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The Road To The Race Track (Gyeongmajang Ganeun Kil, 경마장 가는 길)

Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m

*****

An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.

Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest

Categories
Features Live Action Movies

Bad Luck Banging Or Loony Porn (Babardeală cu Bucluc sau Porno Balamuc)

Director – Radu Jude – 2021 – Romania – Cert. 18 – 106m

*****

A teacher becomes the subject of controversy after her husband’s private sex tape is posted online – on BFI Player Subscription from Friday, April 1st

Park your prejudices at the door! The opening three or so minutes of this will surprise or possibly even shock you – basically, hard core, live action genital sex images of a man and a woman, no holds barred. Real, not simulated. And real in other senses too – banging… knocking… (oh God, double entendres, can’t see how to avoid them here) on the door as our couple go at it… Her mother, one imagines, heard through the wall… “Emi, are you asleep” – Emi’s reply, “please leave us alone” – her mother again, “the little one hasn’t sanitised”…

Yes, it’s the world of immediate, post-lockdown pandemic, with people wearing masks and social distancing (or not, if they don’t get it). That wasn’t in the script but when director Jude was shooting in Bucharest: Romania was coming out of lockdown, and he decided to incorporate that into his film. Most contemporary films pretend we’re in a world where Covid-19 never happened or isn’t happening, so we just carry on as normal.… Read the rest