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Jeanne du Barry
(Jeanne du Barry)

Director – Maïwenn – 2023 – France – Cert. 15 – 117m

***1/2

A commoner works her way into the King of France’s affections and becomes a member of the aristocracy – out in UK cinemas on Friday, April 19th

Born of the illicit union between a monk and a cook, the latter (Marianne Basler) taken in along with her daughter by the kindly M. Dumousseaux (Robin Renuchi) who ensures the child gets a decent education, Jeanne (Maïwenn) quickly realises her only viable career options are cooking, which she has no intention of pursuing, and harlotry. Before long, favoured client Compte Jean du Barry suggests to her that she should meet the King. To achieve this, she would need to become part of the King’s court for which a title is required, so she marries Jean in order to become the Countess du Barry and be presented to the King, Louis XV (Johnny Depp) .

Catching his majesty’s eye and favour, she is invited to his apartment, like many other women before or after her (although one suspects there were more before than after). Before meeting him alone, she is schooled in royal etiquette by the King’s trusted, right-hand man La Borde (Benjamin Lavernhe).… Read the rest

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Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

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Men

Director – Alex Garland – 2022 – UK – Cert. 15 – 100m

***

An urban woman dealing with separation and bereavement encounters several men with the same face in an English village – out in cinemas on Wednesday, June 1st

A face passes before the eyes of Harper (Jessie Buckley) as her husband James (Paapa Essiedu) falls to his death from the balcony above their London flat. It’s the Spring. She drives to a house in the country – strictly speaking, in a small rural village – which she’s rented for two weeks to get away from it all.

There, she meets well-to-do landlord Geoffrey (Rory Kinnear) who shows her round the property and hands over the keys. He’s an affable and chivalrous sort of chap who insists of bringing her bags in from the car and can’t stop talking; he might have walked straight in from the previous century or even the one before. He mentions that the TV reception can be a bit iffy, especially when it’s raining, and also recommends a visit to the village pub.

She’s glad when he’s left and promptly calls her partner Riley (Gayle Rankin), who she will be in touch with this way on and off throughout the narrative and who will eventually drive over to see her, the only time we ever see Riley in the flesh.… Read the rest