read each other’s names out loud: she reads Tano Kaoru; he reads Hanashiro Anzu.

Next day, Kaoru (voice: Ouji Suzuka) takes the train to high school where the class is introduced to a new girl: it’s Anzu (voice: Marie Iitoyo). Like her initial coldness towards Kaoru, she ignores various girls attempts to be sociable and has a run in with the girl class bully Kawasaki (voice: Arisa Komiya), punching the latter in the face and causing a nosebleed when Kawasaki “accidentally” drops the old manga in which Anzu is engrossed onto the floor.… Read the rest

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Features Live Action Movies

See How They Run

Director – Tom George – 2022 – UK – Cert. 12a – 98m

**

A barely competent Inspector and a trainee WPC investigate a backstage murder at The Mousetrap in 1950s London’s theatreland – out in UK cinemas on Friday, September 9th

London West End, 1953. Following his involvement in a fight at a party to celebrate the hundredth performance of The Mousetrap at The Ambassadors Theatre, blacklisted Hollywood film director Leo Kopernick (Adrien Brody), hired by John Woolf (Reece Shearsmith) to make a film of the play, gets into fisticuffs with the play’s leading man Richard “Dickie” Attenborough (Harris Dickinson) over the latter’s wife and co-star Sheila Sim (Pearl Shanda).

Later, Kopernick is murdered backstage by a mystery assailant. Perhaps it’s pertinent that Kopernick has ruffled numerous feathers in and around the production, not least foppish, English literary figure Mervyn Cocker Norris (David Oyelowo) who has been hired to write the script and despises everything Kopernick stands for, a feeling which proves in flashback to be mutual.

Thus begins a whodunit based around the world’s longest running play. The police are called in, with Commissioner Harold Scott (Tim Key) assigning alcoholic Inspector Stoppard (Sam Rockwell) and film buff and over-enthusiastic trainee WPC Stalker (Saoirse Ronan) to the case.… Read the rest

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Features Live Action Movies

The Forgiven

Director – John Michael McDonagh – 2021 – UK/Ireland – Cert. 18 – 117m

****

A wealthy alcoholic driving to a rich school friend’s party in the Sahar desert accidentally kills a local and sparks a cross-cultural incident that will have profound consequences for him – out in UK cinemas on Friday, September 2nd

Wealthy married couple David and Jo Henninger (Ralph Fiennes and Jessica Chastain) travel to Tangier in what he calls “ah – l’Afrique” to attend a rich friend’s party at his isolated home in the middle of the Sahara. This involves driving some 400 miles through poorly mapped desert terrain. David is a high-functioning alcoholic (“I’ve always thought the high-functioning should cancel out the alcoholic”, he says) who indulges himself from a bottle before he starts to drive and the couple argue a great deal. Perhaps their relationship is nearing its end.

En route, they get lost, but in the middle of the night eventually find the turn off. They stop, bicker, then start up again and immediately hit local teenager Driss (Omar Ghazaoui) who has stepped out in front of the stationary car to sell them a fossil. Burying his ID, they bundle his dead body into the car hoping that their host will know what to do.… Read the rest

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Features Live Action Movies

Deep Water
(2022)

Director – Adrian Lyne – 2022 – US – Cert. US-R – 115m

****

A man is jealous of the lovers of his beautiful but promiscuous wife who start mysteriously dying one by one – out on Prime Video in the UK on Friday, March 18th

Vic (Ben Affleck) is devoted to his wife Melinda (Ana de Armas from No Time To Die, 2021, Cary Joji Fukunaga) for whom he would do anything, including give her her freedom. Since she doesn’t like being tied down to just one man, this means the freedom to sleep with any man she wants. She drinks a lot too and often stays out all night, refusing to tell Vic where she’s been in the morning. The trouble is, some time ago she slept with a man named MacRae and he vanished. Disappeared. No-one knows what happened to him.

Then one night, at a party he’s hosting, Vic scares Melinda’s current lover Joel (Brendan C. Miller) by confessing to the crime, by way of a joke. Or is it? Joel is inclined to think Vic the murderer. After a job offer causes Joel to leave the area, Melinda starts meeting a piano teacher Charles (Jacob Elordi).… Read the rest

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Flag Day

Director – Sean Penn – 2021 – US – Cert. 15 – 109m

****

A woman struggles to come to terms with her father who is a criminal and a pathological liar – out in cinemas on Friday, January 28th

This at once follows a linear narrative trajectory and doesn’t. On the one level, Jennifer grows into a woman, argues with her parents (with good reason) and attempts to find herself and make her way in the world. On the other level, images and sequences move effortlessly between Jennifer aged six (Addison Tymec), Jennifer as a young teenager (Jadyn Rylee) and the adult Jennifer (Dylan Penn). Sometimes it feels like the adult Jennifer having a flashback, sometimes it seems like we’re one of her younger selves, all very vivid and real. Sometimes it’s memory, sometimes it’s experience.

It’s based on the real life memoir of Jennifer Vogel, who apparently wrote the book trying to sort out her feelings about her unorthodox upbringing.

It starts and (more or less) ends with a line of cop cars pursuing suspect John Vogel (Sean Penn) wanted for counterfeiting. As the images roll over us, there’s a lot of adult Jennifer voice over in the first ten or so minutes (and elsewhere at odd moments in the film).… Read the rest

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Nightmare Alley
(2021)

Director – Guillermo del Toro – 2021 – US – Cert. 15 – 150m

****

A former carny gets deep into trouble using mind-reading trickery on a wealthy mark – out in cinemas on Friday, January 21st. Also available on Digital Wednesday, March 16th and on Blu-ray and DVD on Monday, March 21st

After burning a body in an isolated farmhouse, Stanton Carlisle (Bradley Cooper) gets work with travelling carnival showman Clem (Willem Dafoe) via midget The Major (Mark Povinelli) and strongman Bruno (Ron Perlman). He soon ingratiates himself with mind reader Zeena (Toni Collette) who lets him into some of the secrets of her trade, but romantically he’s more interested in Molly (Rooney Mara) with whom, despite opposition from her unofficial guardian Bruno, he runs away intent on working a lucrative act on a wealthier audience to make larger amounts of money.

One night, during a residency at a hotel, Stanton and Molly’s show is interrupted by a woman (Cate Blanchett) trying to expose him as a fraud. Successfully navigating her heckling, he convinces Judge Kimball (Peter MacNeill) that he is in contact with the Judge’s dead son. Going against Molly’s advice not to do “spook shows”, and offering to cut in the woman, psychoanalyst Dr.… Read the rest