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Opponent
(Motståndaren)

Director – Milad Alami – 2023 – Sweden, Norway – Cert. 15 – 119m

***1/2

Two asylum seekers – an Iranian pro-wrestler and his pianist wife – are confronted with inhospitable Scandiniavian hotel accommodation and state bureaucracy – out in UK cinemas on Friday, April 12th.

An ominous pulsing, thumping soundtrack. Wearing training kit, an Iranian man runs until stopped in his tracks by the sight of men on the nearby road searching for someone. There is a man hiding from their sight behind a parked car. The first man goes down to the parked car and demands of him, why couldn’t you keep your mouth shut?

Hoping it will help him be seen as contributing positively to the cultural life of Sweden, thus enhancing his and the family’s chances as being accepted into citizenship, Imam joins a local wrestling team. He is clearly glad to be once again participating in the sport that was his life back in Iran, but his wife is less than happy to see him taking it up again, especially since he sometimes comes back to the hotel with a bloodied nose. Imam befriends Thomas (Björn Elgerd) at the club, who invites him out to parties where Imam spends the night rather than going home to his wife.… Read the rest

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Love Life
(LOVE LIFE)

Director – Koji Fukada – 2022 – Japan, France – Cert. 12a – 123m

*****

A tragedy involving a woman’s six-year-old child, abandoned by his birth father, wreaks havoc on her already strained relationship with the husband she has recently married – on BFI Player from Monday, November 6th following its release in UK cinemas on Friday, September 15th

A terrific drama about family relationships.

Recently married, young couple Jiro (Kento Nagayama from Villain, Lee Sang-il, 2010) and Taeko (Fumino Kimura) have a six-year-old, deaf boy Keita (Tetta Shimada), a national champion at the board game Othello, which he plays constantly with his mother or with players online. Several of his trophies are displayed in the family’s typical, small, apartment. Jiro’s parents Makoto (Tomoro Taguchi from Fukushima 50, Setsuro Wakamatsu, 2020; Dead Or Alive, Takashi Miike, 1999; Tetsuo: The Iron Man, Shinya Tsukamoto, 1989) and Akie (Misuzu Kanno from 37 Seconds, Hikari, 2019) live in a nearby apartment five or so minutes away across a park and a car park.

Jiro and Taeko invite them over, ostensibly to celebrate Keita’s latest victory but actually for a surprise 65th birthday party for Makoto.… Read the rest

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Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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The Mauritanian

Director – Kevin Macdonald – 2021 – UK – Cert. 15 – 129m

****

A pro bono lawyer defends a post-9/11 terrorist suspect in Guantánamo Bay against his US Army prosecutor – plays Curzon Home Cinema rental from Monday, October 4th

Based on a true story, this kicks off in Mauritania, North West Africa in November 2001 – as a title tells us, two months after 9/11. Mohamedou Ould Slahi (Tahar Rahim) walks on a beach then attends a Muslim wedding in Mauritania, to which he’s returned after living in abroad in Germany. During the celebrations, two local cops turn up and want him to come for questioning about his brother, whose current whereabouts he reminds them he doesn’t know. “The Americans are going crazy since the attacks two months ago,” they tell him. Momentarily alone, changing out of celebratory robes into something more casual, he erases his mobile phone contacts before agreeing to go with them.

Three years later, New Mexico law firm partner Nancy Hollander (Jodie Foster) learns of his disappearance and that the story has just broken in Der Spiegel that Slahi is currently allegedly being detained in Guantánamo Bay as “one of the organisers of 9/11”. The US government has recently stated that inmates have the right of ‘habeas corpus’ – if the evidence against them isn’t deemed sufficient to hold them in detention, they should be released.… Read the rest