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Pelikan Blue
(Kék Pelikan)

Pelikan Blue (Kék Pelikan)

Director – László Csáki – 2023 – Hungary – Cert. none – 79m

****

How three friends wanting to travel to the West after Hungary opened up in 1985 stumbled onto a lucrative scam forging rail tickets – innovative documentary employing animation premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This talks about Hungary opening its borders and allowing its citizens to travel beyond the iron curtain for the first time in 1985. The problem was that for most school students and ordinary working people, travel was too expensive. 1987-90 was the best time, says one man. Owing to peculiarities in the exchange rate system, it was possible to change East German marks into West German marks and triple the value of your money.

One man was in a queue at a counter with a man named Atos who had enough to clear out that particular counter, but he took pity on the other punters behind him and only took half what he could have had. Petya and another grateful friend of his in that queue later found themselves on a plane to Berlin, then sharing a hotel room with Atos.… Read the rest

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Bolan’s Shoes

Director – Ian Puleston-Davies – 2022 – UK – Cert. 15 – 97m

****

Two traumatised siblings reconnect as adults years after a childhood coach crash coming back from a Liverpudlian orphanage trip to a T.Rex gig in the 1970s – out in UK cinemas on Friday, September 15th

*** SPOILER ALERT ***

Picture black. A radio DJ dedication to Bob and Sally. T.Rex’s Calling All Destroyers blasts out on the soundtrack against a sudden image of a coach travelling through the English countryside. On board: excited orphanage kids with the trip organiser Simon (Louis Emerick) plus their local vicar (Andrew Lancel) and his daughter Penny (Eden Beach). Sadie (Amelia Rose Smith) nuts Tommo (Alfie Donnahey) for, as she swearily and excitedly explains to Penny, picking on her older brother Jimmy (Isaac Lancel-Watkinson). There is blood. To the consternation of Simon, who isn’t going to let the incident get in the way of the day’s enjoyment. “You’ll thank me in later years,” he says. “You’ll be able to say I was there.”

After the gig, Simon has fixed up a trip backstage for the kids to meet founding T.Rex member Marc Bolan, getting them past other fans waiting outside for a glimpse of their hero.… Read the rest

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My Big Fat Greek Wedding 3

Director – Nia Vardalos – 2022 – US – Cert. 12a – 91m

***

The Greek-American family from Chicago visit their late patriarch’s small village in Greece to honour his final wish out in UK cinemas on Friday, September 8th

Once again written by and starring Vardalos as Toula, the daughter of the rumbunctious, Greek-American Portokalos family from Chicago, this third outing for the franchise is predictably another celebration of all things Greek, or, at least, Greek-American. The previous two films owed much to the character of Toula’s father Gus (Michael Constantine), the family patriarch insistent on all family members (a) getting married as soon as they come of age and (b) marrying Greek-Americans.

In the first film My Big Fat Greek Wedding (Joel Zwick, 2002), Toula had to bring him round to the idea of her marrying the non-Greek Ian (John Corbett). In the second film My Big Fat Greek Wedding 2 (Kirk Jones, 2016), Toula had become an interfering mother to teenage daughter Paris (Elena Campouris) while Gus and his wife Maria (Lainie Kazan) have another wedding celebration following the discovery that their marriage of 50 years was technically invalid.

The third instalment was to have been about Gus and the family visiting Greece to rediscover his roots.… Read the rest

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Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationshipspart of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

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Living

Director – Oliver Hermanus – 2022 – UK – Cert. 12a – 102m

*****

Diagnosed with stomach cancer and given only months to live, a bureaucrat searches for something – anything – to give purpose to his hitherto meaningless life in this remake of Akira Kurosawa’s Ikiruout in UK cinemas on Friday, November 4th following its screenings in the BFI London Film Festival 2022, while Ikiru is on BFI Player subscription

For anyone who has had the privilege of seeing Ikiru (Akira Kurosawa, 1952) it is a very strange thing to watch this remake of it. On the one hand, it is exactly the same film. It has the same plot. On the other, it is completely different. Both are set in the 1950s, the original in Japan and the new one in London.

At this point, I have to say that this remake sounded to me (until I’d seen it) like a very bad idea. Cinema is littered with great films that have been remade as shadows of their former selves. Generally speaking, most ideas like this are better left well alone. To make matters worse, this is a case of an established novelist writing a screenplay: producers love this because they see a bestselling author as having a reliable track record but, in fact, the skills required for writing a novel and a movie are very different indeed.… Read the rest

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Wife Of A Spy
(Supai No Tsuma,
スパイの妻)

Director – Kiyoshi Kurosawa – 2020 – Japan – 115m

****1/2

A Japanese businessman’s wife decides to help her husband after discovering he is passing inflammatory state secrets to the Americans – out on MUBI in the UK and Ireland on Wednesday, September 8th

1940, Kobe, Japan. British silk trader John Fitzgerald Drummond is arrested by the Kenpetai then released thanks in part to his friend and business associate Yusaku Fukuhara (Issey Takahashi from Shin Godzilla, Hideaki Anno, 2014; Kill Bill Vols 1 & 2, Quentin Tarantino, 2003 & 4; Whisper Of The Heart, Yoshifumi Kondo, 1995), who defends him against Officer Taiji Tsumori (Masahiro Higashide from Foreboding, 2017; Before We Vanish, 2017; Creepy, 2016 – all Kiyoshi Kurosawa), a childhood friend of Yusaku’s wife Satoko (Yu Aoi from Killing, Shinya Tsukamoto, 2018; Journey To The Shore, Kurosawa, 2015 and much else). (Europeans are systematically being arrested, with the exception of Axis power nationals Germans and Italians.)

As Fukuhara and his nephew Fumio Takeshita (Ryota Bando) travel abroad to Manchuria, Satako invites Taiji to her house for a whisky, but once there he berates her for the drink being Western- not Japanese-made and suggests she should wear traditional Japanese clothes rather than Western dresses.… Read the rest

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Documentary Features Live Action Movies

A Love That Never Dies

Losing children

A Love That Never Dies
Directed by Jane Harris and Jimmy Edmonds
Certificate 12A, 75 Minutes
Released 18 May

Parenting is not the easiest job in the world at the best of times. But what if the unthinkable happens? What do you do if one of your children dies? How do you cope?

Jane Harris and Jimmy Edmonds found themselves in that position when their 22-year-old son Joshua died travelling around Vietnam in 2013. Someone stepped out in front of his motorbike and that was it. Struggling to come to terms with his death, they travelled not only to the site of the accident but also across the US in search of other bereaved parents, a journey in memory of their son. En route, they made a documentary film out of the experience.

In the footage and voice-over, the couple describe the different ways they struggled or coped. [Read more…]

To find screenings or organise a one-off local screening, please contact the filmmakers through their website alovethatneverdiesfilm.com.

Review originally published in Reform magazine.

Trailer:

Visit The Good Grief Project website. To set up a screening of the film near you, please contact the film-makers.

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To The Ends
Of The Earth
(Tabi No Owari
Sekai No Hajimari,
旅のおわり、
世界のはじまり)

Director – Kiyoshi Kurosawa – 2019 – Japan – 120m

****

As a Japanese TV journalist works with a Japanese camera crew in Uzbekistan, she meditates on her life and career – from the BFI London Film Festival 2019 and the London East Asia Film Festival (LEAFF) 2019 – and from Wednesday, November 11th on MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa

Yoko (Atsuko Maeda) is a TV journalist working with a production company trying to find magazine format stories as they travel around Uzbekistan. None of them speak Uzbek, so they rely on a local interpreter Temur (Adiz Rajabov). When not shooting, Yoko explores the local city.

The prodigious Kiyoshi Kurosawa is best known for his horror films Cure (1997) and Pulse/Kairo (2001) yet has dabbled in a wide variety of genres. This one is, for want of a better description, a travelogue with a hint of a musical. The heroine desperately wants to be a singer, but has found herself in the job of roving TV presenter – not exactly what she wanted to do, but it’s certainly show business. She wonders if she’s lost her way. Her boyfriend Ryo who we never see is a firefighter working back at Tokyo harbour with whom she periodically communicates by text.… Read the rest

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Monsoon

Director – Hong Khaou – 2019 – UK – Cert. 12a – 85m

****1/2

A man who has lived in England for 30 years returns to Saigon and Hanoi to discover the Vietnam his late parents left behindin cinemas and on Vimeo, BFI Player, Curzon Home Cinema, Amazon and elsewhere from Friday, September 25th

Saigon, present-day Vietnam, when bicycles and motorbikes swarm along the roads like purposeful, scurrying ants. Kit (Henry Golding) returns there in an attempt to discover the Saigon and Hanoi of his childhood before his now deceased parents left for England 30 years ago. He checks into the posh area of town, putting the wooden box containing his mother’s ashes on a bare shelf in his sparsely furnished, luxury apartment.

High tech housing blocks give way to the less affluent and more traditional blocks where most urban Vietnamese live. Kit meets with Lee (David Tran), with whom he remembers playing as a child and to whose family Kit’s mother loaned a considerable sum of money to help them start a small business, now a small mobile phone shop. Lee wants to repay the loan to Kit.

Kit goes on an English language tour in an attempt to track down some of the places from his childhood, but so many locations have changed or disappeared.… Read the rest

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Total Recall

Director – Paul Verhoeven – 1990 – US – Cert. 18 – 113m

***

UK Release: July 27th 1990

Arnold Schwarznegger’s mind has been stolen – and he’s got to go to Mars to get it back! The seeming perpetrator of this heinous crime is Recall Incorporated, a travel company with a difference: they implant memories of the required holiday destination and period in the client’s brain, and it seems to him that he’s having that holiday then. Recall’s latest deal even allows the client to take a break from his/her personality for the period purchased. Arnie opts for two weeks on Mars as a secret agent.

While the requirements of megabudget Hollywood film making often water down the end result, the premise of this film – fashioned after SF author Philip K. Dick’s We Can Remember It For You Wholesale – is not only imaginatively preposterous but also so utterly cinematic that it has a phenomenal amount going for it right from frame one.

Add to this not only Schwarznegger but his contractually binding choice of director being none other than Dutchman Paul Verhoeven (The Fourth Man, 1983; Robocop, 1987) plus a final price tag which might well be as high as $70m, and you can see why expectations on this movie are so high.… Read the rest