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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – out in UK cinemas on Friday, July 4th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

Categories
Features Live Action Movies

Theater Camp

Directors – Molly Gordon, Nick Lieberman – 2023 – US – Cert. 12a – 92m

****

The teachers and students at a theatre camp rehearse their annual Summer show, their unscrupulous, with the camp’s founder unconscious in hospital, while the nearby, upmarket, rival camp attempts to close them down and possess their land – faux documentary comedy is out in UK cinemas on Friday, August 25th

@searchlightuk #TheaterCampMovie

As the spelling on its title might indicate, there’s something very American about the concept of a theater camp, a variant of Summer camp for wannabe child actors and theatre people; to the best of my knowledge (and I’m not an actor or a theatre person) there isn’t really a UK equivalent. That said, even those without a strong interest in theatre are likely to have a good time with this winsome comedy. Not only has this been put together with a great deal of love and heart by actors who went through the theater camp experience as kids and have it in their DNA, it’s also very cleverly scripted in outline and makes great use of improvisation in the performances of the part-adult, part-child cast.

Theatre camp (I refuse to use the American spelling from here on) Adirond ACTS, four hours from New York, suffers a heavy blow when its beloved founder Joan Rubinsky (Amy Sedaris) suffers a heart attack whilst watching the performance of one of her students on stage, goes into a coma and is hospitalised, leaving the day to day running of the camp to social media business guru son Troy (Jimmy Tatro), who is completely clueless when it comes to theatre and fails to connect with the young students from the get go.… Read the rest

Categories
Features Live Action Movies

Intimate Strangers
(Wanbyeokhan Tain,
완벽한 타인)

Director – Lee Jae-kyoo – 2018 – South Korea – Cert. 15 – 115m

****

Four couples attend a dinner party where a game with mobile phones threatens to revel all their intimate secrets – online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Special Focus: Friends and Family strand of the London Korean Film Festival (LKFF) taking place right now

A group of male friends since childhood and their wives and girlfriends meet for a house-warming of one of their number. One of the wives suggests a game. Why don’t they all put their mobile phones on the table and share any call, text, email or data that comes in?

Actually, it turns out there are some very good reasons why not – as they will all discover during the course of the evening. Indeed, the film’s final five minutes or so (and, strangely, this is not a spoiler) shows the couples driving home separately and contentedly after a pleasant evening where they wisely declined to play the game. All’s right with the world.

However, in between that coda and the opening, 34 years earlier prologue in which the four men’s childhood selves catch fish through a hole in the ice of a frozen river then spend the evening together round a camp fire in the dark, the four couples do indeed play this game at the present day house-warming.… Read the rest