Tag: courtroom drama

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Saint Omer
(Saint-Omer)

Director – Alice Diop – 2022 – France – Cert. 12a – 122m

*****

Researching a proposed book, an academic visits Saint Omer to attend the trial of a woman who murdered her own 15-month old baby – out in UK cinemas on Friday, February 3rd

Holding her baby, a woman walks into the sea.

University lecturer Rama (Kayije Kagame) plans to write a book based around a court case at the Saint Omer criminal court. Her head is full of memories of her mother, with whom her relationship could, at times, be tense. She takes the train to the town, which is in the Northernmost part of France, near the border with Belgium. The Senegalese defendant Laurence Coly (Guslagie Malanda) – the woman seen at the start of the film – is accused of the murder of her 15-month old child Elise.

In her defence, Coly, who has confessed to the murders, claims to have been cursed, that she herself therefore isn’t the party responsible for the killing. Her courtroom testimony unpacks her relationship with her separated parents: she lived with her mother but never really got on with her since they had little in common, while her father paid for her school tuition as he wanted her to study law.… Read the rest

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Where
The Crawdads
Sing

Director – Olivia Newman – 2022 – US – Cert. 15 – 125m

***1/2

A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd

The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.

As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest

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The Duke

Director – Roger Michell – 2020 – UK – Cert. 12a – 96m

**1/2

A man steals Goya’s painting of The Duke Of Wellingon from the National Gallery in 1961… Based on a true story – out to rent on PVoD on Monday, April 11th

1960s Newcastle. Kempton Bunton (Jim Broadbent) wages a one-man war against pensioners paying the licence fee. He removes the BBC coil so that the set will only play ITV. His wife Dorothy (Helen Mirren), a cleaner for the wife of a local councillor, just wants him to behave like every else and try and fit in. Seeing the nation pay £140 000 to stop Goya’s painting of The Duke Of Wellington being sold abroad, he can only think of how much better the money could be spent – how many pensioners’ TV licences it could cover, for example.

Thus, he takes a trip to London to deliver an unsolicited manuscript of a play to the BBC, then lobby both Parliament and the press (The Daily Express) about free licences. All of which endeavours meet with failure. However, a plan to steal The Duke from the National Gallery works and the painting is soon in his back bedroom, where son Jack (Fionn Whitehead from Dunkirk, Christopher Nolan, 2017) bills a false wall in the wardrobe to help him hide it. … Read the rest

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The Mauritanian

Director – Kevin Macdonald – 2021 – UK – Cert. 15 – 129m

****

A pro bono lawyer defends a post-9/11 terrorist suspect in Guantánamo Bay against his US Army prosecutor – plays Curzon Home Cinema rental from Monday, October 4th

Based on a true story, this kicks off in Mauritania, North West Africa in November 2001 – as a title tells us, two months after 9/11. Mohamedou Ould Slahi (Tahar Rahim) walks on a beach then attends a Muslim wedding in Mauritania, to which he’s returned after living in abroad in Germany. During the celebrations, two local cops turn up and want him to come for questioning about his brother, whose current whereabouts he reminds them he doesn’t know. “The Americans are going crazy since the attacks two months ago,” they tell him. Momentarily alone, changing out of celebratory robes into something more casual, he erases his mobile phone contacts before agreeing to go with them.

Three years later, New Mexico law firm partner Nancy Hollander (Jodie Foster) learns of his disappearance and that the story has just broken in Der Spiegel that Slahi is currently allegedly being detained in Guantánamo Bay as “one of the organisers of 9/11”. The US government has recently stated that inmates have the right of ‘habeas corpus’ – if the evidence against them isn’t deemed sufficient to hold them in detention, they should be released.… Read the rest

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The Collini Case
(Der Fall Collini)

Director – Marco Kreutzpaintner – 2019 – Germany – Cert. 15 – 123m

Film ****

Film trailer * (because: spoilers)

An apparently cut and dried murder case, with a young public defender caught in a conflict of interests, turns out to be far more complex – out in cinemas on Friday, September 10th

Berlin. A man enters a top hotel, makes his way to one of the rooms, is let in and kills the occupant. Then he returns to the lobby trailing bloody footprints, collapses in a chair and is questioned by one of the staff. “He’s dead,” he says, “presidential suite.”

Young public defender Casper Leinen (Elyas M’barek) goes to Court and is introduced by the judge (Catrin Striebeck) to seasoned state prosecutor Dr. Reimers (Rainer Boch). The latter two think it’s an open and shut case: the defendant obviously committed murder. Fabrizio Collini (Franco Nero) was born in 1934 and has lived in Stuttgart for 30 years. His victim was Jean-Baptiste Meyer (Manfred Zapatka). They go down to the basement holding cell to meet Collini, who doesn’t say a word when Leinen questions him.

The victim turns out to be also known as Hans Meyer, the leading industrialist. Leinen is horrified to discover this, as Meyer mentored him growing up.… Read the rest

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The Third Murder
(Sandome
No Satsujin,
三度目の殺人)

Director – Hirokazu Kore-eda – 2017 – Japan – Cert. 15 – 124m

*****

For a director usually associated with family dramas like I Wish, Like Father, Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless films about journalists in search of a story, detectives trying to solve crimes and courtroom dramas of lawyers at work.

Yet there are plenty of Kore-eda concerns evident here. Ambitious young lawyer Shigemori (Masaharu Fukuyama from Like Father Like Son and John Woo’s thriller ManHunt) is a workaholic estranged from his wife. His daughter commits petty offences like shoplifting. His client Misumi (Koji Yakusho) was imprisoned for a murder over thirty years ago, but since his release has confessed to a second murder. He, too, has a daughter, but she wants nothing to do with him.

As for the murder victim, [Read the remainder of the review at All The Anime…]

Trailer:

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White Squall

UK PAL Laserdisc review

SURROUND SOUND MOVIE OF THE MONTH

Dir Ridley Scott (1996) Starring Jeff Bridges, Caroline Goodall, John Savage, Scott Wolf, Balthazar Getty, Ryan Phillipe Dur 124min Dist Encore; £26.99 Cert 12 DS Widescreen

1961 and a group of final year High School students sign up for a yacht cruise halfway round the world and back under a disciplinarian Cap’n (Jeff Bridges), the type of leader who’ll scare a boy into climbing the rigging even though he knows the lad’s brother died from falling out of a tree and breaking his neck. They slowly come together as a crew but then tragedy strikes.

Despite visually prettified opening, Scott’s visuals capture minutiae of nautical detail building to a crescendo in the terrifying storm sequence, where amazing sound effects engulf the living room. Great cinematography, unwatchable without widescreen, is well served by the crisp image transfer. Woefully underrated on theatrical release – this is one hell of a disc!

Film 5/5

Picture 5/5

Sound 5/5

Reviewed for Home Entertainment.

Trailer: