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Movies Features Live Action

Godzilla Minus Zero
(Gojira – 0.0,
ゴジラ – 0.0)

Godzilla Minus Zero (Gojira – 0.0, ゴジラ – 0.0)

Director – Takashi Yamazaki – 2026 – Japan – Cert. 12a – 135m

IMAX version *****

Regular version *****

Japan, slowly recovering from World War Two, must again deal with the seemingly unstoppable menace of Godzilla when it rises again from the depths of the ocean – out in UK and Ireland IMAX cinemas on Tuesday, November 3rd then in regular cinemas on Friday, November 6th

*** Please note: Godzilla Minus One spoiler alert in opening paragraph. ***

“Is your war finally over?”, redeemed Kamikazi pilot Koichi Shikishima (Ryunosuke Kamiki) is asked by Noriko Oishi (Minami Hanabe), the woman who he has taken in to his home along with a baby only for her to be subsequently blasted away when pushing him into a building recess to save him from Godzilla during its attack on Ginza, at the end of Godzilla Minus One (Takashi Yamazaki, 2023). Miraculously, she survived that incident, which scarcely seems possible. Although perhaps writer-director Yamazaki shrewdly included the conundrum to enable him to kick around some ideas as to why she might have survived beyond mere luck.

One such idea makes it into this new film, and a fascinating idea it is too, one of a number of script elements for which Toho have asked journalists to keep the specifics under wraps so as not to spoil the film for audiences – which seems reasonable enough given that critics had the privilege of seeing the film before any reviews had given anything away.… Read the rest

Categories
Movies Features Live Action

Oppenheimer

Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest