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Animation Movies Shorts

Pachyderm
(Pachyderme)

Director – Stéphanie Clément – 2022 – France – 11m

*****

A nine-year-old struggles with the trauma that befalls her at her grandpa’s – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

She’s nine (voice-over: Christa Theret), and in the Summer she goes to stay with granny and grandpa. She plays on a swing, missing mum and dad, she watches a cabbage white butterfly in the garden. The house is tidy, ordered, perhaps obsessively so. It smells of polish; the kitchen smells of bleach. Tomorrow, grandpa will take her to the lake, where he likes to fish. To get to her bedroom, she must pass the big, intimidating horn mounted at the top of the stairs, a hunting trophy from a pachyderm. In her room, she can see eyes watching her from the wood grain of the ceiling timbers. She doesn’t sleep by counting sheep; she kills monsters. As the floorboards creak outside her door, she hides in the wallpaper, in the flowers, in sleep. After all, as grandma says, what could happen?

Before the trip, she accidentally pricks a finger on one of grandpa’s fishing hooks – lures, as they call them – but grandpa kisses the cut better with the kiss that heals all things.… Read the rest

Categories
Features Live Action Movies

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer: