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The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

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“i know
where i’m going!”
(IKWIG)

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1945 – UK – Cert. PG – 92m

*****

A London banker’s daughter’s determined to marry her wealthy fiancé on an Hebridean island has reckoned without the weather and other local factors preventing her from doing so – engaging romantic drama is out in UK cinemas on Friday, October 20th while major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger opens Monday, October 16th at BFI Southbank and on BFI Player

You wouldn’t expect a film which is essentially a romantic comedy to open with its leading lady at age one, but that’s exactly what The Archers do here. Joan crawls, going (as the male voice over would have it) neither right nor left but straight on. By age five the male voice has her asking Santa for silk stockings (real, not artificial, a request that will have chimed with austerity-pressed, British audiences in 1945 after six years of war), by 12 she’s the one schoolgirl getting a lift home in the milk van. She’s accustomed to getting her own way and by her mid-twenties Joan (Wendy Hiller) is surprising her banker father, who she has wrapped around her little finger, with the news that she is going to marry the lucrative Consolidated Chemical Industries, specifically their ageing owner Sir Robert Bellinger.… Read the rest

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Indiana Jones
And The
Dial Of Destiny

Director – James Mangold – 2022 – US / UK – Cert. 12a – 154m

*****

In the late 1960s, the newly-retired archaeologist is dragged by his goddaughter into a globetrotting adventure involving Nazis and ancient artefacts – out in UK cinemas on Wednesday, June 28th

In 1945 in Europe, at the close of the Second World War, whilst fighting Nazis led by archaeologist Dr. Voller (Mads Mikkelsen) both in a castle and on a train, archaeologists Henry Jones (Harrison Ford) and Basil Shaw (Toby Jones) gain possession of an ancient artefact, the Archimedes Dial aka the Antekythera mechanism.

Over two decades later in 1969 in New York, on the day of his retirement from academia, Jones is approached by his late colleague’s daughter – his goddaughter – Helena Shaw (Phoebe Waller-Bridge) who, following her research into her father’s obsession with the artefact, believes she knows the location of one half of the dial, broken into two separate pieces by its maker Archimedes to prevent it falling into unsuitable hands.

She’s wrong though: Jones has it, although possibly not for long as a cabal of Dr. Voller plus Nazis including the trigger-happy Klaber (Boyd Holbrook), the 7’2 Hauke (Olivier Richters) and a CIA agent Mason (Shaunette Renée Wilson) turn up to regain its possession.… Read the rest

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Jackie Chan’s
Police Story
Trilogy

Police Story (Ging Chaat Goo Si, 警察故事)

*****

Director – Jackie Chan – 1985 – Hong Kong – Cert. 15 – 100m

Police Story II (Ging Chaat Goo Si Juk Jaap, 警察故事續集)

***1/2

Director – JackieChan – 1988 – Hong Kong – Cert. 15 – 101m

Police Story 3 Supercop (Ging Chaat Goo Si III: Chiu Kup Ging Chaat, 警察故事3超級警察)

*****

Director – Stanley Tong– 1992 – Hong Kong – Cert. 15 – 96m

The Police Story trilogy is a landmark of Hong Kong action cinema. As David West points out in his informative essay in the accompanying booklet to Eureka’s welcome 4K UHD release of the three films, the first one was the point in Jackie Chan’s career where he broke with period dramas to make a vehicle for himself that was totally modern, set in contemporary Hong Kong rather than an historic Chinese past or even the early twentieth century of his own Project A series of films. Action films set in the present started to emerge in Hong Kong in the early 1980s, with a couple of them directed by Chan’s fellow former Peking Opera schoolmate Sammo Hung, who managed to secure roles for Jackie some way down the cast list in Winners And Sinners (1983) and My Lucky Stars (1985).… Read the rest

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Full Time
(À Plein Temps)

Director – Eric Gravel – 2021 – France – Cert. 12a – 87m

*****

A single mum with two young kids struggles to hold her working life together in a Paris where the transport network in and out of the city is paralysed by strikes – out in UK cinemas on Friday, May 26th

The brief moment of calm at the start gives little indication of the relentless nature of what is to follow. Julie Roy (Laure Calamy) sleeps deeply, a figure at rest, as we watch parts of her face in close-ups. Suddenly, this tranquillity is shattered by the aural violation of the quiet by an alarm clock. As she gets the kids up, the radio blares out something about an increase in working hours and something else about the welfare state. The impression is of the microcosm of her life and the macrocosm of the wider world (France) in a state of crisis. She bundles her kids off to the child-minder’s and boards a pre-dawn train to Paris. The train is terminated because of an unwell passenger, so she has to switch to a bus to get to St. Lazare, and as she is trying to get to The Churchill, the luxury hotel where she works as a head chambermaid, she must fend off a mobile phone call about her mortgage repayments.… Read the rest

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Animation Features Movies

Your Name
(Kimi No Na Wa,
君の名は)

Director – Makoto Shinkai – 2016 – Japan – Cert. 12 – 106m

*****

Do you know what it feels like for a girl? Urban teenage boy and countryside girl repeatedly swap bodies overnight, as fate draws them together through a meteor strike – Makoto Shinkai’s breakout animation returns to cinemas for one day only on Wednesday, March 29th, ahead of the release of Shinkai’s new film Suzume on April 14th

In a spectacular and bravura single take, vertical panning shot, a meteor descends from the heavens through the clouds towards the small lakeside town of Itomori. Then, another time, another place: on a train in Tokyo a teenage girl spots a boy and their eyes meet but there’s no time to exchange names. She knows him but he has no idea who she is. As she gets off the train, he asks her… “Your Name?”

Thereafter, Tokyo boy Taki wakes up some days Mitsuha’s body, and the other way round… [Read the rest at DMovies.org]

Your Name returns to cinemas for one day only on Wednesday, March 29th, ahead of Shinkai’s Suzume on April 14th.

Originally reviewed for UK 2017 IMAX release.

Trailer (Blu-ray release):

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Maborosi
(Maboroshi
No Hikari,
幻の光,
lit.
Phantasmic Light,
A Trick
Of The Light)

Director – Hirokazu Kore-eda – 1995 – Japan – Cert. 12a – 110m

****

His cinema directorial debut Maborosi (1995) is the only feature Koreeda didn’t also write or edit. Seemingly contented Ikuo (a pre-stardom Asano Tadanobu) goes out one night and is run over by a train. After his young wife Yumiko (Makiko Esumi in her debut role) moves to the North coast to remarry, Ikuo’s suicide continues to trouble her…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Maborosi – BFI reissue):

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I Wish
(Kiseki,
奇跡,
lit. Miracle)

Director – Hirokazu Kore-eda – 2011 – Japan – Cert. PG – 128m

*****

A broken family consists of father, mother and two pre-teenage boys. Each of the boys is living with one of their parents at opposite ends of Kyushu, Japan’s south-western island: the elder with his mother and grandmother in Kagoshima and the younger with their gigging rock guitarist father in Fukuoka. The two boys keep in touch by mobile phone… [Read the full review at All The Anime]

On MUBI from Saturday, February 4th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – I Wish (2011):

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Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationshipspart of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

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The Railway Children
(1970)

Director – Lionel Jeffries –1970 – UK – Cert. U – 109m

****1/2

After their father is arrested and the family plunged into poverty, three siblings and their mother leave London for the Yorkshire countryside – now on BBC iPlayer until around mid-August, also recently back out in cinemas for one day only on Sunday, July 3rd

E. Nesbit’s book The Railway Children, set in 1905, has been filmed several times, most notably as the BBC TV series of 1968 and Lionel Jeffries’ 1970 cinema film, both of which starred Jenny Agutter as the eldest of three children sent from the city to Oakworth in Yorkshire. What is arguably the 1968 and 1970 version’s most memorable sequence has the children stand on train tracks waving red flags to stop an oncoming train and prevent an accident after a tree falls on the line ahead.

My parents used to sit me and my younger brother down and make us watch Sunday teatime BBC classic serials, something which has engendered a deep seated dislike within me for both filmed costume drama and literature considered worthy enough to film. I found the former stodgy and suspect the latter may be more to do with BBC cultural filters than anything else.… Read the rest