Tag: killer

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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Scream VI

Directors – Matt Bettinelli-Olpin, Tyler Gillett – 2022 – US – Cert. 18 – 123m

**1/2

The sixth entry in the Scream franchise relocates from Woodsboro to New York City as the masked killer continues to stalk and kill his victims – out in UK cinemas on Friday, March 10th

The phone rings. Someone picks up. If it’s the first time he’s called, the caller (voice: Roger L. Jackson) engages them in conversation, often about whether they like movies, in particular scary movies. This often leads to the recipient of the call being bloodily murdered shortly after. But not always. Some of the characters in the Scream movies stay alive via a judicious knowledge of the rules of horror films. The previous five films, of which the fifth film is somewhat confusingly called Scream exactly the same as the first, are set in the town of Woodsboro, California with a cast of repeating characters among the ongoing survivors.

This sixth film is set in the very different urban milieu of New York City. Which, along with a smart graphic whereby the last three quarters of the letter ‘M’ are coloured red to turn into the Roman numeral VI, may entice back viewers who had long since given up on the franchise (the ideas got tired after the first couple of films).… Read the rest

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Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest

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Bodies Bodies Bodies

Director – Halina Reijn – 2022 – US – Cert. 15 – 94m

*

A make-believe party game of murder turns into horrifying reality when pretend dead bodies turn out to be really dead and the genuine body count continues to mount – out in UK cinemas on Friday, September 9th

Five women, three couples, two exes, one single. Seven people. Six twentysomethings. They gather in the house of one of their number David (Peter Davidson), whose absent parents are rich and the house and grounds reflect that. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) have been together maybe six weeks. David and Emma (Chase Sui Wonders) longer. Alice (Rachel Sennott) and fortysomething Greg (Lee Pace) a mere two weeks. Jordan (Myha’la Herrold) is not coupled.

This is a hurricane party – a party held following a hurricane warning where power outages are likely, so people gather together to pool their perishable resources e.g. food from switched off fridges and avoid the need to travel over several days. The script assumes the audience knows all this, but to people living outside the US this may be a completely new concept; the script here makes much use of power outages but completely fails to exploit the shared resources and lack of travel aspects of the phenomenon.… Read the rest

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Get Carter
(1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest