Director – Jean-Luc Godard – 1963 – France – Cert. 15 – 103m
Review originally published in What’s On In London when the film was reissued in 1996 – reprinted here to commemorate Godard’s passing on Tuesday, 13th September, 2022
Made back in 1963 in the latter days of the French New Wave, Jean-Luc Godard’s Contempt (Le Mépris) anticipates J.G. Ballard’s seminal novel Crash, David Cronenberg’s controversial film of which currently awaits a British distributor. Alongside a director in a film studio (Godard casts the great Fritz Lang, who famously made the silent classic Metropolis at UFA in 1926 before a subsequent career in Hollywood on westerns and crime thrillers), Contempt boasts a central protagonist obsessed by his wife’s sexual peccadilloes, not to mention bleak, domestic, modernist architecture and mythical car crash aftermaths.
The camera lingers lovingly over the latter to George Delerue’s unforgettable and heavily romantic score, but (as apparently in Cronenberg’s Crash) pays little attention to the actual moment of impact.
It’s one of Godard’s best films and possibly his most accessible. Director Lang struggles to film The Odyssey at CineCitta with unsympathetic producer Jeremiah Prokosh (a towering Jack Palance) who waxes lyrical about life and art while seducing Camille (a stunningly contemptuous Brigitte Bardot), wife of hired screenwriter Michel Piccoli.… Read the rest