Categories
Features Live Action Movies

The Lost City

Directors – Aaron Nee, Adam Nee – 2021 – US – Cert. 12a – 112m

***

A jaded woman’s romantic adventure novelist and her cover model find themselves in a real life jungle straight out of one of her books – out in cinemas on Wednesday, April 13th

Ever since her archaeologist husband died five years ago, novelist of trashy, erotic women’s adventure fiction Loretta Sage (Sandra Bullock) has had writer’s block. Her publishers love her books because they sell in huge volume, but she’s really an archaeology nerd who hates the novels she’s written. A friendly nudge from her editor Beth (Da’vine Joy Randolph), however, helps her complete another one, so it’s on to the promotional tour, something else Loretta hates.

She’s told exactly what to do by Beth and new social media manager Allison (Patti Harrison) This time round Loretta is required to wear a one-piece, cleavage-revealing, purple sequinned outfit that she (understandably) really doesn’t like as she is interviewed once again before fan audiences by male model Alan (Channing Tatum), whose appearance alongside her on the front cover of her books has helped propel her (and him) to stardom, effectively casting them as her heroine Angela and sidekick Dash.… Read the rest

Categories
Features Live Action Movies

KIBA: The Fangs Of Fiction (Damashie No Kiba, 騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m

*****

Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.

Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Categories
Features Live Action Movies

One Night (Hitoyo, ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest

Categories
Features Live Action Movies

Mrs. Noisy (ミセス・ノイズィ)

Director – Chihiro Amano – 2019 – Japan – Cert. 12a – 106m

****

A writer and young mother struggling with an elusive second novel finds herself dealing with a noisy, futon-beating neighbour in a rapidly escalating row exacerbated by viral internet videos – plays online in the Japan Foundation Touring Film Programme 2021 in the UK

Two women neighbours get involved in a petty feud which escalates out of all proportion, fuelled by videos on the internet. While parts of the feud are riotously funny to watch, this is less a comedy and more a warning as to how badly things can go wrong between ordinary people isolated in their separate domestic units in our ever-evolving technological age of phone cameras and social media. The housing block in urban Japan could just as easily be in any city in the UK. It looks all too horribly familiar.

Having published one hugely successful novel, Maki (Yukiko Shinohara) gives birth to a daughter and resolves to use the experience to feed into the next novel. She keeps writing, but her publishers tell her that nothing she’s written is up to par. Six years on Maki, her husband Yuichi (Takuma Nagao) and their small daughter Nako (Chise Niitsu) move into a new flat in a new block hoping that the change of scene will be just what Maki needs to get the writing back up to standard.… Read the rest