Tag: Robert De Niro

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Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest

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Features Live Action Movies

Silence

Director – Martin Scorsese – 2016 – US – Cert. 15 – 161m

*****

Scorsese questions and tests the unwavering faith of the hidden Christians of Japan, and our allegiance to the director remains just as steadfast – read our verdict on the director’s latest movie, out on New Year’s Day

Religion is a subject capable of arousing great emotion among both believers and non-believers. Martin Scorsese’s Silence is essentially concerned with adherents of one religion attempting to proselytise in a foreign land where the predominant religious system is so utterly alien as to be almost unassailable. To the point where even the incoming missionaries might have to abandon the faith which they seek to spread.

That land is 17th century Japan, where Christianity has been outlawed and believers practise their faith in secret as Kakure Kirishitan (“hidden” Christians). Two Jesuit priests, Father Garupe (Adam Driver) and Father Rodrigues (Andrew Garfield) are smuggled into the country in order to find the older Father Ferreira (Liam Neeson) who is rumoured to have denounced his faith. After spending time with local believers, they are captured by the authorities who proceed to torture the Japanese Christians and make the priests watch, thereby encouraging them to renounce the Jesus they adore and serve.… Read the rest

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Features Live Action Movies

Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest

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Features Live Action Movies

Master Gardener

Director – Paul Schrader – 2022 – US – Cert. 15 – 107m

****

Order and chaos. A man works bringing horticultural order to his employer’s garden estate, but the disorder of his past threatens to catch up with him and wreak havoc upon it

Or. A man engaged in sexual relations with his female employer becomes involved with her grandniece, to whom his employer may one day leave her inheritance

Or. A man orders his employer’s garden estate until she ejects him for sleeping with her grandniece, leaving the pair to survive in the tough world beyond – out in UK cinemas on Friday, May 26th

This appears to be a double-edged sword. On the one hand, it concerns a man (the central character, the eponymous master gardener) imposing order, but he is a man coming from chaos and at some point that chaos may undo what he has achieved there. On the other, it concerns two women – one his monied, controlling, matriarchal employer, the other her grandniece, from the wrong side of the tracks, who the employer wants to learn the business. The man is initially the lover of the first and, later, becomes the lover of the second, for which the first fires him.… Read the rest