Norfolk Archives - Jeremy C. Processing

Director – Ed Sayers – 2025 – UK – Cert. PG – 82m

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The process of shooting the natural world on the Super 8 amateur home movie format of the 1970s brings a participating community of people closer to nature – out in UK cinemas on Friday, September 4th

This starts and ends with the image zooming in to and zooming out from Super 8 footage. The Kodak Super 8 system was the premier format for home movies in the late1960s through the 1970s before it was replaced for the most part by videotape in the 1980s.

For some years, Ed Sayers was involved in a Super 8 film competition wherein punters would enter their films, and most of the material was much the same – family memories or holiday footage. Some of it extremely wild. As he puts it, the medium “painted our memories on film.”

One year, a very different submission turned up from a Frenchman named Roger. Roger had shot footage of flamingoes.

The nature of Super 8 was that the film came on little cartridges of reversal film inserted into the camera. In terms of footage, the cartridges didn’t run that long. You’d shoot by squeezing the trigger, which would stop filming when released. … Read the rest

Exhibition on Screen:
John Singer Sargent
Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

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Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way. He looked deeply at people, and some of his sitters were afraid to sit for him because of what he might see.… Read the rest