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Animation Features Movies

Pompo The Cinéphile (Eiga Daisuki Pompo-san, 映画大好きポンポさん)

Director – Takayuki Hirao – 2021 – Japan – Cert. 12a – 94m

*****

A film buff working as a movie producer’s assistant is unexpectedly given the job of directing his first feature film– out in cinemas on Wednesday, June 29th

Much in Pompo The Cinéphile riffs off Roger Corman’s legendary working methods. It takes place in a fictional Tinseltown named Nyallywood (what’s with the name? are they worried about getting sued?) and has near its centre the eponymous Pompo (voice: Konomi Kohara from Demon Slayer the Movie: Mugen Train, Haruo Sotozaki, 2020; Sword Art Online, series, 2012-) who looks like a sprightly young girl (and is exactly that in occasional flashbacks) but is, in fact, a seasoned, teenage (!) producer of exploitation movies (sample titles: Across The 8th Dimension, Guns Akimbo, Zombizarre) starring a busty blonde named Mystia (voice: Ai Kakuma) who is currently shooting a Summer movie titled Marine with lots of girls in revealing bikinis fleeing a giant tentacled beastie at the beach with which the gun-wielding Mystia will do battle: quite literally a ‘tits and tentacles’ show “with just the right amount of sex appeal.” Director Hirao is, after all, the man behind similarly exploitative anime Gyo: Tokyo Fish Attack!Read the rest

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Animation Features Movies

Mad God

Director – Phil Tippett – 1987-2021 – US – 83m

*****

A man in a gas mask descends into a dark, dangerous world on a mysterious mission, encountering strange creatures, humanoids and societal constructs along the way – stop-frame epic 34 years in the making as of Tuesday, June 28th, has become the most watched premier of 2022 on Shudder, where it plays in both the UK and the US from Thursday, June 16th; also plays London’s Prince Charles Cinema Tuesday. July 5th to Friday, July 8th

My immediate reaction after watching this was two-fold. On the one hand, wow!!! On the other, how on earth do I put the experience of watching this into words? Mad God definitely has a structure, yet what’s amazing about it is the visuals, the animation, the effects. Even though I’m familiar with the work of its director Phil Tippett (as one of the heirs apparent to stop-motion maestro Ray Harryhausen in the world of visual effects – career highlights include RoboCop, 1987; Jurassic Park, 1993, Starship Troopers, 1997) this film is something altogether different (even if its roots can be seen in his VFX work).

Following the destruction of a tower resembling Babel in a black cloud, and a lengthy quotation purporting to be from Leviticus 26, a man in gas mask and protective clothing descends into the bowels of the world on a mission, the exact nature of which is never revealed.… Read the rest

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Animation Features Movies

Belle (Ryu to Sobakasu no Hime, 竜とそばかすの姫)

Director – Mamoru Hosoda – 2021 – Japan – Cert. PG tbc – 121m

*****

A bereaved, teenage girl starts to emerge from her shell when she signs up for a virtual world on her smartphone – out on Blu-ray and DVD from Monday, June 27th and 4K UHD Blu-ray including the soundtrack from Thursday, July 7th

‘U’ is an internet, virtual world of high tech, futuristic architecture. When you sign up, you receive your own personalised avatar built from your biometrics. You have the chance to start over in a new world.

Teenager Suzu (voice: Kaho Nakamura) could do with that chance. She lives with her dad (voice: Koji Yakusho from Mirai, Mamoru Hosoda, 2018; The Third Murder, Hirokazu Kore-eda, 2017; Pulse, Kiyoshi Kurosawa, 2001; Shall We Dance, Masayuki Suo, 1996; Tampopo, Juzo Itami, 1985) in a small town somewhere in the East of Japan. She doesn’t really communicate with people at her school – not Luka (Tina Tamashiro), the sax player in the school band, not Kamishin (Shota Sometani from To The Ends Of The Earth, Kiyoshi Kurosawa, 2019; First Love, Takashi Miike, 2019; Foreboding, Kiyoshi Kurosawa, 2017; The Boy And The Beast, Mamoru Hosoda, 2015; Himizu, Sion Sono, 2011) who set up the canoe club but hasn’t been able to attract any members, not Shinobu (Ryo Narita) who proposed to her – well, told her he wanted to protect her – when she was six.… Read the rest

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Animation Features Movies

Lightyear

Director – Angus MacLane – 2021 – US – Cert. PG – 107m

**1/2

Stranded on a hostile planet, Buzz Lightyear sets out on a series of missions which eventually lead to his first confrontation with the evil Emperor Zurg – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event on Friday, June 17th, and opens in UK cinemas the same day.

A caption at the start explains that this was the favourite film of child protagonist Andy (from Pixar’s Toy Story franchise) and the reason he got a Buzz Lightyear toy in the first place. Other than that, though, this is a completely separate and self-enclosed film.

As the literal meaning of its title implies, Lightyear delivers a narrative that races through vast periods of time at a stretch, so that we and ace space pilot Buzz Lightyear (voice: Chris Evans) and his colleague Alisha Hawthorne (voice: Uzo Aduba) land their spaceship on an unexplored planet which turns out to be populated with hostile life-forms, specifically (1) plant tendrils which burst out of the planet’s surface and try to drag anything they can back under the ground and (2) giant, flying bugs.… Read the rest

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Animation Features Movies Shorts

Memories (Memorizu, メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Annecy Classics section

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest

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Animation Features Movies Music

The Island

Director – Anca Damian – 2021 – Romania, France, Belgium – 84m

*****

A reimagining of the Robinson Crusoe story with Robinson as a doctor on an island where Friday is the only survivor of a refugee ship – from the Annecy 2022 Animation Festival in the Official Competition section

The story of Robinson Crusoe, the man shipwrecked on a desert island befriended by a native he calls Friday, is here turned on its head by director Damian (Marona’s Fantastic Tale, 2019) bringing to life a clever script using an inventive mixture of 2D and CG animation techniques. Robinson (voiced by musician Alexander Bălănescu, who composed the music and songs with Ada Milea) is a Westerner, a well-off doctor who spends most of his time lounging around on an island with an i-Pad. He might be a shipwreck survivor, at least metaphorically. He sings about dreaming of shopping when hungry and after a while we wonder if he’s simply disillusioned with the Western materialist way of life.

He finds himself in the company of Friday (Lucian Ionescu), sole survivor of a refugee boat who treats the doctor as his saviour. Robinson admonishes Friday to drink only bottled water, because the alternative is unsafe.… Read the rest

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Animation Features Movies

The House Of The Lost On The Cape (Misaki no Mayoiga, 岬のマヨイガ)

Director – Shinya Kawatsura – 2021 – Japan – 100m

*****

Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section

A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.

There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.

The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest

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Animation Features Movies

No.7 Cherry Lane (Jiyuantai Qihao, 繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

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Animation Features Movies

A Silent Voice (Koe no Katachi, 聲の形)

Director – Naoko Yamada – 2016 – Japan – Cert. 12a – 130m

****

Groundbreaking and innovative Japanese drama about school children, bullying, remorse, isolation and self-loathing – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Special Programmes section (A Special Screening for the Hard of Hearing)

Egged on by Naoka Ueno (voice: Yuki Kaneko) then later shunned by classmates for his bullying of new girl in class Shoko Nishimiya (Saori Hayami), who happens to be deaf, Shoya Ishida (Miyu Irino) stops interacting with them and withdraws. This is represented onscreen by the extraordinary graphic device of an ‘X’ over the faces of his fellow schoolmates whenever they appear. It’s a very powerful way of expressing his isolation. Five years on, wrecked with guilt about his treatment of Nishimiya, he learns sign language and decides to befriend her and to make amends…

This film may well broaden your idea of what animation is capable. It’s nothing like Disney and equally it’s light years from Japanese SF action fest Akira (Katsuhiro Otomo, 1988) although it likewise started life as a manga and concerns teenagers.… Read the rest

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Animation Features Movies

Boonie Bears: Back To Earth (Xiong Chu Mo: Chong Fan Di Qiu, 熊出沒·重返地球)

Director – Lin Huida – 2022 – China – Cert. PG – 100m

****

The latest movie in this long-running, animated Chinese franchise, hugely successful at the Chinese (and therefore global) box office, is the first to get a UK cinema release in a dubbed format for family audiences – out in UK cinemas on Friday, May 27th

Urban bear superhero Bramble (voiced in the English language version by Joseph S. Lambert) successfully battles and defeats a monster formed from the garbage that people in the city have failed to properly throw away, lapping up the ensuing admiration from local child and cute animal residents until rudely awakened from his urban daydream by the human Vick (voice: Paul ‘Maxx’ Rinehart), who wants him to clean up the litter in the rest area of the forest / national park where they live.

Motivated by the promise of an ice cream on completion, Bramble speedily undertakes the task by racing around gathering the detritus in his arms only to come a cropper at the very end, spilling all the collected rubbish at its allotted bins. Although he has the best intentions and tries hard, Bramble is not the smartest bear in the woodlands.… Read the rest