Categories
Features Live Action Movies

Bad Luck Banging Or Loony Porn (Babardeală cu Bucluc sau Porno Balamuc)

Director – Radu Jude – 2021 – Romania – Cert. 18 – 106m

*****

A teacher becomes the subject of controversy after her husband’s private sex tape is posted online – on BFI Player Subscription from Friday, April 1st

Park your prejudices at the door! The opening three or so minutes of this will surprise or possibly even shock you – basically, hard core, live action genital sex images of a man and a woman, no holds barred. Real, not simulated. And real in other senses too – banging… knocking… (oh God, double entendres, can’t see how to avoid them here) on the door as our couple go at it… Her mother, one imagines, heard through the wall… “Emi, are you asleep” – Emi’s reply, “please leave us alone” – her mother again, “the little one hasn’t sanitised”…

Yes, it’s the world of immediate, post-lockdown pandemic, with people wearing masks and social distancing (or not, if they don’t get it). That wasn’t in the script but when director Jude was shooting in Bucharest: Romania was coming out of lockdown, and he decided to incorporate that into his film. Most contemporary films pretend we’re in a world where Covid-19 never happened or isn’t happening, so we just carry on as normal.… Read the rest

Categories
Features Live Action Movies Music

Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest