Categories
Features Live Action Movies

Kokuho
(Kokuho,
国宝,
lit. National Treasure)

Director – Lee Sang-il – 2025 – Japan – Cert. – 175m

*****

The son of a murdered yakuza is taken under the wing of a respected kabuki actor, who trains him alongside his own son – out in UK cinemas on Friday, May 8th

In kabuki theatre, an onnagata is a man who performs women’s roles, following the banning of women performing in kabuki by the shogunate, who feared it would result in moral decline, in the 17th century.

In 1964, as the snow falls outside, a large, new year restaurant meal for his yakuza family in Nagasaki turns into a pivotal event for teenager Kikuo Tachibana (Soya Kurokawa from Monster, Hirokazu Kore-eda, 2023), for two reasons. One, he is able to perform as an onnagata in a kabuki play, The Snowbound Barrier, for visiting celebrity actor Hanai Hanjiro (Ken Watanabe from Fukushima 50, Setsuro Wakamatsu, 2020; Pokemon; Detective Pikachu, Rob Letterman, 2019; Inception, Christopher Nolan, 2010; Letters from Iwo Jima, Clint Eastwood, 2006; Tampopo, Juzo Itami, 1985); two, a rival yakuza group bursts in and wipes out his family. He vows revenge, but fails in his attempt to murder the killer of his his father (Matsatoshi Nagase from The Box Man, Garyuku Ishii, 2024; Paterson, Jim Jarmusch, 2016; Sweet Bean, Naomi Kawase, 2015; Gojoe, Sogo Ishii, 2000; Cold Fever, Fridrik Thor Fridriksson, 1994; The Most Terrible Time in My Life, Kaizo Hayashi, 1993; Mystery Train, Jim Jarmusch, 1989).… Read the rest

Categories
Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest