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Features Live Action Movies

The Borrowers
(1997)

The Borrowers – Peter Hewitt – 1997 – UK – Cert. U – 89m

****

A slimy lawyer sets about evicting the human occupants and the ‘little people’ from a property – opened in UK cinemas on Friday, December 5th 1997

Take Mary Norton’s Borrowers, tiny people who live under the floorboards and borrow household items only as and when they need them, throw in underrated British director Peter Hewitt (much beloved by critics for his wonderfully stupid Bill and Ted’s Bogus Journey, 1991) and you have The Borrowers. Aimed equally unashamedly at both children and the American market, this deftly services both constituencies without alienating the rest of us – which is no mean feat.

The plot is a tried and true Hollywood formula – slimy lawyer wants to evict family who own house, so the occupants (and therefore the Borrowers too) must move on. The likeable John Goodman is on hand to play the lawyer (both he and the audience have a lot of fun here) aided by Mark Williams’ Exterminator Jeff, the pest control man Goodman hires to flush vermin (i.e. the little people) out from under the floorboards.

This all takes place in what appears from the outside an unnamed American city, with central skyscrapers, but with numerous locations (house interior, sewer pipes, milk bottling factory) looking suspiciously British.… Read the rest

Categories
Features Live Action Movies

The Duke

Director – Roger Michell – 2020 – UK – Cert. 12a – 96m

**1/2

A man steals Goya’s painting of The Duke Of Wellingon from the National Gallery in 1961… Based on a true story – out to rent on PVoD on Monday, April 11th

1960s Newcastle. Kempton Bunton (Jim Broadbent) wages a one-man war against pensioners paying the licence fee. He removes the BBC coil so that the set will only play ITV. His wife Dorothy (Helen Mirren), a cleaner for the wife of a local councillor, just wants him to behave like every else and try and fit in. Seeing the nation pay £140 000 to stop Goya’s painting of The Duke Of Wellington being sold abroad, he can only think of how much better the money could be spent – how many pensioners’ TV licences it could cover, for example.

Thus, he takes a trip to London to deliver an unsolicited manuscript of a play to the BBC, then lobby both Parliament and the press (The Daily Express) about free licences. All of which endeavours meet with failure. However, a plan to steal The Duke from the National Gallery works and the painting is soon in his back bedroom, where son Jack (Fionn Whitehead from Dunkirk, Christopher Nolan, 2017) bills a false wall in the wardrobe to help him hide it. … Read the rest